Friday, September 11, 2026

πŸ‘΄πŸ“˜πŸŽ₯Friday's Film Adaptation(Grandparents Day Week)πŸŽ₯πŸ“˜πŸ‘΅: Anne of Green Gables by by LM Montgomery



Summary:

Eleven-year-old orphan Anne Shirley has just arrived at Green Gables, and already her guardians want to send her back. First, she’s not the boy the Cuthberts expected. Second, she talks too much. And even with her generous spirit, the redhead’s a trouble magnet. She gets the neighbor drunk and nearly poisons the pastor!

Still, despite a rocky start, the fiery Anne wins over her guardians and her new community. She enjoys life at Green Gables, excels in school, and earns a coveted scholarship. But when tragedy hits, Anne must choose between her dreams and the only home she’s ever known.

In this beloved coming-of-age story, Lucy Maud Montgomery drew from her own experiences growing up in Canada during the nineteenth century to introduce generations of readers to one of literature’s most original and inspiring characters.










CHAPTER 1
Mrs. Rachel Lynde is Surprised
Mrs. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies' eardrops and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde's Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde's door without due regard for decency and decorum; it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof.

There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor's business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts – she had knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices – and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St. Lawrence with water on two sides of it, anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel's all-seeing eye.

She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky-white bloom, hummed over by a myriad of bees. Thomas Lynde – a meek little man whom Avonlea people called "Rachel Lynde's husband" – was sowing his late turnip seed on the hill field beyond the barn; and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the evening before in William J. Blair's store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life.

And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, which was plain proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there?

Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn't happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon's enjoyment was spoiled.

"I'll just step over to Green Gables after tea and find out from Marilla where he's gone and why," the worthy woman finally concluded. "He doesn't generally go to town this time of year and he never visits; if he'd run out of turnip seed he wouldn't dress up and take the buggy to go for more; he wasn't driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today."

Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde's Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert's father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place living at all.

"It's just staying, that's what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "It's no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren't much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything, even to being hanged, as the Irishman said."

With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt.

Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment – or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper.

Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables.

"Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?"

Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of – or perhaps because of – their dissimilarity.

Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor.

"We're all pretty well," said Mrs. Rachel. "I was kind of afraid you weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's."

Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity.

"Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight."

If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it.

"Are you in earnest, Marilla?" she demanded when voice returned to her.

"Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation.

Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing!

"What on earth put such a notion into your head?" she demanded disapprovingly.

This had been done without her advice being asked, and must perforce be disapproved.

"Well, we've been thinking about it for some time – all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know – he's sixty – and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said 'no' flat to that. 'They may be all right – I'm not saying they're not – but no London street Arabs for me,' I said. 'Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age – old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today – the mail-man brought it from the station – saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself."

Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news.

"Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish thing – a risky thing, that's what. You don't know what you're getting. You're bringing a strange child into your house and home and you don't know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he's likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night – set it on purpose, Marilla – and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs – they couldn't break him of it. If you had asked my advice in the matter – which you didn't do, Marilla – I'd have said for mercy's sake not to think of such a thing, that's what."

This Job's comforting seemed neither to offend nor to alarm Marilla. She knitted steadily on.

"I don't deny there's something in what you say, Rachel. I've had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It's so seldom Matthew sets his mind on anything that when he does I always feel it's my duty to give in. And as for the risk, there's risks in pretty near everything a body does in this world. There's risks in people's having children of their own if it comes to that – they don't always turn out well. And then Nova Scotia is right close to the Island. It isn't as if we were getting him from England or the States. He can't be much different from ourselves."

"Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don't say I didn't warn you if he burns Green Gables down or puts strychnine in the well – I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance."

"Well, we're not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I'd never dream of taking a girl to bring up. I wonder at Mrs. Alexander Spencer for doing it. But there, she wouldn't shrink from adopting a whole orphan asylum if she took it into her head."

Mrs. Rachel would have liked to stay until Matthew came home with his imported orphan. But reflecting that it would be a good two hours at least before his arrival she concluded to go up the road to Robert Bell's and tell the news. It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to make a sensation. So she took herself away, somewhat to Marilla's relief, for the latter felt her doubts and fears reviving under the influence of Mrs. Rachel's pessimism.

"Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was safely out in the lane. "It does really seem as if I must be dreaming. Well, I'm sorry for that poor young one and no mistake. Matthew and Marilla don't know anything about children and they'll expect him to be wiser and steadier that his own grandfather, if so be's he ever had a grandfather, which is doubtful. It seems uncanny to think of a child at Green Gables somehow; there's never been one there, for Matthew and Marilla were grown up when the new house was built – if they ever were children, which is hard to believe when one looks at them. I wouldn't be in that orphan's shoes for anything. My, but I pity him, that's what."

So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she could have seen the child who was waiting patiently at the Bright River station at that very moment her pity would have been still deeper and more profound.



A romance-minded teenage girl is adopted by a pair of elderly siblings in turn-of-the-century Canada.

Release Date: November 23, 1934
Release Time: 78 minutes

Director: George Nicholls, Jr.

Cast:
Anne Shirley as Anne Shirley
Tom Brown as Gilbert Blythe
Helen Westley as Marilla Cuthbert
O.P. Heggie as Matthew Cuthbert
Sara Haden as Mrs. Rachel Barry
Murray Kinnell as Mr. Phillips
Gertrude Messinger as Diana Barry
Charley Grapewin as Dr. Tatum
Hilda Vaughn as Mrs. Blewett
June Preston as Mrs. Blewett's daughter
George Offerman Jr. as Herbert Root(uncredited)
Paul Stanton as Dr. Terry(uncredited)

Note:
The actress was born Dawn Evelyeen Paris but used the stage name Dawn O'Day prior to this film but officially changed her stage name to "Anne Shirley" after making this film leading up to the release.









LM Montgomery
Lucy Maud Montgomery was a Canadian author, best known for a series of novels beginning with Anne of Green Gables, published in 1908.

Montgomery was born at Clifton, Prince Edward Island, Nov. 30, 1874. She came to live at Leaskdale, north of Uxbridge Ontario, after her wedding with Rev. Ewen Macdonald on July 11, 1911. She had three children and wrote close to a dozen books while she was living in the Leaskdale Manse before the family moved to Norval, Ontario in 1926. She died in Toronto April 24, 1942 and was buried at Cavendish, Prince Edward Island.



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Thursday, September 10, 2026

πŸ‘΄⏳Throwback Thursday's Time Machine(Grandparents Day Week)⏳πŸ‘΅: His Grandfather's Watch by NR Walker




Summary:
It was just an ordinary day for Alex Harper at Harper's Antiquities, until Callum Winters walked in with a watch.

"It was my Grandfather's. I was hoping you could tell me something about it."

A love story of two couples, generations apart.

***Second Edition. Earlier edition released in 2012. No additional content has been added.***




Original Review July 2015:
This novella may be a short quick read but it is more powerful than many full length novels I have read.  I was sitting in my front yard under the shade of my maple tree and was so glad I had sunglasses on because otherwise I probably would have scared the children playing across the street when the tears started running.    The blend of contemporary and historical is perfect for the emotional buildup for the story the watch represents.

The historical part of the watch's tale touched my heart a bit more but I am a bit of a history buff so stories of the past usually do.  As my mother's 24/7 caregiver for the past 20 years, when Callum said "My life hasn't been about me in a long time" really struck a chord because in those 10 words she summed up what every caregiver lives not to mention the kind of man Callum is and the fact that Alex understands it also goes a long way in describing his character as well.

I rarely give novellas a full 5 bookmark rating just because my heart prefers full length stories but this is such a powerful emotional ride that nothing short of the full 5 is fitting.


Re-Read Review September 2018:
I really can't think of a single thing to add to my original review that would express how wonderful this novella is other than, it's shortness may be in the number of pages but not in the quality of the story.  His Grandfather's Watch had me even more teary-eyed now than it did when I first read it three years ago.  It is rare that you get two heart felt love stories in a novella but that is exactly what this little gem brings to the table.

I chose to re-read this now in honor of Grandparents Day but whenever you decide to pick it up you won't regret it and I highly recommend reading this one because not only will you be entertained but you might also learn a thing or two about understanding your family's past.  I know I can honestly say that had I not already been deeply invested in my family genealogy this story would have had me itching to discover my family's past.

RATING:




Chapter One
Sitting in the back room at my desk, with a dismantled 1901 Newman's clock, I heard the bell that chimed every time a customer walked through the door. My dad was behind the counter, and I heard him greet the customer, making small talk, discussing whatever antique it was they'd brought with them.

It's what we did.

My father's love of all things antique grew into this business, Harper's Antiquities. Dad was the expert and Mom did the research, but they both traveled, scouring the globe for their life's passion. My brother Scott did antique furniture restoration, but it wasn't something I ever saw myself doing. Then I started helping out when I was a kid at school, and I found a love of clocks.

It’s my specialty.

I could hear Dad talking to the customer, but didn't pay them any mind until I heard my name.

"Alex?"

Putting down the part in my hand, I walked through to the showroom where I found my father and the customer he was talking to. Very different from my pale skin, black hair and grayish eyes, he was a good looking guy, similar age to me, but with sandy brown, kinda longish hair, tanned skin and blue eyes. He was holding a pocket watch in his hand.

"This is my son, Alex," Dad explained. "He's the expert on watches like yours."

I extended my hand in professional courtesy. "Hello."

"Callum Winters," he said by way of greeting, putting the watch on the counter before shaking my hand. There was an accent, Southern I thought, but I wasn't sure.

Dad waited for us to let go of each other's hands, then he looked at me and smiled. "Callum was just telling me he'd like to know more about this watch."

I looked at the silver watch casing and fob chain, then at its owner. I reached my hand toward the watch, but before I touched it, I asked, "May I?"

"Sure," he nodded.

Picking it up, I could tell a few things from a visual inspection. "This casing was a popular design in the 1940's," I told him. Gently, I opened the casing to reveal the quartz face. "The dial is Hamilton, but I won't know dates or maker for certain, unless I take the back off and look at the movement."

"Could you do that?" he asked. His accent was definitely southern. "I was hoping to know as much about it as I could."

I smiled. "Sure. I'll need to grab some details, and I should be able to look at it in about two days. Then I can tell you everything I know."

Callum nodded. "That'd be great." We looked at each other for a little too long, and I couldn't help but wonder if this cute, Southern man was gay.

Dad seemed to think so, because with a cheeky smirk, he handed me the register log, looked between us and not-so subtly said, "Callum, I'll leave you in Alex's very capable hands." He pointed behind us, "I have... stuff... I need to do out the back."

Callum politely thanked him, and I considered kicking my father in the shins. We were behind the counter, so it's not like Callum would have seen me do it. But Dad must have picked up on the look I gave him, because he smiled, turned quickly and disappeared through the door.

I grabbed a pen, handed Callum the register and asked him to fill in his details. I picked up the watch, turning it over in my hands. It was a nice piece, and I couldn't help but ask, "What do you know about the watch?"

He looked up from the paperwork. "Um, it was my grandfather's. That's about all I know."

He handed me the completed form, and I told him as procedure, I required some ID. Taking out his wallet, he handed me his driver's licence. His Texas driver's licence.

"I just moved here," he said. "I've got my change of address receipt here somewhere."

He started looking through his wallet, and I stopped him. "No, its fine. I just need to sight photo ID, that's all."

He smiled kindly and nodded. "So, two days?"

"Yeah. I'm half way through another job. Then I can look at this, and I'll give you a call when I'm done," I told him. "Is there anything in particular you're looking for?"

He shrugged one shoulder and shook his head. "No, not really. Just dates, make, model... to be honest, I'm not really sure."

As I was putting the watch and paperwork in a paper envelope, I asked him, "Would you like a valuation?"

"No," he said simply. "Monetary value isn't important."

He thanked me, I told him I'd be in touch and he left. When I walked back into the workshop, Dad grinned at me. "He was a nice young man," he said.

"Mom!" I yelled to the upstairs office, where my mother would have undoubtedly had her head in a catalogue. "Dad's trying to set me up again."

She yelled back, "Was he cute?"

Oh for crying out loud.

He was actually, but that's not the point. Dad chuckled at me.
Ignoring him, I sat the pocket watch on my desk and turned my attention back to the clock I was working on.

I managed to ignore both my parents and their comments about cute, brown-haired watch owners until they got bored and left me alone. And I managed to push the thoughts of the pocket watch and its handsome Texan owner out of my mind until it was time to go home.

*****

I arrived back at work a little before nine in the morning and headed straight for my desk, which was more like a workstation, when the paper sleeve holding the pocket watch caught my eye.
I picked it up and took the watch out, feeling the cool, heavy weight of it in my hand. I didn't hear my dad come up behind me, and his voice startled me. "How's Mr. Yeo's clock coming along?"

"Oh, shit! You scared me," I said with a laugh, clutching my heart. Then looking back to the clock I had half done, I told him, "Um, it should be ready by lunchtime tomorrow."

He nodded thoughtfully. "I think you should do the watch instead."
I looked at the pocket watch I was still holding. "Why?"

"Because Mr. Yeo is a collector," he replied with a shrug. "To him that clock is just something else he acquired. Even old Mr. Yeo will tell you that. But this," he pointed to the watch in my hand, "this means something."

Dad smiled at me. "Mr. Yeo can wait a day or two. He won't mind. I'll even phone him myself."

"Are you sure?" I asked.

He nodded. "He wants me to go with him to look at an 18th Century hand-carved Italian rococo centre table he'd seen at an auction house anyway, so I need to speak to him."

"Okay," I agreed. Within twenty minutes, I had Mr. Yeo's clock itemized and put away and the silver pocket watch in front of me.

I made my usual notes as I proceeded detailing. There was nothing remarkable about it, until I removed the back casing.

Because what I found hidden in the back of the pocket watch was unlike anything I'd encountered before.

I took out the client form with Callum Winters' details on it and picked up the phone. "Callum Winters? It's Alex, from Harper Antiquities. I'm calling about your watch."

"Yes?" he answered, unsure.

"Can you come into the store?" I asked. "There's something you need to see."


NR Walker
N.R. Walker is an Australian author, who loves her genre of gay romance. She loves writing and spends far too much time doing it, but wouldn't have it any other way.

She is many things; a mother, a wife, a sister, a writer. She has pretty, pretty boys who she gives them life with words.

She likes it when they do dirty, dirty things...but likes it even more when they fall in love. She used to think having people in her head talking to her was weird, until one day she happened across other writers who told her it was normal.

She’s been writing ever since...


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Wednesday, September 9, 2026

August Book of the Month: Blood and Sand by Jordan L Hawk




Summary:

The Pride #3
War has come to the streets of Chicago…

Sam Cunningham didn’t set out to work for a gangster, but his job as Mickey Sullivan’s hexmaster seems safe enough…until a gang war puts a target on both of their backs.

Cheetah-shifter Alistair Gatti is desperate to keep his family’s speakeasy up and running. But with a brutal assassin killing off the city’s bootleggers, his options are growing slimmer with every passing day.

Their one chance to remain safe and keep The Pride afloat lies in the form of an ancient hex looted from an Egyptian tomb. If Sam wants to escape Sullivan’s grasp, he needs to recreate the hex and get it to work.

But in a gang war fought by magic as well as guns, the odds are in no one’s favor, and the streets of Chicago will soon run red with blood.






Absolutely delicious! I've loved Jordan L Hawk's work since I first ventured into Widdershins waybackwhen and each new book from the author's many series I've dived into, just gets better and better. The Pride's third entry, Blood and Sand is a perfect example of that.

I won't spoil anything so details will be vague, if you follow my reviews then you are well aware of my no spoiler mottoπŸ˜‰. I will say you need to read the series in order, technically you don't really have to read the author's Hexworld series that The Pride connects to but I personally would recommend doing so. It's not a case of plot points or characters crossing over so much as I felt I had a better, more deeper understanding and appreciation of the witch/familiar dynamic and the blending of magic and fact that went into the author's world building, but that's just my take on it.  

Back to Blood and Sand. We see Sam and Allister pick up pretty much where Lion's Tail, book 2, left off. Their relationship is both stronger and weaker due to Sam's employer and its interesting to see that scale trying to balance out. Don't get me wrong, love for each other is never in question. Since reading the second book, I lost my mother and can certainly understand Sam's pull towards what he wants to do(no spoilers #sorrynotsorry) even though the reason behind it is on the complete opposite end of the emotional spectrum.

It's the above eluded to point that I feel earns B&S a "dark elements" label. I've certainly read darker books but there is an ambiguous moral line Sam contemplates that puts it in the dark column, some readers might not quite see it the same but I wanted to put that out there.

There isn't a single thing in this story that is just page filler, every scene, every interaction, every hex, every drink is needed and furthers the story along fluently. I don't know if the author has anymore stories in this series planned, the ending could go either way, but if more come I will definitely read them and if not, I'll enjoy what there is for years to come in revisits.

RATING:




1
Alistair stared down at the dead bootlegger and wished he’d stayed home.

The man—Charlie O’Keefe—sprawled on his back on the deck of his yacht, which was currently tied up at a little marina not too far from Towertown. A single gunshot marked the center of his forehead. Fortunately, the back of his head was against the deck, hiding at least some of the carnage of the much larger exit wound.

Not an unfamiliar sight, Alistair having served on the front lines in France. Though in the war, few casualties were shot at such close range, at least judging from the powder burns on O’Keefe’s skin.

“Must’ve got the jump on him,” Doris observed from where she stood a few feet behind him on the deck. Philip didn’t say anything; he’d taken on snow leopard form and leapt to the bridge’s roof to better survey the area. “There’s no sign of a struggle. He still had a drink in his hand when he went down.”

Indeed, a battered flask lay in O’Keefe’s fingers, liquor pooling beneath it. His assassin had walked right up and shot him in the face. Someone he knew, then.

Whoever had done it, it was bad news for them. O’Keefe was meant to be their new source for booze, since their last bootlegger died in a fiery airplane crash.

So much for that.

“Check below,” Alistair said. “See if the cargo is still intact.”

“Aye-aye, captain.” Doris saluted him; he returned it with his middle finger.

She went below in tiger shape, ready in case of an ambush. Alistair didn’t think she’d find any trouble, though; aside from the gentle slap of waves against the hull, the marina was utterly silent. Autumnal chill had set in, the wind over the lake promising winter, and the best days for pleasure sailing were behind.

He went into cheetah shape to take advantage of his nose. The world took on new dimensions around him, smelling of blood and brains, oil and fuel, salt and algae, snow leopard and tiger, and…

A human, probably a man. And…ink? Did the assassin have a leaky fountain pen?

Either way, it wasn’t going to help him figure out who had put O’Keefe on ice. A rival? A personal grudge? A gang boss who didn’t want the competition?

He hoped it wasn’t the latter, because the only gang in the area was headed by Mickey Sullivan. Who Alistair’s lover—and witch—worked for.

Sullivan wasn’t usually so aggressive when it came to small-time rumrunners. But between the death of his only child and an ongoing war with Isabella Fabiano and her gang, maybe his patience had run short.

“Booze is still here,” Doris called.

Alistair shifted form so he could talk. “Grab the hooch, then we get out of here before anyone else shows up.”

Philip sprang down to the deck and took on human shape. “Just steal it?”

“Not like he’s going to miss it.” Alistair turned his back on O’Keefe’s body, its eyes fixed lifelessly on the clouds above.

Philip shrugged. “We should check to see if it’s tainted.”

“We’ll do it back at The Pride. I don’t want to spend any more time than we have to here. The killer might have friends who are on their way to pick up the liquor right now.”

Philip swore, but it got him moving. The living space below had been converted to a cargo hold filled with crates of illicit liquor. They hauled the crates out, Doris lifting them easily by herself, Philip and Alistair panting and cursing to move them together. As soon as the truck was full, they shut the hatch behind them, leaving what remained.

As they crammed back into the truck, Philip said, “This load won’t get us through the end of the month, Alistair. With O’Keefe bumped off, we need to find a new supplier fast.”

Alistair ground his teeth in frustration. Running a speakeasy in Chicago was good business, but not exactly the most stable way to make a living. They were getting squeezed left and right, and pretty soon their only choice was going to be between serving whatever panther piss Sullivan sold them or packing it all in.

“Don’t worry about it,” he said as Doris steered the truck away from the dock, its lights off so as not to attract attention. “We’ll come up with something. We always do.”

* * *

Sam took off his hat and held it tightly in his hands as he walked through the front door of The Silvervine. He’d been in some equally fancy joints since he came to Chicago, but that fact didn’t seem to be helping his nerves tonight.

The cabaret was in full swing, a constant flow of men and women in fashionable clothes coming in, and a smaller stream departing. Just inside the door, two hosts guided diners to their tables. Sam cleared his throat when his turn came. “I’m here to meet Mr. Sullivan? Sam Cunningham.”

The man didn’t bat an eye at the mention of Sullivan—but then, according to Alistair, the gangster owned the place, even though his name wasn’t on the paperwork. “Of course, Mr. Cunningham. Right this way.”

Sam followed him, trying not to gawk. He’d been in Chicago for a little over six months now, but its nightlife still had the power to dazzle him. Back in Gatesville, where he’d spent most of his life, the town would have already rolled up the sidewalks for the night. Most folk would be in bed by now, or else listening to the radio if they couldn’t sleep.

Here, the evening was just getting started.

The Silvervine was decorated in rose and gold, with red velvet covering the walls. Tables surrounded a dance floor where customers did the Charleston to the accompaniment of an eight-piece orchestra. More diners watched from a second-floor balcony. Waiters threaded their way through the tables, carrying drinks—none filled more than halfway to allow for illicit alcohol to be added—and plates of spaghetti, linguini, and steak.

After pausing at the coat check, the host led him through the dining room to an arch on the far side. A velvet curtain hung in the arch to shield the occupants in the room beyond from curious eyes.

It was another dining room, this one much smaller than the main hall, with fewer tables and only a four-piece orchestra. The dance floor was mainly unoccupied, though a pair of women drunkenly swayed together, laughing hysterically at their own lack of coordination. Sam followed the host up a set of stairs to the balcony above.

Sullivan sat at one of the three tables, his right-hand man Leonard Turner at his elbow. The other tables were occupied by men and women Sam recognized as members of Sullivan’s gang whom he’d met over the summer. Several of them called greetings when he entered, and a few leaned back in their seats to shake his hand as he passed.

Heat crept up his neck at the attention, even as he tried to smile and return all the greetings. He barely knew them, but apparently that didn’t matter. The important thing was he was Sullivan’s, just like they were.

“Glad you could make it, kid,” Sullivan said, pulling back the empty chair at his table. “Have a seat; have a seat.” To the host, he added, “Get the man a Canada Dry, would you? Fill it to the top. And another scotch and soda for Lenny here.”

“Thanks.” Sam’s palms sweated as he sat down, and he wiped them on his knees beneath the table. He wasn’t used to any of this—when he took the job as Sullivan’s hexmaster, he’d assumed he’d be spending his days working in the lab and his nights at home with Alistair or at The Pride.

And for the most part, he did. But his promotion had unexpectedly put him in the upper echelons of the gang, which meant the other members wanted to get to know him. Most of the time he was able to politely dodge invitations to dinner or drinks, but when Sullivan summoned him, he had no choice but to attend.

“How are you doing?” Sullivan asked him. “All healed up?”

The man who’d formerly held Sam’s job, Vic Nagorski, had shot him in a misguided attempt to force Sam to help him with a hex, one that could heal any wound—but only at the cost of someone else’s life. Fortunately, ordinary doctors and hexes had been able to save him, though he was only now really able to move without pain again.

They hadn’t saved his mother, though.

“Once a failure, always a failure,” whispered his father’s voice in his head.

“Good as new,” he told Sullivan. “How is Mrs. Sullivan?”

A look of sorrow flitted across Sullivan’s face, there and gone in an instant. He’d aged since his only child’s death, his hair grown out so darker roots showed, more lines around his eyes. “She’s visiting her mother in New York for a bit. I’ll pass along your greetings.”

A waiter came with their drinks, then took their orders. Sam got the steak, since he’d never mastered the knack of twirling spaghetti on a fork, and didn’t want to look like a fool in front of his employer. Once the server was gone again, Sullivan said, “How are things going at the hexworks?”

Sam wasn’t sure why he’d been invited to this dinner, when Sullivan could have summoned him to his office at any time. But being asked to talk about hexes put him on surer footing, and he sat up straighter.

“Good! We’re fully up and running now—one of the scriptoriums wasn’t working out, it was too dark, but we figured out how to amplify the hexlights without needing more magic to run them, so that’s taken care of.”

Vic had burned the old hexworks to the ground, which meant the entire operation had to move to a new location. Sullivan acquired a building that once housed a Lithuanian-language newspaper, now out of business, and Sam had been helping to convert it to a hexworks ever since.

“Excellent, excellent.” Sullivan took a sip of his drink, which looked like a gin and tonic. While working at The Pride, Sam had learned more than he ever wanted to know about cocktails. “And you’ve figured out the counter to that look-away hex, I believe.”

“We have.” Sam had to restrain himself from going into details; most folks didn’t particularly care about how hexes worked, so long as they did. “It’s ready to be copied now.”

Sullivan beamed at him. “Well done. You’ve earned a bonus.”

Turner slipped a hand inside his suit coat and came out with a thick envelope, which he passed over to Sam. Sam’s throat constricted—he wanted to protest, say it hadn’t been anything, really. He was already being paid more than he’d ever dreamed and certainly didn’t need a bonus.

But it wasn’t just him now. Luke and Glenda, his teammates in the lab, deserved acknowledgement for their hard work.

Silently pledging to split the entire sum between the two, he accepted the envelope and put it in his own coat, beside his hexmaking kit. “Thanks, Mr. Sullivan. That’s very generous of you.”

Sullivan smiled and clapped him on the shoulder. “I take care of my people.” His eyes went past Sam, and he sat back. “And here’s that dinner.”

Talk turned to inconsequential things while they ate. Turner regaled them with a story about an excursion to Milwaukee in which he’d encountered a pair of contortionists, and soon had Sullivan and Sam both choking on their laughter. When they’d first met, Sam had thought Turner severe—and he could be, especially when carrying out Sullivan’s orders. But he had a lighter side to him, always ready with a preposterous anecdote or amusing joke.

After dessert—chocolate ice cream with shavings of chocolate sprinkled on top—a steady stream of the other gang members came by for a quick word with their boss. Sullivan and Turner lit cigars; Sam demurred, to Turner’s amusement.

“Maybe we should call you Choirboy,” he said with a wink. “You don’t smoke, you don’t drink, you’re going steady with that cat when you could be working your way through Bughouse Square—you’ve got to have some vice.”

Sam’s face heated, but Sullivan only laughed. “A smart man keeps his vices under wraps,” he said, pointing his cigar at Turner.

“Still waters run deep, I guess.” Turner clapped Sam on the shoulder.

The teasing wasn’t mean-spirited, which was a change from Sam’s former life back in Gatesville. There, it was meant to set him apart; here, it was a signal he belonged. “Deep as a puddle,” he replied, and got a chuckle out of Turner.

Sullivan checked his watch, then rose to his feet. Turner and Sam did the same, as did another of the gang, Eddie Bellinowski. “Bring around the car, would you?” Sullivan asked Bellinowski, who nodded and hurried away down the stairs.

Assuming Sullivan’s departure meant he was free to go as well, Sam trailed along after him and Turner. At the coat check, Sullivan retrieved a fur coat that looked too hot for the fallish weather but probably had a hex on it to keep its wearer comfortable. He made quite a sight as they strolled toward the glass doors at the front of the cabaret: fur coat, diamond tie pin, tailored suit, and shining shoes.

At the door, Sullivan paused and turned toward Sam. “Always a pleasure to⁠—”

The front of the building exploded inward in a shower of fire and glass.




A group of cat-shifters run a speakeasy amidst
the magic and violence of 1920s Chicago.
The Pride takes place in the same universe as the Hexworld books.

Saturday's Series Spotlight
Hexworld
Part 1  /  Part 2

Monday's Mystical Magic

Saturday's Series Spotlight
The Pride

August 2026 Book of the Month




Jordan L Hawk
Jordan L. Hawk is a trans author from North Carolina. Childhood tales of mountain ghosts and mysterious creatures gave him a life-long love of things that go bump in the night. When he isn’t writing, he brews his own beer and tries to keep the cats from destroying the house. His best-selling Whyborne & Griffin series (beginning with Widdershins) can be found in print, ebook, and audiobook.

If you want to contact Jordan, just click on the links below or send an email.


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