**Blogger Note: There were two different books listed as "based on" for Wedding Veil. This book was listed in 3 articles and There Goes the Bride: Wedding Veil Wishes Book 1 by Lori Wilde is listed in 2. Since The Wedding Veil by Kristy Woodson Harvey has more mentions and the description is closer to the films I chose to focus this adaptation post on Harvey's book. If anyone knows for certain which it is please comment and let me know.**
This “masterfully woven…literary home run” (New York Journal of Books) follows four women across generations, bound by a beautiful wedding veil and a connection to the famous Vanderbilt family from the New York Times bestselling author of the Peachtree Bluff series.
Four women. One family heirloom. A secret connection that will change their lives—and history as they know it.
Present Day: Julia Baxter’s wedding veil, bequeathed to her great-grandmother by a mysterious woman on a train in the 1930s, has passed through generations of her family as a symbol of a happy marriage. But on the morning of her wedding day, something tells her that even the veil’s good luck isn’t enough to make her marriage last forever. Overwhelmed, she escapes to the Virgin Islands to clear her head.
Meanwhile, her grandmother, Babs, is also feeling shaken. Still grieving the death of her beloved husband, she decides to move into a retirement community. Though she hopes it’s a new beginning, she does not expect to run into an old flame, dredging up the same complicated emotions she felt a lifetime ago.
1914: Socialite Edith Vanderbilt is struggling to manage the luxurious Biltmore Estate after the death of her cherished husband. With 250 rooms to oversee and an entire village dependent on her family to stay afloat, Edith is determined to uphold the Vanderbilt legacy—and prepare her free-spirited daughter Cornelia to inherit it—despite her family’s deteriorating financial situation. But Cornelia has dreams of her own, and as she explores more of the rapidly changing world around her, she’s torn between upholding tradition and pursuing the exciting future that lies beyond Biltmore’s gilded gates.
In the vein of Therese Anne Fowler’s A Well-Behaved Woman and Jennifer Robson’s The Gown, The Wedding Veil is “a sparkling, fast-paced joy of a book that celebrates love, family, and the right to shape one’s own destiny” (Kristin Harmel, New York Times bestselling author).
PROLOGUE Magic June 5, 1879
Six-year-old Edith Dresser’s skates moved heavily, as if she were rolling through sand, across the patterned wool rug in her mother Susan’s bedroom. She lived for moments like this, when she had her vivacious, beautiful mother all to herself while her three sisters continued their skating downstairs in the dining room. Usually, her mother’s lady’s maid would have helped Susan get ready for the party she was attending this evening, but she wasn’t feeling well. So instead, Edith stood—her skates making her taller—admiring the rows of frocks for every occasion in her mother’s closet.
“Do you think the pink for tonight, darling?” Susan asked. Edith tried to focus on her mother, but her child’s eyes wandered to the back corner of the narrow closet. “I love pink, Mama,” Edith said as she clomped ungracefully to a garment she knew well. With a tentative finger, she traced the lace on the edge of her favorite piece, the one she and her sisters loved to try on most: her mother’s wedding veil.
Susan turned and smiled, watching her daughter study one of her most prized possessions. In a burst of energy, she moved behind Edith, swept the long veil off its hanger, and motioned for Edith to follow her. In the light and opulence of her bedroom, Susan placed the cherished Juliet cap on her small daughter’s head, gently touching the rows of pearls at the bottom. She smiled.
“Just look at you, my girl,” Susan said as she arranged the lace-edged tulle around her daughter’s shoulders, the contrast great against her gray wool dress. Edith stood as still as one of the statues in the yard, holding her breath so she couldn’t possibly damage the veil.
Staring into the mirror, Edith felt transformed. It was still her reflection looking back at her, in her usual outfit with her favorite roller skates. But, somehow, she was completely different.
Susan bent down until her eyes locked with her daughter’s in the mirror. “One day,” she said, “when you are quite grown up and find a man you love very much, you will wear this veil just like I did when I married Daddy.”
Edith watched her own eyes go wide, imagining. Then she scrunched her nose. “But I want to stay with you, Mama.” Edith knew that, in other houses like hers, little girls were supposed to be seen and not heard. They weren’t allowed to roller skate inside and certainly weren’t permitted to play dress-up in their mother’s elegant clothes. Why would Edith ever want to leave a mother who let her keep a dozen pet turtles in the yard?
Susan laughed, moving in front of her daughter to adjust the veil again. She wrapped her in a hug and said, “No, Edi. You are going to find a wonderful man and be the most beautiful bride. Daddy will be there to walk you down the aisle, your sisters will stand beside you as your bridesmaids, and I will sniffle into my handkerchief and wipe my eyes because I will be so proud and happy.”
Edith was confused. “If you’re happy, why would you cry?”
“Because that’s what mothers do at their daughters’ weddings.”
Edith studied her mother, trying to think if she had ever seen her cry from happiness. She couldn’t remember a time, but, then again, Mama had a whole life that didn’t involve Edith, many hours that she would never see. And she figured that Mama liked living with Daddy, along with Edith and her sisters Susan, Pauline, and Natalie. So perhaps Edith would come to like having a family of her own as well. But she had conditions. Thinking of her favorite storybook, Cinderella, she said, “If I’m going to get married, I think I’d like to be a princess.”
Susan laughed delightedly. “Yes, yes. You, most certainly, will be a princess. You will live in a castle with many acres to roam to stretch your legs and plenty of fresh air to fill your lungs. You will have your own lady’s maid and a nursery full of lovely children. You will find a husband who will love you more than the stars, who will give you the earth and everything on it.”
This gave Edith a wonderful idea. “Can I marry Daddy, Mama?”
Susan smiled indulgently. “Well, I’m married to Daddy. But you will find a man just like Daddy, who is kind and handsome and loves you very much. And he will take care of you like Daddy takes care of me.”
Edith nodded. Becoming a bride suddenly seemed very, very important. She looked back at herself in the mirror, at how beautiful the veil was and, when she was wearing it, how beautiful she became. “Is this a magic wedding veil, Mama?” Edith asked.
Susan nodded enthusiastically. “Why yes, darling,” she whispered. “You have discovered the secret. Once you wear it on your wedding day, you will be happy forever.”
Edith, looking at herself one last time, wondered if she should share this life-changing news with her sisters. But no. That would ruin it somehow. She had a secret with her beloved mother, one to call her very own: The wedding veil was magic. And once she wore it, the fairy-tale life her mother had promised would be hers.
Release Date: January 8, 2022
Release Time: 84 minutes
Director: Terry Ingram
Cast:
Lacey Chabert as Avery
Kevin McGarry as Peter
Autumn Reeser as Emma
Alison Sweeney as Tracy
Fiona Vroom as Lucy
Zachary Gulka as Jason
Catherine Lough Haggquist as Sonya
Karen Kruper as Grace
Christine Willes as Hilda
Greg Rogers as Frederick
Kwesi Ameyaw as Drew
David Kaye as Jeff
Thomas Darya as Ryan
Emily Maddison as Nina
Aiyanna Miorin as Young Girl
Linda Minard as Board Member #1
Stephen Adekolu as Work Man
Amira Anderson as Concierge - San Francisco
Natalie von Rotsburg as Minister
Kristy Woodson Harvey is the New York Times, USA Today and Publisher’s Weekly bestselling author of eleven novels including The Summer of Songbirds and The Peachtree Bluff Series. Many of her books have been optioned or are in development for television and film and have received numerous accolades, including Good Morning America’s Buzz Pick, Southern Living’s Most Anticipated Reads, Katie Couric’s Featured Books, and Joanna Garcia Swisher’s The Happy Place Read. Kristy is the winner of the Lucy Bramlette Patterson Award for Excellence in Creative Writing and a finalist for the Southern Book Prize.
A Phi Beta Kappa, summa cum laude graduate of the University of North Carolina at Chapel Hill’s school of journalism, her writing has appeared in numerous publications, including Southern Living, Parade, Traditional Home, USA TODAY, and many more. She also holds a master’s in English, with a concentration in multicultural and transnational literature.
Kristy is the cocreator and cohost of the weekly web show and podcast Friends & Fiction with fellow New York Times Bestselling authors Mary Kay Andrews, Kristin Harmel, and Patti Callahan Henry. She is also the co-founder of the interiors site Design Chic, with her mom, Beth Woodson.
She lives on the North Carolina coast with her husband, son, and dog, Salt, where she is (always!) working on her next novel.
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Film
👀Amazon US/UK & B&N 6-film Wedding Veil Collection👀
