Friday, October 14, 2016

Friday's Film Adaption: The Turn of the Screw by Henry James


Summary:
A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...An estate haunted by a beckoning evil.

Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls...

But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil.

For they want the walking dead as badly as the dead want them.



The story had held us, round the fire, sufficiently breathless, but except the obvious remark that it was gruesome, as on Christmas Eve in an old house a strange tale should essentially be, I remember no comment uttered till somebody happened to note it as the only case he had met in which such a visitation had fallen on a child. The case, I may mention, was that of an apparition in just such an old house as had gathered us for the occasion—an appearance, of a dreadful kind, to a little boy sleeping in the room with his mother and waking her up in the terror of it; waking her not to dissipate his dread and soothe him to sleep again, but to encounter also herself, before she had succeeded in doing so, the same sight that had shocked him. It was this observation that drew from Douglas—not immediately, but later in the evening—a reply that had the interesting consequence to which I call attention. Some one else told a story not particularly effective, which I saw he was not following. This I took for a sign that he had himself something to produce and that we should only have to wait. We waited in fact till two nights later; but that same evening, before we scattered, he brought out what was in his mind.

“I quite agree—in regard to Griffin’s ghost, or whatever it was—that its appearing first to the little boy, at so tender an age, adds a particular touch. But it’s not the first occurrence of its charming kind that I know to have been concerned with a child. If the child gives the effect another turn of the screw, what do you say to two children—?”

“We say of course,” somebody exclaimed, “that two children give two turns! Also that we want to hear about them.”

I can see Douglas there before the fire, to which he had got up to present his back, looking down at this converser with his hands in his pockets. “Nobody but me, till now, has ever heard. It’s quite too horrible.” This was naturally declared by several voices to give the thing the utmost price, and our friend, with quiet art, prepared his triumph by turning his eyes over the rest of us and going on: “It’s beyond everything. Nothing at all that I know touches it.”

I can see Douglas there before the fire, to which he had got up to present his back, looking down at this converser with his hands in his pockets. “Nobody but me, till now, has ever heard. It’s quite too horrible.” This was naturally declared by several voices to give the thing the utmost price, and our friend, with quiet art, prepared his triumph by turning his eyes over the rest of us and going on: “It’s beyond everything. Nothing at all that I know touches it.”

“For sheer terror?” I remember asking.

He seemed to say it wasn’t so simple as that; to be really at a loss how to qualify it. He passed his hand over his eyes, made a little wincing grimace. “For dreadful—dreadfulness!”

“Oh how delicious!” cried one of the women.

He took no notice of her; he looked at me, but as if, instead of me, he saw what he spoke of. “For general uncanny ugliness and horror and pain.”

“Well then,” I said, “just sit right down and begin.”

He turned round to the fire, gave a kick to a log, watched it an instant. Then as he faced us again: “I can’t begin. I shall have to send to town.” There was a unanimous groan at this, and much reproach; after which, in his preoccupied way, he explained. “The story’s written. It’s in a locked drawer—it has not been out for years. I could write to my man and enclose the key; he could send down the packet as he finds it.” It was to me in particular that he appeared to propound this—appeared almost to appeal for aid not to hesitate. He had broken a thickness of ice, the formation of many a winter; had had his reasons for a long silence. The others resented postponement, but it was just his scruples that charmed me. I adjured him to write by the first post and to agree with us for an early hearing; then I asked him if the experience in question had been his own. To this his answer was prompt. “Oh thank God, no!”

“And is the record yours? You took the thing down?”

“Nothing but the impression. I took that here”—he tapped his heart. “I’ve never lost it.”

“Then your manuscript—?”

“Is in old faded ink and in the most beautiful hand.” He hung fire again. “A woman’s. She has been dead these twenty years. She sent me the pages in question before she died.” They were all listening now, and of course there was somebody to be arch, or at any rate to draw the inference. But if he put the inference by without a smile it was also without irritation. “She was a most charming person, but she was ten years older than I. She was my sister’s governess,” he quietly said. “She was the most agreeable woman I’ve ever known in her position; she’d have been worthy of any whatever. It was long ago, and this episode was long before. I was at Trinity, and I found her at home on my coming down the second summer. I was much there that year—it was a beautiful one; and we had, in her off-hours, some strolls and talks in the garden—talks in which she struck me as awfully clever and nice. Oh yes; don’t grin: I liked her extremely and am glad to this day to think she liked me too. If she hadn’t she wouldn’t have told me. She had never told any one. It wasn’t simply that she said so, but that I knew she hadn’t. I was sure; I could see. You’ll easily judge why when you hear.”

“Because the thing had been such a scare?”

He continued to fix me. “You’ll easily judge,” he repeated: “you will.”
I fixed him too. “I see. She was in love.”

He laughed for the first time. “You are acute. Yes, she was in love. That is she had been. That came out—she couldn’t tell her story without its coming out. I saw it, and she saw I saw it; but neither of us spoke of it. I remember the time and the place—the corner of the lawn, the shade of the great beeches and the long hot summer afternoon. It wasn’t a scene for a shudder; but oh—!” He quitted the fire and dropped back into his chair.

“You’ll receive the packet Thursday morning?” I said.

“Probably not till the second post.”

“Well then; after dinner—”

“You’ll all meet me here?” He looked us round again. “Isn’t anybody going?” It was almost the tone of hope.

“Everybody will stay!”

“I will—and I will!” cried the ladies whose departure had been fixed. Mrs. Griffin, however, expressed the need for a little more light. “Who was it she was in love with?”

“The story will tell,” I took upon myself to reply.

“Oh I can’t wait for the story!”

“The story won’t tell,” said Douglas; “not in any literal vulgar way.”

“More’s the pity then. That’s the only way I ever understand.”

“Won’t you tell, Douglas?” somebody else enquired.

He sprang to his feet again. “Yes—tomorrow. Now I must go to bed. Good-night.” And, quickly catching up a candlestick, he left us slightly bewildered. From our end of the great brown hall we heard his step on the stair; whereupon Mrs. Griffin spoke. “Well, if I don’t know who she was in love with I know who he was.”

“She was ten years older,” said her husband.

“Raison de plus—at that age! But it’s rather nice, his long reticence.”

“Forty years!” Griffin put in.

“With this outbreak at last.”

“The outbreak,” I returned, “will make a tremendous occasion of Thursday night”; and every one so agreed with me that in the light of it we lost all attention for everything else. The last story, however incomplete and like the mere opening of a serial, had been told; we handshook and “candlestuck,” as somebody said, and went to bed.

I knew the next day that a letter containing the key had, by the first post, gone off to his London apartments; but in spite of—or perhaps just on account of—the eventual diffusion of this knowledge we quite let him alone till after dinner, till such an hour of the evening in fact as might best accord with the kind of emotion on which our hopes were fixed. Then he became as communicative as we could desire, and indeed gave us his best reason for being so. We had it from him again before the fire in the hall, as we had had our mild wonders of the previous night. It appeared that the narrative he had promised to read us really required for a proper intelligence a few words of prologue. Let me say here distinctly, to have done with it, that this narrative, from an exact transcript of my own made much later, is what I shall presently give. Poor Douglas, before his death—when it was in sight—committed to me the manuscript that reached him on the third of these days and that, on the same spot, with immense effect, he began to read to our hushed little circle on the night of the fourth. The departing ladies who had said they would stay didn’t, of course, thank heaven, stay: they departed, in consequence of arrangements made, in a rage of curiosity, as they professed, produced by the touches with which he had already worked us up. But that only made his little final auditory more compact and select, kept it, round the hearth, subject to a common thrill.

The first of these touches conveyed that the written statement took up the tale at a point after it had, in a manner, begun. The fact to be in possession of was therefore that his old friend, the youngest of several daughters of a poor country parson, had at the age of twenty, on taking service for the first time in the schoolroom, come up to London, in trepidation, to answer in person an advertisement that had already placed her in brief correspondence with the advertiser. This person proved, on her presenting herself for judgement at a house in Harley Street that impressed her as vast and imposing—this prospective patron proved a gentleman, a bachelor in the prime of life, such a figure as had never risen, save in a dream or an old novel, before a fluttered anxious girl out of a Hampshire vicarage. One could easily fix his type; it never, happily, dies out. He was handsome and bold and pleasant, off-hand and gay and kind. He struck her, inevitably, as gallant and splendid, but what took her most of all and gave her the courage she afterwards showed was that he put the whole thing to her as a favour, an obligation he should gratefully incur. She figured him as rich, but as fearfully extravagant—saw him all in a glow of high fashion, of good looks, of expensive habits, of charming ways with women. He had for his town residence a big house filled with the spoils of travel and the trophies of the chase; but it was to his country home, an old family place in Essex, that he wished her immediately to proceed.

He had been left, by the death of his parents in India, guardian to a small nephew and a small niece, children of a younger, a military brother whom he had lost two years before. These children were, by the strangest of chances for a man in his position—a lone man without the right sort of experience or a grain of patience—very heavy on his hands. It had all been a great worry and, on his own part doubtless, a series of blunders, but he immensely pitied the poor chicks and had done all he could; had in particular sent them down to his other house, the proper place for them being of course the country, and kept them there from the first with the best people he could find to look after them, parting even with his own servants to wait on them and going down himself, whenever he might, to see how they were doing. The awkward thing was that they had practically no other relations and that his own affairs took up all his time. He had put them in possession of Bly, which was healthy and secure, and had placed at the head of their little establishment—but belowstairs only—an excellent woman, Mrs. Grose, whom he was sure his visitor would like and who had formerly been maid to his mother. She was now housekeeper and was also acting for the time as superintendent to the little girl, of whom, without children of her own, she was by good luck extremely fond. There were plenty of people to help, but of course the young lady who should go down as governess would be in supreme authority. She would also have, in holidays, to look after the small boy, who had been for a term at school—young as he was to be sent, but what else could be done?—and who, as the holidays were about to begin, would be back from one day to the other. There had been for the two children at first a young lady whom they had had the misfortune to lose. She had done for them quite beautifully—she was a most respectable person—till her death, the great awkwardness of which had, precisely, left no alternative but the school for little Miles. Mrs. Grose, since then, in the way of manners and things, had done as she could for Flora; and there were, further, a cook, a housemaid, a dairywoman, an old pony, an old groom and an old gardener, all likewise thoroughly respectable.

So far had Douglas presented his picture when some one put a question. “And what did the former governess die of? Of so much respectability?”

Our friend’s answer was prompt. “That will come out. I don’t anticipate.”

“Pardon me—I thought that was just what you are doing.”

“In her successor’s place,” I suggested, “I should have wished to learn if the office brought with it—”

“Necessary danger to life?” Douglas completed my thought. “She did wish to learn, and she did learn. You shall hear tomorrow what she learnt. Meanwhile of course the prospect struck her as slightly grim. She was young, untried, nervous; it was a vision of serious duties and little company, of really great loneliness. She hesitated—took a couple of days to consult and consider. But the salary offered much exceeded her modest measure, and on a second interview she faced the music, she engaged.” And Douglas, with this, made a pause that, for the benefit of the company, moved me to throw in--

“The moral of which was of course the seduction exercised by the splendid young man. She succumbed to it.”

He got up and, as he had done the night before, went to the fire, gave a stir to a log with his foot, then stood a moment with his back to us. “She saw him only twice.”

“Yes, but that’s just the beauty of her passion.”

A little to my surprise, on this, Douglas turned round to me. “It was the beauty of it. There were others,” he went on, “who hadn’t succumbed. He told her frankly all his difficulty--that for several applicants the conditions had been prohibitive. They were somehow simply afraid. It sounded dull--it sounded strange; and all the more so because of his main condition.”

“Which was—?”

“That she should never trouble him—but never, never: neither appeal nor complain nor write about anything; only meet all questions herself, receive all moneys from his solicitor, take the whole thing over and let him alone. She promised to do this, and she mentioned to me that when, for a moment, disburdened, delighted, he held her hand, thanking her for the sacrifice, she already felt rewarded.”

“But was that all her reward?” one of the ladies asked.

“She never saw him again.”

“Oh!” said the lady; which, as our friend immediately again left us, was the only other word of importance contributed to the subject till, the next night, by the corner of the hearth, in the best chair, he opened the faded red cover of a thin old-fashioned gilt-edged album. The whole thing took indeed more nights than one, but on the first occasion the same lady put another question. “What’s your title?”

“I haven’t one.”

“Oh I have!” I said. But Douglas, without heeding me, had begun to read with a fine clearness that was like a rendering to the ear of the beauty of his author’s hand.

Film
A governess convinces herself the children in her charge are haunted.
Release Date: November 24, 1961(London)
December 25, 1961(United States)
Release Time:  100 minutes

Cast:
Deborah Kerr as Miss Giddens
Michael Redgrave as The Uncle
Peter Wyngarde as Peter Quint
Megs Jenkins as Mrs. Grose
Martin Stephens as Miles
Pamela Franklin as Flora
Clytie Jessop as Miss Jessel
Isla Cameron as Anna

Awards:
1961 British Academy of Film and Television Arts
Jack Clayton - Best British Film - Nominated

1961 Directors Guild of America
Jack Clayton - Best Director - Nominated



Author Bio:
Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting.

James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.


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Cover Reveal: The Deck of Cards Killer by Lisa Bilbrey

Title: The Deck of Cards Killer
Author: Lisa Bilbrey
Series: Zoe Mack #1
Genre: Contemporary Romantic Suspense
Expected Release Date: November 1, 2016
Cover Design: The Graphics Shed
Summary:
With a trail of murdered women leading up the west coast, Zoe Mack gets an unexpected invitation to work with the Federal Bureau of Investigation. Zoe’s arrival to the FBI is less than ideal, however, and she struggles to find her place on the team. Her new partner isn’t helping. Jeremiah Johnson makes it clear that he doesn’t want or need someone like her — someone with a past tied to their suspect.

She has personal knowledge about their killer, and accepts this chance to get her feet inside the door, even if that means working with her ex-partner Elijah Stone. A brutal attack tore them apart, their friendship still strained by pain and anger.

Zoe vows to close their case and end the reign of terror that has haunted her, even if that means she loses herself along the way.


“What’s so funny?” Zoe asked, knowing he’d heard everything said between the two of them thanks to the wire she was sporting.

“You just love antagonizing them, don’t you, Mack?”

“I do,” she admitted with a nod. “I’ll get the paperwork done in the morning, if that’s okay.”

Captain Nelson smiled. “Sure you’re all right?”

“Yeah, I’m fine,” she insisted.

Captain nodded. “I’ll see you first thing in the morning then.”

Zoe agreed with a tilt of her head and looked back over at Donald, who was being loaded into the backseat of a black and white, but her attention was pulled to the man leaning against the back the police car: Jax Shaw. He stared at her, a look of yearning on his face, a look she couldn’t return.

Once upon a time — and not that long ago — he’d been her comfort, her solace from a world that overwhelmed her. But not anymore, not after he betrayed her like many others in her life had. So, rather than allowing herself to let him hold her, she turned and walked in the other direction.

Twenty minutes later, and a stop at the corner market for a few groceries, including a nice, cheap bottle of wine, Zoe was trudging up the steps of the three story brownstone she had called home for the last six years.

As she dug her keys out of her purse, Zoe shifted her eyes to the small, two inch by three inch business card that had been taped to her door. In large, gold letters the words: Federal Bureau of Investigation. And below that was the name: Special Agent Elijah Stone. Beneath his name were his work number, his cell number, and three words that had been handwritten: I need you.

Author Bio:
Obsessive, compulsive, slightly crazed, but enough about her personality. First and foremost, Lisa Bilbrey is a mom to three and a wife to one. She loves to write, and spends the majority of everyday writing. It's who she is, and what she's meant to be doing. Words are her life, the air she breathes, and the nutrients of her soul.

Finding a love in the written word, Lisa Bilbrey started writing as a way to express herself and let her voice be heard. From the first word she wrote, she'd found her heart and soul.Always willing to learn, she's spends much of her time trying to improve as a storyteller.


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