Summary:
Bodyguards, Inc #1
A stalker is threatening Adam's client, but keeping him safe is hindered by Logan coming out of the closet at a fan convention.
Bodyguard Adam Freeman draws what everyone else thinks is the short straw at the convention for a procedural cop show – as bodyguard to TV actor Logan Brady. Or as the Internet has labeled him, Logan ‘Sex God’ Brady. For him, it's just a job to keep the man alive but he doesn't count on Adam deciding that this convention is where he comes out to everyone.
Logan is the star attraction at yet another convention for his show ‘Night Cop’, in a London Hotel, but threats have followed him from home, and abruptly they've become more than just words. Having a bodyguard is the last thing he wants but he has to face the fact that someone out there wants to kill him. All he wants is to be alone to think through the biggest decision he's ever going to make, but Adam is way too sexy, and far too close for comfort.
Original Overall(#1-4) Series Review August 2015:
Another great series by Miss Scott. Even though each story is a standalone with the exception of characters being mentioned in passing or cameos, I'm writing an overall series review and each book easily deserves a 5 bookmark rating. Many of us have some kind of bodyguard fantasy and with Bodyguards, Inc the reader gets a peak into the life of the occupation. Each book has a little bit of everything, mystery, intrigue, drama, love, with definite levels of hotness throughout. You might be thinking that what you have here is the Kevin Costner/Whitney Houston movie Bodyguard with a gay twist, the truth is there are some similar elements but really, this series has so much more depth and appeal with every page. Some say that relationships that are born during times of crisis and danger are not always everlasting but I think relationships, be it friends or lovers, can be built at any time and in these tales the author shows us how true it can really be.
RATING:
Another great series by Miss Scott. Even though each story is a standalone with the exception of characters being mentioned in passing or cameos, I'm writing an overall series review and each book easily deserves a 5 bookmark rating. Many of us have some kind of bodyguard fantasy and with Bodyguards, Inc the reader gets a peak into the life of the occupation. Each book has a little bit of everything, mystery, intrigue, drama, love, with definite levels of hotness throughout. You might be thinking that what you have here is the Kevin Costner/Whitney Houston movie Bodyguard with a gay twist, the truth is there are some similar elements but really, this series has so much more depth and appeal with every page. Some say that relationships that are born during times of crisis and danger are not always everlasting but I think relationships, be it friends or lovers, can be built at any time and in these tales the author shows us how true it can really be.
RATING:
Summary:
Adrien English #4
Gay bookseller and reluctant amateur sleuth Adrien English's writing career is suddenly taking off. His first novel, Murder Will Out, has been optioned by notorious Hollywood actor Paul Kane.
But when murder makes an appearance at a dinner party, who should be called in but Adrien's former lover, handsome closeted detective Jake Riordan, now a Lieutenant with LAPD — which may just drive Adrien's new boyfriend, sexy UCLA professor Guy Snowden, to commit a murder of his own.
But when murder makes an appearance at a dinner party, who should be called in but Adrien's former lover, handsome closeted detective Jake Riordan, now a Lieutenant with LAPD — which may just drive Adrien's new boyfriend, sexy UCLA professor Guy Snowden, to commit a murder of his own.
Overall Series 5th Re-Read 2019:
Adrien with an "e", what can I say that I haven't already said? Nothing really because I absolutely adore Adrien and Jake. Yes, there are multiple times I want to whack Jake upside the head but he's learning, albeit slowly sometimes but still learning. There's heartbreak, there's joy, there's murder, and well there's plenty of love(even if it takes Jake a little longer to accept).
All but the final Christmas novella is narrated by Chris Patton and his voice is perfect for these two. I couldn't imagine listening to anyone else bring life to the pair but then when I listened to So This is Christmas, read by Kale Williams, he too is . . . well for the lack of a better word(and not to sound redundant😉) . . . brilliant. Obviously there is a difference between the two narrators but since Adrien and Jake are settled, or as settled as they can be considering Adrien's knack for stumbling into mayhem, which changes people and so the difference in narrators kind of reflects that I thought. So I say spot on to all involved bringing Adrien English and Jake Riordan to life.
Adrien with an "e", what can I say that I haven't already said? Nothing really because I absolutely adore Adrien and Jake. Yes, there are multiple times I want to whack Jake upside the head but he's learning, albeit slowly sometimes but still learning. There's heartbreak, there's joy, there's murder, and well there's plenty of love(even if it takes Jake a little longer to accept).
All but the final Christmas novella is narrated by Chris Patton and his voice is perfect for these two. I couldn't imagine listening to anyone else bring life to the pair but then when I listened to So This is Christmas, read by Kale Williams, he too is . . . well for the lack of a better word(and not to sound redundant😉) . . . brilliant. Obviously there is a difference between the two narrators but since Adrien and Jake are settled, or as settled as they can be considering Adrien's knack for stumbling into mayhem, which changes people and so the difference in narrators kind of reflects that I thought. So I say spot on to all involved bringing Adrien English and Jake Riordan to life.
Original Review 2013:
Another great entry in the Adrien English Mysteries. I enjoyed the interactions between Adrien and Jake now that 2yrs has gone by since they stopped whatever it was they actually had. The mystery was well developed with interesting and intriguing revelations. Truly a great read!
RATING:
Another great entry in the Adrien English Mysteries. I enjoyed the interactions between Adrien and Jake now that 2yrs has gone by since they stopped whatever it was they actually had. The mystery was well developed with interesting and intriguing revelations. Truly a great read!
RATING:
Silent Sin by EJ Russell
Summary:When tailor Marvin Gottschalk abandoned New York City for the brash boomtown of silent-film-era Hollywood, he never imagined he’d end up on screen as Martin Brentwood, one of the fledgling film industry’s most popular actors. Five years later a cynical Martin despairs of finding anything genuine in a town where truth is defined by studio politics and publicity. Then he meets Robbie Goodman.
Robbie fled Idaho after a run-in with the law. A chance encounter leads him to the film studio where he lands a job as a chauffeur. But one look at Martin and he’s convinced he’s likely to run afoul of those same laws—laws that brand his desires indecent, deviant… sinful.
Martin and Robbie embark on a cautious relationship, cocooned in Hollywood’s clandestine gay fraternity, careful to hide from the studio boss, a rival actor, and press on the lookout for a juicy story. But when a prominent director is murdered, Hollywood becomes the focus of a morality-based witch hunt, and the studio is willing to sacrifice even the greatest careers to avoid additional scandal.
Original Review July Book of the Month 2021:
RATING:
Silent Sin is brilliant!
I've been looking for a story set in Old Hollywood for about 3 years and when this popped up in a FB group rec request I one-clicked immediately. 2020 screwed with my reading mojo so unfortunately I just got around to reading it and I loved it! EJ Russell really sets scene of the silent era, incorporating real historical facts and scandals that add just the right level of reality into her fictional story. Don't worry, Silent Sin isn't a tell-all, Hollywood documentary but it definitely shows the author's respect for the past with the balance of reality and fiction.
As for the characters, watching Robbie's journey from "runaway" country bumpkin to studio chauffer to stand-in to ???(well I don't want to give away all the lad's secrets😉) is an uplifting, heartfelt tale of entertainment. Seeing Martin's journey of trying to stay true to who he is and who he lets the studio bosses and fans see makes you smile, laugh, and a few times you just want to shake him. When their paths cross you just know that it's fate but you also know it won't be easy but it will definitely be captivating. You can't help but want to wrap them both up in Mama Bear Hugs and tell them everything will be okay, of course there are a few times I want to smack them too and scream but that's what makes Silent Sin such a delight.
I have featured some of EJ Russell's books on my blog before but Silent Sin is my first read. For me it's the perfect introduction to a new author, Sin ticks so many of my boxes:
historical✅romance✅Old Hollywood✅friendships✅author's respect for the era✅plenty of heart✅
I have to admit one of my favorite moments comes between Robbie and Martin's manager Sid, the actual activity happens off-page but we learn about it and it put the biggest smile on my face and a loud "YES!" in my internal monologue. Just another example of how the author has written more than romance and how sucked into the story I became.
Again, Silent Sin is brilliant!
Summary:
Arriving in Los Angeles to reconcile with his lover, Ryan is caught up in the strongest earthquake to hit the city since records began. Even as he watches L.A. fall, he refuses to join the people running from the destruction. Instead, as the city burns, fires igniting high in the hills, he heads straight into the chaos to save Nathan.
In a race against time to survive, both injured, with the earth shifting beneath their feet, Ryan and Nathan's only hope for survival is to escape before the aftershocks tear the ground apart and the all-consuming fires reach them.
Can they outrun the destruction, or is it too late?
Original Review August 2017:
Ryan Ortiz wants a second chance with his ex so he hops on a plane bound for LA. Nathan Richardson's acting career is beginning to bring him happiness and he's moving forward from his ex even if he hasn't really moved on. An Act of God in the form of the biggest earthquake to hit the west coast has occurred but will Fate let Ryan not only save his lover but reunite them in the aftermath?
How in the world have I not read this work of art by one of my favorite author's before now? Growing up in Wisconsin where tornadoes and blizzards could occur just months apart, I never really enjoyed disaster films and certainly did not enjoy reading Act of God/Mother Nature Strikes Back scenarios but as I got older(hey, I'm only 43 so lets say "matured" it sounds younger) I found disaster films to be enjoyable. However, I never really found any books within that genre/trope that didn't classify as sci-fi that piqued my interest. Until now! It's no secret that RJ Scott is one of my favorite authors and that she is also one of only a handful that fall into my "automatic 1-click list" so when I discovered All the King's Men it was a no-brainer that it would grace my Kindle.
I know that Ryan may not be everyone's cup of tea because of the way things ended with Nathan prior to where the book begins but his actions, or lack thereof, did not bother me at all. As in life, sometimes in fiction one has to lose something or someone to realize how much it or they were needed. Which is where Ryan finds himself as he travels westward to reunite with Nathan. I loved his desire to get to Nate especially once he learns about the earthquake. His determination to reach Nate is inspiring and once he reaches him, he stops at nothing to get him to safety.
Okay, I'm going to stop there as far as the plot goes because I don't want to give anymore away. I will just say that in a story such as All the King's Men, there isn't always an overabundance of secondary characters so those that the main characters come across have a lot riding on them that can really test the author's talent for character development and storytelling. Well, RJ Scott has proven once again how amazing she is with these aspects of drama and even though its not a situation that happens every day its certainly something that could happen which only heightens the fear and got my adrenaline pumping with every page. To be completely honest, it made me even more thankful that I live in a region that only faces the destructive forces of tornadoes and blizzards(something I never thought I'd say so thank you, RJ 😉) because earthquakes are not a common occurrence here in Wisconsin. King's Men may not make my yearly re-read list but I will definitely be re-visiting Ryan and Nate more than once.
RATING:
Ryan Ortiz wants a second chance with his ex so he hops on a plane bound for LA. Nathan Richardson's acting career is beginning to bring him happiness and he's moving forward from his ex even if he hasn't really moved on. An Act of God in the form of the biggest earthquake to hit the west coast has occurred but will Fate let Ryan not only save his lover but reunite them in the aftermath?
How in the world have I not read this work of art by one of my favorite author's before now? Growing up in Wisconsin where tornadoes and blizzards could occur just months apart, I never really enjoyed disaster films and certainly did not enjoy reading Act of God/Mother Nature Strikes Back scenarios but as I got older(hey, I'm only 43 so lets say "matured" it sounds younger) I found disaster films to be enjoyable. However, I never really found any books within that genre/trope that didn't classify as sci-fi that piqued my interest. Until now! It's no secret that RJ Scott is one of my favorite authors and that she is also one of only a handful that fall into my "automatic 1-click list" so when I discovered All the King's Men it was a no-brainer that it would grace my Kindle.
I know that Ryan may not be everyone's cup of tea because of the way things ended with Nathan prior to where the book begins but his actions, or lack thereof, did not bother me at all. As in life, sometimes in fiction one has to lose something or someone to realize how much it or they were needed. Which is where Ryan finds himself as he travels westward to reunite with Nathan. I loved his desire to get to Nate especially once he learns about the earthquake. His determination to reach Nate is inspiring and once he reaches him, he stops at nothing to get him to safety.
Okay, I'm going to stop there as far as the plot goes because I don't want to give anymore away. I will just say that in a story such as All the King's Men, there isn't always an overabundance of secondary characters so those that the main characters come across have a lot riding on them that can really test the author's talent for character development and storytelling. Well, RJ Scott has proven once again how amazing she is with these aspects of drama and even though its not a situation that happens every day its certainly something that could happen which only heightens the fear and got my adrenaline pumping with every page. To be completely honest, it made me even more thankful that I live in a region that only faces the destructive forces of tornadoes and blizzards(something I never thought I'd say so thank you, RJ 😉) because earthquakes are not a common occurrence here in Wisconsin. King's Men may not make my yearly re-read list but I will definitely be re-visiting Ryan and Nate more than once.
RATING:
Lights. Camera. Murder. by CS Poe
Summary:The Silver Screen: Case One
Private investigator Rory Byrne has gained a reputation as someone the elite of New York City can trust to solve their problems quickly and quietly. So when a hotshot television producer hires him to recover a stolen script, Rory will have to go undercover on the set of a historical drama to complete the job. He has his hands full trying to investigate a skeptical crew while they work around the clock on The Bowery, a new show that promises to shake up the television industry. To make a delicate situation more complicated, the production is led by out-and-proud actor Marion Roosevelt, and Rory is downright smitten.
But every member of the cast and crew is a suspect in the theft. And the deeper Rory delves into their on-set personalities, the more suspicious Marion’s behavior becomes. If Rory is to uncover the theft without sacrificing the fate of The Bowery, he will have to trust his identity and his heart to Marion.
Previously featured in the Footsteps in the Dark anthology.
Despite Lights. Camera. Murder. being present day, it has a hint of noir and Hitchcockian feel to it and in my book that is not easy to do. You have a missing script, undercover PI, cast of wacky and wonky characters(and there's more than one that would make a viable murder victim) . . . what more could you want?
So as this is a mystery I won't say too much because I refuse to spoil anything. Rory and Martin are a well matched duo, a PI with only one rule for his personal relationships, don't lie, and an actor with a few possible secrets and his ability to act may add a few layers of "do I trust him" in Rory's mind.
I'll admit I was left guessing the whole time and that's not easy to accomplish. I'm not bragging or being immodest, it's just that mysteries in book, tv, & films are my favorite genre of choice so in my 47 years I've read & seen many plot bunnies play out. So I know when one keeps me stumped right to the reveal I found a winner. Can't wait to see what the author has in store for Rory and Martin down the road.
RATING:
Summary:
Collected in print for the first time. The Dark Horse and its sequel/prequel, The White Knight. The Dark Horse Paul Hammond is dead. That’s what tough and sexy LAPD Detective Daniel Moran tells his lover, Hollywood actor Sean Fairchild—and Sean wants to believe him, but what about those threatening postcards in Hammond’s handwriting? What about the fact that he’s seeing Hammond everywhere he goes? Yes, Sean’s had some emotional problems in the past, but that was a long time ago and he’s not imagining things, so why is Dan looking at him that way? The White Knight It’s a Hollywood cliché: the hot and handsome bodyguard. But in the case of LAPD Detective Daniel Moran, it’s all true. Dan is everything Sean ever wanted in a leading man, but Dan’s kind of an old-fashioned guy. It’s his job to keep Sean safe and in one piece -- happy is someone else’s problem.
1st Duology Re-Read Review 2017:
I'll be honest, even though I remembered the whos, whats, whys, and hows of The Dark Horse duology I did forget just how much I loved Sean and Dan. Okay, forget is not really the right word because you don't really forget lovely, heartwarming characters such as Sean and Dan but the duo had kind of settled to the bottom of my heart where I hold fictional characters close. If you are asking me to balance which of the two stories I loved more I would say that The Dark Horse tips the scale but by just a bit.
In a time where prequels and sequels are commonplace in Hollywood, I found the way Josh Lanyon meshes both into one book in The White Knight to be well written and most interesting. We get to see into how Dan came to be Sean's protector that I loved in Horse but we also get to see how they are both still reeling some from what happened in book one. What I found most intriguing in Knight was although the story is told from Sean's POV we also get to hear a bit how Dan was effected by the stalker case in Horse. Writer's don't always show us how the protector feels so even though it's not done in great length or detail I really appreciated the effort put in Dan's pain being shown.
There's passion, heart, friendship, love, mystery, drama, angst, and a little humor all wrapped into The Dark Horse duology so there's a little something for everyone and considering by word count/pages these two are novellas that means they are packed tight with what I like to call "the uumph factor" from cover to cover. I may not add this duology to my annual re-read list but this certainly won't be the last time I revisit Sean and Dan's story.
Original Duology Review 2014:
Sean captures your heart with his sincerity and his hometown wholesomeness. Dan certainly captures your attention with his take charge bodyguard yet heartfelt attitude. The mystery keeps you guessing throughout both books as it is interwoven wonderfully with Sean and Dan's romance and their professional lives. The supporting characters only heighten the mystery as well as strengthen Sean and Dan's characters both individually and as a couple. I would definitely not turn down another story featuring these two lovebirds.
I'll be honest, even though I remembered the whos, whats, whys, and hows of The Dark Horse duology I did forget just how much I loved Sean and Dan. Okay, forget is not really the right word because you don't really forget lovely, heartwarming characters such as Sean and Dan but the duo had kind of settled to the bottom of my heart where I hold fictional characters close. If you are asking me to balance which of the two stories I loved more I would say that The Dark Horse tips the scale but by just a bit.
In a time where prequels and sequels are commonplace in Hollywood, I found the way Josh Lanyon meshes both into one book in The White Knight to be well written and most interesting. We get to see into how Dan came to be Sean's protector that I loved in Horse but we also get to see how they are both still reeling some from what happened in book one. What I found most intriguing in Knight was although the story is told from Sean's POV we also get to hear a bit how Dan was effected by the stalker case in Horse. Writer's don't always show us how the protector feels so even though it's not done in great length or detail I really appreciated the effort put in Dan's pain being shown.
There's passion, heart, friendship, love, mystery, drama, angst, and a little humor all wrapped into The Dark Horse duology so there's a little something for everyone and considering by word count/pages these two are novellas that means they are packed tight with what I like to call "the uumph factor" from cover to cover. I may not add this duology to my annual re-read list but this certainly won't be the last time I revisit Sean and Dan's story.
Original Duology Review 2014:
Sean captures your heart with his sincerity and his hometown wholesomeness. Dan certainly captures your attention with his take charge bodyguard yet heartfelt attitude. The mystery keeps you guessing throughout both books as it is interwoven wonderfully with Sean and Dan's romance and their professional lives. The supporting characters only heighten the mystery as well as strengthen Sean and Dan's characters both individually and as a couple. I would definitely not turn down another story featuring these two lovebirds.
An actor on possession charges, hell bent on destroying his own life meets a man who quietly works to make the world a better place.
Jacob Riley is a typical Hollywood former child star with issues. He has already done prison time and at the age of twenty-six has been arrested again.
Ethan Myers is the owner and manager of Macs, an education center providing teaching and learning to local low income families. Losing his partner to cancer leaves him lost and alone and he buries himself in his work to start to mend his broken heart.
Sparks fly when Jacob has to complete his community service at Macs. Their relationship grows against a background of disenfranchised street gang members, arson, the Oscars, and despite their prejudices.
Can Jacob Riley be saved?
1st Re-Read Review April 2017:
If I am being completely honest, there really is nothing I can add to my original review. I will say that I could not tell you what any of the re-edited or added bits were as every bit of Jacob and Ethan's journey flowed together as beautifully as it did when I read it in 2015.
Jacob is still a spoiled Hollywood stereotype who thinks the world is his oyster and he's lined up for the all you can eat buffet. Ethan is still the humble man who wants to help the less fortunate. When their journeys converge, fireworks are the result from the starting line, equally stubborn and determined the pair is perfectly matched. Sometimes we have to hit rock bottom before we see what is really important in life, well Jacob hasn't really hit rock bottom but he is about at his last chance for redemption when he's forced to serve his community service sentence at Ethan's center. I do believe that we all have that one defining moment that can change us and that's what Jacob faces in Moments.
That's about the best you're going to get out of me as for the plot but I will say that I can't recommend Moments enough. There are points that may seem cliche but there are plenty of points that are not and when you combine them what you have is a beautiful tale of redemption, friendship, love, and finding your place in the world which is something we all want. Whether you are as I am doing a re-read or completely new to you, Moments is another winner from Miss Scott that you don't want to miss, you just might learn something about yourself as well as be thoroughly entertained and for me that is the mark of an excellent and amazing tale and talent.
Original Review 2015:
I need to start by simply stating that you will not like Jacob Riley in the beginning. He is the classic, some might say cliche, Hollywood child actor turned bad boy. Whether you see Jacob as classic or cliche, it doesn't matter because it works and that's what makes Moments enjoyable. Despite Ethan's panic attacks he is incredibly patient, more patient than I would be when faced with dealing with Jacob. I don't do spoilers but I will say there was a point in the story that I thought the author might take a certain path with Jacob's character but she didn't and the road Miss Scott took was much better and appreciated. Moments may not be what I would classify as an emotional roller coaster but it definitely pulls at your heartstrings and will stay with you. Moments is another great example why RJ Scott is on my short list of "1-click without the blurb" authors.
RATING:
All the King's Men by RJ Scott
Bodyguard to a Sex God by RJ Scott
Chapter 1
“Hey, Blondie.”
Adam Freeman showed the office manager his middle finger at the familiar and detested nickname and then crossed to the coffee machine. He was tired and just this side of irritable and Ross Jackson knew exactly which buttons to press to wind Adam up big time. Adam hoped the middle finger would be enough to get Ross to shut up, but no such luck.
“That kind of morning, eh?” Ross offered with a laugh. He sidled up to Adam and bumped shoulders, causing Adam to curse under his breath when hot coffee splashed his hand. “It’s only gonna get worse.”
Adam needed this coffee. He lived on the opposite side of London from Bodyguards Inc., and the traffic on the motorway had been murder, even this early in the morning. He couldn’t fault the premises—a converted barn on the land of the manor house Kyle Monroe had inherited six years ago. But he could definitely fault having to battle every commuter in the city just to get his briefing.
“How can anything be worse than an hour stuck on the M25?” Adam asked wryly. Then he really wished he hadn’t. Sitting down behind his immaculately tidy desk, Ross leaned back in his chair with his long legs in front of him and his hands behind his head. He was the picture of nonchalance yet had an air of knowing something that Adam didn’t.
“The M25 is nothing on this. We had a call-in,” Ross said. “You’re up on a Pretty Boy job.”
Adam closed his eyes and cursed. His absolute worst contracts involved being in charge of what Bodyguards Inc. labeled—off the record—as Pretty Boys. Actors, singers, and in a worst-case scenario, reality TV stars. Every one of them paid well, but dealing with celebrities who had more money than sense all because they epitomized ‘star’ was his idea of hell. The last job—Jesus—that X-Factor runner-up who demanded Adam call him ‘sir’. He'd kept dropping Simon Cowell’s name like he personally knew the guy. In addition, he was arrogant, narcissistic, and had the IQ of a snail. Adam was well out of that particular job.
“Not only that,” Ross continued, “but it’s a science-fiction fantasy convention gig.”
“Convention? Like Trekkies?” Adam couldn’t believe that he’d timed his life so poorly that he was going to be surrounded by people wearing fake ears and speaking Klingon.
“No, like vampires and stuff.”
Adam cursed and Ross just grinned. Bastard. “Is it too late to take some sick days?” Adam said.
“Are you sick, Adam?” The new voice belonged to Kyle, boss and owner of Bodyguards Inc. His drawling American accent was so damn sexy and for a second Adam allowed himself to stare. Adam was fascinated by Kyle’s accent, and hell, he’d let Kyle charm him using just his voice, and maybe his large hands, any day he wanted. Pity the owner of Bodyguards Inc.—or BI as Kyle called it—was so gone on Ross, despite the fact his personal assistant remained oblivious to that fact.
“No. I’m not sick,” Adam said. No point in lying. Kyle could spot a lie a mile off.
“I have a job for you. I’m guessing Ross already gave you the heads-up? Star of an American TV series over here for a convention in London. He’s been receiving threats, had a near-miss with a car trying to run him down, and also had some objects left in his trailer on set.”
“Objects?”
Kyle peered at the list. “Antique knives on two separate occasions, four deliveries of red roses with thorns intact, and one dildo.”
“So it’s a sex thing then?” Adam wasn’t surprised. Actors weren’t renowned for high moral standards. The guy involved probably slept with everyone and had encountered someone just slightly mentally unhinged. Still, that didn’t make terrorizing the man okay so Adam concentrated on the rest of the briefing.
“The network has decided he needs tracking from airport to hotel, through the convention, and out the other side to the airplane home with a handover after one week in the US. This Friday through ten days to a Monday. Good money. You want it?”
Adam considered his options here. If he could just push past the memories of past contracts with similar clients he would be fine. It crossed his mind that perhaps he should ask if there were anything else that he could do instead.
“No chance of a nice industrial threat job? Or maybe I could work the desk for a week?” The joke fell flat as Ross narrowed his eyes at the question. No one went near the desk. That was Ross’s domain and no one else’s.
Kyle shook his head. “Sorry, dude. This is the only new thing on the BI books today. Well, not exactly the only one, but Ed and Lorna both turned Pretty Boy down. So yeah, it’s mostly your decision. If you want it, say so, otherwise I’ll tell his management team no.” Kyle waited patiently for an answer, all serious and businesslike.
“Why did no one else want the job?” Adam asked, suspicious of what he’d just heard. Kyle opened his mouth and then shut it again. Evidently the other close protection agents’ reasons wouldn’t be good ones. Ross dived in to help.
“Lorna just got off a case and she’s recuperating, as you well know,” Ross explained. Like that explained why she wouldn’t take on one of her favorite kinds of cases.
“I just got off a case as well,” Adam protested. A case involving an idiot, two guns, a case full of whisky, and a week of driving all over the bloody country. Not a good one at all.
“Yes,” Ross said dryly, “but you weren’t shot at, Adam, and she was.”
“Flimsy excuse. Bullet didn’t actually hit her,” Adam pointed out with a laugh. Gallows humor always worked best in these situations. He liked Lorna a lot; the feisty redhead was fun and damn good at her job. No one wanted to see her shot. Well, apart from her ex who had been served with a restraining order. “What about Ed?” He knew he was clutching at straws. Ed had seniority at BI, having been with Kyle since it started six years ago.
“Ed said, and I quote, ‘I can’t deal with screaming fans.’” Ross shrugged. “You know he’s far too old and grumpy to deal with screaming women.”
“He’s the same age as me,” Kyle observed. He sounded affronted and Adam hid a smile.
“See? Old,” Ross joked. Adam watched the byplay with interest. His boss was so head over heels with Ross and Adam wondered how Ross could fail to see the hurt in Kyle’s eyes at the comment. Kyle was thirty-five or as near as, and Ross was only twenty-five… still, age was an irrelevant thing in Adam’s eyes. Ross was losing out; Kyle was a good man.
“I’ll take the job,” Adam said, just to break the tension. Yes, he would do this. That was his job. He could manage ten days. Kyle tore his stare away from Ross and held out the folder with the information Adam would need. Taking the folder was implicit agreement that he would accept the job.
Kyle disappeared into his office and slammed the door shut behind him. His hurt followed him like a cloud. Ross didn’t even look up from his desk.
“Why do you do that?” Adam asked.
“Do what?” Ross responded. The question was accompanied by a distracted frown.
“Go on at Kyle about his age all the time.”
Ross huffed. “It’s only a joke. He doesn’t care. Anyway, the other computer is all yours.” Evidently the discussion was over. Ross buried himself in other work, leaving Adam to get on with what he needed to do.
There was always a strictly professional brief in the folders that Ross created and Kyle handed out. However, a good Google search often highlighted elements in the case that would be useful. Adam had four days until the client's plane landed at London Heathrow so he opened to file to build the foundation for the assignment.
Even he couldn’t help but raise his eyebrows when he saw the guy he was being assigned to look after. Logan Brady was some high-class Pretty Boy material. Twenty-nine. Brunet. Actor. Those were the basics. Adam peered at the photo; he wasn’t sure if it was just the print resolution but Logan’s eyes were really stunning and an incredibly bright blue. His hair had a soft curl to it and was in one of those short, tousled cuts. He wasn’t smiling in the photo. He had that typical shot used for publicity where he was staring moodily at something just off-camera. There was red around his mouth so Adam scratched at the photo. Nope. It wasn’t coming off the photo. Reading the label explained a lot. ‘Night Cop - Vampire, Cop. Brother, Lover. Killer, Hero. Isaac.’.
Okay. So Logan Brady played a guy called Isaac from one of these über-popular vampires-are-cool shows crossed with some kind of police procedural show. He was seriously nice eye candy. That part was going to be extremely easy to handle for ten days.
Flicking through the pack, Adam pulled out pictures of the girlfriend, a blonde-haired green-eyed beauty who clung to Logan’s arm in the photos like a limpet to a rock. Logan wasn’t smiling in any of the photos. Whether paparazzi or studio shots, he appeared to use the patented cool-vampire stare for all of them. To Adam’s eyes he just looked permanently pissed off. But then the young girls liked that kind of thing, he supposed.
A quick search had many more pictures, both the same vampire character and others going back maybe ten years to a fresh-faced Logan in some kind of teenage high school show. Adam didn’t exactly have his finger on the pulse of kids’ TV shows, nor did he watch anything with vampires in it, to be fair. But hell, if the stars all looked like this guy, then he may well change his mind. Seems vampires and pissed-off faces paid well; pictures of Logan’s house showed a small place in LA up in the hills, at least so the label to the photo said. There were paparazzi shots of Logan in his garden, Logan eating out at dinner, Logan swimming, Logan shopping. Jeez, Adam wouldn’t have been surprised to see pictures of the actor taking a shit.
The fact that the paparazzi had snapped so many photos of this TV star was no surprise to Adam. Over three-quarters of BI cases were with people in the public eye, actors, politicians, the British aristocracy, and so many other high-profile people. Adam was never sure how they coped being out there for everyone to see, but then, he guessed the money helped.
The information on the hit-and-run was sketchy. The internet had nothing apart from gossip and hearsay. Apparently a car had lost control and crossed the street, glancing the wall and coming to a stop next to Logan. Either the term ‘hit-and-run’ was not an appropriate one to use on this occasion, or the journalists hadn’t gotten the full story. Adam suspected the latter based on how the network now appeared to want to wrap their star in cotton wool.
Ross crossed over and placed sheets of paper next to the open folder. He frowned. Gone was the man who called him Blondie. In his place was serious-Ross with a focused look.
“Logan Brady’s manager sent over copies of the notes Logan’s been receiving. It’s not good. They’re all addressed to Isaac,” he said.
“The character he plays on the show,” Adam confirmed.
“Yeah. There’s also more information on the alleged hit-and-run. Logan is one lucky bastard that he wasn’t a human sandwich between two or three tons of SUV and a solid brick wall.” He left without further discussion, and curious, Adam rifled through the notes.
Words jumped out at him from the different sheets of paper; love and hate and all the emotions in between. Celebrities received threats all the time; it was almost a way of life that once you were a ‘personality’ you attracted the crazy out of the woodwork. The last case he’d worked on for the Metropolitan Police had been a stalker case and the client said she received threats just as often as she received proposals of marriage.
These notes were well written, the grammar was good, they were tidy, and Adam filed away that information as possibly useful. As to the content, there was nasty, vicious prose in one, wheedling love declarations in another, all written in the same hand and signed with the initials IR. Threats to kill Logan over some kind of relationship with an Annabelle? Adam checked the file. Annabelle wasn’t the girlfriend. A hunch had him checking the show listings. Annabelle was the heroine to Logan’s bad boy on the show, played by an actress named Marissa.
So the same guy that professed love for Logan in one letter demonstrated an equally vicious hate in the next, all because Logan’s character had kissed Annabelle in an episode. Great, so he was dealing with a total nutjob then, an irrational person with severe pretend-life issues. The car accident details Ross brought over were far more detailed than those Adam found on the internet and he spent a while looking at photos. If the car hadn’t hit a street lamp then Logan would have been seriously hurt. The driver ran but what few witnesses there were had caught sight of a woman—short, slim, with blonde hair to her waist—fleeing the scene. There were no CCTV photos, either. Apparently whoever owned Logan’s contract at the studio wanted a lid kept on things.
There was no indication that Adam had a bodyguard in the US, why did the guy’s manager think that he would need one on his visit to the UK? The probability that the perpetrator followed Adam from the US was slim. Then he reached the last note in the list. A simple two sentence missive that was written so tidily that it was a shock to read the actual words:
“I’ll be at the convention in London. I can’t wait to meet the man who is the other half of me.”
Ah. That explained the need for a bodyguard then.
“Does he have a bodyguard in the US?”
“Some kind of driver guy shadows him, but the network is getting serious and have brought someone in for you to do a handover in LA.”
“And the cops? Do they have Logan Brady under surveillance?”
“No. The agent said the cops felt it was nothing, not yet.” Adam knew where the cops were coming from, each district had a glut of certain crimes, and in LA it seemed maybe crimes against actors were the drug of choice. He knew the feeling of saying to someone, “I’m sorry, but until there is proof, until someone gets hurt, there is nothing we can do.” Still, these notes were pretty damn specific in what they were saying. As to hiring a bodyguard, BI often took on cases where the victims didn’t want police involved so that was nothing new.
“Anyway, no cops. Whoever pays Pretty Boy’s wages wants it kept low-key. A vulnerable actor makes for a shit ‘heroic, in-your-face vampire cop’ and the show is, and I quote, ‘coming up for renewal’.”
“A dead actor isn’t going to cut it much for renewal either,” Adam deadpanned.
“I checked into the initials IR; the convention organizers are cooperating but no one on their lists matches up with those initials. There are a mix of UK, European, and US fans attending the convention. Not that we can narrow it down, the letters came from the UK, tracked through to an East London PO address in Greenwich so it could be anyone already here. No addresses in the convention database match though. There are fourteen hundred attendees; it’s a big pool of bodies, eighty-five percent of them female.”
Adam looked down at the letters. Despite the statistics offered to him it would be foolish to accept at face value that a woman had written the letters. There was also no evidence that whoever wrote them would desire to drive a car straight at Logan. Nothing matched just yet and you couldn’t just cut out an entire gender based on assumption.
Ross continued, “Logan Brady is staying at the Upton Levington Manor Hotel. It’s a suite with three bedrooms so you’re sleeping there. I booked it through from tonight so whoever got the contract can get sorted.”
Adam closed the folder and knocked it once on the desktop to align the paper. A familiar buzz of excitement shot through him. Getting his teeth into a job was always a good thing. Whatever the case was.
“Good luck with your Pretty Boy, Blondie,” Ross called as Adam was leaving. A middle finger up at his friend through the glass was a nice end to the visit. He was still smiling when he reached his car over the fact he'd managed to hide Ross's stapler again. When would the man ever learn to leave the damned thing where Adam couldn’t see it?
“Hey, Blondie.”
Adam Freeman showed the office manager his middle finger at the familiar and detested nickname and then crossed to the coffee machine. He was tired and just this side of irritable and Ross Jackson knew exactly which buttons to press to wind Adam up big time. Adam hoped the middle finger would be enough to get Ross to shut up, but no such luck.
“That kind of morning, eh?” Ross offered with a laugh. He sidled up to Adam and bumped shoulders, causing Adam to curse under his breath when hot coffee splashed his hand. “It’s only gonna get worse.”
Adam needed this coffee. He lived on the opposite side of London from Bodyguards Inc., and the traffic on the motorway had been murder, even this early in the morning. He couldn’t fault the premises—a converted barn on the land of the manor house Kyle Monroe had inherited six years ago. But he could definitely fault having to battle every commuter in the city just to get his briefing.
“How can anything be worse than an hour stuck on the M25?” Adam asked wryly. Then he really wished he hadn’t. Sitting down behind his immaculately tidy desk, Ross leaned back in his chair with his long legs in front of him and his hands behind his head. He was the picture of nonchalance yet had an air of knowing something that Adam didn’t.
“The M25 is nothing on this. We had a call-in,” Ross said. “You’re up on a Pretty Boy job.”
Adam closed his eyes and cursed. His absolute worst contracts involved being in charge of what Bodyguards Inc. labeled—off the record—as Pretty Boys. Actors, singers, and in a worst-case scenario, reality TV stars. Every one of them paid well, but dealing with celebrities who had more money than sense all because they epitomized ‘star’ was his idea of hell. The last job—Jesus—that X-Factor runner-up who demanded Adam call him ‘sir’. He'd kept dropping Simon Cowell’s name like he personally knew the guy. In addition, he was arrogant, narcissistic, and had the IQ of a snail. Adam was well out of that particular job.
“Not only that,” Ross continued, “but it’s a science-fiction fantasy convention gig.”
“Convention? Like Trekkies?” Adam couldn’t believe that he’d timed his life so poorly that he was going to be surrounded by people wearing fake ears and speaking Klingon.
“No, like vampires and stuff.”
Adam cursed and Ross just grinned. Bastard. “Is it too late to take some sick days?” Adam said.
“Are you sick, Adam?” The new voice belonged to Kyle, boss and owner of Bodyguards Inc. His drawling American accent was so damn sexy and for a second Adam allowed himself to stare. Adam was fascinated by Kyle’s accent, and hell, he’d let Kyle charm him using just his voice, and maybe his large hands, any day he wanted. Pity the owner of Bodyguards Inc.—or BI as Kyle called it—was so gone on Ross, despite the fact his personal assistant remained oblivious to that fact.
“No. I’m not sick,” Adam said. No point in lying. Kyle could spot a lie a mile off.
“I have a job for you. I’m guessing Ross already gave you the heads-up? Star of an American TV series over here for a convention in London. He’s been receiving threats, had a near-miss with a car trying to run him down, and also had some objects left in his trailer on set.”
“Objects?”
Kyle peered at the list. “Antique knives on two separate occasions, four deliveries of red roses with thorns intact, and one dildo.”
“So it’s a sex thing then?” Adam wasn’t surprised. Actors weren’t renowned for high moral standards. The guy involved probably slept with everyone and had encountered someone just slightly mentally unhinged. Still, that didn’t make terrorizing the man okay so Adam concentrated on the rest of the briefing.
“The network has decided he needs tracking from airport to hotel, through the convention, and out the other side to the airplane home with a handover after one week in the US. This Friday through ten days to a Monday. Good money. You want it?”
Adam considered his options here. If he could just push past the memories of past contracts with similar clients he would be fine. It crossed his mind that perhaps he should ask if there were anything else that he could do instead.
“No chance of a nice industrial threat job? Or maybe I could work the desk for a week?” The joke fell flat as Ross narrowed his eyes at the question. No one went near the desk. That was Ross’s domain and no one else’s.
Kyle shook his head. “Sorry, dude. This is the only new thing on the BI books today. Well, not exactly the only one, but Ed and Lorna both turned Pretty Boy down. So yeah, it’s mostly your decision. If you want it, say so, otherwise I’ll tell his management team no.” Kyle waited patiently for an answer, all serious and businesslike.
“Why did no one else want the job?” Adam asked, suspicious of what he’d just heard. Kyle opened his mouth and then shut it again. Evidently the other close protection agents’ reasons wouldn’t be good ones. Ross dived in to help.
“Lorna just got off a case and she’s recuperating, as you well know,” Ross explained. Like that explained why she wouldn’t take on one of her favorite kinds of cases.
“I just got off a case as well,” Adam protested. A case involving an idiot, two guns, a case full of whisky, and a week of driving all over the bloody country. Not a good one at all.
“Yes,” Ross said dryly, “but you weren’t shot at, Adam, and she was.”
“Flimsy excuse. Bullet didn’t actually hit her,” Adam pointed out with a laugh. Gallows humor always worked best in these situations. He liked Lorna a lot; the feisty redhead was fun and damn good at her job. No one wanted to see her shot. Well, apart from her ex who had been served with a restraining order. “What about Ed?” He knew he was clutching at straws. Ed had seniority at BI, having been with Kyle since it started six years ago.
“Ed said, and I quote, ‘I can’t deal with screaming fans.’” Ross shrugged. “You know he’s far too old and grumpy to deal with screaming women.”
“He’s the same age as me,” Kyle observed. He sounded affronted and Adam hid a smile.
“See? Old,” Ross joked. Adam watched the byplay with interest. His boss was so head over heels with Ross and Adam wondered how Ross could fail to see the hurt in Kyle’s eyes at the comment. Kyle was thirty-five or as near as, and Ross was only twenty-five… still, age was an irrelevant thing in Adam’s eyes. Ross was losing out; Kyle was a good man.
“I’ll take the job,” Adam said, just to break the tension. Yes, he would do this. That was his job. He could manage ten days. Kyle tore his stare away from Ross and held out the folder with the information Adam would need. Taking the folder was implicit agreement that he would accept the job.
Kyle disappeared into his office and slammed the door shut behind him. His hurt followed him like a cloud. Ross didn’t even look up from his desk.
“Why do you do that?” Adam asked.
“Do what?” Ross responded. The question was accompanied by a distracted frown.
“Go on at Kyle about his age all the time.”
Ross huffed. “It’s only a joke. He doesn’t care. Anyway, the other computer is all yours.” Evidently the discussion was over. Ross buried himself in other work, leaving Adam to get on with what he needed to do.
There was always a strictly professional brief in the folders that Ross created and Kyle handed out. However, a good Google search often highlighted elements in the case that would be useful. Adam had four days until the client's plane landed at London Heathrow so he opened to file to build the foundation for the assignment.
Even he couldn’t help but raise his eyebrows when he saw the guy he was being assigned to look after. Logan Brady was some high-class Pretty Boy material. Twenty-nine. Brunet. Actor. Those were the basics. Adam peered at the photo; he wasn’t sure if it was just the print resolution but Logan’s eyes were really stunning and an incredibly bright blue. His hair had a soft curl to it and was in one of those short, tousled cuts. He wasn’t smiling in the photo. He had that typical shot used for publicity where he was staring moodily at something just off-camera. There was red around his mouth so Adam scratched at the photo. Nope. It wasn’t coming off the photo. Reading the label explained a lot. ‘Night Cop - Vampire, Cop. Brother, Lover. Killer, Hero. Isaac.’.
Okay. So Logan Brady played a guy called Isaac from one of these über-popular vampires-are-cool shows crossed with some kind of police procedural show. He was seriously nice eye candy. That part was going to be extremely easy to handle for ten days.
Flicking through the pack, Adam pulled out pictures of the girlfriend, a blonde-haired green-eyed beauty who clung to Logan’s arm in the photos like a limpet to a rock. Logan wasn’t smiling in any of the photos. Whether paparazzi or studio shots, he appeared to use the patented cool-vampire stare for all of them. To Adam’s eyes he just looked permanently pissed off. But then the young girls liked that kind of thing, he supposed.
A quick search had many more pictures, both the same vampire character and others going back maybe ten years to a fresh-faced Logan in some kind of teenage high school show. Adam didn’t exactly have his finger on the pulse of kids’ TV shows, nor did he watch anything with vampires in it, to be fair. But hell, if the stars all looked like this guy, then he may well change his mind. Seems vampires and pissed-off faces paid well; pictures of Logan’s house showed a small place in LA up in the hills, at least so the label to the photo said. There were paparazzi shots of Logan in his garden, Logan eating out at dinner, Logan swimming, Logan shopping. Jeez, Adam wouldn’t have been surprised to see pictures of the actor taking a shit.
The fact that the paparazzi had snapped so many photos of this TV star was no surprise to Adam. Over three-quarters of BI cases were with people in the public eye, actors, politicians, the British aristocracy, and so many other high-profile people. Adam was never sure how they coped being out there for everyone to see, but then, he guessed the money helped.
The information on the hit-and-run was sketchy. The internet had nothing apart from gossip and hearsay. Apparently a car had lost control and crossed the street, glancing the wall and coming to a stop next to Logan. Either the term ‘hit-and-run’ was not an appropriate one to use on this occasion, or the journalists hadn’t gotten the full story. Adam suspected the latter based on how the network now appeared to want to wrap their star in cotton wool.
Ross crossed over and placed sheets of paper next to the open folder. He frowned. Gone was the man who called him Blondie. In his place was serious-Ross with a focused look.
“Logan Brady’s manager sent over copies of the notes Logan’s been receiving. It’s not good. They’re all addressed to Isaac,” he said.
“The character he plays on the show,” Adam confirmed.
“Yeah. There’s also more information on the alleged hit-and-run. Logan is one lucky bastard that he wasn’t a human sandwich between two or three tons of SUV and a solid brick wall.” He left without further discussion, and curious, Adam rifled through the notes.
Words jumped out at him from the different sheets of paper; love and hate and all the emotions in between. Celebrities received threats all the time; it was almost a way of life that once you were a ‘personality’ you attracted the crazy out of the woodwork. The last case he’d worked on for the Metropolitan Police had been a stalker case and the client said she received threats just as often as she received proposals of marriage.
These notes were well written, the grammar was good, they were tidy, and Adam filed away that information as possibly useful. As to the content, there was nasty, vicious prose in one, wheedling love declarations in another, all written in the same hand and signed with the initials IR. Threats to kill Logan over some kind of relationship with an Annabelle? Adam checked the file. Annabelle wasn’t the girlfriend. A hunch had him checking the show listings. Annabelle was the heroine to Logan’s bad boy on the show, played by an actress named Marissa.
So the same guy that professed love for Logan in one letter demonstrated an equally vicious hate in the next, all because Logan’s character had kissed Annabelle in an episode. Great, so he was dealing with a total nutjob then, an irrational person with severe pretend-life issues. The car accident details Ross brought over were far more detailed than those Adam found on the internet and he spent a while looking at photos. If the car hadn’t hit a street lamp then Logan would have been seriously hurt. The driver ran but what few witnesses there were had caught sight of a woman—short, slim, with blonde hair to her waist—fleeing the scene. There were no CCTV photos, either. Apparently whoever owned Logan’s contract at the studio wanted a lid kept on things.
There was no indication that Adam had a bodyguard in the US, why did the guy’s manager think that he would need one on his visit to the UK? The probability that the perpetrator followed Adam from the US was slim. Then he reached the last note in the list. A simple two sentence missive that was written so tidily that it was a shock to read the actual words:
“I’ll be at the convention in London. I can’t wait to meet the man who is the other half of me.”
Ah. That explained the need for a bodyguard then.
“Does he have a bodyguard in the US?”
“Some kind of driver guy shadows him, but the network is getting serious and have brought someone in for you to do a handover in LA.”
“And the cops? Do they have Logan Brady under surveillance?”
“No. The agent said the cops felt it was nothing, not yet.” Adam knew where the cops were coming from, each district had a glut of certain crimes, and in LA it seemed maybe crimes against actors were the drug of choice. He knew the feeling of saying to someone, “I’m sorry, but until there is proof, until someone gets hurt, there is nothing we can do.” Still, these notes were pretty damn specific in what they were saying. As to hiring a bodyguard, BI often took on cases where the victims didn’t want police involved so that was nothing new.
“Anyway, no cops. Whoever pays Pretty Boy’s wages wants it kept low-key. A vulnerable actor makes for a shit ‘heroic, in-your-face vampire cop’ and the show is, and I quote, ‘coming up for renewal’.”
“A dead actor isn’t going to cut it much for renewal either,” Adam deadpanned.
“I checked into the initials IR; the convention organizers are cooperating but no one on their lists matches up with those initials. There are a mix of UK, European, and US fans attending the convention. Not that we can narrow it down, the letters came from the UK, tracked through to an East London PO address in Greenwich so it could be anyone already here. No addresses in the convention database match though. There are fourteen hundred attendees; it’s a big pool of bodies, eighty-five percent of them female.”
Adam looked down at the letters. Despite the statistics offered to him it would be foolish to accept at face value that a woman had written the letters. There was also no evidence that whoever wrote them would desire to drive a car straight at Logan. Nothing matched just yet and you couldn’t just cut out an entire gender based on assumption.
Ross continued, “Logan Brady is staying at the Upton Levington Manor Hotel. It’s a suite with three bedrooms so you’re sleeping there. I booked it through from tonight so whoever got the contract can get sorted.”
Adam closed the folder and knocked it once on the desktop to align the paper. A familiar buzz of excitement shot through him. Getting his teeth into a job was always a good thing. Whatever the case was.
“Good luck with your Pretty Boy, Blondie,” Ross called as Adam was leaving. A middle finger up at his friend through the glass was a nice end to the visit. He was still smiling when he reached his car over the fact he'd managed to hide Ross's stapler again. When would the man ever learn to leave the damned thing where Adam couldn’t see it?
Death of a Pirate King by Josh Lanyon
CHAPTER ONE
It was not my kind of party.
Sure, some people might think the dead guy made it my kind of party, but that wouldn't be a fair assessment of my entertainment needs-or my social calendar. I mean, it had been a good two years since I'd last been involved in a murder investigation.
I sell books for a living. I write books too, but not enough to make a living at it. I did happen to sell one book I wrote to the movies, which is what I was doing at a Hollywood party, which, like I said, is not my scene. Or at least, was not my scene until Porter Jones slumped over and fell face first into his bowl of vichyssoise.
I'm sorry to say my initial reaction, as he keeled over, was relief.
I'd been nodding politely as he'd rambled on for the past ten minutes, trying not to wince as he gusted heavy alcoholic sighs my way during his infrequent pauses, my real attention on screenwriter Al January, who was sitting on the other side of me at the long crowded luncheon table. January was going to be working on the screen adaptation of my first novel Murder Will Out. I wanted to hear what he had to say.
Instead I heard all about deep sea fishing for white marlin in St. Lucia.
I pushed back from the table as the milky tide of soup spilled across the linen tablecloth. Someone snickered. The din of voices and silverware on china died.
“For God's sake, Porter!” exclaimed Mrs. Jones from across the table.
Porter's shoulders were twitching and I thought for a moment that he was laughing, although what was funny about breathing soup, I'd no idea-having sort of been through it myself recently.
“Was it something you said, Adrien?” Paul Kane, our host, joked to me. He rose as though to better study Jones. He had one of those British public school accents that make insignificant comments like Would you pass the butter sound as interesting as Fire when ready!
Soup dripped off the table into my empty seat. I stared at Porter's now-motionless form: the folds on the back of his thick tanned neck, the rolls of brown flab peeping out beneath the indigo-blue Lacoste polo, his meaty, motionless arm with the gold Rolex watch. Maybe forty seconds all told, from the moment he toppled over to the moment it finally dawned on me what had actually happened.
“Oh, hell,” I said, and hauled Porter out of his plate. He sagged right and crashed down onto the carpet taking my chair and his own with him.
“Porter!” shrieked his wife, now on her feet, bleached blonde hair spilling over her plump freckled shoulders.
“Jesus Christ,” exclaimed Paul Kane staring down, his normal unshakable poise deserting him. “Is he-?”
It was hard to say what Porter was exactly. His face was shiny with soup; his silvery mustache glistened with it. His pale eyes bulged as though he were outraged to find himself in this position. His fleshy lips were open but he made no protest. He wasn't breathing.
I knelt down, said, “Does anyone know CPR? I don't think I can manage it.”
“Someone call 911!” Kane ordered, looking and sounding like he did on the bridge of the brigantine in The Last Corsair.
“We can trade off,” Al January told me, crouching on the other side of Porter's body. He was a slim and elegant sixty-something, despite the cherry red trousers he wore. I liked his calm air; you don't expect calm from a man wearing cherry-red trousers.
“I'm getting over pneumonia,” I told him. I shoved the fallen chairs aside, making room next to Porter.
“Uh oh,” January said and bent over Porter.
By the time the paramedics arrived it was all over.
By then we had all adjourned to the drawing room of the old Laurel Canyon mansion. There were about thirty of us, everyone, with the exception of myself, involved one way or the other with movies and movie-making.
I looked at the ormolu clock on the elegant fireplace mantle and thought I should call Natalie. She had a date that evening and had wanted to close the bookstore early. I needed to give Guy a call too. No way was I going to have the energy for dinner out tonight-even if we did get away in the next hour or so.
Porter's wife, who looked young enough to be his daughter, was sitting over by the piano crying. A couple of the other women were absently soothing her. I wondered why she wasn't being allowed in there with him. If I was dying I'd sure want someone I loved with me.
Paul Kane had disappeared for a time into the dining room where the paramedics were still doing whatever there was left to do.
He came back in and said, “They've called the police.”
There were exclamations of alarm and dismay.
Okay, so it wasn't a natural death. I'd been afraid of that. Not because of any special training or because I had a particular knack for recognizing foul play-no, I just had really, really bad luck.
Porter's wife-“Ally,” they were calling her-looked up and said, “He's dead?” I thought it was pretty clear he was a goner from the moment he landed flat on his back like a harpooned walrus, but maybe she was the optimistic kind. Or maybe I'd just had too much of the wrong kind of experience.
The women with her began doing that automatic shushing thing again.
Kane walked over to me, and said with that charming, practiced smile, “How are you holding up?”
“Me? Fine.”
His smile informed me that I wasn't fooling anyone, but actually I felt all right. After two weeks of hospital, any change of scenery was an improvement, and unlike most of the people there I knew what to expect once someone died a public and unexpected death.
Kane sat down on a giant chintz-covered ottoman--the room had clearly been professionally decorated because nothing about Paul Kane suggested cabbage roses or ormolu clocks--fastened those amazing blue eyes on me, and said, “I've got a bad feeling about this.”
“Well, yeah,” I said. Violent death in the dining room? Generally not a good thing.
“Did Porter say anything to you? I couldn't help noticing that he had you pinned down.”
“He mostly talked about salt water big game fishing.”
“Ah. His passion.”
“Passion is good,” I said.
Kane smiled into my eyes. “It can be.”
I smiled back tiredly. I didn't imagine that he was coming onto me; it was more…an actor picking up his cue.
He patted my knee and rose. “It shouldn't take much longer,” he said, with the optimism of inexperience.
They kept us waiting for probably another forty minutes and then the doors to the drawing room opened silently on well-oiled hinges, and two cops in suits walked in. One was about thirty, Hispanic, with the tightly coiled energy of the ambitious young dick, and the other was Jake Riordan.
It was a jolt. Jake was a lieutenant now so there was no reason why he'd be here at a crime scene--except that this was a high profile crime scene.
It was like seeing him for the first time--only this time around I had insider knowledge.
He looked older. Still ruggedly good-looking in that big, blond, take-no-prisoners way. But thinner, sharper around the edges. Harder. It had been two years since I'd last seen him. They didn't appear to have been a fun-filled two years, but he still had that indefinable something. Like a young Steve McQueen or a mature Russell Crowe. Hanging around the movie crowd, you start thinking in cinema terms.
I watched his tawny eyes sweep the room and find Paul Kane. I saw the relief on Kane's face, and I realized that they knew each other. Something in the way their gazes met, locked, then broke--not anything anyone else would have caught. I just happened to be in a position to know what that particular look of Jake's meant.
And since I was familiar with the former Detective Riordan's extra-curricular activities, I guessed that meant the rumors about Paul Kane were true.
“Folks, can I have your attention,” the younger detective said. “This is Lieutenant Riordan and I'm Detective Alonzo.” He proceeded to explain that Porter Jones appeared to have been the victim of some kind of poisoning and they were going to ask us a few questions, starting with who had been seated next to the victim during the meal.
Paul Kane said, “That would be Valarie and Adrien.”
Jake's gaze followed Paul Kane's indication. His eyes lit on me. Just for a second his face seemed to freeze. I was glad I'd had a few seconds' warning. I was able to look right through him, which was a small satisfaction.
“I don't understand,” the newly widowed Ally was protesting. “Are you saying-what are you saying? That Porter was murdered?”
“Ma'am,” Detective Alonzo said in a pained way.
Jake said something quietly to Paul Kane, who answered. Jake interrupted Alonzo.
“Mrs. Jones, why don't we move next door?” He guided her towards a side door off the lounge. He nodded for Alonzo to follow him in.
A uniformed officer took Alonzo's place and asked us to please be patient and refrain from speaking with each other-and immediately everyone started speaking, mostly protesting.
The side door opened again and everyone looked guiltily towards the doorway. Ally Porter was ushered straight out.
“The performance of a lifetime,” Al January commented next to me.
I glanced at him and he smiled.
“Valarie Rose,” Detective Alonzo requested.
A trim forty-something brunette stood up. Rose was supposed to direct Murder Will Out, assuming we actually got to the filming stage-which at the moment felt unlikely. She wore minimal makeup and a dark pantsuit. She looked perfectly poised as she passed Detective Alonzo and disappeared into the inner chamber.
She was in there for about fifteen minutes and then the door opened; without speaking to anyone she crossed into the main room. Detective Alonzo announced, “Adrien English?”
Kind of like when your name gets called in the doctor's office: That's right, Adrien. This won't hurt a bit. I felt the silent wall of eyes as I went into the side room.
It was a comfortable room, probably Paul Kane's study. He seemed like the kind of guy who would affect a study. Glass fronted bookcases, a big fireplace, and a lot of leather furniture. There was a table and chairs to one side where they were obviously conducting their questioning. Jake stood at a large bay window that looked down over the back garden. I spared one look at his stony profile, then sat down at the table across from Detective Alonzo.
“Okay…” Alonzo scratched a preliminary note on a pad.
Jake turned. “That's Adrien with an 'e',” he informed his partner. “Mr. English and I have met.”
That was one way to put it. I had a sudden uncomfortably vivid memory of Jake whispering into my hair, “Baby, what you do to me….” An ill-timed recollection if there ever was one.
“Yeah?” If Alonzo recognized there was any tension in the air, he gave no sign of it, probably because there's always tension in the air around cops. “So where do you live, Mr. English?”
We got the details of where I lived and what I did for a living out of the way fast. Then Alonzo asked, “So how well did you know Mr. Jones?”
“I met him for the first time this afternoon.”
“Ms. Beaton-Jones says you and the deceased had a long, long talk during the meal?”
Beaton-Jones? Oh, right. This was Hollywood. Hyphens were a fashion accessory. Ms. Beaton-Jones would be Porter's wife, I guessed.
I replied, “He talked, I listened.” One thing I've learned the hard way is not to volunteer any extra information to the police.
I glanced at Jake. He was staring back out the window. There was a gold wedding band on his left hand. It kept catching the light. Like a heliograph.
“What did he talk about?”
“To be honest, I don't remember the details. It was mostly about deep sea fishing. For marlin. On his forty-five foot Hatteras luxury sport-fishing yacht.”
Jake's lips twitched as he continued to gaze out the window.
“You're interested in deep sea fishing, Mr. English?”
“Not particularly.”
“So how long did you talk?”
“Maybe ten minutes.”
“Can you tell us what happened then?”
“I turned away to take a drink. He-Porter-just…fell forward onto the table.”
“And what did you do?”
“When I realized he wasn't moving, I grabbed his shoulder. He slid out of his chair and landed on the floor. Al January started CPR.”
“Do you know CPR, sir?”
“Yes.”
“Mrs. Beaton-Jones said you refused to administer CPR to her husband.”
I blinked at him. Looked at Jake. His tawny eyes were zeroed in on mine.
“Any reason for that, sir? Are you HIV-positive by any chance?”
“No.” I was a little surprised at how angry I was at the question. I said shortly, “I'm getting over pneumonia. I didn't think I could do an adequate job of resuscitating him. If no one else had volunteered, I'd have tried.”
“Pneumonia? That's no fun.” This also from the firm's junior partner. “Were you hospitalized by any chance?”
“Yeah. Five fun-filled days and nights at Huntington Hospital. I'll be happy to give you the name and number of my doctor.”
“When were you discharged?”
“Tuesday morning.”
“And you're already back doing the party scene?” That was Jake with pseudo-friendly mockery. “How do you know Paul Kane?”
“We met once before today. He's optioned my series character for a possible film. He thought it would be a good idea for me to meet the director and screenwriter, and he suggested this party.”
“So you're a writer,” Detective Alonzo inquired. He checked his notes as though to emphasize that I'd failed to mention this vital point.
I nodded.
“Among other things,” remarked Jake.
I thought maybe he ought to curb it if he didn't want speculation about our former friendship. But maybe marriage and a lieutenancy made him feel bullet-proof. He didn't interrupt as Detective Alonzo continued to probe.
I answered his questions, but I was thinking of the first time I'd met Paul Kane. Living in Southern California, you get used to seeing “movie stars.” Speaking from experience they are usually shorter, thinner, freckled, and blemished. And in real life their hair is almost never as good. Paul Kane was the exception. He was gorgeous in an old-fashioned matinee-idol way. An Errol Flynn way. Tall, built like something chiseled out of marble, midnight-blue eyes, sun-streaked brown hair. Almost too handsome, really. I prefer them a little rougher around the edges. Like Jake.
“Hey, pretty exciting!” Alonzo offered, just as though it wasn't Hollywood where everyone is writing a script on spec or has a book being optioned. “So what's your book about?”
A little dryly I explained what my book was about.
Alonzo raised his eyebrows at the idea of a gay Shakespearean actor and amateur sleuth making it to the big screen, but kept scribbling away.
Jake came over to the table and sat down across from me. My neck muscles clenched so tight I was afraid my head would start to shake.
“But you also run this Cloak and Dagger mystery bookstore in Pasadena?” Alonzo inquired. “Was Porter Jones a customer?”
“Not that I know of. I never saw him before today.” I made myself look at Jake. He was staring down. I looked to see if my body language was communicating homicidal mania. In the light flooding from the bay window my hands looked thin and white, a tracery of blue veins right beneath the surface.
I folded my arms and leaned back in my chair, trying to look more nonchalant than defensive.
We'd been talking for thirty minutes, which seemed like an unreasonable time to question someone who hadn't even known the victim. They couldn't honestly think I was a suspect. Jake couldn't honestly think I'd bumped this guy off. I glanced at the grandfather clock in the corner. Five o'clock.
Alonzo circled back to the general background stuff that is mostly irrelevant but sometimes turns up an unexpected lead.
To his surprise and my relief, Jake said abruptly, “I think that's about it. Thanks for your time, Mr. English. We'll be in touch if we need anything further.”
I opened my mouth to say something, but what came out was a laugh. Short and sardonic. It caught us both by surprise.
It was not my kind of party.
Sure, some people might think the dead guy made it my kind of party, but that wouldn't be a fair assessment of my entertainment needs-or my social calendar. I mean, it had been a good two years since I'd last been involved in a murder investigation.
I sell books for a living. I write books too, but not enough to make a living at it. I did happen to sell one book I wrote to the movies, which is what I was doing at a Hollywood party, which, like I said, is not my scene. Or at least, was not my scene until Porter Jones slumped over and fell face first into his bowl of vichyssoise.
I'm sorry to say my initial reaction, as he keeled over, was relief.
I'd been nodding politely as he'd rambled on for the past ten minutes, trying not to wince as he gusted heavy alcoholic sighs my way during his infrequent pauses, my real attention on screenwriter Al January, who was sitting on the other side of me at the long crowded luncheon table. January was going to be working on the screen adaptation of my first novel Murder Will Out. I wanted to hear what he had to say.
Instead I heard all about deep sea fishing for white marlin in St. Lucia.
I pushed back from the table as the milky tide of soup spilled across the linen tablecloth. Someone snickered. The din of voices and silverware on china died.
“For God's sake, Porter!” exclaimed Mrs. Jones from across the table.
Porter's shoulders were twitching and I thought for a moment that he was laughing, although what was funny about breathing soup, I'd no idea-having sort of been through it myself recently.
“Was it something you said, Adrien?” Paul Kane, our host, joked to me. He rose as though to better study Jones. He had one of those British public school accents that make insignificant comments like Would you pass the butter sound as interesting as Fire when ready!
Soup dripped off the table into my empty seat. I stared at Porter's now-motionless form: the folds on the back of his thick tanned neck, the rolls of brown flab peeping out beneath the indigo-blue Lacoste polo, his meaty, motionless arm with the gold Rolex watch. Maybe forty seconds all told, from the moment he toppled over to the moment it finally dawned on me what had actually happened.
“Oh, hell,” I said, and hauled Porter out of his plate. He sagged right and crashed down onto the carpet taking my chair and his own with him.
“Porter!” shrieked his wife, now on her feet, bleached blonde hair spilling over her plump freckled shoulders.
“Jesus Christ,” exclaimed Paul Kane staring down, his normal unshakable poise deserting him. “Is he-?”
It was hard to say what Porter was exactly. His face was shiny with soup; his silvery mustache glistened with it. His pale eyes bulged as though he were outraged to find himself in this position. His fleshy lips were open but he made no protest. He wasn't breathing.
I knelt down, said, “Does anyone know CPR? I don't think I can manage it.”
“Someone call 911!” Kane ordered, looking and sounding like he did on the bridge of the brigantine in The Last Corsair.
“We can trade off,” Al January told me, crouching on the other side of Porter's body. He was a slim and elegant sixty-something, despite the cherry red trousers he wore. I liked his calm air; you don't expect calm from a man wearing cherry-red trousers.
“I'm getting over pneumonia,” I told him. I shoved the fallen chairs aside, making room next to Porter.
“Uh oh,” January said and bent over Porter.
* * * * *
By the time the paramedics arrived it was all over.
By then we had all adjourned to the drawing room of the old Laurel Canyon mansion. There were about thirty of us, everyone, with the exception of myself, involved one way or the other with movies and movie-making.
I looked at the ormolu clock on the elegant fireplace mantle and thought I should call Natalie. She had a date that evening and had wanted to close the bookstore early. I needed to give Guy a call too. No way was I going to have the energy for dinner out tonight-even if we did get away in the next hour or so.
Porter's wife, who looked young enough to be his daughter, was sitting over by the piano crying. A couple of the other women were absently soothing her. I wondered why she wasn't being allowed in there with him. If I was dying I'd sure want someone I loved with me.
Paul Kane had disappeared for a time into the dining room where the paramedics were still doing whatever there was left to do.
He came back in and said, “They've called the police.”
There were exclamations of alarm and dismay.
Okay, so it wasn't a natural death. I'd been afraid of that. Not because of any special training or because I had a particular knack for recognizing foul play-no, I just had really, really bad luck.
Porter's wife-“Ally,” they were calling her-looked up and said, “He's dead?” I thought it was pretty clear he was a goner from the moment he landed flat on his back like a harpooned walrus, but maybe she was the optimistic kind. Or maybe I'd just had too much of the wrong kind of experience.
The women with her began doing that automatic shushing thing again.
Kane walked over to me, and said with that charming, practiced smile, “How are you holding up?”
“Me? Fine.”
His smile informed me that I wasn't fooling anyone, but actually I felt all right. After two weeks of hospital, any change of scenery was an improvement, and unlike most of the people there I knew what to expect once someone died a public and unexpected death.
Kane sat down on a giant chintz-covered ottoman--the room had clearly been professionally decorated because nothing about Paul Kane suggested cabbage roses or ormolu clocks--fastened those amazing blue eyes on me, and said, “I've got a bad feeling about this.”
“Well, yeah,” I said. Violent death in the dining room? Generally not a good thing.
“Did Porter say anything to you? I couldn't help noticing that he had you pinned down.”
“He mostly talked about salt water big game fishing.”
“Ah. His passion.”
“Passion is good,” I said.
Kane smiled into my eyes. “It can be.”
I smiled back tiredly. I didn't imagine that he was coming onto me; it was more…an actor picking up his cue.
He patted my knee and rose. “It shouldn't take much longer,” he said, with the optimism of inexperience.
They kept us waiting for probably another forty minutes and then the doors to the drawing room opened silently on well-oiled hinges, and two cops in suits walked in. One was about thirty, Hispanic, with the tightly coiled energy of the ambitious young dick, and the other was Jake Riordan.
It was a jolt. Jake was a lieutenant now so there was no reason why he'd be here at a crime scene--except that this was a high profile crime scene.
It was like seeing him for the first time--only this time around I had insider knowledge.
He looked older. Still ruggedly good-looking in that big, blond, take-no-prisoners way. But thinner, sharper around the edges. Harder. It had been two years since I'd last seen him. They didn't appear to have been a fun-filled two years, but he still had that indefinable something. Like a young Steve McQueen or a mature Russell Crowe. Hanging around the movie crowd, you start thinking in cinema terms.
I watched his tawny eyes sweep the room and find Paul Kane. I saw the relief on Kane's face, and I realized that they knew each other. Something in the way their gazes met, locked, then broke--not anything anyone else would have caught. I just happened to be in a position to know what that particular look of Jake's meant.
And since I was familiar with the former Detective Riordan's extra-curricular activities, I guessed that meant the rumors about Paul Kane were true.
“Folks, can I have your attention,” the younger detective said. “This is Lieutenant Riordan and I'm Detective Alonzo.” He proceeded to explain that Porter Jones appeared to have been the victim of some kind of poisoning and they were going to ask us a few questions, starting with who had been seated next to the victim during the meal.
Paul Kane said, “That would be Valarie and Adrien.”
Jake's gaze followed Paul Kane's indication. His eyes lit on me. Just for a second his face seemed to freeze. I was glad I'd had a few seconds' warning. I was able to look right through him, which was a small satisfaction.
“I don't understand,” the newly widowed Ally was protesting. “Are you saying-what are you saying? That Porter was murdered?”
“Ma'am,” Detective Alonzo said in a pained way.
Jake said something quietly to Paul Kane, who answered. Jake interrupted Alonzo.
“Mrs. Jones, why don't we move next door?” He guided her towards a side door off the lounge. He nodded for Alonzo to follow him in.
A uniformed officer took Alonzo's place and asked us to please be patient and refrain from speaking with each other-and immediately everyone started speaking, mostly protesting.
The side door opened again and everyone looked guiltily towards the doorway. Ally Porter was ushered straight out.
“The performance of a lifetime,” Al January commented next to me.
I glanced at him and he smiled.
“Valarie Rose,” Detective Alonzo requested.
A trim forty-something brunette stood up. Rose was supposed to direct Murder Will Out, assuming we actually got to the filming stage-which at the moment felt unlikely. She wore minimal makeup and a dark pantsuit. She looked perfectly poised as she passed Detective Alonzo and disappeared into the inner chamber.
She was in there for about fifteen minutes and then the door opened; without speaking to anyone she crossed into the main room. Detective Alonzo announced, “Adrien English?”
Kind of like when your name gets called in the doctor's office: That's right, Adrien. This won't hurt a bit. I felt the silent wall of eyes as I went into the side room.
It was a comfortable room, probably Paul Kane's study. He seemed like the kind of guy who would affect a study. Glass fronted bookcases, a big fireplace, and a lot of leather furniture. There was a table and chairs to one side where they were obviously conducting their questioning. Jake stood at a large bay window that looked down over the back garden. I spared one look at his stony profile, then sat down at the table across from Detective Alonzo.
“Okay…” Alonzo scratched a preliminary note on a pad.
Jake turned. “That's Adrien with an 'e',” he informed his partner. “Mr. English and I have met.”
That was one way to put it. I had a sudden uncomfortably vivid memory of Jake whispering into my hair, “Baby, what you do to me….” An ill-timed recollection if there ever was one.
“Yeah?” If Alonzo recognized there was any tension in the air, he gave no sign of it, probably because there's always tension in the air around cops. “So where do you live, Mr. English?”
We got the details of where I lived and what I did for a living out of the way fast. Then Alonzo asked, “So how well did you know Mr. Jones?”
“I met him for the first time this afternoon.”
“Ms. Beaton-Jones says you and the deceased had a long, long talk during the meal?”
Beaton-Jones? Oh, right. This was Hollywood. Hyphens were a fashion accessory. Ms. Beaton-Jones would be Porter's wife, I guessed.
I replied, “He talked, I listened.” One thing I've learned the hard way is not to volunteer any extra information to the police.
I glanced at Jake. He was staring back out the window. There was a gold wedding band on his left hand. It kept catching the light. Like a heliograph.
“What did he talk about?”
“To be honest, I don't remember the details. It was mostly about deep sea fishing. For marlin. On his forty-five foot Hatteras luxury sport-fishing yacht.”
Jake's lips twitched as he continued to gaze out the window.
“You're interested in deep sea fishing, Mr. English?”
“Not particularly.”
“So how long did you talk?”
“Maybe ten minutes.”
“Can you tell us what happened then?”
“I turned away to take a drink. He-Porter-just…fell forward onto the table.”
“And what did you do?”
“When I realized he wasn't moving, I grabbed his shoulder. He slid out of his chair and landed on the floor. Al January started CPR.”
“Do you know CPR, sir?”
“Yes.”
“Mrs. Beaton-Jones said you refused to administer CPR to her husband.”
I blinked at him. Looked at Jake. His tawny eyes were zeroed in on mine.
“Any reason for that, sir? Are you HIV-positive by any chance?”
“No.” I was a little surprised at how angry I was at the question. I said shortly, “I'm getting over pneumonia. I didn't think I could do an adequate job of resuscitating him. If no one else had volunteered, I'd have tried.”
“Pneumonia? That's no fun.” This also from the firm's junior partner. “Were you hospitalized by any chance?”
“Yeah. Five fun-filled days and nights at Huntington Hospital. I'll be happy to give you the name and number of my doctor.”
“When were you discharged?”
“Tuesday morning.”
“And you're already back doing the party scene?” That was Jake with pseudo-friendly mockery. “How do you know Paul Kane?”
“We met once before today. He's optioned my series character for a possible film. He thought it would be a good idea for me to meet the director and screenwriter, and he suggested this party.”
“So you're a writer,” Detective Alonzo inquired. He checked his notes as though to emphasize that I'd failed to mention this vital point.
I nodded.
“Among other things,” remarked Jake.
I thought maybe he ought to curb it if he didn't want speculation about our former friendship. But maybe marriage and a lieutenancy made him feel bullet-proof. He didn't interrupt as Detective Alonzo continued to probe.
I answered his questions, but I was thinking of the first time I'd met Paul Kane. Living in Southern California, you get used to seeing “movie stars.” Speaking from experience they are usually shorter, thinner, freckled, and blemished. And in real life their hair is almost never as good. Paul Kane was the exception. He was gorgeous in an old-fashioned matinee-idol way. An Errol Flynn way. Tall, built like something chiseled out of marble, midnight-blue eyes, sun-streaked brown hair. Almost too handsome, really. I prefer them a little rougher around the edges. Like Jake.
“Hey, pretty exciting!” Alonzo offered, just as though it wasn't Hollywood where everyone is writing a script on spec or has a book being optioned. “So what's your book about?”
A little dryly I explained what my book was about.
Alonzo raised his eyebrows at the idea of a gay Shakespearean actor and amateur sleuth making it to the big screen, but kept scribbling away.
Jake came over to the table and sat down across from me. My neck muscles clenched so tight I was afraid my head would start to shake.
“But you also run this Cloak and Dagger mystery bookstore in Pasadena?” Alonzo inquired. “Was Porter Jones a customer?”
“Not that I know of. I never saw him before today.” I made myself look at Jake. He was staring down. I looked to see if my body language was communicating homicidal mania. In the light flooding from the bay window my hands looked thin and white, a tracery of blue veins right beneath the surface.
I folded my arms and leaned back in my chair, trying to look more nonchalant than defensive.
We'd been talking for thirty minutes, which seemed like an unreasonable time to question someone who hadn't even known the victim. They couldn't honestly think I was a suspect. Jake couldn't honestly think I'd bumped this guy off. I glanced at the grandfather clock in the corner. Five o'clock.
Alonzo circled back to the general background stuff that is mostly irrelevant but sometimes turns up an unexpected lead.
To his surprise and my relief, Jake said abruptly, “I think that's about it. Thanks for your time, Mr. English. We'll be in touch if we need anything further.”
I opened my mouth to say something, but what came out was a laugh. Short and sardonic. It caught us both by surprise.
Silent Sin by EJ Russell
Chapter One
July 28, 1921
Robbie slid the last crate of fruit out of Mr. Samson’s truck and only wobbled a little as he handed it off to a grocer’s assistant on the dusty Bakersfield road. He took off his battered straw hat, wiped the sweat off his forehead with the side of his arm, and settled the hat back on his head. Not that it kept out much sun—it was more holes than straw by this time.
Mr. Samson, the orange grower Robbie had been helping for the last two days, strolled out of the little store, tucking a wallet into his back pocket. Robbie snatched his hat off his head again.
“Will there be anything else, sir?”
“Not here.” Samson’s gaze slid away from his. “Don’t have the cash to pay you anything now, but I might have something for you back home at the groves.” He nodded at the truck. “I’ll give you a lift.”
Robbie’s empty belly sank toward his toes, but he forced a smile. He’d learned in the last six weeks that the promise of a job rarely translated into money in his pocket, even if he actually did the work. A lift with the promise of work at the end of the ride—anything that got him farther from Idaho, really—was more than he could hope for. “Thank you, sir.” He stumbled toward the truck cab.
“Hold on, you. Not up front.” Samson jerked his thumb toward the truck bed. “Back there. But give us a crank first.”
Robbie nodded and scuffed through the dirt, where a pebble worked its way through the hole in the bottom of his right boot. He waited for Samson to get behind the wheel and then gave the handle a practiced crank. The engine caught, and the truck belched exhaust. Robbie hurried to the rear before Samson could change his mind about the lift too.
As he was about to scramble over the tailgate, he spotted half a dozen discarded half-squashed fruits—a lemon and five oranges—almost beneath the wheels. He scrabbled them out of the dust, rolled them into the truck bed, and heaved himself in after them. The jerk when Samson put the truck in gear nearly sent Robbie over backward, but he grabbed on to one of the rough slats that bracketed the bed to save himself, driving a sliver into his thumb.
He crawled forward, herding his contraband in front of him until he could sit with his back to the cab. As the truck jounced along, raising clouds of dust in its wake, Robbie gathered the precious fruit in his lap and hunched over his knees. Fingers trembling, he tore into the skin of the first orange and dropped the peel through the slats. He shoved the first section into his mouth and moaned as the tart juice hit his parched mouth and throat. Squashed or not, this is pure heaven. How wonderful that people can grow something this marvelous, let alone make a living at it.
His last meal was nothing but a hazy memory, so he ate one fruit after another—even the lemon, so sour it made his eyes water—as the string of discarded peels fell behind, a trail of gold dimmed by dust.
After he polished off the last orange, he licked his fingers. Then he picked at the sliver in this thumb as he tried to dodge puddles of fermenting juice whenever Mr. Samson took a corner too sharply. The exhaustion of weeks of rough travel, most of it on foot, caught up with him, and he fell into a fitful doze.
With a bone-rattling thump, the truck pulled to a stop. Robbie blinked, disoriented, and peered around in the glare of the setting sun. Where are we? His heart sank when he took in the sturdy buildings lining both sides of the road. A good-sized town. He tried to keep to open country whenever he could—less chance of getting work, but easier to find a stream for a drink and a wash or a secluded barn where he could catch enough shut-eye to go on the next day.
Mr. Samson slapped the side of the truck. “End of the line, kid.”
Robbie scrambled to his feet and wiped his hands on his trousers, not that it did much good. His pants were as sticky as the truck bed.
He hopped down onto the road and caught the tailgate when a wave of dizziness threatened to take him down for the count. “Thanks for the lift. I appreciate it.”
Mr. Samson tilted his cowboy hat back and scratched his forehead. “No skin off my nose. You were a good worker. But turns out, now I think about it, I don’t need any help on the farm.” He shrugged. “Sorry.”
“I understand. Thanks anyway.” He wished he hadn’t fallen asleep on the ride. He had no idea where he was. “Does this road lead to Mexico?”
Mr. Samson hitched his dungarees up under his prosperous paunch. “Whatta you want to go there for? Nothing you can get there that you can’t get here.”
“Where’s here?”
He jerked his thumb over his shoulder. “Hollywood.”
Robbie shaded his eyes with one hand and scanned the storefronts across the road. Hollywood Dry Goods. Hollywood Haberdashers. Hollywood Drug Store. “I guess it is.”
With a touch of his hat brim, Mr. Samson climbed into his truck. “Give us another crank, will you?”
Robbie complied and then backed away as the truck rattled off up a side street.
What the heck can I do in a place like this? Robbie doubted his years of scratching out a living on a potato farm would qualify him for work in some other grower’s orange grove. There weren’t any factories that he could see, and Hollywood Haberdashers wouldn’t hire somebody with only one set of clothes—and those almost too worn to be decent.
Mexico still seemed like the best bet, but suddenly he couldn’t muster the energy to take the next step or cadge the next lift or scrounge the next dime.
So he shoved his hands in his empty pockets, forced his back straight, and strode down the sidewalk as though he truly had someplace to go, as though he wasn’t adrift or as castaway as his namesake—Robinson Crusoe Goodman. He shook his head as he followed the route Mr. Samson’s truck had taken, away from the main street and up a slight hill. Ma sure had some odd notions when it came to naming her sons. Eddie had been lucky. At least Pa had put his foot down over Oedipus.
At the back of Mr. Samson’s orange grove, Robbie found a wooden shack worthy of his old man’s farm and secured with nothing but a two-by-four across its door. He slipped inside and blinked until his eyes adjusted to the gloom after the brightness of the westering sun. The dirt floor was littered with arm-long sections of metal pipe as big around as his head, and a stack of broken crates leaned against the wall like a rummy who’d never heard of the Volstead Act—not the most comfortable flop but better than he had any right to expect.
He curled up on the floor with his back to the wall, arms wrapped across his belly, and begged sleep to take him before he cried.
*******
“I’m not working with Boyd Brody again, Sid. I can’t.” Martin Brentwood met his own gaze in the mirror over the drink cart in his living room. God, he looked like ten miles of bad road. “He tried to drown me.”
Sid Howard, Martin’s manager, emerged from the kitchen, drying his hands on a dish towel. “Come on, Marty. He was just kidding. Giving you the business, same as he does with any actor. You can’t take this personal.”
“I damn well do take it personally. He’d never try that shit with Fairbanks.”
“Shite.”
Martin frowned at Sid. “What?”
“A baronet’s son from Hertfordshire wouldn’t say ‘shit.’”
“But I’m not a baronet’s son from Hertfordshire.” Martin sloshed more gin into his glass. “That would be you. Me? I’m only a tailor’s apprentice from Flushing.”
Sid tossed the towel on top of the piano and pried the glass out of Martin’s grip. “No. That would be me. And don’t forget it, even when we’re alone. Even in your own head. It’s easier to remember the lies if you live ’em full-time.” Sid sniffed the contents of the tumbler and made a face. “And don’t drink this shit. You’ll go blind.”
“I’ll have you know this gin was brewed in Barstow’s finest bathtubs.” Martin shuffled to the davenport and flopped down on the cushions. “But you’re right.” He bared his teeth. “It’s shite.”
“That’s more like it.” Sid settled in the wingback chair across from Martin. “So. I met with Jacob Schlossberg today.”
“Better you than me,” Martin muttered. “I loathe the bastard, and the feeling is decidedly mutual.”
“Maybe. But the reasons for the hate are different. You hate him because he’s—”
“A pontificating blowhard with delusions of grandeur and the morals of a weasel?”
“Because,” Sid raised his voice over Martin’s, “he’s the one who controls your career.”
“He’s not the only one. Ira owns half the studio.”
“Yeah, but Ira’s the talent-facing brother. Jacob’s got his sausage-like finger on the studio’s financial pulse. And when it comes down to it, at Citadel Motion Pictures, money’ll trump talent every time.”
Martin snorted. “So much for art.”
“Pictures aren’t art, Marty. They’re business. Big business. And if nobody pays to see your picture, it don’t matter if it’s as arty as the Russian crown-fucking jewels.”
“Really, Sid,” Martin murmured. “Your language.”
Sid grinned. “Unlike some, I don’t forget who I’m supposed to be.” Sid folded his hands on his knee, and no matter how much he might be able to ape a working-class stiff from Queens, if anybody in Hollywood paid attention, his hands would give him away. Tailor’s apprentices didn’t have the kind of practiced grace that had been drilled into Sid when he was busy getting kicked out of every prep school in England.
“As I said, I met with Jacob today.”
“And?”
Sid’s heavy brows drew together. “He and Ira are split on whether they want to re-up your contract. Ira’s liked you since he brought you in from Inceville and put you in a suit instead of a cowboy hat. He thinks you’re the best bet the studio has to counter Valentino. But Jacob… well….”
“I know, I know. He hates queers.”
“Nobody knows for sure that you’re queer, Marty.” Sid’s scowl said, “And keep it that way” louder than words could. “Anyway, Jacob may hate queers personally, but he depends on them too, as long as they’re in their place.”
Martin’s snort was a low-class sound, but nobody could hear him except Sid, who already knew the truth. Sid had invented Martin’s backstory. Hell, Sid had lived Martin’s backstory and he’d traded it with Martin’s when it became obvious which one of them could make a go of it in pictures.
“Right. In wardrobe. In the art department. Where the public never sees.”
“It’s not the invisibility that he cares about. He covets their taste. He knows he’s got none. He’s a stevedore’s son from the Bronx. He craves sophistication, so you’ll keep delivering it, because the only thing Jacob really hates is a threat to his profits. You can be as queer as Dick’s bloody hatband and he wouldn’t care as long as your pictures make money. But they won’t make money if your fans turn away. Remember what happened to Jack Kerrigan.”
“Kerrigan’s popularity dropped because he made that asinine comment about being too good to go to war, not because he’s queer.”
“Exactly. But with the Hollywood press in their back pocket, the studio didn’t lift a finger to save him. He’d become a liability with all his talk about no woman measuring up to Mother, and his lover tucked cozily away downstairs, masquerading as his secretary. You don’t want to be in that position.”
Martin pinched his eyes closed. “If it’s not because they suspect I’m in the life, then what is it? The cocaine? Because I told you, I’m never taking that stuff again, no matter how much the studio doctor prescribes.”
“No. It’s because of your last driver. What was his name? Homer?”
“Vernon, actually.”
“Right. Well, they don’t like that you fired him.”
“I fired him because he was a manipulative son of a bitch who saw driving a studio car as a sure way to stardom, provided he could fuck the right people.”
“Swive.”
“What? Are you telling me a baronet’s son wouldn’t say fuck?”
“Baronets’ sons definitely do, especially when imprisoned at boarding school with dozens of other baronets’ sons. But Martin Brentwood, leading man and one of Hollywood’s finest gentlemen, does not.”
Martin leaned his head on the cushions. “Jesus, Sid. Don’t you ever get tired of the act?”
“I’ll keep up with the act as long as it pays the bills. And so will you.” Sid crossed his legs. “I met with Ira too. He needs you back in to do retakes on that pro-Prohibition picture you wrapped last week.”
Martin groaned. “Good lord. Must we pander to the temperance unions and morality clubs even more? Wasn’t it enough that I died horribly in the gutter at the end?” Martin should have gotten a clue about where his career was headed when he was cast as the drunken lout instead of the fellow who heroically takes an axe to the kegs of evil whiskey.
“It has nothing to do with your performance. There were light flares in some of the scenes, and the cutter can’t fix it.”
“Very well. I’ll return tomorrow to die again.”
“Good. They expect you at ten.”
“Ten.” Martin cracked open an eye. “That’s a civilized hour, but how am I supposed to get there? No chauffeur, remember? The studio still won’t let me drive, and you refuse to learn how. I’d take the streetcar, but—”
“No. The last time you tried that, you nearly caused a riot.” Sid stood up and collected his briefcase from the ormolu side table. “I’ll contact the studio. They’ll assign you a driver, although you may have to share.” He lifted one perfectly straight eyebrow. “You’re not Valentino, after all. Yet.”
“Isn’t it grand that I don’t want to be, then?”
Sid sighed. “Marty, you need to think about your image. The studio’ll only protect you as long as you’re an asset, and you’ll only be an asset if—”
“If I make Jacob enough money.”
“If you don’t make their job harder. Having a car at your disposal twenty-four hours a day is more of a temptation than you need right now.”
Martin pushed himself upright with clenched fists. “What’s that supposed to mean?”
“Lay off the steak and pinochle parties with Bill Taylor and George Hopkins. Stay away from Pershing Square. The only reason Homer—”
“Vernon,” Martin murmured.
“—was a real threat was because he suspected what was really going on there. If one of those jokers decides to spill to the press—”
“They wouldn’t. Nobody who’s in the life would ever give me away. We don’t do that to one other. Not ever.”
“That’s what everyone says until the first time. If anyone suspects the truth—”
“Truth? This is Hollywood, Sid. Truth is what the fan rags print, and the studios have all of them in their back pockets, cheek by jowl with their string of crooked cops.”
“Maybe. But you can’t depend on that lasting forever. Remember Kerrigan.” Sid settled his straw boater on his head. “A studio driver’ll pick you up tomorrow by nine thirty. I’ll take care of it.”
Martin heaved himself to his feet to walk Sid to the door. “Thanks, Sid.”
“And next time? If you’re gonna fire your driver, at least make sure you wait until he takes you home.”
“Yeah, yeah.”
Sid grabbed Martin’s wrist, his dark eyes serious. “I mean it, Marty. Be careful. This may be your last chance at Citadel, but if you pick the wrong man, you may not have another chance at anything.”
Martin opened his mouth to argue, but Sid walked out before he could gather his thoughts. He stood in the doorway as Sid strode down the sidewalk, the July sun beating down on the dusty boxwood hedges that lined the bungalow court.
Damn it, he’s right.
The places where it was safe to be a man who preferred men were few—New York, San Francisco, Hollywood. And even there, security was an illusion. The only thing that shielded them was the total obliviousness of most of the country. Hell, they didn’t even have a word for it.
In the life. A nice, nondescript phrase that could mean anything. But to the men and women who sought their partners from their own gender, its very blandness was the only thing that stood between them and ruin, scandal, imprisonment… worse. With sodomy laws on the books in every state, the punishment for a conviction could be positively medieval.
Martin shuddered, and as he wandered back to the drink cart, the streetcar bell clanged on Alvarado. I’ve still got some of my costumes from my vaudeville days. I could take the trolley to Pershing Square. Just for a little while. If he dressed in the rough clothes of a dockworker or the cheap suit of a salesman, nobody would know him for Martin Brentwood, movie star.
He leaned his forehead against the wall, excitement warring with shame in his belly. One last time. Without a driver, nobody would know.
So much of being a star was in behaving like one. Presenting yourself like a person who would prompt people in middle America to shell out their dough for the privilege of watching you caper around on a screen for an hour or two. Hell, he’d heard United Artists was going to charge a two-dollar admission for Fairbanks’s next picture.
It was nuts.
It was nuts, but Sid was right. It paid the bills—his and Sid’s. He owed it to them both not to destroy his career, not to destroy his life. Because the sailors in Pershing Square might be thrillingly rough, but you never knew where they’d been. The last thing he needed was a case of the clap. Sid was right about that too.
Martin wandered over to his desk. He had a pile of fan mail that needed answering. He probably should do that—he had few enough fans left. He’d best keep the faithful remnants happy.
With one last sorrowful glance at the gin bottle, he sat down and picked up his fountain pen.
All the King's Men by RJ Scott
Prologue
Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall.
All the king’s horses and all the king’s men
Couldn’t put Humpty together again!
Humpty Dumpty had a great fall.
All the king’s horses and all the king’s men
Couldn’t put Humpty together again!
*****
California is one of America’s most earthquake-prone states.
The boundary between the massive Pacific and North American tectonic plates, the notorious San Andreas Fault, runs roughly southeast to northwest through much of California. In addition, a jumble of lesser transverse faults clutters the map of the state.
Sides of the San Andreas Fault move in the opposite direction, but at different speeds, causing geologic tension to build. That tension is released in the form of an earthquake. The possibility is always present for associated earthquakes among the nearby transform faults.
The U.S. Geological Survey says the state faces a forty-six percent chance of being hit by a Richter Scale magnitude 7.5 or higher earthquake in the next thirty years.
Possibly even today.
The boundary between the massive Pacific and North American tectonic plates, the notorious San Andreas Fault, runs roughly southeast to northwest through much of California. In addition, a jumble of lesser transverse faults clutters the map of the state.
Sides of the San Andreas Fault move in the opposite direction, but at different speeds, causing geologic tension to build. That tension is released in the form of an earthquake. The possibility is always present for associated earthquakes among the nearby transform faults.
The U.S. Geological Survey says the state faces a forty-six percent chance of being hit by a Richter Scale magnitude 7.5 or higher earthquake in the next thirty years.
Possibly even today.
Chapter 1
Thursday 6:52 a.m.
I’m coming to you… Early morning flight to LAX… I don’t want to play phone tag anymore… I just want to see you face to face and talk… I miss you, Nate… I’m sorry… I love you.
Nathan Richardson leaned against the park gates and pocketed his cell after listening to his lover’s voicemail for what must be at least the twentieth time. The message was emotional and Ryan’s voice was choked as he spoke. Still, in the few words Nathan heard he got the message. He and Ryan needed to do one hell of a lot of talking.
They’d been together two years, Ryan a photographer and Nathan his model. It was the worst cliché ever and surely destined to fail. But not them. They were in love and going strong. Nathan wanted forever, commitment, a place they owned together, hell, even a ring. Ryan, older than Nathan by five years, had too many breakups under his belt to think that a happy ever after was even possible.
When Nathan was offered a part in a small independent movie, it had been the beginning of the end. Nathan had used modeling to finance acting classes and he jumped at the chance to join the cast of an independent gay film with a contract for two months’ work and an audition for a soap as a new love interest in some kind of triangle.
Nathan expected Ryan to protest—for his lover to tell Nathan he couldn’t live without him and not to go. Instead Ryan grew quieter by the day and merely encouraged Nathan to take the role. Nathan could see what was happening—Ryan was subtly saying he didn’t want a forever kind of thing anyway. Ryan was ending their love affair while he had the chance to be in control of how it ended. They didn’t fight. They drifted apart and Nathan let it happen.
That had been two months ago.
Two days ago Ryan had texted him. I miss you. So much.
Nathan didn’t know what to type in return. Ryan wasn’t exactly offering endless love and a ring. But when Nathan read those few words he knew getting over Ryan was unachievable. He loved the man, and always would. His friend Jason wanted him to move on. He could no more move on from Ryan than he could turn straight.
Ryan was the other half of him.
I love you, Nathan sent in reply.
I want forever, Ryan texted back.
I can go for that, Nathan replied quickly.
I can get a flight. Unspoken was asking if Ryan could visit Nathan.
Please.
Despite staring at the screen for an hour, there were no more messages.
Then the voicemail came when Nathan was on his run. Heartfelt and perfect. The two of them could make this real. Not long and his lover would be here, then they could clear the air and maybe he and Ryan could find a way to move on.
Ryan Ortiz said he was ready for forever and Nathan wanted that so badly.
He had run here, the opposite side of the US, to give Ryan time to think about what he felt and what he wanted. It had killed him not to be calling Ryan every day, but Nathan knew Ryan and knew his best bet was to not pressure his lover. His gaze passed over where he now lived, a place so very different from his and Ryan’s former home in the chaos and noise of New York.
A small complex of four apartments, quiet and remote, the peace and solitude suited his frame of mind perfectly. He lived in this two-bedroom apartment in the hills beyond LA, rented from an absentee landlord, and had made it his own with photos of family and even one of him and Ryan in happier times. As much as he wished he could, he hadn’t been able to cut Ryan out of his thoughts, or his life.
He stood in the roughhewn park carved out across the road from his home and looked away from his sanctuary to the nature that surrounded him. The park itself was a jumble of trees and rocks, grass and pathways, some steeply climbing higher into the hills, some gently curving and ideal for his attempted runs. The nearest main road was a quarter-mile away, and most people drove past the entrance to the small complex without realizing the road led to people’s homes.
Jason and his girlfriend had put an offer on one of the two empty apartments. Having his best friend in LA living next door was a good thing. He needed that connection if he couldn’t have Ryan in his life on a permanent basis. Although…maybe…somehow he and Ryan could make it work?
Nathan smiled as a cloud of birds rose gracefully from the oak at the edge of the park, heading skyward at an incredible speed. He loved that he was so close to the peace of nature, and the sight of the birds was both eerie and fascinating. He couldn’t stop looking at it, wishing he had his camera with him, cursing at another amazing photo opportunity lost.
Suddenly, he couldn’t wait to share what he’d seen with Ryan.
I’m coming to you… Early morning flight to LAX… I don’t want to play phone tag anymore… I just want to see you face to face and talk… I miss you, Nate… I’m sorry… I love you.
Nathan Richardson leaned against the park gates and pocketed his cell after listening to his lover’s voicemail for what must be at least the twentieth time. The message was emotional and Ryan’s voice was choked as he spoke. Still, in the few words Nathan heard he got the message. He and Ryan needed to do one hell of a lot of talking.
They’d been together two years, Ryan a photographer and Nathan his model. It was the worst cliché ever and surely destined to fail. But not them. They were in love and going strong. Nathan wanted forever, commitment, a place they owned together, hell, even a ring. Ryan, older than Nathan by five years, had too many breakups under his belt to think that a happy ever after was even possible.
When Nathan was offered a part in a small independent movie, it had been the beginning of the end. Nathan had used modeling to finance acting classes and he jumped at the chance to join the cast of an independent gay film with a contract for two months’ work and an audition for a soap as a new love interest in some kind of triangle.
Nathan expected Ryan to protest—for his lover to tell Nathan he couldn’t live without him and not to go. Instead Ryan grew quieter by the day and merely encouraged Nathan to take the role. Nathan could see what was happening—Ryan was subtly saying he didn’t want a forever kind of thing anyway. Ryan was ending their love affair while he had the chance to be in control of how it ended. They didn’t fight. They drifted apart and Nathan let it happen.
That had been two months ago.
Two days ago Ryan had texted him. I miss you. So much.
Nathan didn’t know what to type in return. Ryan wasn’t exactly offering endless love and a ring. But when Nathan read those few words he knew getting over Ryan was unachievable. He loved the man, and always would. His friend Jason wanted him to move on. He could no more move on from Ryan than he could turn straight.
Ryan was the other half of him.
I love you, Nathan sent in reply.
I want forever, Ryan texted back.
I can go for that, Nathan replied quickly.
I can get a flight. Unspoken was asking if Ryan could visit Nathan.
Please.
Despite staring at the screen for an hour, there were no more messages.
Then the voicemail came when Nathan was on his run. Heartfelt and perfect. The two of them could make this real. Not long and his lover would be here, then they could clear the air and maybe he and Ryan could find a way to move on.
Ryan Ortiz said he was ready for forever and Nathan wanted that so badly.
He had run here, the opposite side of the US, to give Ryan time to think about what he felt and what he wanted. It had killed him not to be calling Ryan every day, but Nathan knew Ryan and knew his best bet was to not pressure his lover. His gaze passed over where he now lived, a place so very different from his and Ryan’s former home in the chaos and noise of New York.
A small complex of four apartments, quiet and remote, the peace and solitude suited his frame of mind perfectly. He lived in this two-bedroom apartment in the hills beyond LA, rented from an absentee landlord, and had made it his own with photos of family and even one of him and Ryan in happier times. As much as he wished he could, he hadn’t been able to cut Ryan out of his thoughts, or his life.
He stood in the roughhewn park carved out across the road from his home and looked away from his sanctuary to the nature that surrounded him. The park itself was a jumble of trees and rocks, grass and pathways, some steeply climbing higher into the hills, some gently curving and ideal for his attempted runs. The nearest main road was a quarter-mile away, and most people drove past the entrance to the small complex without realizing the road led to people’s homes.
Jason and his girlfriend had put an offer on one of the two empty apartments. Having his best friend in LA living next door was a good thing. He needed that connection if he couldn’t have Ryan in his life on a permanent basis. Although…maybe…somehow he and Ryan could make it work?
Nathan smiled as a cloud of birds rose gracefully from the oak at the edge of the park, heading skyward at an incredible speed. He loved that he was so close to the peace of nature, and the sight of the birds was both eerie and fascinating. He couldn’t stop looking at it, wishing he had his camera with him, cursing at another amazing photo opportunity lost.
Suddenly, he couldn’t wait to share what he’d seen with Ryan.
*****
Thursday 6:59 am
Ryan Ortiz sat forward in the cab as they rounded a corner. He was desperate to get his Nathan into his arms where Ryan could hold him and tell him that he loved him. The cab was moving too slowly and all the driver wanted to do was talk to him.
“What brings you to LA?”
“My boyfriend lives here.” Nathan.
“So you’re not a resident?”
“No, I’m here from New York, just for a few days.” Hopefully longer if Nathan will take me back.
The questions continued to come. What did he think of the spate of forest fires in the LA hills? Did he think that Lindsay Lohan was for real? Did he have pets? Was he married? Did he want to get married? Was he fighting for equal rights? For the most part, Ryan managed to keep up until he realized that the driver wasn’t actually listening to his answers, and so he was able to subside to a new level of tired grunts in answer to each new question. Still dazed from his early morning flight from New York, his mind limped through thought and memory, attempting to make order out of chaos. The views from the taxi, the vista of the city laid out through the misty smog, were gorgeous, and he itched for his camera. It was a very strange feeling not to have it with him, but the rush to get here, to see Nathan, had precluded organizing his extensive camera equipment. It was the first time in his memory he’d gone anywhere without at least one camera.
He missed taking photos of Nate. His gorgeous lover had started as his model for Style and hell, Ryan loved every minute of seeing Nate through the viewfinder. They’d slipped into a relationship, a fiery, intense love affair. Then his beautiful lover had revealed he wanted to try acting and even had a role lined up. Although when that had happened Ryan didn’t know, as Nathan hadn’t told him a thing.
“It’s such a cliché,” Ryan told him. “Model turned actor.”
He was only teasing but Nathan took him so seriously. “It’s just a dream of mine, and I’m lucky they let me try for it.”
“Why didn’t you tell me you had done this?”
“I thought they’d laugh me out of the door, I never imagined they’d say yes.”
Ryan had pulled Nathan into a hug. “I’m proud of you, babe,” he said firmly. Of course, inside he’d faced the finality that he was losing Nathan. No point in a future when they were separated on opposite sides of the US, and he certainly wasn’t going to hold Nathan back. It had been easier for Ryan to assume they were ending with Nathan’s move to LA.
Ultimately Nathan left his position with Style and moved permanently to LA, embracing his burgeoning acting career. The arguments increased at the same rate as the distance between them. Ryan had always been the one who picked the fights. Fucking idiot. Ryan fought insecurity and jealousy and the only way he could do that was to pretend Nathan leaving for a new career meant nothing to him.
Nathan got the role in the TV series, up and away from his independent film part, starting with a six-month contract. His picture was emblazoned on page twenty-nine of a teen magazine that Ryan’s assistant left on his desk. The photo was one of Ryan’s, and it was one of his favorites. Nathan, beautiful, shirtless, his lean body stretched with catlike grace, leaning back on his elbows. His jeans were pushed down and his hipbones teased at what was hidden. He was pictured gazing away from the camera thoughtfully, his soft dark hair in disarray around his face. The lighting had been faultless, each coppery highlight in Nathan’s hair picked out in detail. The photo was simply perfect.
They had gone home after that shoot and made love and it was the moment Ryan knew he was head over heels for Nathan. They’d exchanged I love you’s and Nathan began to make plans for a future together, a house outside the city maybe, adoption, hell, the whole family thing. Ryan wasn’t sure he was capable of all that, but he’d nodded and listened. Then he saw the damn photo again and he knew at that moment he should never have let his fears stop him from believing in what they had.
Ryan didn’t hesitate when he saw that photo. He loved Nathan and they had been apart too long. Sure there was a relationship to save, he texted Nathan and Nathan had answered. Ryan impulsively booked a flight immediately—the first flight he could get to LA. He called Nathan from the airport and left a voicemail when Nathan didn’t answer. Now he sat in the taxi as the driver steered it up into the hills. He needed to push aside his insecurities, drop to his knees, and beg forgiveness of the one person who made him whole. He hoped he wasn’t too late.
Ryan Ortiz sat forward in the cab as they rounded a corner. He was desperate to get his Nathan into his arms where Ryan could hold him and tell him that he loved him. The cab was moving too slowly and all the driver wanted to do was talk to him.
“What brings you to LA?”
“My boyfriend lives here.” Nathan.
“So you’re not a resident?”
“No, I’m here from New York, just for a few days.” Hopefully longer if Nathan will take me back.
The questions continued to come. What did he think of the spate of forest fires in the LA hills? Did he think that Lindsay Lohan was for real? Did he have pets? Was he married? Did he want to get married? Was he fighting for equal rights? For the most part, Ryan managed to keep up until he realized that the driver wasn’t actually listening to his answers, and so he was able to subside to a new level of tired grunts in answer to each new question. Still dazed from his early morning flight from New York, his mind limped through thought and memory, attempting to make order out of chaos. The views from the taxi, the vista of the city laid out through the misty smog, were gorgeous, and he itched for his camera. It was a very strange feeling not to have it with him, but the rush to get here, to see Nathan, had precluded organizing his extensive camera equipment. It was the first time in his memory he’d gone anywhere without at least one camera.
He missed taking photos of Nate. His gorgeous lover had started as his model for Style and hell, Ryan loved every minute of seeing Nate through the viewfinder. They’d slipped into a relationship, a fiery, intense love affair. Then his beautiful lover had revealed he wanted to try acting and even had a role lined up. Although when that had happened Ryan didn’t know, as Nathan hadn’t told him a thing.
“It’s such a cliché,” Ryan told him. “Model turned actor.”
He was only teasing but Nathan took him so seriously. “It’s just a dream of mine, and I’m lucky they let me try for it.”
“Why didn’t you tell me you had done this?”
“I thought they’d laugh me out of the door, I never imagined they’d say yes.”
Ryan had pulled Nathan into a hug. “I’m proud of you, babe,” he said firmly. Of course, inside he’d faced the finality that he was losing Nathan. No point in a future when they were separated on opposite sides of the US, and he certainly wasn’t going to hold Nathan back. It had been easier for Ryan to assume they were ending with Nathan’s move to LA.
Ultimately Nathan left his position with Style and moved permanently to LA, embracing his burgeoning acting career. The arguments increased at the same rate as the distance between them. Ryan had always been the one who picked the fights. Fucking idiot. Ryan fought insecurity and jealousy and the only way he could do that was to pretend Nathan leaving for a new career meant nothing to him.
Nathan got the role in the TV series, up and away from his independent film part, starting with a six-month contract. His picture was emblazoned on page twenty-nine of a teen magazine that Ryan’s assistant left on his desk. The photo was one of Ryan’s, and it was one of his favorites. Nathan, beautiful, shirtless, his lean body stretched with catlike grace, leaning back on his elbows. His jeans were pushed down and his hipbones teased at what was hidden. He was pictured gazing away from the camera thoughtfully, his soft dark hair in disarray around his face. The lighting had been faultless, each coppery highlight in Nathan’s hair picked out in detail. The photo was simply perfect.
They had gone home after that shoot and made love and it was the moment Ryan knew he was head over heels for Nathan. They’d exchanged I love you’s and Nathan began to make plans for a future together, a house outside the city maybe, adoption, hell, the whole family thing. Ryan wasn’t sure he was capable of all that, but he’d nodded and listened. Then he saw the damn photo again and he knew at that moment he should never have let his fears stop him from believing in what they had.
Ryan didn’t hesitate when he saw that photo. He loved Nathan and they had been apart too long. Sure there was a relationship to save, he texted Nathan and Nathan had answered. Ryan impulsively booked a flight immediately—the first flight he could get to LA. He called Nathan from the airport and left a voicemail when Nathan didn’t answer. Now he sat in the taxi as the driver steered it up into the hills. He needed to push aside his insecurities, drop to his knees, and beg forgiveness of the one person who made him whole. He hoped he wasn’t too late.
*****
7:12 a.m.
After his pathetic, half-hearted stumble-run, Nathan decided he needed to get indoors and get a shower. He wasn’t sure what time Ryan would get here but Nathan wanted to be at least halfway decent when he did.
He couldn’t help the excitement that flooded him. He really wanted to see if maybe his ex-lover would want to find some kind of resolution. Maybe they could agree to split their time between the two cities?
He was just inside the main door when the floor beneath his feet moved, subtly the first time, slowly, a groaning, a creaking, and a soft shaking. The ground shift left him holding the doorframe. It only lasted a few seconds and was over before he could force a thought about it through the rest of the clutter in his mind. The checklist in his head clicked in automatically before the shaking had stopped. He smiled briefly. That earth movement would be dominating the news today. Hey, maybe today was a good day for him to walk proudly out of the closet! Surely revealing his sexual preferences would never be more newsworthy than an earthquake in Tinseltown.
He thumbed to the number of his brother out of state and hit Send. The phone at the other end rang once, twice, a third time, and voicemail kicked in. He decided not to leave a message. No one really needed to know that a minor shock had hit his apartment in the hills above LA. The trembler hadn’t been strong enough to be worthy of hitting the news anywhere outside of California. Nathan had just been trying to be a good citizen, letting a family member know like the government said he should. He made a mental note to charge the damn cell when he finished his shower.
Seconds later, just as Nathan pocketed his cell, the earth around him ripped apart with such savagery that it was impossible to stand upright. Nathan scrabbled to hold the side of the doorframe, trying to find his feet. His vision blurred as dust and concrete fell about his head, knocking him to the ground. Before the shaking stopped, before the ceiling joists cascaded down and trapped his legs, he slammed into unconsciousness.
After his pathetic, half-hearted stumble-run, Nathan decided he needed to get indoors and get a shower. He wasn’t sure what time Ryan would get here but Nathan wanted to be at least halfway decent when he did.
He couldn’t help the excitement that flooded him. He really wanted to see if maybe his ex-lover would want to find some kind of resolution. Maybe they could agree to split their time between the two cities?
He was just inside the main door when the floor beneath his feet moved, subtly the first time, slowly, a groaning, a creaking, and a soft shaking. The ground shift left him holding the doorframe. It only lasted a few seconds and was over before he could force a thought about it through the rest of the clutter in his mind. The checklist in his head clicked in automatically before the shaking had stopped. He smiled briefly. That earth movement would be dominating the news today. Hey, maybe today was a good day for him to walk proudly out of the closet! Surely revealing his sexual preferences would never be more newsworthy than an earthquake in Tinseltown.
He thumbed to the number of his brother out of state and hit Send. The phone at the other end rang once, twice, a third time, and voicemail kicked in. He decided not to leave a message. No one really needed to know that a minor shock had hit his apartment in the hills above LA. The trembler hadn’t been strong enough to be worthy of hitting the news anywhere outside of California. Nathan had just been trying to be a good citizen, letting a family member know like the government said he should. He made a mental note to charge the damn cell when he finished his shower.
Seconds later, just as Nathan pocketed his cell, the earth around him ripped apart with such savagery that it was impossible to stand upright. Nathan scrabbled to hold the side of the doorframe, trying to find his feet. His vision blurred as dust and concrete fell about his head, knocking him to the ground. Before the shaking stopped, before the ceiling joists cascaded down and trapped his legs, he slammed into unconsciousness.
Lights. Camera. Murder. by CS Poe
GET BENT, DIPSHIT
The love note was scrawled across my grocery list on the refrigerator door. Which was fine. I preferred keeping all my reminders in a central location. Now I knew I needed to pick up milk, sugar, bread, and a new boyfriend.
My cell rang as I splashed some cream into my coffee. I pushed my tortoiseshell glasses up my nose and turned to pick up the phone from the counter behind me.
Caller ID: Nate.
Shocker.
I pressed Accept and put the phone to my ear. “Good morning, sunshine. I got your message.”
“You’re a sonofabitch, Rory!”
“I’ve been called worse things by better people.”
Nate’s audible gasp allowed me enough time to indulge in that first sip of morning coffee. “Only an asshole breaks up over text message,” he accused.
I winced at his shrill tone, pulled the phone away from my ear, set it to speaker, and put it back on the countertop. “I only have one rule, Nate.”
“Screw your rule.”
“And you broke it,” I continued without missing a beat.
“Maybe if you were a contributing member in our relationship, I wouldn’t have had to find someone else to fuck me senseless.”
I stared at the phone and messed my already disheveled hair with one hand. “I told you when we started dating just how much I worked.”
“And?”
“And if you need it day and night, I’m probably not the most suitable candidate in the dating pool.”
Nate let out a frustrated growl and then shouted loud enough to cause mic distortion, “Can you pretend like you give a damn right now?”
“It’s not worth my energy. You swore to never lie, and I caught you in one.” I took another sip of coffee while he sputtered and hissed. “Oh. I’d like my extra key back.” I gave the note on the fridge a second glance.
“Burn in hell, Rory.”
“Have a good life, Nate.”
“Hey, while we’re at it—I fucked your coworker too!” he screamed.
“Yeah, I know. Bye-bye.” I hit End, promptly deleted Nate’s contact information from my phone, and walked out of the kitchen.
Dark Horse, White Knight by Josh Lanyon
The post card was nestled between Variety and the Edison bill.
Just an ordinary picture postcard. White font proclaimed MALIBU! across the Mai Tai-colored sunset. I turned the card over and there was the spidery black writing I had thought I would never see again.
Miss me?
No signature. No signature needed. I looked at the postmark. Pacific Coast Highway. Yesterday's date.
I stared for a long time while Dan's deep voice receded into the cries of the gulls overhead and the pound of the waves on the beach a few yards away until those too faded to a kind of white noise.
No. God no.
Then Dan stretched across and took the card from my unresisting hand, and I was abruptly back in the present.
The wooden chair creaked as he leaned back, his long muscular body at ease. His dark brows drew together. Absently, he raked his still-wet hair back. It's not like there was a lot to read. One simple sentence.
Miss me?
A rhetorical question if there ever was one.
Water glistened on Dan's broad sun-browned shoulders, one drop trickling down between his rock-hard pecs, sparkling through the dusting of dark hair across his flat abdomen, and the tiny flicker of irritation I'd felt at his arrogance faded in the wake of lust. After nearly a month of playing Bodyguard to the Stars, I couldn't blame him if he still occasionally reacted like he was getting paid for overtime.
“It's not Hammond,” he said, and tossed the card to the table. It landed face up in a blob of crabapple jelly.
“The writing is the same.”
“Superficially. We'd have to get it analyzed. Anyway, it doesn't matter. Say one of his cards was delayed for a few days, it doesn't change the fact that he's dead.”
“If he is dead.”
His eyes, blue as the surf behind him, met mine levelly. “Sean, he's dead. I saw the car. No one could have survived that crash.”
“Then why wasn't his body recovered?”
“It's somewhere in the aqueduct. I don't know. It must have been swept away or lodged somehow.”
I nodded tightly. It's not like there's high tide in the California Aqueduct.
Dan's large hand slid under my fingers nervously fiddling with a teaspoon. “It's over, chief. Trust me.”
“I do.” It came out more husky than I intended.
He turned my hand palm up, lightly kissing it. The warmth of his lips against my surf-chilled skin made me shiver. I dropped the teaspoon. It hit the edge of my saucer with a silvery chime. He grinned.
You only ever hear about closeted cops, so Dan's relaxed attitude still caught me off guard. He was probably more at ease with his sexuality than half the “civilians” I knew. He sure as hell was more relaxed than me.
I pulled my hand away at the familiar yap-yapping of the four-legged hairball belonging to our nearest neighbor Mrs. Wilgi. Sure enough, a moment later “Mrs. Wiggly” came around the cairn of rocks, armed with her usual binoculars and police whistle.
I caught Dan's eye. His grin was wry. He was getting to read me pretty well.
I said, “Hey, for all I know Mrs. Wiggly has a spy cam concealed in her muu muu.”
He forked another waffle off the plate. “I don't even want to think about what that muu muu conceals.”
I laughed. My glance fell on the jam-stained postcard and I made myself look away. If Dan said it was over, it was over. He was the expert here.
All the same, after a year of being stalked, it wasn't so easy to drop my guard. One week after Paul Hammond lost control of his car during a police chase on Highway 138 and crashed into the California Aqueduct, I still tensed when the phone rang, waiting for that familiar whisper. I still sorted through my mail fast, trying to get it over with in case, like today, something ugly fell out of the mix. I still watched the rear view mirror everywhere I drove, although for the past three weeks Lt. Daniel Moran of L.A.P.D. had been riding shotgun with me-when he didn't insist on doing the actual driving.
I said, talking myself away from my anxiety, “I just don't want to turn up in the National Inquirer as the gay Benifer or something.”
“Dansean?” Dan suggested, playing along.
“I'm the celebrity,” I pointed out. “My name gets top billing. Maybe…Seandan.”
“You can be the top anything you like.” Dan's eyes were very blue. “Just say the word.”
Heat rose in my face.
I mean, how ridiculous was that? You'd think I was a blushing virgin of seventeen, instead of which I was a reasonably experienced twenty-five year old veteran of the Hollywood party scene. True, most seventeen-year olds probably saw more action than me-although things were definitely looking up these days.
Automatically, I returned Mrs. Wilgi's wave as she tromped along the shoreline, her red and yellow dress puffing out and flattening against her ungainly body. The dog, barking hysterically, veered off, galloping towards the deck where we sat, as though he'd just noticed this house on the otherwise empty beach.
“Doesn't that thing have an off button?” I murmured.
Mrs. Wilgi began clapping frantically and calling to the dog.
“Binky! Binky!”
“Speaking of off buttons,” Dan remarked, “I'm supposed to start back at work tomorrow.”
“Oh.”
I tried to hide it, but I knew he could see my disappointment.
He said, his tone very casual, “Were you planning to stay out at the beach for a few days or should I drop some things off at the house?”
“The House” being my place in the Hollywood Hills. My place and now, maybe, Dan's place too. It was still so new this relationship, so unexpected. We were both tentative, feeling our way along. Trying not to take too much for granted. Or spoil it by not taking enough for granted.
I said, going for the same off-hand note, “I was thinking of staying out until next weekend. What do you think? Malibu too far to drive every evening?”
“Not if I'm waking up next to you every morning.”
My heart skipped a beat. How the hell could he say this stuff and not sound corny?
Practice, I guess. Dan was ten years older than me-and they had been an active ten years.
I said, “That can be arranged.”
We'd been sleeping together for one week, starting with the night Dan had returned home to tell me Hammond had crashed into the aqueduct. But the attraction had been immediate. My manager, Steve Kreiger, kept saying what a great screenplay it would make. Gay cop falls for the gay actor he's assigned to protect from a crazed stalker. And it was true: for once real life was every bit as satisfying as the movies. Dan was a decorated officer frequently held up as the poster boy for the new and improved (read “sensitive and diverse”) L.A.P.D. It didn't hurt that he was articulate, smart, and old-fashioned movie star handsome. A straight arrow in every way but one-and that one way got him assigned to my bodyguard detail.
So now we were finding out what happened after the screen faded to black and the final credits rolled.
Mrs. Wiggly was blowing her police whistle like a crime was in progress. The fur ball ignored her, standing at the foot of the stairs leading to the deck where Dan and I sat having breakfast, barking shrilly, plumy tail waving frantically.
I tossed a sausage link, just missing its indignant nose. Both Dan and the mutt disapproved of this, the mutt vocally, Dan silently. I was getting to know him well enough to know his silences. I smiled at him and he shook his head a little.
“I'm trying to win him over,” I said.
“I don't think he appreciates your cooking the way I do.”
“I guess not.”
I was going to miss our early morning swims followed by these lazy breakfasts. I was going to miss having Dan around all day. Hopefully I'd be going back to work myself before long. But what happened if the next film I got required a location shoot? Dan and I were way too new to survive extended long distance. I knew, without asking, that he would not be willing to hang up his career in law enforcement to keep me company in New Zealand or Romania for twelve weeks. And I was at a place in my own career where I had to pick my projects carefully.
He pushed his chair back and said, “I think I'll have a quick shower and drive into town. I want to pick up a few things.”
“Okay.” My gaze wandered back to the postcard.
“Want to help me try out my new back-scrubber?”
I laughed. He made it so easy. I rose, dismissing the card, but as I followed Dan indoors, I couldn't help wondering if Paul Hammond hadn't sent that card, who had?
“Gotta admit, I had my doubts about you when I saw the pink bubble bath.” Dan squirted pastel gel into the ramie mitt and slid it over my shoulders. Scented steam rose from the granite floor of the large shower stall.
“Mm. That feels good.” I bent my head and he smoothed the mitt down the nape of my neck. “It's not bubble bath. It's shampoo slash shower gel. There's a difference.”
“You'd know. I've never seen so many grooming aids in one bathroom.” The rough cotton felt good on my wet skin and Dan applied just the right amount of pressure. I relaxed-only recognizing at that moment how wound up I'd been.
“Tools of the trade,” I informed him. “I'm a commodity. I'm in business and I am my product.”
“That attitude and a pair of tight jeans will get you arrested on Hollywood Boulevard.”
“Attitude is everything,” I quoted sententiously.
He pulled me back against his own wet hard body. I arched my neck for his kiss and his mouth closed on mine, warm and male and with a hint of the tart-sweetness of crabapple. Our tongues slid together, twined. My heart started that heavy slow beat that matched the throb in my groin.
“You are so beautiful...”
“I bet you say that to all th-“ His hands slid over my slick body, flicking my nipples and I moaned into his mouth, words failing me. If felt so good. Everything he did felt good. He never made a wrong move; that was the advantage of having so much experience. Of course that kind of expertise was a little intimidating sometimes.
Putting my hands over his, I held them against my chest. He palmed the nipples, back and forth, just the right amount of teasing abrasion.
I turned to face him; wrapped my arms around him.
Smoothing the mitt over my ass, Dan gave one cheek a playful squeeze before sweeping the mitt up my spine. My dick came up like a divining rod, nudging his already hard thickness. Heart pounding, I pressed against him, wanting more, wanting closer. I was surprised the shower drops didn't sizzle on my skin; I was so hot for him. Dan shook off the mitt and his hands closed on my ass, urging me closer. I groaned, feeling for his cock.
“Yeah, Sean, just like that,” he muttered.
His fingers slid down the crevice between my butt cheeks, intimate and familiar, finding the mouth of the secret passage. He delicately circled my opening, then slipped the tip of one finger inside: a sweet and slow piercing. I caught my breath.
Just a fingertip, like the press of a button-I button I badly wanted him to push. That weird clawing ache started in my belly. I made a sound in the back of my throat-even I wasn't sure what I meant.
Dan's kiss gentled. He kissed the underside of my jaw, his finger simply holding its place, like a book he meant to read later.
Let go, I instructed myself, impatiently. What the hell is the hold up? You want him. He wants you. Act, if you have to.Act like…a porn star.
I found his mouth, kissed him back hard, surging up against him. I could feel his surprise. His mouth covered mine hungrily, he pushed his finger into me deeply; I started, my foot slipping out from under me in the sudsy warm water.
He steadied me, both hands on my arms, smiling. “Easy, chief.”
“Yeah.” I laughed, but after a week of this I wasn't fooling anybody, including myself. “I'm just not sure about that yet,” I said, feeling like a fool. I still felt the memory of his finger in my body-an erotic fingerprint.
“I know.” He sounded easy and a little amused.
“I mean, I want to,” I said. “I'm just…” Why did I have to say anything? The last thing I wanted was for this to turn into an issue. Why couldn't I just have let it happen, naturally, spontaneously?
“We don't have to rush it.”
Was six days rushing it? Probably not. His dick poked into my belly like an elbow in the ribs reminding me that he had places to go and things to do and so far this morning he wasn't getting anything but talk.
Porn star, remember? Act. It's what you're good at.
“Let me tell you a little secret,” I said and slid to my knees taking the head of his cock into my mouth.
“Oh my God,” Dan said, closing his eyes. His fingers brushed my cheek. “What you do to me.”
Yeah, this I knew how to do, sucking him with soft wet heat and then hard. I murmured encouragingly-not really an act, come to think of it-and tugged with my lips. Sweet and soft. Tight and hard.
Dan's breathing went slow and deep, fingers fluttered over my ears, the base of my skull, urging me closer, but not forcing-never forcing.
The water sluiced over his shoulders and rained down on me. I tasted shower gel and clean skin and the salty taste of pre-cum. His swollen cock throbbed between my lips-he pushed deeper into my mouth. I relaxed my throat muscles and took even more of him. A muscle in Dan's cheek jumped. He looked down at me and his eyes seemed dazed.
I made soft sounds, inciting him to riot.
Groaning, Dan braced his hands on the granite tiles. His legs trembled.
I backed off a little, laved the cleft in the head of his cock with my tongue, took him back in and sucked hard.
“I'm going to come,” he warned huskily.
His cock jumped and he began to come. Hard.
Not a problem for me. I liked this part. I swallowed enough to show I cared, then buried my head in his belly, nuzzling his genitals. He twitched and shivered. Petted my wet head, stroking the hair back from my face.
I smiled, watching him. After a few moments he shook his head like a wet dog and gave a shaky laugh.
“You are one crazy guy.”
“Hey.”
“Hey, you.” He reached up and turned off the tap, drawing me to my feet. Energized. And how the hell that worked, I had yet to figure out.
There were dents in my knees from the granite floor and my legs felt wobbly with my own need. He pulled me against his long strong body, one hand cupping my balls. I rested my head on his shoulder breathing in the scent of his clean wet skin. The hair on his chest tickled my nose. Just the feel of those steely fingers handling me...
I guided his hand to where I needed it to be. He wrapped his fingers around my cock
“I like that little sound you make,” he whispered.
The bedroom phone rang.
“What the hell!” I opened my eyes.
“The machine will get it.”
I nodded absently, listening. Dan's heart was settling back into its normal rhythm. The phone rang again. Dan's hand slowed. I rested my hand on his, urging him on. He tightened up a bit and I caught my breath. Big brown capable hands. Good for all kinds of things: gripping a gun or shaking cocktails or…driving me to total distraction.
The phone rang a third time and then the answering machine picked up.
“Dude!” the tinny voice of Steve Kreiger, my manager, drifted from the other room. For an eerie minute it was like he stood in the doorway watching us; I could picture him scraping the lank red hair out of those mournful Bassett-hound brown eyes. “You there? T.J. Hooker got you handcuffed to the bed or what?”
“Damn! I've got to take it.” I popped open the shower door and abandoned that sweet steamy warmth, sprinting for the bed and the overnight stand beyond. I heard the shower door close behind me.
I bounced on the white duvet and stretched, grabbing the phone off the receiver. Reached across to pick up the phone. “Hey.”
“Hey. So you are still alive.”
“Yep. Alive and--uh--kicking.” I sucked in my breath as two hard hands wrapped in a plush bath sheet closed around my waist. Dan toweled me down with hard efficiency, blotting shoulders and ribs and butt through the folds of the oversized towel. He rubbed my head briskly. I put the phone against my ear listening through the fluffy cotton.
“I got a copy of the Charioteer script. I was planning to drop it by this afternoon,” Steve said.
“Roll over,” Dan ordered quietly.
I rolled over, the Naturlatex mattress molding to the contours of my body. The duvet felt damp beneath my back. I stared into Dan's blue eyes.
He smoothed the towel over my chest, sliding down to my groin. My dwindling erection made a pup tent of white towel.
I closed my eyes and expelled a shaky breath as Dan's fingers wrapped around my dick once more. “Uh…great.” And it was great. I'd been hounding Steve to get me a look at the script for weeks. You wouldn't think that the screen adaptation of a minor gay classic would require security clearances on the level of the Pentagon-especially given the typical indie film production budget.
Dan's hand slid up the length of my cock. Slowly slid down. I gritted my teeth to keep from moaning.
From a long, long way away Steve said, “Yeah. But there's a problem. Lenny Norman is directing and he doesn't want you.”
I sat up, dislodging Dan's hand. “You're kidding!”
“Nope.”
“I've never even worked with him. Why doesn't he want me?”
“For one thing he thinks you're too good looking for the part of Laurie.
I glanced across at the reflection of myself in the mirror hanging over the bureau dresser: tall, skinny, brown eyes, brown hair. “I'm not that good looking,” I protested.
“I agree. I don't think you're so good looking. In fact, I think you're butt ugly. This is his opinion.”
I gnawed my lip, ignoring these witticisms. “That's it? He doesn't want me because of my looks?”
Steve said, a little more serious now, “That, and he thinks you're not gay enough.”
“What? What the hell does that mean?”
“Hey, I'm just telling you what was said.”
“But what does that even mean? I'm gay. I'm out. What more does he want?” Dan's hand closed around the nape of my neck, his fingers knowledgably prodding the muscles knotting up. I felt a spark of annoyance; I could practically hear him telling me to take a deep breath, relax. I didn't feel like relaxing. This was business. This was my career.
“It's not like we had an in-depth discussion. I think it's a political thing with him. He feels like you're walking a line with straight audiences, that you're not openly gay. 'You play it too straight,' that's what he said.”
“Well, so does Laurie! So does Ralph. I mean, it's historical drama. It's World War Two. Nobody was out. What's this idiot planning to do, portray them as a couple of flaming queens?”
“Chill, dude. Don't kill the messenger. I'm just letting you know what you're up against. He went ahead and fedexed me a copy of the script, so you're not totally out of the running.”
I was silent. Dan scraped the back of my neck with his fingernails and I shivered involuntarily. Never mind the P-Spot. Apparently I had an N-Spot….
I made myself focus.
“Do they have someone else in mind?”
“For Laurie, no. For Ralph I think they're looking at Peter Grady.”
I swore. The last film I'd done with Peter Grady had earned us the title of “The Gay Spencer and Hepburn” in the queer press. I loved working with the guy; we had major league screen chemistry-one more reason I so wanted to do this project.
Steve soothed, “You haven't even read it yet. Maybe you won't like the adaptation. Maybe you won't want to do the film. Let's not worry about it anymore till you've seen the script. Okay?”
“Okay.”
“I'll see you around two.”
“See you.” I hung up and flung myself back against the mountain of pillows.
“So who's the bastard with the bad taste not to want you?” Dan inquired. He was sitting on the edge of the bed, putting his watch on, so apparently we had lost our window of opportunity.
“Oh.” I grimaced. “Lenny Norman. He's directing that film I told you about. The adaptation of The Charioteer. He doesn't want me. He thinks I'm too good looking.”
“The guy must be blind.”
It barely registered. “It's that goddamned People magazine article. 'People's 50 Most Beautiful People.' I was number 49 or something.” I brooded over this for a moment. “And he thinks I'm not gay enough.”
Dan's brows rose. “You seemed gay enough to me five minutes ago.”
I grinned reluctantly. “Maybe you could vouch for me.”
He got off the bed, the squeak of floorboards giving voice to my inner protest. “I'd have preferred to do something else for you, but now I'm running late.”
I shot him a quick look. He sounded regretful, not annoyed; his smile was rueful. “Sorry,” I said. “I kind of had to take that call.”
“Yeah, I know.”
I had the uncomfortable feeling that he did. Well, hell. I was out of practice at having relationships. Actually, who was I kidding? I'd never had a real relationship. Not like this. Not living together 24/7 with a for-richer-for-poorer-in-sickness-and-in-health option. The closest I'd come was when Steve and I roomed together for about a year after college. That was when Steve had still been trying to make it as a comic. Before he'd decided that managing my career would be easier and more lucrative than having his own.
I watched Dan move around the room, dressing. Casual wear: khakis and a black t-shirt. Not the beautifully tailored suits and expensive ties he wore on duty. You couldn't afford suits like that on a cop's salary, but Dan supplemented his salary by working as a consultant for the film industry-which was the other reason he had snagged the bodyguard gig with me.
I tried to think what I would do all day. Now that I didn't have to worry about being taken out by a potentially homicidal fan I'd have to find a new hobby.
Maybe I'd go for another swim after I worked out in the weight room. No problem going by myself now. Just like a big boy. Maybe I'd see if I had a copy of Renault's The Charioteer here at the beach house and reread it. Or no, maybe that would interfere with my reading the script. Maybe I'd just put on some music and catch some rays. Sunshine was supposed to be good for depression-not that I was depressed. Exactly.
“What time will you be back?”
“About five.” Dan slid the leather badge-wallet in his back pocket, double-checked the fit of his khakis in the bureau mirror. “You want me to bring something home for dinner?”
Home. That was kind of nice. I gave his question the careful deliberation it deserved. “I'll cook. Could you pick up some scallops?”
“I'll do that, chief.” He bent down over the bed and gave me a quick hard kiss. “Have a good day. And don't worry about anything.”
I answered with one of Steve's favorite lines. “What, me worry?”
“You're right,” said Dan. “That's my job.”
Just an ordinary picture postcard. White font proclaimed MALIBU! across the Mai Tai-colored sunset. I turned the card over and there was the spidery black writing I had thought I would never see again.
Miss me?
No signature. No signature needed. I looked at the postmark. Pacific Coast Highway. Yesterday's date.
I stared for a long time while Dan's deep voice receded into the cries of the gulls overhead and the pound of the waves on the beach a few yards away until those too faded to a kind of white noise.
No. God no.
Then Dan stretched across and took the card from my unresisting hand, and I was abruptly back in the present.
The wooden chair creaked as he leaned back, his long muscular body at ease. His dark brows drew together. Absently, he raked his still-wet hair back. It's not like there was a lot to read. One simple sentence.
Miss me?
A rhetorical question if there ever was one.
Water glistened on Dan's broad sun-browned shoulders, one drop trickling down between his rock-hard pecs, sparkling through the dusting of dark hair across his flat abdomen, and the tiny flicker of irritation I'd felt at his arrogance faded in the wake of lust. After nearly a month of playing Bodyguard to the Stars, I couldn't blame him if he still occasionally reacted like he was getting paid for overtime.
“It's not Hammond,” he said, and tossed the card to the table. It landed face up in a blob of crabapple jelly.
“The writing is the same.”
“Superficially. We'd have to get it analyzed. Anyway, it doesn't matter. Say one of his cards was delayed for a few days, it doesn't change the fact that he's dead.”
“If he is dead.”
His eyes, blue as the surf behind him, met mine levelly. “Sean, he's dead. I saw the car. No one could have survived that crash.”
“Then why wasn't his body recovered?”
“It's somewhere in the aqueduct. I don't know. It must have been swept away or lodged somehow.”
I nodded tightly. It's not like there's high tide in the California Aqueduct.
Dan's large hand slid under my fingers nervously fiddling with a teaspoon. “It's over, chief. Trust me.”
“I do.” It came out more husky than I intended.
He turned my hand palm up, lightly kissing it. The warmth of his lips against my surf-chilled skin made me shiver. I dropped the teaspoon. It hit the edge of my saucer with a silvery chime. He grinned.
You only ever hear about closeted cops, so Dan's relaxed attitude still caught me off guard. He was probably more at ease with his sexuality than half the “civilians” I knew. He sure as hell was more relaxed than me.
I pulled my hand away at the familiar yap-yapping of the four-legged hairball belonging to our nearest neighbor Mrs. Wilgi. Sure enough, a moment later “Mrs. Wiggly” came around the cairn of rocks, armed with her usual binoculars and police whistle.
I caught Dan's eye. His grin was wry. He was getting to read me pretty well.
I said, “Hey, for all I know Mrs. Wiggly has a spy cam concealed in her muu muu.”
He forked another waffle off the plate. “I don't even want to think about what that muu muu conceals.”
I laughed. My glance fell on the jam-stained postcard and I made myself look away. If Dan said it was over, it was over. He was the expert here.
All the same, after a year of being stalked, it wasn't so easy to drop my guard. One week after Paul Hammond lost control of his car during a police chase on Highway 138 and crashed into the California Aqueduct, I still tensed when the phone rang, waiting for that familiar whisper. I still sorted through my mail fast, trying to get it over with in case, like today, something ugly fell out of the mix. I still watched the rear view mirror everywhere I drove, although for the past three weeks Lt. Daniel Moran of L.A.P.D. had been riding shotgun with me-when he didn't insist on doing the actual driving.
I said, talking myself away from my anxiety, “I just don't want to turn up in the National Inquirer as the gay Benifer or something.”
“Dansean?” Dan suggested, playing along.
“I'm the celebrity,” I pointed out. “My name gets top billing. Maybe…Seandan.”
“You can be the top anything you like.” Dan's eyes were very blue. “Just say the word.”
Heat rose in my face.
I mean, how ridiculous was that? You'd think I was a blushing virgin of seventeen, instead of which I was a reasonably experienced twenty-five year old veteran of the Hollywood party scene. True, most seventeen-year olds probably saw more action than me-although things were definitely looking up these days.
Automatically, I returned Mrs. Wilgi's wave as she tromped along the shoreline, her red and yellow dress puffing out and flattening against her ungainly body. The dog, barking hysterically, veered off, galloping towards the deck where we sat, as though he'd just noticed this house on the otherwise empty beach.
“Doesn't that thing have an off button?” I murmured.
Mrs. Wilgi began clapping frantically and calling to the dog.
“Binky! Binky!”
“Speaking of off buttons,” Dan remarked, “I'm supposed to start back at work tomorrow.”
“Oh.”
I tried to hide it, but I knew he could see my disappointment.
He said, his tone very casual, “Were you planning to stay out at the beach for a few days or should I drop some things off at the house?”
“The House” being my place in the Hollywood Hills. My place and now, maybe, Dan's place too. It was still so new this relationship, so unexpected. We were both tentative, feeling our way along. Trying not to take too much for granted. Or spoil it by not taking enough for granted.
I said, going for the same off-hand note, “I was thinking of staying out until next weekend. What do you think? Malibu too far to drive every evening?”
“Not if I'm waking up next to you every morning.”
My heart skipped a beat. How the hell could he say this stuff and not sound corny?
Practice, I guess. Dan was ten years older than me-and they had been an active ten years.
I said, “That can be arranged.”
We'd been sleeping together for one week, starting with the night Dan had returned home to tell me Hammond had crashed into the aqueduct. But the attraction had been immediate. My manager, Steve Kreiger, kept saying what a great screenplay it would make. Gay cop falls for the gay actor he's assigned to protect from a crazed stalker. And it was true: for once real life was every bit as satisfying as the movies. Dan was a decorated officer frequently held up as the poster boy for the new and improved (read “sensitive and diverse”) L.A.P.D. It didn't hurt that he was articulate, smart, and old-fashioned movie star handsome. A straight arrow in every way but one-and that one way got him assigned to my bodyguard detail.
So now we were finding out what happened after the screen faded to black and the final credits rolled.
Mrs. Wiggly was blowing her police whistle like a crime was in progress. The fur ball ignored her, standing at the foot of the stairs leading to the deck where Dan and I sat having breakfast, barking shrilly, plumy tail waving frantically.
I tossed a sausage link, just missing its indignant nose. Both Dan and the mutt disapproved of this, the mutt vocally, Dan silently. I was getting to know him well enough to know his silences. I smiled at him and he shook his head a little.
“I'm trying to win him over,” I said.
“I don't think he appreciates your cooking the way I do.”
“I guess not.”
I was going to miss our early morning swims followed by these lazy breakfasts. I was going to miss having Dan around all day. Hopefully I'd be going back to work myself before long. But what happened if the next film I got required a location shoot? Dan and I were way too new to survive extended long distance. I knew, without asking, that he would not be willing to hang up his career in law enforcement to keep me company in New Zealand or Romania for twelve weeks. And I was at a place in my own career where I had to pick my projects carefully.
He pushed his chair back and said, “I think I'll have a quick shower and drive into town. I want to pick up a few things.”
“Okay.” My gaze wandered back to the postcard.
“Want to help me try out my new back-scrubber?”
I laughed. He made it so easy. I rose, dismissing the card, but as I followed Dan indoors, I couldn't help wondering if Paul Hammond hadn't sent that card, who had?
* * * * *
“Gotta admit, I had my doubts about you when I saw the pink bubble bath.” Dan squirted pastel gel into the ramie mitt and slid it over my shoulders. Scented steam rose from the granite floor of the large shower stall.
“Mm. That feels good.” I bent my head and he smoothed the mitt down the nape of my neck. “It's not bubble bath. It's shampoo slash shower gel. There's a difference.”
“You'd know. I've never seen so many grooming aids in one bathroom.” The rough cotton felt good on my wet skin and Dan applied just the right amount of pressure. I relaxed-only recognizing at that moment how wound up I'd been.
“Tools of the trade,” I informed him. “I'm a commodity. I'm in business and I am my product.”
“That attitude and a pair of tight jeans will get you arrested on Hollywood Boulevard.”
“Attitude is everything,” I quoted sententiously.
He pulled me back against his own wet hard body. I arched my neck for his kiss and his mouth closed on mine, warm and male and with a hint of the tart-sweetness of crabapple. Our tongues slid together, twined. My heart started that heavy slow beat that matched the throb in my groin.
“You are so beautiful...”
“I bet you say that to all th-“ His hands slid over my slick body, flicking my nipples and I moaned into his mouth, words failing me. If felt so good. Everything he did felt good. He never made a wrong move; that was the advantage of having so much experience. Of course that kind of expertise was a little intimidating sometimes.
Putting my hands over his, I held them against my chest. He palmed the nipples, back and forth, just the right amount of teasing abrasion.
I turned to face him; wrapped my arms around him.
Smoothing the mitt over my ass, Dan gave one cheek a playful squeeze before sweeping the mitt up my spine. My dick came up like a divining rod, nudging his already hard thickness. Heart pounding, I pressed against him, wanting more, wanting closer. I was surprised the shower drops didn't sizzle on my skin; I was so hot for him. Dan shook off the mitt and his hands closed on my ass, urging me closer. I groaned, feeling for his cock.
“Yeah, Sean, just like that,” he muttered.
His fingers slid down the crevice between my butt cheeks, intimate and familiar, finding the mouth of the secret passage. He delicately circled my opening, then slipped the tip of one finger inside: a sweet and slow piercing. I caught my breath.
Just a fingertip, like the press of a button-I button I badly wanted him to push. That weird clawing ache started in my belly. I made a sound in the back of my throat-even I wasn't sure what I meant.
Dan's kiss gentled. He kissed the underside of my jaw, his finger simply holding its place, like a book he meant to read later.
Let go, I instructed myself, impatiently. What the hell is the hold up? You want him. He wants you. Act, if you have to.Act like…a porn star.
I found his mouth, kissed him back hard, surging up against him. I could feel his surprise. His mouth covered mine hungrily, he pushed his finger into me deeply; I started, my foot slipping out from under me in the sudsy warm water.
He steadied me, both hands on my arms, smiling. “Easy, chief.”
“Yeah.” I laughed, but after a week of this I wasn't fooling anybody, including myself. “I'm just not sure about that yet,” I said, feeling like a fool. I still felt the memory of his finger in my body-an erotic fingerprint.
“I know.” He sounded easy and a little amused.
“I mean, I want to,” I said. “I'm just…” Why did I have to say anything? The last thing I wanted was for this to turn into an issue. Why couldn't I just have let it happen, naturally, spontaneously?
“We don't have to rush it.”
Was six days rushing it? Probably not. His dick poked into my belly like an elbow in the ribs reminding me that he had places to go and things to do and so far this morning he wasn't getting anything but talk.
Porn star, remember? Act. It's what you're good at.
“Let me tell you a little secret,” I said and slid to my knees taking the head of his cock into my mouth.
“Oh my God,” Dan said, closing his eyes. His fingers brushed my cheek. “What you do to me.”
Yeah, this I knew how to do, sucking him with soft wet heat and then hard. I murmured encouragingly-not really an act, come to think of it-and tugged with my lips. Sweet and soft. Tight and hard.
Dan's breathing went slow and deep, fingers fluttered over my ears, the base of my skull, urging me closer, but not forcing-never forcing.
The water sluiced over his shoulders and rained down on me. I tasted shower gel and clean skin and the salty taste of pre-cum. His swollen cock throbbed between my lips-he pushed deeper into my mouth. I relaxed my throat muscles and took even more of him. A muscle in Dan's cheek jumped. He looked down at me and his eyes seemed dazed.
I made soft sounds, inciting him to riot.
Groaning, Dan braced his hands on the granite tiles. His legs trembled.
I backed off a little, laved the cleft in the head of his cock with my tongue, took him back in and sucked hard.
“I'm going to come,” he warned huskily.
His cock jumped and he began to come. Hard.
Not a problem for me. I liked this part. I swallowed enough to show I cared, then buried my head in his belly, nuzzling his genitals. He twitched and shivered. Petted my wet head, stroking the hair back from my face.
I smiled, watching him. After a few moments he shook his head like a wet dog and gave a shaky laugh.
“You are one crazy guy.”
“Hey.”
“Hey, you.” He reached up and turned off the tap, drawing me to my feet. Energized. And how the hell that worked, I had yet to figure out.
There were dents in my knees from the granite floor and my legs felt wobbly with my own need. He pulled me against his long strong body, one hand cupping my balls. I rested my head on his shoulder breathing in the scent of his clean wet skin. The hair on his chest tickled my nose. Just the feel of those steely fingers handling me...
I guided his hand to where I needed it to be. He wrapped his fingers around my cock
“I like that little sound you make,” he whispered.
The bedroom phone rang.
“What the hell!” I opened my eyes.
“The machine will get it.”
I nodded absently, listening. Dan's heart was settling back into its normal rhythm. The phone rang again. Dan's hand slowed. I rested my hand on his, urging him on. He tightened up a bit and I caught my breath. Big brown capable hands. Good for all kinds of things: gripping a gun or shaking cocktails or…driving me to total distraction.
The phone rang a third time and then the answering machine picked up.
“Dude!” the tinny voice of Steve Kreiger, my manager, drifted from the other room. For an eerie minute it was like he stood in the doorway watching us; I could picture him scraping the lank red hair out of those mournful Bassett-hound brown eyes. “You there? T.J. Hooker got you handcuffed to the bed or what?”
“Damn! I've got to take it.” I popped open the shower door and abandoned that sweet steamy warmth, sprinting for the bed and the overnight stand beyond. I heard the shower door close behind me.
I bounced on the white duvet and stretched, grabbing the phone off the receiver. Reached across to pick up the phone. “Hey.”
“Hey. So you are still alive.”
“Yep. Alive and--uh--kicking.” I sucked in my breath as two hard hands wrapped in a plush bath sheet closed around my waist. Dan toweled me down with hard efficiency, blotting shoulders and ribs and butt through the folds of the oversized towel. He rubbed my head briskly. I put the phone against my ear listening through the fluffy cotton.
“I got a copy of the Charioteer script. I was planning to drop it by this afternoon,” Steve said.
“Roll over,” Dan ordered quietly.
I rolled over, the Naturlatex mattress molding to the contours of my body. The duvet felt damp beneath my back. I stared into Dan's blue eyes.
He smoothed the towel over my chest, sliding down to my groin. My dwindling erection made a pup tent of white towel.
I closed my eyes and expelled a shaky breath as Dan's fingers wrapped around my dick once more. “Uh…great.” And it was great. I'd been hounding Steve to get me a look at the script for weeks. You wouldn't think that the screen adaptation of a minor gay classic would require security clearances on the level of the Pentagon-especially given the typical indie film production budget.
Dan's hand slid up the length of my cock. Slowly slid down. I gritted my teeth to keep from moaning.
From a long, long way away Steve said, “Yeah. But there's a problem. Lenny Norman is directing and he doesn't want you.”
I sat up, dislodging Dan's hand. “You're kidding!”
“Nope.”
“I've never even worked with him. Why doesn't he want me?”
“For one thing he thinks you're too good looking for the part of Laurie.
I glanced across at the reflection of myself in the mirror hanging over the bureau dresser: tall, skinny, brown eyes, brown hair. “I'm not that good looking,” I protested.
“I agree. I don't think you're so good looking. In fact, I think you're butt ugly. This is his opinion.”
I gnawed my lip, ignoring these witticisms. “That's it? He doesn't want me because of my looks?”
Steve said, a little more serious now, “That, and he thinks you're not gay enough.”
“What? What the hell does that mean?”
“Hey, I'm just telling you what was said.”
“But what does that even mean? I'm gay. I'm out. What more does he want?” Dan's hand closed around the nape of my neck, his fingers knowledgably prodding the muscles knotting up. I felt a spark of annoyance; I could practically hear him telling me to take a deep breath, relax. I didn't feel like relaxing. This was business. This was my career.
“It's not like we had an in-depth discussion. I think it's a political thing with him. He feels like you're walking a line with straight audiences, that you're not openly gay. 'You play it too straight,' that's what he said.”
“Well, so does Laurie! So does Ralph. I mean, it's historical drama. It's World War Two. Nobody was out. What's this idiot planning to do, portray them as a couple of flaming queens?”
“Chill, dude. Don't kill the messenger. I'm just letting you know what you're up against. He went ahead and fedexed me a copy of the script, so you're not totally out of the running.”
I was silent. Dan scraped the back of my neck with his fingernails and I shivered involuntarily. Never mind the P-Spot. Apparently I had an N-Spot….
I made myself focus.
“Do they have someone else in mind?”
“For Laurie, no. For Ralph I think they're looking at Peter Grady.”
I swore. The last film I'd done with Peter Grady had earned us the title of “The Gay Spencer and Hepburn” in the queer press. I loved working with the guy; we had major league screen chemistry-one more reason I so wanted to do this project.
Steve soothed, “You haven't even read it yet. Maybe you won't like the adaptation. Maybe you won't want to do the film. Let's not worry about it anymore till you've seen the script. Okay?”
“Okay.”
“I'll see you around two.”
“See you.” I hung up and flung myself back against the mountain of pillows.
“So who's the bastard with the bad taste not to want you?” Dan inquired. He was sitting on the edge of the bed, putting his watch on, so apparently we had lost our window of opportunity.
“Oh.” I grimaced. “Lenny Norman. He's directing that film I told you about. The adaptation of The Charioteer. He doesn't want me. He thinks I'm too good looking.”
“The guy must be blind.”
It barely registered. “It's that goddamned People magazine article. 'People's 50 Most Beautiful People.' I was number 49 or something.” I brooded over this for a moment. “And he thinks I'm not gay enough.”
Dan's brows rose. “You seemed gay enough to me five minutes ago.”
I grinned reluctantly. “Maybe you could vouch for me.”
He got off the bed, the squeak of floorboards giving voice to my inner protest. “I'd have preferred to do something else for you, but now I'm running late.”
I shot him a quick look. He sounded regretful, not annoyed; his smile was rueful. “Sorry,” I said. “I kind of had to take that call.”
“Yeah, I know.”
I had the uncomfortable feeling that he did. Well, hell. I was out of practice at having relationships. Actually, who was I kidding? I'd never had a real relationship. Not like this. Not living together 24/7 with a for-richer-for-poorer-in-sickness-and-in-health option. The closest I'd come was when Steve and I roomed together for about a year after college. That was when Steve had still been trying to make it as a comic. Before he'd decided that managing my career would be easier and more lucrative than having his own.
I watched Dan move around the room, dressing. Casual wear: khakis and a black t-shirt. Not the beautifully tailored suits and expensive ties he wore on duty. You couldn't afford suits like that on a cop's salary, but Dan supplemented his salary by working as a consultant for the film industry-which was the other reason he had snagged the bodyguard gig with me.
I tried to think what I would do all day. Now that I didn't have to worry about being taken out by a potentially homicidal fan I'd have to find a new hobby.
Maybe I'd go for another swim after I worked out in the weight room. No problem going by myself now. Just like a big boy. Maybe I'd see if I had a copy of Renault's The Charioteer here at the beach house and reread it. Or no, maybe that would interfere with my reading the script. Maybe I'd just put on some music and catch some rays. Sunshine was supposed to be good for depression-not that I was depressed. Exactly.
“What time will you be back?”
“About five.” Dan slid the leather badge-wallet in his back pocket, double-checked the fit of his khakis in the bureau mirror. “You want me to bring something home for dinner?”
Home. That was kind of nice. I gave his question the careful deliberation it deserved. “I'll cook. Could you pick up some scallops?”
“I'll do that, chief.” He bent down over the bed and gave me a quick hard kiss. “Have a good day. And don't worry about anything.”
I answered with one of Steve's favorite lines. “What, me worry?”
“You're right,” said Dan. “That's my job.”
Moments by RJ Scott
Chapter One
Jacob Riley slammed the door to the small conference room and stomped to the window to stare moodily at the bright, sunshine-filled day outside. He twisted both hands tight into his hair in frustration, wondering how the fuck this day had all gone to hell. His lawyers—his fucking well-paid lawyers—had said they’d get him off, not land him with probation, community service crap.
Four months, in some lame ass community program. Jeez, like he was going to be taught anything by cleaning streets or dealing with people’s trash.
The TV in the corner showed some trashy entertainment show, where a smug presenter was reporting the latest news on his case, live, embellished with words that made Jacob cringe. There were even experts on there talking about the child star gone bad. Experts in what? Character assassination, apparently. He tried his hardest to tune it out but it was nigh on impossible—it must have been the tenth time the clip of the sentence being handed out had been played.
The reporter continued, “The news of B-list actor Jacob Riley’s arrest boosted the audience figures for the half season’s finale of his show, End Game, to their highest point in eight months.”
Jacob huffed a sigh, he guessed that was one piece of good news to come out of this whole mess.
Then expert one repeated what he’d said already, “He’s been offered a lifeline in a county rehab program. He showed a lot of promise, and I think this could be a good thing for him.”
Jacob briefly thought of throwing his cell phone at the TV.
“Well you may be right there; his spokesperson said he’s concentrating on work and himself. What that means, we don’t know.”
“We wish him luck.”
The anchor turned to face the camera, that smug fucking smile back again. “Well, folks, here’s hoping Jacob Riley, one of TV’s highest earning actors, proves to be a recovering addict who actually turns their life around.”
Jesus Christ, talk about dramatic.
“The show is on a filming hiatus,” Samantha, his PA, replied carefully from just inside the door. “I’ve just got off the phone with your agent and the Network will delay your return to Game until you’re free to come back. Remember, with Christmas soon the way; we have some room to move here.”
Jacob spun on his heel. His quiet, calm assistant stood holding a clipboard, a cellphone balanced on top of it.
“Of course they’ll delay my return,” he summarized. The Network would be stupid to lose him; he was convinced of it. End Game was his show. Jacob’s character was pivotal, the star of the whole goddamned series.
“There was some talk of replacing you.”
“They wouldn’t fucking dare.”
Samantha smiled at him, but it was insincere and didn’t reach her eyes. She used to smile all the time, but for some reason, she’d stopped now. Then she pulled back her shoulders. “Your agent says you’re lucky you play a drug-taking manic depressive. Otherwise he swears they would have canned you today, no hesitation.”
Was she trying to make him feel better? “Sam, do I look like I give a fuck what my shit agent says?”
“You need—”
“I don’t need him to tell me I’m lucky; it’s the Network that is lucky. They push me off the show, and they’ll see their ratings drop overnight. No one loses Jacob Riley and sees their show survive.”
Resentment bubbled up inside him.
Samantha cleared her throat. “Look, Jacob, we have four months to get you into a program and complete your work through the community service,” she continued. Her patient tone measuring every word, talking to him as if he were a small child—he hated every syllable.
“No,” Jacob snapped, balling his temper and his dismissal of her into that one word. She stepped away from him to stand against the door. “Jacob—”
“I’m not cleaning streets; I’m not searching for rubbish or any of the usual crap they put celebrities through to humiliate us.”
“It’s not meant to be a humiliation. But it is a punishment,” Sam said, raising her free hand in an attempt to placate him. Her cell phone slid off the clipboard and tumbled to the floor.
Jacob listened, but what she’d said only served to increase his temper. He could feel the itch of addiction under his skin, and it terrified him. Although he would never admit it, he was out of control, and it was eating away at him.
In over a year, he hadn’t wanted a hit as badly as he did at this moment. Frustration and anger burst out of him with uncontrolled force. He crowded her against the door. “I don’t pay you to get up in my face, Sam,” he snarled.
“You’re scaring me, Jacob,” Samantha said firmly, backing as close to the wood as she could.
“You don’t know what this is like,” he shouted.
“Jacob. Please…” There were tears in her eyes, pain and real fear in her voice. Something in the simple “please” reached through his anger. What was he doing?
“Fuck,” he said tiredly. Half closing his eyes, he took a deep breath. It was the first time in their relationship he’d seen fear in Sam’s eyes, and it scared the hell out of him. Was she afraid of him? What should he say? How the hell could he—?
“Your father is waiting for you in the next room,” Sam said, but wouldn’t look him in the eyes.
Jacob went from guilt straight back to feeling aggrieved.
“Great,” Jacob stepped back, watching as Samantha edged away from him.
“Your dad just wants to help. He knows of this place you can go for the next—”
“He’s the one who turned me in!”
“He’s waiting, and there’s something else,” she said, this time with steel in her words. “I was going to leave this until after Christmas when filming ended, but there is no point now. You’re an asshole, and I quit.” Quietly, she turned her back and left the room, and he felt a moment of shock.
“What?” she didn’t stop. “Don’t come running back begging for your fucking job!” he shouted after her.
She didn’t even look at him, but he heard her words.
“I won’t come back.”
Her loss.
Frustrated, angry, and looking for someone to blame was not how Jacob should have gone to a meeting with his father, but he didn’t have a choice. The whole freaking world was against him, and none of this was his fault.
“I’ve pulled strings, son, and arranged to get you into a new type of program, something different. It has an original approach, and it’s very exclusive.” Joe Riley stood stiff and straight in front of Jacob.
Jacob slouched, arms across his chest, unwilling to show even the slightest interest.
“Yeah,” he said when his dad remained quiet.
“I’ve made a hefty donation to get you accepted. The only stipulation was that you are clean.”
Jacob looked into his father’s gray-blue eyes then shrugged. He’d heard all too clearly the question under Joe Riley’s statement, and hated him for it. A year—a damn year.
Joe closed his eyes and sighed. “Isn’t there something dramatic you feel you have to say at this point, Jacob?”
“If I thought you would actually listen to me—just once—maybe I would have something to say,” Jacob said.
“Are you?”
“Am I what?”
“Jacob, are you clean?” Joe asked.
“Fuck you, Dad,” Jacob snapped, “I’ve been clean for a year, and you damn well know it.”
His dad crossed his arms and shook his head. “No, I don’t know that. I know what you told your mother and me, and then I find you mixing with the same lowlifes you knew six years ago. What was I supposed to think? What was I supposed to do? Tell me, son?”
“Call the cops on me, obviously.” Jacob clenched his hands into tight fists at his sides.
“Do you think it was easy for me to do this, Jacob? Call the police on my son?”
“Yeah. Yeah, I do.” He’d long ago convinced himself that his dad had perversely enjoyed turning him in, and he chose to ignore the pained expression that crossed his dad’s face. “It kinda solves all those issues around having to maybe—I don’t know—talk to me instead?”
“You don’t listen.”
“No, Dad, you’re the one who doesn’t listen.”
Joe inhaled sharply as if he had been physically hit, and Jacob wondered how his dad was going to defend his parenting skills this time. “Think about your mother in this. What if you died? Can you picture her visiting a morgue, identifying your body, and seeing track marks on your arms? She cried so much over you last time and refused to let me get involved. But this time, hell Jacob we had to do something, had to stop you from self-destructing.”
Jacob tugged self-consciously at his sleeves, anger building inside him. He had been clean for well over a year. Why didn’t anyone trust him? He felt vulnerable for a moment, like a small child, and then he pushed that weakness to one side, resumed the role of aggrieved man he was playing today, and rolled his eyes.
“Now who’s being dramatic?” he spat. “I had the stuff in my car for a friend, didn’t mean I was using.”
“You know how it looks, and the police agreed.”
“You could have tried asking me why I had it on me.”
“And you wouldn’t have lied to us?” Joe asked simply, his voice calm. Jacob didn’t answer. He wasn’t going to rise to the bait. “This is your last chance. Take it. You could make something of yourself if you tried.”
Jacob inhaled sharply.
“So what the hell do you call two movies and a successful TV series? Nothing?” His parents had never liked that he had decided to pursue acting. They’d always made it very clear that they expected him to join the family construction firm. He’d endured several wearying years of forcing and badgering, but always knew what he wanted to do. He didn’t want to build skyscrapers and shopping malls; he wanted to act.
“It isn’t even about what you do anymore. You’re killing yourself. And I swear, Jacob, if you ruin this last chance, I will hold back every penny of your inheritance.”
“Not that shit again.”
“I mean it—”
“I make three million a movie, and ninety thousand for every episode of End Game. Seriously—you really think your money matters to me?”
“I swear every penny will go to your brother,” Joe continued, but Jacob had heard that threat before too, and it had the same impact as always—no impact at all.
“That loser?”
“Tell me, why is Micah the loser? He has a career, a wife, a great kid—your nephew. He has a life.”
“I’ve got a freaking career, Dad, and let’s face it—kids? That isn’t going to happen. I’m gay!” Frustrated, Jacob pushed his fingers through his hair and closed his eyes.
“I’m not arguing. This isn’t about some petty brotherly feud, or who is happy and who isn’t. You had every advantage—everything money could buy, every ounce of love your mother and I had in us. Son, please. This is your life, and your mom and I are desperate for you to see that! But you don’t seem to give a damn about it.”
“Well, maybe I don’t.”
“For God’s sake, stop being so damn melodramatic. As far as I’m concerned, we’re done talking. Go home and get some clothing together. Benjamin is outside. He’ll take you home, and then he’ll drive you down tomorrow.”
“And if I say no?”
“You can’t. I’ve pulled strings, but at the end of the day, it’s either this or you’re back in prison. This program is the only reason you’re not back there now.”
Shit.
Writing love stories with a happy ever after – cowboys, heroes, family, hockey, single dads, bodyguards
USA Today bestselling author RJ Scott has written over one hundred romance books. Emotional stories of complicated characters, cowboys, single dads, hockey players, millionaires, princes, bodyguards, Navy SEALs, soldiers, doctors, paramedics, firefighters, cops, and the men who get mixed up in their lives, always with a happy ever after.
She lives just outside London and spends every waking minute she isn’t with family either reading or writing. The last time she had a week’s break from writing, she didn’t like it one little bit, and she has yet to meet a box of chocolates she couldn’t defeat.
Bestselling author of over sixty titles of classic Male/Male fiction featuring twisty mystery, kickass adventure and unapologetic man-on-man romance, JOSH LANYON has been called "the Agatha Christie of gay mystery."
Her work has been translated into eleven languages. The FBI thriller Fair Game was the first male/male title to be published by Harlequin Mondadori, the largest romance publisher in Italy. Stranger on the Shore (Harper Collins Italia) was the first M/M title to be published in print. In 2016 Fatal Shadows placed #5 in Japan's annual Boy Love novel list (the first and only title by a foreign author to place on the list).
The Adrien English Series was awarded All Time Favorite Male Male Couple in the 2nd Annual contest held by the Goodreads M/M Group (which has over 22,000 members). Josh is an Eppie Award winner, a four-time Lambda Literary Award finalist for Gay Mystery, and the first ever recipient of the Goodreads Favorite M/M Author Lifetime Achievement award.
Josh is married and they live in Southern California.Her work has been translated into eleven languages. The FBI thriller Fair Game was the first male/male title to be published by Harlequin Mondadori, the largest romance publisher in Italy. Stranger on the Shore (Harper Collins Italia) was the first M/M title to be published in print. In 2016 Fatal Shadows placed #5 in Japan's annual Boy Love novel list (the first and only title by a foreign author to place on the list).
The Adrien English Series was awarded All Time Favorite Male Male Couple in the 2nd Annual contest held by the Goodreads M/M Group (which has over 22,000 members). Josh is an Eppie Award winner, a four-time Lambda Literary Award finalist for Gay Mystery, and the first ever recipient of the Goodreads Favorite M/M Author Lifetime Achievement award.
EJ Russell
Multi-Rainbow Award winner E.J. Russell—grace, mother of three, recovering actor—holds a BA and an MFA in theater, so naturally she’s spent the last three decades as a financial manager, database designer, and business intelligence consultant (as one does). She’s recently abandoned data wrangling, however, and spends her days wrestling words.
E.J. is married to Curmudgeonly Husband, a man who cares even less about sports than she does. Luckily, CH loves to cook, or all three of their children (Lovely Daughter and Darling Sons A and B) would have survived on nothing but Cheerios, beef jerky, and satsuma mandarins (the extent of E.J.’s culinary skill set).
E.J. lives in rural Oregon, enjoys visits from her wonderful adult children, and indulges in good books, red wine, and the occasional hyperbole.
Multi-Rainbow Award winner E.J. Russell—grace, mother of three, recovering actor—holds a BA and an MFA in theater, so naturally she’s spent the last three decades as a financial manager, database designer, and business intelligence consultant (as one does). She’s recently abandoned data wrangling, however, and spends her days wrestling words.
E.J. is married to Curmudgeonly Husband, a man who cares even less about sports than she does. Luckily, CH loves to cook, or all three of their children (Lovely Daughter and Darling Sons A and B) would have survived on nothing but Cheerios, beef jerky, and satsuma mandarins (the extent of E.J.’s culinary skill set).
E.J. lives in rural Oregon, enjoys visits from her wonderful adult children, and indulges in good books, red wine, and the occasional hyperbole.
CS Poe
C.S. Poe is a Lambda Literary and two-time EPIC award finalist, and a FAPA award-winning author of gay mystery, romance, and speculative fiction.
She resides in New York City, but has also called Key West and Ibaraki, Japan, home in the past. She has an affinity for all things cute and colorful and a major weakness for toys. C.S. is an avid fan of coffee, reading, and cats. She’s rescued two cats—Milo and Kasper do their best to distract her from work on a daily basis.
C.S. is an alumna of the School of Visual Arts.
Her debut novel, The Mystery of Nevermore, was published 2016.
RJ Scott
BOOKBUB / KOBO / SMASHWORDS
EMAIL: rj@rjscott.co.uk
Josh Lanyon
SMASHWORDS / iTUNES / SHELFARI
EMAIL: josh.lanyon@sbcglobal.net
EJ Russell
Bodyguard to a Sex God by RJ Scott
Death of a Pirate King by Josh Lanyon
All the King's Men by RJ Scott
Lights. Camera. Murder. by CS Poe
Dark Horse, White Knight by Josh Lanyon
Moments by RJ Scott
KOBO / SMASHWORDS / BOOKS2READ