Title: And the Beagle Makes Three
Author: Geoffrey Knight
Genre: M/M Romance, Comedy
Release Date: April 12, 2018
Summary:When Stuart Summerfield finally realized he was gay, he knew that telling his beloved wife Claire would be one of the hardest, most heartbreaking things he would ever do. Unfortunately Stu’s coming out wasn’t simply heartbreaking… it had the most unexpected and tragic consequences imaginable.
Now, almost one year after the car accident that took Claire’s life, Stu has buried himself in his work to push through the pain and guilt while doing his best to raise, Atticus, their young son, who has himself handled his grief in his own unique way. While getting by one day at a time proves difficult enough, it never crossed Stu’s mind that the family’s annual weekend away at the lakeside home of his sister-in-law, Bethany, would still go ahead now that Claire was gone.
Atticus, however, has other ideas. With his loyal beagle Digby by his side, Atty makes a phone call to Aunt Bethany in an effort to keep the family tradition alive, no matter what chaos and calamity might ensue.
And so over the course of one weekend filled with commotion—and emotion—Stu and Atty are about to learn that healing can open up your heart, that grief can sometimes be good, and that nobody travels the road to recovery alone.
Atty sat on a chair outside the principal’s office. He turned his head when he saw a flash of daylight reflect on the well-mopped floors as the door at the end of the corridor opened and his father come running toward him.
Stu practically slid to his knees in front of his son, grabbing Atty’s arms, feeling his forehead, looking for any bruises from bullies or red marks on Atty’s knuckles on the off-chance he’d fought back.
“Atty? Buddy, you okay? What’s happened?”
Atticus gave his father a concerned look and said quietly, “Dad, I made the whole class cry.”
“What do you mean you made the whole class cry? Why? How?”
“I didn’t mean to. I don’t think they liked my presentation.”
“What presentation? You didn’t tell me you had a presentation.”
“You were busy, I didn’t wanna bother you. I’ve never failed an assignment before. What do you think it feels like to get an F?”
Stu gave Atty a tight, long hug. “It’s okay to get an F once in a while. Nobody’s perfect all of the time, Atty.”
At that moment, the door to Principal Parsons’s office opened.
“Ah, Mr. Summerfield. I thought I heard your voice. Would you mind stepping inside?”
Principal Parsons gestured for Stu to enter the office, but as Atty moved to follow his father the principal held up his hand. “You can stay here for the moment, Atty. We’d like to have a word with your father in private. We won’t be long.” The door clicked shut and Atty took his seat and waited.
Inside Principal Parsons’s office, Mrs. Tilbury was already waiting for Stu to join them.
“Mr. Summerfield, it’s nice to see you again.” Mrs. Tilbury shook Stu’s hand but had trouble looking him in the eye.
“Is this about the beagle again?” Stu asked, taking the spare seat as Principal Parsons gestured to it.
“Yes, and we’re concerned the problem isn’t going away,” the principal answered. “It seems to be in complete contrast with the way Atticus appears to be working through his issues creatively.”
Stu shook his head. “I don’t understand.”
Mrs. Tilbury sat forward. “A few weeks ago, the children were given an assignment. They were asked to put together a presentation in any medium or format they liked, so long as it covered the topic of ‘The Story of My Life So Far’.” She took a breath and lost eye contact with Stu once more. “Naturally, given the last year that Atticus has had—”
“Eleven months,” Stu interrupted quietly. “It’s been eleven months.”
Mrs. Tilbury cleared her throat and continued. “Given the last eleven months that Atticus has been through, I gave him the option not to participate, but he insisted on putting together a presentation.”
“Was it bad? Did he do something wrong?”
Principal Parsons and Mrs. Tilbury exchanged glances before Parsons said, “Why don’t you see for yourself. If you wouldn’t mind turning your chair around.”
It was only then that Stu noticed the film projector facing the back wall of the office. Mrs. Tilbury switched off the lights and set the projector running, the rickety film of Atty’s presentation jerking into motion.
Stu practically slid to his knees in front of his son, grabbing Atty’s arms, feeling his forehead, looking for any bruises from bullies or red marks on Atty’s knuckles on the off-chance he’d fought back.
“Atty? Buddy, you okay? What’s happened?”
Atticus gave his father a concerned look and said quietly, “Dad, I made the whole class cry.”
“What do you mean you made the whole class cry? Why? How?”
“I didn’t mean to. I don’t think they liked my presentation.”
“What presentation? You didn’t tell me you had a presentation.”
“You were busy, I didn’t wanna bother you. I’ve never failed an assignment before. What do you think it feels like to get an F?”
Stu gave Atty a tight, long hug. “It’s okay to get an F once in a while. Nobody’s perfect all of the time, Atty.”
At that moment, the door to Principal Parsons’s office opened.
“Ah, Mr. Summerfield. I thought I heard your voice. Would you mind stepping inside?”
Principal Parsons gestured for Stu to enter the office, but as Atty moved to follow his father the principal held up his hand. “You can stay here for the moment, Atty. We’d like to have a word with your father in private. We won’t be long.” The door clicked shut and Atty took his seat and waited.
Inside Principal Parsons’s office, Mrs. Tilbury was already waiting for Stu to join them.
“Mr. Summerfield, it’s nice to see you again.” Mrs. Tilbury shook Stu’s hand but had trouble looking him in the eye.
“Is this about the beagle again?” Stu asked, taking the spare seat as Principal Parsons gestured to it.
“Yes, and we’re concerned the problem isn’t going away,” the principal answered. “It seems to be in complete contrast with the way Atticus appears to be working through his issues creatively.”
Stu shook his head. “I don’t understand.”
Mrs. Tilbury sat forward. “A few weeks ago, the children were given an assignment. They were asked to put together a presentation in any medium or format they liked, so long as it covered the topic of ‘The Story of My Life So Far’.” She took a breath and lost eye contact with Stu once more. “Naturally, given the last year that Atticus has had—”
“Eleven months,” Stu interrupted quietly. “It’s been eleven months.”
Mrs. Tilbury cleared her throat and continued. “Given the last eleven months that Atticus has been through, I gave him the option not to participate, but he insisted on putting together a presentation.”
“Was it bad? Did he do something wrong?”
Principal Parsons and Mrs. Tilbury exchanged glances before Parsons said, “Why don’t you see for yourself. If you wouldn’t mind turning your chair around.”
It was only then that Stu noticed the film projector facing the back wall of the office. Mrs. Tilbury switched off the lights and set the projector running, the rickety film of Atty’s presentation jerking into motion.
What is the biggest influence/interest that brought you to this genre?
When I started writing gay fiction about 12 years ago, there was a real gap in the market. Before that I was writing more traditional, heterosexual fiction, but as a gay man I realized I wanted to read stories I could relate to. And so I started writing the kind of books that, as a gay man, I wanted to read. I began with gay adventure. When I was a young boy growing up gay, I was desperate to read stories and see movies with adventure heroes I could truly aspire to. I always wondered why the hero had to get the girl in the end; I was desperate for the hero to get the guy in the end. When I wrote my first gay adventure novel The Cross of Sins I honestly thought I was writing it just for myself, I thought ‘Nobody would ever want to read this’. Obviously I was wrong because the book sold. Now, 12 years later, it’s still selling well and I’m about to release the fifth book in the series in a couple of months. Now I write all kinds of gay fiction genres – romance, adventures, coming-of-age dramas, romantic-comedies. I love writing all types of stories, so long as I’m adding to the canon of gay characters in fiction, that’s what really matters to me.
When writing a book, what is your favorite part of the creative process (outline, plot, character names, editing, etc)?
Definitely NOT editing – that’s what editors are for, thank goodeness! I do, however, love the outlining process, creating the story, building strong characters and figuring out the journey they’re about to go on. I could sit and come up with storylines and characters all day long! I also love coming up with character names. It sounds silly, but a name can really make or break a character. The name has to suit their persona and journey, whether they’re a hero, a villain or a lovelorn hopeless romantic.
When reading a book, what genre do you find most interesting/intriguing?
I love them all, so long as the characters are worth investing in. It’s the same with my writing. Sometimes I’m in the mood for something light and breezy, sometimes I’m in the mood for some thrills, and sometimes I’m in the mood for something that will reach deep into my heart.
If you could co-author with any author, past or present, who would you choose?
Oh, I love Patricia Highsmith’s work. She was an author in the 1950s who was one of the first American authors to really explore the theme and effects of homosexuality, but she did it in such a thrilling way. The Talented Mr. Ripley and The Price of Salt are such extraordinary books, she was truly ahead of her time!
Have you always wanted to write or did it come to you "later in life"?
I’ve been writing stories for as long as I can remember. As a kid my family moved around a lot (and I mean, a LOT! I’m 48 years old and I’m currently living in my 47th home. You can do the math). So I spent most of my childhood making up my own friends in the characters and stories I wrote. When I was 21 I wrote my first full-length novel which was a whopping 700 pages long. I learned to write with restraint after that. I have no doubt I’ll be writing stories all the way to the grave. Let’s hope that’s a long way off!
Geoffrey Knight is the author of more than 30 gay fiction novels, novellas and short stories, ranging in genre from gay adventure, gay romance, gay suspense and gay comedies. He is the recipient of two Rainbow Awards including Best Mystery Winner and Best Overall Gay Fiction Runner-up. His work has been featured in several anthologies including Best Gay Erotica 2013, and he appeared as Guest of Honor at the inaugural Rainbow Con in Florida, 2014.
Geoffrey has worked in advertising, politics and journalism, but nothing is as fun as telling stories. He lives with his partner, their baby daughter, two dogs and two cats in a rambling old house in North Queensland, Australia, where the paint is fraying and life is good.
EMAIL: skipnrope@iinet.net.au