Friday, September 30, 2016

Friday's Film Adaption: The House of Seven Gables by Nathaniel Hawthorne


Summary:
First published in 1851, The House of the Seven Gables is one of Hawthorne's defining works, a vivid depiction of American life and values replete with brilliantly etched characters. The tale of a cursed house with a "mysterious and terrible past" and the generations linked to it, Hawthorne's chronicle of the Maule and Pyncheon families over two centuries reveals, in Mary Oliver's words, "lives caught in the common fire of history."

This Modern Library Paperback Classics edition uses the definitive text as prepared for The Centenary Edition of the Works of Nathaniel Hawthorne; this is the Approved Edition of the Center for Scholarly Editions (Modern Language Association). It includes newly commissioned notes on the text.



The circumstances surrounding the "haunting" of the House of the Seven Gables by the spirit of old Matthew Maule serve not only as an indictment of the greed of the Pyncheons, but also reflect the persecution of the actual historical Thomas Maule, who was an outspoken Quaker and a sometimes victim of Puritan intolerance.

The House of the Seven Gables, antique as it now looks, was not the first habitation erected by civilized man on precisely the same spot of ground. Pyncheon-street formerly bore the humbler appellation of Maule's-lane, from the name of the original occupant of the soil, before whose cottage-door it was a cow-path. A natural spring of soft and pleasant water--a rare treasure on the sea-girt peninsula, where the Puritan settlement was made--had early induced Matthew Maule to build a hut, shaggy with thatch, at this point, although somewhat too remote from what was then the centre of the village. In the growth of the town, however, after some thirty or forty years, the site covered by this rude hovel had become exceedingly desirable in the eyes of a prominent and powerful personage, who asserted plausible claims to the proprietorship of this, and a large adjacent tract of land, on the strength of a grant from the legislature. Colonel Pyncheon, the claimant, as we gather from whatever traits of him are preserved, was characterized by an iron energy of purpose. Matthew Maule, on the other hand, though an obscure man, was stubborn in the defence of what he considered his right; and, for several years, he succeeded in protecting the acre or two of earth, which, with his own toil, he had hewn out of the primeval forest, to be his garden-ground and homestead. No written record of this dispute is known to be in existence. Our acquaintance with the whole subject is derived chiefly from tradition. It would be bold, therefore and possibly unjust, to venture a decisive opinion as to its merits; although it appears to have been at least a matter of doubt, whether Colonel Pyncheon's claim were not unduly stretched, in order to make it cover the small metes and bounds of Matthew Maule. What greatly strengthens such a suspicion is the fact that this controversy between two ill-matched antagonists--at a period, moreover, laud it as we may, when personal influence had far more weight than now--remained for years undecided, and came to a close only with the death of the party occupying the disputed soil. The mode of his death, too, affects the mind differently, in our day, from what it did a century and a half ago. It was a death that blasted with strange horror the humble name of the dweller in the cottage, and made it seem almost a religious act to drive the plough over the little area of his habitation, and obliterate his place and memory from among men.

Old Matthew Maule, in a word, was executed for the crime of witchcraft. He was one of the martyrs to that terrible delusion, which should teach us, among its other morals, that the influential classes, and those who take upon themselves to be leaders of the people, are fully liable to all the passionate error that has ever characterized the maddest mob. Clergymen, judges, statesmen,-- the wisest, calmest, holiest persons of their day,--stood in the inner circle round about the gallows, loudest to applaud the work of blood, latest to confess themselves miserably deceived. If any one part of their proceedings can be said to deserve less blame than another, it was the singular indiscrimination with which they persecuted, not merely the poor and aged, as in former judicial massacres, but people of all ranks; their own equals, brethren, and wives. Amid the disorder of such various ruin, it is not strange that a man of inconsiderable note, like Maule, should have trodden the martyr's path to the hill of execution almost unremarked in the throng of his fellow-sufferers. But, in after days, when the frenzy of that hideous epoch had subsided, it was remembered how loudly Colonel Pyncheon had joined in the general cry, to purge the land from witchcraft; nor did it fail to be whispered, that there was an invidious acrimony in the zeal with which he had sought the condemnation of Matthew Maule. It was well known that the victim had recognized the bitterness of personal enmity in his persecutor's conduct towards him, and of execution--with the halter about his neck and while Colonel Pyncheon sat on horseback, grimly gazing at the scene--Maule had addressed him from the scaffold, and uttered a prophecy, of which history, as well as fireside tradition, has preserved the very words. "God," said the dying man, pointing his finger, with a ghastly look, at the undismayed countenance of his enemy, "God will give him blood to drink!"

After the reputed wizard's death, his humble homestead had fallen an easy spoil into Colonel Pyncheon's grasp. When it was understood, however, that the colonel intended to erect a family mansion--spacious, ponderously framed of oaken timber, and calculated to endure for many generations of his posterity -- over the spot first covered by the log-built hut of Matthew Maule, there was much shaking of the head among the village gossips. Without absolutely expressing a doubt whether the stalwart Puritan had acted as a man of conscience and integrity, throughout the proceedings which have been sketched, they nevertheless hinted that he was about to build his house over an unquiet grave. His home would include the home of the dead and buried wizard, and would thus afford the ghost of the latter a kind of privilege to haunt its new apartments, and the chambers into which future bridegrooms were to lead their brides, and where children of the Pyncheon blood were to be born. The terror and ugliness of Maule's crime, and the wretchedness of his punishment, would darken the freshly-plastered walls, and infect them early with the scent of an old and melancholy house. Why, then, --while so much of the soil around him was bestrewn with the virgin forest-leaves,--why should Colonel Pyncheon prefer a site that had already been accurst?

Film
A man frames his brother for murder to secure the family fortune for himself.

Release Date: April 12, 1940
Release Time: 89 minutes

Cast:
George Sanders as Jaffrey Pyncheon
Margaret Lindsay as Hepzibah Pyncheon
Vincent Price as Clifford Pyncheon
Dick Foran as Matthew Maule
Nan Grey as Phoebe Pyncheon
Cecil Kellaway as Philip Barton
Alan Napier as Fuller
Gilbert Emery as Gerald Pyncheon
Miles Mander as Deacon Arnold Foster
Charles Trowbridge as Judge

Awards:
1940 Academy Awards
Best Original Score - Frank Skinner - Nominated




Author Bio:
Nathaniel Hawthorne was a 19th century American novelist and short story writer. He is seen as a key figure in the development of American literature for his tales of the nation's colonial history.

Shortly after graduating from Bowdoin College, Hathorne changed his name to Hawthorne. Hawthorne anonymously published his first work, a novel titled Fanshawe, in 1828. In 1837, he published Twice-Told Tales and became engaged to Sophia Peabody the next year. He worked at a Custom House and joined a Transcendentalist Utopian community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment took Hawthorne and family to Europe before returning to The Wayside in 1860. Hawthorne died on May 19, 1864, leaving behind his wife and their three children.

Much of Hawthorne's writing centers around New England and many feature moral allegories with a Puritan inspiration. His work is considered part of the Romantic movement and includes novels, short stories, and a biography of his friend, the United States President Franklin Pierce.


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