The Courage of Love by EE MontgomerySummary:
Sequel to Between Love and Honor
In 1915, after his beloved Carl died from a vicious beating, David Harrison enlisted in the Army and went to war. He returns home to find a world seemingly unchanged, while he will never be the same. At Mrs. Gill’s boarding house, he meets Bernard Donnelly, a young man suffering the aftereffects of his own war experiences. David finds himself increasingly attracted to Bernard, but that terrifies him. He blames himself for Carl’s horrific death and fears he isn’t strong enough to lose another love to violence.
Bernard needs David to help him face each day and find a way they can be together without stigma—and without putting them in legal and physical danger—but David clings to his idea that the only way to keep a lover safe is not to have one. His fears threaten to destroy everything, unless he learns that sometimes the risk is worth it and finds the courage to love.
This story is so powerful and emotions are all over the place. I'll admit that the first few shell shock induced nightmare scenes are a little confusing but afterwards, I realized that the mild confusion I felt only added to the severity of what both David and Bernard were dealing with. I've always been a bit of a history buff, so this is not my first story surrounding World War 1 veterans but the author still managed to tug at my heart when dealing with the shell shock. Some people might see the continued nightmares and David's reluctance to open his heart again after losing Carl as repetitious but I see them as showing how far they've actually come and at the same time reminding us that it's not a clear cut scenario that can be bad one day and completely fixed the next, it's ongoing. David and Bernard and even the memory of Carl, David's first love, are the main focus of the story but those around them are so important to story. Mrs. Gill is amazing, she's the mother that David should have had, she's caring but she's also right to the point. As for David's mother? She's not actually in the story much but she certainly leaves a lasting impression and it's not a nice one either. This is the first time I've read E.E. Montgomery but it won't be the last.
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Whistling in the Dark by Tamara AllenSummary:
New York City, 1919. His career as a concert pianist ended by a war injury, Sutton Albright returns to college, only to be expelled after a scandalous affair with a teacher. Unable to face his family, Sutton heads to Manhattan with no plans and little money in his pocket but with a desire to call his life his own. Jack Bailey lost his parents to influenza and now hopes to save the family novelty shop by advertising on the radio, a medium barely more than a novelty, itself. His nights are spent in a careless and debauched romp through the gayer sections of Manhattan. When these two men cross paths, despite a world of differences separating them, their attraction cannot be denied. Sutton finds himself drawn to the piano, playing for Jack. But can his music heal them both, or will sudden prosperity jeopardize their chance at love?
I have to admit I had a bit of a hard getting into this one but it was no fault of the author. I just wasn't ready to let go of the characters of the previous book I had finished. But by the time I was finished with chapter 3 or 4 I was hooked. Sutton and Jack may have been from opposites ends of the spectrum as far as their upbringing and background but they were more alike than either of them realized. It's pretty clear that they are both better off together than either was alone. If you're a fan of historical fiction mixed with romance, then this is definitely a book for you. I hadn't read anything by this author but after finishing Whistling, I went on to read three more and will definitely be checking out others as well.
RATING:
Summary:
WWI hero Sam Hines is used to wearing a face that isn’t his own. When he’s not in the trenches, he’s the most popular female impersonator on the front, but a mysterious note from an anonymous admirer leaves him worried. Everyone realizes—eventually—that Sam’s not a woman, but has somebody also worked out that he also prefers his lovers to be male?
When Sam meets—and falls for—fellow officer Johnny Browne after the war, he wonders whether he could be the man who wrote the note. If so, is he the answer to Sam’s dreams or just another predatory blackmailer, ready to profit from a love that dare not speak its name?
Not much more I can say about Awfully Glad that I didn't say when I originally read it back 2015. Watching Sam and Johnny navigate the whole "is he or isn't he" debate is just as fulfilling as it was over three years ago. Like I said before, if they just communicated more clearly so many answers would have been discovered but then not only would that make this little gem way too short but not very accurate either. Nobody wants their nose broken if they got the assumptions wrong and it was also illegal to be in a homosexual relationship so its no wonder they were edging around the question. Once again Charlie Cochrane has proven her respect for the era as well as her respect for her readers with her storytelling in this little gem.
Original Review February 2015:
A nice little tale of war, post war, romance, and a bit of "what's he after?" thrown in for good measure. Sam is such an interesting character but as himself and as Madeline, who brought such joy to the men during the war. Now that the war is over and he's put Madeline behind him, he is reunited with one of the men he met after one of his Madeline's shows. I just love watching Sam trying to figure Johnny out and what he's after. Of course, there's a bit of "if they just communicated" but then the story would be even shorter and where's the fun in that? Definitely a great addition to my library and once again, I was not let down by the writings of Charlie Cochrane.
RATING:
A Position in Paris by Megan ReddawaySummary:
Paris, 1919. World War One is over, and wounded hero James Clarynton is struggling to face life without one leg, one eye, and the devilish good looks he had before the conflict. Now he must pay for affection, and it leaves him bitter. He’s filling the time by writing a book—but it’s the young man who comes to type it who really intrigues him.
Edmund Vaughan can’t turn down the chance to be secretary to the wealthy James Clarynton. He’s been out of work since the armistice, and his mother and brother depend on him. But he has secrets to hide, and the last thing he wants is an employer who keeps asking questions.
As they work together, their respect for each other grows, along with something deeper. But tragedy threatens, and shadows from the past confront them at every turn. They must open their hearts and trust each other if they are to break down the barriers that separate them.
A heartwarming romance with some dark moments along the way.
In Paris 1919, the war is over and for James Clarynton he faces not only adjusting to civilian life again but he must do it minus a leg and an eye. Without his devilish good looks he finds himself paying for affection but it leaves him feeling empty so when a friend suggests writing a book he dives in but needs a secretary. Edmund Vaughan needs work that has been lacking since the end of the war as his mother and brother depend on him so when the need for a secretary becomes available he jumps at the position. Trust and respect between James and Edmund begins to grow into more but when trust is challenged will the pair find peace together?
This is my first Megan Reddaway read and as always a new author can be scary for some but for me its exhilerating. Not only do I have the anticipation factor of each new page but I had the added thrill of will this be an author to watch for or a one-time-wonder? Well, Megan Reddaway is definitely not a one-time-wonder for me, she has definitely found a place on my authors-to-watch list. It probably helped that the first time I read her it is a post-WW1 era story, in my honest opinion there is just not enough of that time period in M/M romance genre so I tend to grab all I come across. A Position in Paris was well worth the grabbing.
Let's take a look at our duo. You can't help but fall in love with both characters, James because he is dealing with a whole new level to living and Edmund because he is caring for his family the best way he can. They both have amazing characteristics that certainly make them adorable, loveable, and just plain likeable but they also both need to be honest with each other. Course, if they were honest with each other about everything then this would have been a very short and not too exciting story so I can forgive the not-so-honesty elements😉😉. Plus, I have no idea what its like to be a gay man in post-WW1 Europe but I imagine that added a separate level of secrecy to their lives as well.
I really won't say too much more for risk of spoilers but I will say that I found it to be refreshing that the book James is writing and Edmund is helping him with is not fiction so it is not a catalyst for their attraction. Yes, their working together helps fan the flames but the content they are writing does not, anywho I just found that to be a pleasant idea. As for the historical element, it is clear that the author has a healthy respect for the era with her attention to detail and that only heightened the reading experience for me. From beginning to end, A Position i Paris is a lovely read with just the right amount of drama, attraction, historical, and romance that kept me completely entertained.
RATING:
Summary:
As war rages in France, battles are also being fought on the Home Front.
Bethan Harrhy, farmer's wife, does her best to keep her family happy as prices rise and the weather worsens. Nye, her husband, is angry and worried. Alwyn, her brother, is injured and shaken by his experiences in the trenches. Her baby is teething and there's another on the way. Surely having her brother's best friend to stay, another face, another voice, another pair of hands, can only be a good thing? But when Joe arrives, Bethan is forced to confront ideas she had never even guessed at and makes a terrible mistake.
With conflict at home and abroad, can there be a happy ending for any of them?
Having come home from the war early due to injuries, Alwyn sets out to help his sister and her husband on the farm but more hands are needed. When Alwyn's friend and fellow soldier answers the call, nothing will ever be the same for any of them. Will the four of them find peace and be able to work together and maybe even find some happiness?
I wish there were more World War One era stories in the M/M genre so when I find one I tend to just gobble it up so I am not sure how this one slipped my sites for a whole year. Having finally read Calon Lân I can honestly say it is amazing. As it is a short story/novella I won't go into too much but I do want to say that Alwyn and Joe are wonderfully written and Bethan definitely has her hands full keeping the peace in her home. As for the author, I think its pretty clear that Elin Gregory respects the past and does a wonderful job balancing reality and fiction to bring the reader a healthy glimpse of a time gone by.
As for Alwyn and Joe, well of course you want to see them get their HEA but whether they do or not is something you have to read for yourself. Don't even get me started on Bethan's husband, Nye. I understand and respect his frustrations but I also wanted to bang his head against the wall more than once or at least make sure he ran into a door frame or two . . . or six😉.
Would I have liked for Calon Lân to be longer? Of course, that's a no-brainer but at the same time some stories and authors only need a novella to tell their characters' journeys and that's what Elin Gregory brings us: a wonderful story of discovery. Another element I loved about this gem is that it isn't just about Alwyn and Joe finding happiness but its about all four living in that house, Alwyn, Joe, Bethan, and Nye, discovering what love really means. I may not re-read this every Veteran's Day but it isn't the last I've seen of this family either.
RATING:
The Courage to Love by EE Montgomery
Chapter One
Brisbane, July 1919
THE westerlies began early this year. The icy winter wind cut straight through my clothes. I tugged my collar closer around my face, shoved my gloved hands into the pockets of my overcoat, and stared at the weathered headstone. The words carved into the pale granite were now dark and legible. The southern side of the stone held a slight greenish tinge, the beginnings of moss growth, but someone had been caring for Carl. The grass around the grave was neatly trimmed, and there was a small bowl of fresh camellias beside the headstone.
We could not say good-bye.
My heart is broken.
“It still is, Carl,” I whispered. “Every day.”
Eventually, my shivering became so extreme I had to leave. I looked up at a sky tinged orange and pink and knew if I didn’t run, I’d miss the last tram into the city.
MOTHER’S shrill voice started before I finished unbuttoning my coat. “Where have you been, David? Dinner’s been ready for over an hour. You know what time to be home.” The diminutive woman who ruled my every waking moment when I was at home came into the front hall. She had pulled her graying hair back into her usual severe bun, her thin lips were pinched in disapproval, and her gray eyes glared accusingly as I turned from hanging my coat on the coat stand. “Well?”
“I was just walking around, Mother.”
“Mrs. Edwards and Esther came for afternoon tea. I expected you to be home.”
I stifled the sigh that wanted to escape, but judging by the frown on Mother’s face, I probably didn’t hide my relief very well. The excuses I’d once used dried on my tongue. I would no longer pretend to be someone I wasn’t. After Carl, I’d not get drawn or trapped into marrying a woman my mother chose. Or any woman.
“Did you go to the Post Office and get your job back?”
I couldn’t control the sigh this time. I had gone in there in the morning, and nothing had changed. The checkered tiles still muted footsteps from the doors to the counter. The polished oak counter and stair railings gleamed in the light as they had before. The large room still smelled of old paper, ink, and furniture polish. The only difference was the new faces behind the counter. And me. I was different too, but no one understood that, least of all my mother. I didn’t want to go back to the Post Office, but I wanted to stay in this house even less.
“I begin on Monday.”
Her consideration of me changed, and I suppressed a cringe, standing taller, my back rigid, knowing what she’d say next.
“Good, then you’ll be able to pay more board.” She returned to the living room and sat among the threadbare spotlessness of worn carpets and upholstery. A small fire burned in the grate, lending a homey feel to the one room my mother spent time in. She positioned her feet precisely together, as a lady should, and picked up her mending. “Your dinner is in the oven.”
Dried-out cottage pie and wrinkled, woody carrots, burned on the tips, sat forlornly on an enameled plate in the hot side of the wood-fired oven. I sat at the scarred kitchen table and shoveled the food into my mouth, chewing and swallowing without tasting anything. I didn’t care what my mother served. Everything here tasted better than what I’d eaten the last four years. If I never saw bully beef, tinned peaches, or golden syrup again, it would be too soon.
When I finished, I placed my plate in the tub of water sitting in the sink and stared at the dim reflection of myself in the grubby window. I shuffled my feet against the gritty, sticky floor, then went up the stairs to my room, grateful every day that it was positioned directly over the kitchen and its warmth.
I pulled my suitcase from the top of the wardrobe, sneezed at the dust that came down with it, and packed as many of my clothes and books as would fit. I put the filled suitcase back on top of the wardrobe, hung my pants, coat, and shirt over a chair, crawled into my narrow bed, and stared at the stained ceiling.
I woke in the dark hours before dawn to screams echoing in my room and, from what I knew from her complaints after other nightmares, the thump of my mother’s shoe hitting the other side of the wall above my head. I rose and dressed, then went down the back stairs. Within five minutes, I was free of the house and headed for the river.
OUR glade was unchanged except for the cigarette ends that littered the flattened grass in the middle. The white paper-ends, left by careless smokers, glowed dully in the predawn light. I crawled under the drooping leaves of the willow and leaned against the trunk. I closed my eyes as I remembered the times I’d spent there with Carl, holding his warm body against mine, before the ugliness of our world exploded.
I woke reaching for my rifle, only to have my fingers bump against roots and dew-damp mulch. Murmured voices faded downriver as their unseen owners meandered along the nearby path. I stared through the fractured canopy above me until my breathing settled and my heart rate calmed. When I was sure I was in the glade and not at war, and that no one waited to shoot me, I crawled out of the dimness, brushed myself off, and walked along the riverbank toward Mrs. Gill’s in New Farm.
The house had suffered while I’d been away. The paint looked dull. Sections on the western side had begun to peel and flake away. Dirt clouded the louvered windows that formed the top half of the closed-in wraparound verandas on both the ground floor and the floor above. A small gum tree sprouted in the drooping gutter at the corner of the corrugated iron roof. The front gate needed oiling—the hinges caught and screeched as I pushed it open and closed. The grass beside the path needed cutting, while the flower beds on either side of the short set of stairs to the front door still flourished amid a tangle of weeds, though not much but azaleas were in bloom. The roses, planted in round mounds of mulch leading the way from the gate to the stairs, had been pruned and were beginning to shoot. Over to the side of the front yard, between the house and the fence, a scraggly Geraldton Wax leaned away from the wind, its purple geometrically arranged flowers whipped to a frenzy against the fence dividing this yard from the one next door.
I took the front stairs two at a time, as I always had, only remembering when I reached the landing, there was nothing worth running toward anymore. I took a deep breath and knocked on the door. I hoped Mrs. Gill remembered me and that she had a room to spare.
“Mr. Harrison, you’re back!” Mrs. Gill pulled me into the entry and enveloped me in a lavender-scented hug. Then she pushed me away and fussed with the position of a bowl of camellias on the side table. They were the same color as the flowers at Carl’s grave. “Come on in and tell me when you got back.”
I followed the bustling woman down the long hallway—past the doors to the dining room and parlor, the stairs to the upper level, and the short hallway that led to boarders’ rooms and the downstairs bathroom—to the back of the house and stepped down the single step into the warm kitchen.
There were only good memories in this room. Mrs. Gill’s stove was the same model as my mother’s, but where my mother’s was dull black and smoked from its poorly cleaned flue, Mrs. Gill’s shone from Stove Black and produced a sweet, clean warmth that immediately soothed me. Mrs. Gill tapped the back of one of the wooden chairs as she passed. “Sit, sit, Mr. Harrison.”
She dragged a heavy kettle from the back right corner of the stove to the left, directly above the fire. I looked around the room as I sat. The scrubbed wooden table top was the same, but the large basket that usually contained fruit was gone. The potato sack hanging on the back of the open pantry door was half-full. On the floor in the pantry was a bucket filled with turnips and cabbages. The icebox in the corner of the room didn’t sweat as it usually did when freshly stocked with ice but appeared to be the same temperature as the rest of the room. The stone floor gleamed, clean and smooth in the early morning light that streamed in through the windows over the stove.
Outside, in the backyard, the vegetable patch brought memories of lazy Sunday afternoons in my room, laughing as Carl, naked and flushed from our loving, leaned out the window and tried to scare the crows from the corn. Tall stalks of corn and trellised beans waved in the breeze, but appeared neglected, overgrown with weeds, like a remnant of a better life that would never be seen again. The tall jacaranda tree in the back corner appeared unchanged, and provided shade over nearly half the yard. In front of the vegetable garden, over to the side of the privy, white sheets flapped in the breeze on lines strung across the yard from the small washhouse.
“I’ll make us a nice cup of tea, and you can tell me all that you’ve been doing since you came back and what you have planned now.” Mrs. Gill pulled down cups and saucers from the dresser against the wall facing the sink.
I sat and breathed deeply for the first time in what felt like months. Everyone else wanted to know about the war. They asked if I’d had fun in France and how many French women I’d met. They told me I must be “so proud to have served King and country” and be pleased to have driven the Huns back. I’m glad Mrs. Gill didn’t.
“So how are you settling back in, Mr. Harrison? Several of our young men from here never returned.” She cleared her throat. “But you’d know more about that than I would, I expect.” She placed a cup of steaming tea in front of me and pushed the sugar over. “We lost nearly half our chickens in a storm a few months ago, so it’s going to be difficult to keep eggs on the table until new ones arrive, but I’m sure we’ll manage, dear. We always do.” She sat and, pulling the saucer, drew her teacup toward her.
I flinched at the rattled china-scrape across the table.
Mrs. Gill added milk to her tea, picked up a teaspoon, and stirred it as she stared at the swirling liquid. “I suppose you’ve found better accommodations since you returned?”
“Actually, no, Mrs. Gill. I’ve been staying with my mother, but I was wondering if my old room was available.” My speech was as I had rehearsed, but my throat felt scratchy, like I wanted to cough or vomit. I had no idea what I’d do if Mrs. Gill had rented my room to someone else. The only thing I knew for sure was I couldn’t spend another night under my mother’s roof.
“Oh.” Mrs. Gill looked up at me, her faded blue eyes showing an endearing combination of surprise, pleasure, and dismay. “Actually, it’s not available, Mr. Harrison. I put Mr. Donnelly in your old room, on account of it being at the back of the house and quieter.”
I nodded and tried to smile, but my stomach churned. I twisted my fingers together in my lap, my nerves stretched so tight I thought I would start screaming and never stop.
“I expect you’re looking for a quiet room as well.” She considered me carefully for several seconds. I was relieved that she seemed to instinctively understand. “With so many motor cars around lately, all the front rooms will be too noisy for you. You could have Mr. George’s old room if you wanted.” After making this statement, Mrs. Gill jumped up, grabbed a cloth, and wiped the table down, then refilled my cup, even though I’d barely taken two sips from it.
“It’s not taken?” My heart pounded and I closed my eyes against the image of Carl, in pain, his eyes crying out his love for me even as he breathed his last. I didn’t know if I could go back into that room, yet part of me couldn’t stay away.
“No.” Mrs. Gill hesitated. “Some gentlemen don’t like the thought that someone died there, but you and Mr. George were such close friends, I thought you wouldn’t mind.”
The alternative was my mother’s. I’d rather be somewhere Carl had been. “I start back at the Post Office on Monday. Would I be able to move in today and pay the board after I receive my first wage?”
Mrs. Gill beamed at me. “Of course, dear. You didn’t bring anything with you?” She looked around the kitchen as if expecting to see a suitcase materialize even though we both knew I hadn’t arrived with anything. Mrs. Gill reached over and patted my arm. “It’s good to have you back, Mr. Harrison.”
I smiled at her. “And it’s good to be back, Mrs. Gill.”
For the first time since the ship had landed back in Australia, I meant those words.
I RETURNED to my mother’s house in the afternoon. Today was her library afternoon, in which she met several like-minded matrons at the local library and they discussed in hushed whispers the state of the neighborhood. It was cowardly, but I didn’t want to face her. I’d had enough of people screaming at me, and if I had to listen to one more of her tirades, I would say something irrevocable. As much as I no longer wanted to live with her, she was my mother, and I needed to treat her with as much respect as I was able to. Unfortunately, that meant behaving like the basest coward and running away.
I left a note on the kitchen table, collected my suitcase, and shoved the front door key under the door as I left.
CARL’S room felt like me: it looked the same, but it was empty. The washstand still held the same fluted blue-and-white basin and jug, but his brushes and shaving gear were gone. I laid out my toiletries precisely but on the opposite side of the basin from where he’d always stored his. After hanging my clothes in the single wardrobe, I pushed them to the left, leaving enough room for as many again beside them. Then I positioned the suitcase on its side on top of the wardrobe. I stared at the bed, but didn’t touch it. His bed had always been narrower than mine, so I’d never slept in it. If I closed my eyes, I could see Carl as he was the last time I saw him, belly swollen, bones broken, tears streaming down his face.
I didn’t close my eyes.
Mrs. Gill let me take one of the brocade wing-back chairs from the downstairs sitting room. I positioned it near the window, facing out so I could sit and look at the garden, with the branches of the jacaranda tree gracefully protecting the corner of the vegetable garden from the midday sun. I kept it at an angle so I could also see the door. On the floor beside the chair, I placed a sturdy branch that had fallen from the gum tree in the neighbor’s yard.
At dinner that night, I met the other boarders. I remembered one from my previous time there, but the other two were new. I forgot their names before I’d finished shaking their hands. They took their places at the dining table, leaving one place setting unclaimed. They sat silently and avoided looking at each other, a stark contrast to the noisy conversation that had heralded their arrival. The two other dining tables were bare of place settings. I went to the kitchen.
“Mrs. Gill, is there anything I can help you with?” I asked as I walked into the room.
A crash greeted me, and I looked over to see a tall, thin young man, with a head of unruly mahogany curls, crouched over a smashed plate. He frantically scooped scattered food onto the largest piece of plate. As I watched, blood bloomed on his hand, and I rushed over to him.
“Mr. Harrison, don’t.”
“You’ve cut yourself,” I murmured as I reached for the young man’s hand. “Let me see.”
I wasn’t sure exactly what happened next. One moment I crouched next to the injured man, the next I lay sprawled on the floor with food splattered over me and the young man curled into a whimpering ball, pressed against the wall beside the stove. His trousers rode up his ankles as he curled in on himself, but I could see the fabric gathering under his belt, a testament to recently lost weight.
“Mr. Harrison, come away now.”
I looked up to see Mrs. Gill standing on the far side of the table, concern etching wrinkles into her forehead.
“Come now, Mr. Harrison, I’ll put your dinner in the dining room with the others.” She loaded a large wooden tray with plates of steaming food and left. I glanced at the man on the floor, and I felt torn between doing as Mrs. Gill instructed and helping the man.
The whimpers had stopped, but the man hadn’t moved, his face resolutely hidden from me. I determined to ask Mrs. Gill about him after dinner, then went to eat my meal.
By the time I’d finished eating, I’d decided I would ask Mrs. Gill if I could eat in the kitchen from then on. Anything would be better than the uncomfortable silences alternating with generalized complaints against society that had accompanied my meal in the dining room.
“THAT’S Mr. Donnelly.” Mrs. Gill efficiently dried plates and put them in a stack with a clack. “I mentioned him this morning.”
“Is he…?”
“He was in the war, Mr. Harrison.” Mrs. Gill turned to stare at me. “I’m sure you know the kinds of things he might have experienced.”
Shell shock. I’d seen it before. Good soldiers, even great soldiers, started to sob and not stop, even when the medics came to carry them out. Others experienced flashbacks so bad they went on rampages and shot everything that moved. Hell, I’d even experienced some of that myself. I still had nightmares.
“How long has he been with you?”
“Only a couple of months. He just needs things quiet for a while, I think.”
Hence giving him the back bedroom. I placed my hand on her shoulder. “You’re a good woman, Mrs. Gill.”
Whistling in the Dark by Tamara Allen
Jack's expression of surprise lasted only an instant before a wicked leer took its place. As he sauntered over, Sutton's heart seemed to quicken to 2/2 time. He didn't know if Jack felt the same attraction, the one coursing with sudden heat through his blood. He wanted to think so—but Jack seemed to play to the crowd as he dropped onto Sutton’s lap and, draping both arms around his shoulders, drew closer for a kiss. Jack's breath warm in his face reminded him to breathe and he did so, audibly. But at the last second, Jack brushed his forehead with a brotherly buss and everyone exclaimed in good-natured protest.
Jack was unrepentant. "That's how they kiss in Kansas," he said and turned laughing eyes back to Sutton. "Tell 'em, Mabel."
Deciding to correct that misapprehension, Sutton took him by the lapels and kissed him. He could feel Jack's initial shock in the lack of response. Then Jack kissed back, sparking something neither of them could blame on the champagne. His momentum dropped them backward to the pillows, Jack still kissing him as if he never wanted to stop, and Sutton didn’t mind in the least if it went on forever. He ignored the whoops and whistles from their audience and Jack did too, until Theo stuck his nose in. "Would you gentlemen care for the key to my apartment?"
Jack broke from the kiss, meeting Sutton's gaze for barely an instant before turning to smirk at Theo. "Satisfied?"
Theo looked only more amused. "Just what I was about to ask you."
Disentangling themselves, they sat up and Jack made a show of straightening Sutton's coat and tie before rising to swagger back to his spot.
Sutton avoided all the laughing faces and wondered if he'd gone too far. No one else seemed to think so or care, so he tried not to care, either. But he couldn't bring himself to look Jack’s way until the game had broken up and the others had returned to dancing. By then, Jack had vanished in the crowd and before Sutton could look for him, Theo pounced to ask without pretense this time if he would play the piano again.
It was after midnight when Sutton wandered to the edge of the roof for a little fresh air and a sumptuous view. A welcome breeze blew in his face along the shadowed walk behind the palms. He found Jack leaning on the parapet, his features in unusually quiet repose as he took in the view. Unbidden came the thought that Jack was terribly handsome and rather dear, besides.
Jack looked around at his approach and smiled easily. "You ready to go home?"
"No, I just wanted to—well, I hope I didn't embarrass you earlier. In the game," he added, at Jack's puzzled look.
"Oh, that?" Jack laughed. "Nothing to worry about. Unless Topeka law says we're engaged."
"Not even promised. In our case, anyway." He felt foolish. The kiss had been part of a silly game. He shouldn't have brought it up.
"Champagne?" Jack picked up the bottle on the ledge and filled his empty glass.
"No, thank you. I think I'm done with that or I'll be sick."
Jack downed the glassful. "You've been to fancier parties than this. Your folks must throw some real hummers."
"Yes, just—decidedly different." He shuddered to imagine what his parents would think of the goings-on at Theo's.
"No kissing? Or dancing?"
"Dancing, of course. But of the proper sort."
Jack rolled his eyes. "A party's no place to be proper. Your folks don't know you dance with boys?"
"I never have," Sutton said, then realized Jack meant more than dancing.
"You always blush that easily?" Jack grabbed his hands and whirled him around in an unsteady circle.
"Jack, for heaven’s sake." But he couldn't keep from laughing.
"You can't fox-trot worth a damn, Mabel."
"Is that what you're trying to do?"
"Smug bastard." Jack grinned and pushed him. "You don't even know how to get good and drunk. I think you met me just in time."
Calon Lân by Elin Gregory
Chapter One
Brisbane, July 1919
THE westerlies began early this year. The icy winter wind cut straight through my clothes. I tugged my collar closer around my face, shoved my gloved hands into the pockets of my overcoat, and stared at the weathered headstone. The words carved into the pale granite were now dark and legible. The southern side of the stone held a slight greenish tinge, the beginnings of moss growth, but someone had been caring for Carl. The grass around the grave was neatly trimmed, and there was a small bowl of fresh camellias beside the headstone.
We could not say good-bye.
My heart is broken.
“It still is, Carl,” I whispered. “Every day.”
Eventually, my shivering became so extreme I had to leave. I looked up at a sky tinged orange and pink and knew if I didn’t run, I’d miss the last tram into the city.
MOTHER’S shrill voice started before I finished unbuttoning my coat. “Where have you been, David? Dinner’s been ready for over an hour. You know what time to be home.” The diminutive woman who ruled my every waking moment when I was at home came into the front hall. She had pulled her graying hair back into her usual severe bun, her thin lips were pinched in disapproval, and her gray eyes glared accusingly as I turned from hanging my coat on the coat stand. “Well?”
“I was just walking around, Mother.”
“Mrs. Edwards and Esther came for afternoon tea. I expected you to be home.”
I stifled the sigh that wanted to escape, but judging by the frown on Mother’s face, I probably didn’t hide my relief very well. The excuses I’d once used dried on my tongue. I would no longer pretend to be someone I wasn’t. After Carl, I’d not get drawn or trapped into marrying a woman my mother chose. Or any woman.
“Did you go to the Post Office and get your job back?”
I couldn’t control the sigh this time. I had gone in there in the morning, and nothing had changed. The checkered tiles still muted footsteps from the doors to the counter. The polished oak counter and stair railings gleamed in the light as they had before. The large room still smelled of old paper, ink, and furniture polish. The only difference was the new faces behind the counter. And me. I was different too, but no one understood that, least of all my mother. I didn’t want to go back to the Post Office, but I wanted to stay in this house even less.
“I begin on Monday.”
Her consideration of me changed, and I suppressed a cringe, standing taller, my back rigid, knowing what she’d say next.
“Good, then you’ll be able to pay more board.” She returned to the living room and sat among the threadbare spotlessness of worn carpets and upholstery. A small fire burned in the grate, lending a homey feel to the one room my mother spent time in. She positioned her feet precisely together, as a lady should, and picked up her mending. “Your dinner is in the oven.”
Dried-out cottage pie and wrinkled, woody carrots, burned on the tips, sat forlornly on an enameled plate in the hot side of the wood-fired oven. I sat at the scarred kitchen table and shoveled the food into my mouth, chewing and swallowing without tasting anything. I didn’t care what my mother served. Everything here tasted better than what I’d eaten the last four years. If I never saw bully beef, tinned peaches, or golden syrup again, it would be too soon.
When I finished, I placed my plate in the tub of water sitting in the sink and stared at the dim reflection of myself in the grubby window. I shuffled my feet against the gritty, sticky floor, then went up the stairs to my room, grateful every day that it was positioned directly over the kitchen and its warmth.
I pulled my suitcase from the top of the wardrobe, sneezed at the dust that came down with it, and packed as many of my clothes and books as would fit. I put the filled suitcase back on top of the wardrobe, hung my pants, coat, and shirt over a chair, crawled into my narrow bed, and stared at the stained ceiling.
I woke in the dark hours before dawn to screams echoing in my room and, from what I knew from her complaints after other nightmares, the thump of my mother’s shoe hitting the other side of the wall above my head. I rose and dressed, then went down the back stairs. Within five minutes, I was free of the house and headed for the river.
OUR glade was unchanged except for the cigarette ends that littered the flattened grass in the middle. The white paper-ends, left by careless smokers, glowed dully in the predawn light. I crawled under the drooping leaves of the willow and leaned against the trunk. I closed my eyes as I remembered the times I’d spent there with Carl, holding his warm body against mine, before the ugliness of our world exploded.
I woke reaching for my rifle, only to have my fingers bump against roots and dew-damp mulch. Murmured voices faded downriver as their unseen owners meandered along the nearby path. I stared through the fractured canopy above me until my breathing settled and my heart rate calmed. When I was sure I was in the glade and not at war, and that no one waited to shoot me, I crawled out of the dimness, brushed myself off, and walked along the riverbank toward Mrs. Gill’s in New Farm.
The house had suffered while I’d been away. The paint looked dull. Sections on the western side had begun to peel and flake away. Dirt clouded the louvered windows that formed the top half of the closed-in wraparound verandas on both the ground floor and the floor above. A small gum tree sprouted in the drooping gutter at the corner of the corrugated iron roof. The front gate needed oiling—the hinges caught and screeched as I pushed it open and closed. The grass beside the path needed cutting, while the flower beds on either side of the short set of stairs to the front door still flourished amid a tangle of weeds, though not much but azaleas were in bloom. The roses, planted in round mounds of mulch leading the way from the gate to the stairs, had been pruned and were beginning to shoot. Over to the side of the front yard, between the house and the fence, a scraggly Geraldton Wax leaned away from the wind, its purple geometrically arranged flowers whipped to a frenzy against the fence dividing this yard from the one next door.
I took the front stairs two at a time, as I always had, only remembering when I reached the landing, there was nothing worth running toward anymore. I took a deep breath and knocked on the door. I hoped Mrs. Gill remembered me and that she had a room to spare.
“Mr. Harrison, you’re back!” Mrs. Gill pulled me into the entry and enveloped me in a lavender-scented hug. Then she pushed me away and fussed with the position of a bowl of camellias on the side table. They were the same color as the flowers at Carl’s grave. “Come on in and tell me when you got back.”
I followed the bustling woman down the long hallway—past the doors to the dining room and parlor, the stairs to the upper level, and the short hallway that led to boarders’ rooms and the downstairs bathroom—to the back of the house and stepped down the single step into the warm kitchen.
There were only good memories in this room. Mrs. Gill’s stove was the same model as my mother’s, but where my mother’s was dull black and smoked from its poorly cleaned flue, Mrs. Gill’s shone from Stove Black and produced a sweet, clean warmth that immediately soothed me. Mrs. Gill tapped the back of one of the wooden chairs as she passed. “Sit, sit, Mr. Harrison.”
She dragged a heavy kettle from the back right corner of the stove to the left, directly above the fire. I looked around the room as I sat. The scrubbed wooden table top was the same, but the large basket that usually contained fruit was gone. The potato sack hanging on the back of the open pantry door was half-full. On the floor in the pantry was a bucket filled with turnips and cabbages. The icebox in the corner of the room didn’t sweat as it usually did when freshly stocked with ice but appeared to be the same temperature as the rest of the room. The stone floor gleamed, clean and smooth in the early morning light that streamed in through the windows over the stove.
Outside, in the backyard, the vegetable patch brought memories of lazy Sunday afternoons in my room, laughing as Carl, naked and flushed from our loving, leaned out the window and tried to scare the crows from the corn. Tall stalks of corn and trellised beans waved in the breeze, but appeared neglected, overgrown with weeds, like a remnant of a better life that would never be seen again. The tall jacaranda tree in the back corner appeared unchanged, and provided shade over nearly half the yard. In front of the vegetable garden, over to the side of the privy, white sheets flapped in the breeze on lines strung across the yard from the small washhouse.
“I’ll make us a nice cup of tea, and you can tell me all that you’ve been doing since you came back and what you have planned now.” Mrs. Gill pulled down cups and saucers from the dresser against the wall facing the sink.
I sat and breathed deeply for the first time in what felt like months. Everyone else wanted to know about the war. They asked if I’d had fun in France and how many French women I’d met. They told me I must be “so proud to have served King and country” and be pleased to have driven the Huns back. I’m glad Mrs. Gill didn’t.
“So how are you settling back in, Mr. Harrison? Several of our young men from here never returned.” She cleared her throat. “But you’d know more about that than I would, I expect.” She placed a cup of steaming tea in front of me and pushed the sugar over. “We lost nearly half our chickens in a storm a few months ago, so it’s going to be difficult to keep eggs on the table until new ones arrive, but I’m sure we’ll manage, dear. We always do.” She sat and, pulling the saucer, drew her teacup toward her.
I flinched at the rattled china-scrape across the table.
Mrs. Gill added milk to her tea, picked up a teaspoon, and stirred it as she stared at the swirling liquid. “I suppose you’ve found better accommodations since you returned?”
“Actually, no, Mrs. Gill. I’ve been staying with my mother, but I was wondering if my old room was available.” My speech was as I had rehearsed, but my throat felt scratchy, like I wanted to cough or vomit. I had no idea what I’d do if Mrs. Gill had rented my room to someone else. The only thing I knew for sure was I couldn’t spend another night under my mother’s roof.
“Oh.” Mrs. Gill looked up at me, her faded blue eyes showing an endearing combination of surprise, pleasure, and dismay. “Actually, it’s not available, Mr. Harrison. I put Mr. Donnelly in your old room, on account of it being at the back of the house and quieter.”
I nodded and tried to smile, but my stomach churned. I twisted my fingers together in my lap, my nerves stretched so tight I thought I would start screaming and never stop.
“I expect you’re looking for a quiet room as well.” She considered me carefully for several seconds. I was relieved that she seemed to instinctively understand. “With so many motor cars around lately, all the front rooms will be too noisy for you. You could have Mr. George’s old room if you wanted.” After making this statement, Mrs. Gill jumped up, grabbed a cloth, and wiped the table down, then refilled my cup, even though I’d barely taken two sips from it.
“It’s not taken?” My heart pounded and I closed my eyes against the image of Carl, in pain, his eyes crying out his love for me even as he breathed his last. I didn’t know if I could go back into that room, yet part of me couldn’t stay away.
“No.” Mrs. Gill hesitated. “Some gentlemen don’t like the thought that someone died there, but you and Mr. George were such close friends, I thought you wouldn’t mind.”
The alternative was my mother’s. I’d rather be somewhere Carl had been. “I start back at the Post Office on Monday. Would I be able to move in today and pay the board after I receive my first wage?”
Mrs. Gill beamed at me. “Of course, dear. You didn’t bring anything with you?” She looked around the kitchen as if expecting to see a suitcase materialize even though we both knew I hadn’t arrived with anything. Mrs. Gill reached over and patted my arm. “It’s good to have you back, Mr. Harrison.”
I smiled at her. “And it’s good to be back, Mrs. Gill.”
For the first time since the ship had landed back in Australia, I meant those words.
I RETURNED to my mother’s house in the afternoon. Today was her library afternoon, in which she met several like-minded matrons at the local library and they discussed in hushed whispers the state of the neighborhood. It was cowardly, but I didn’t want to face her. I’d had enough of people screaming at me, and if I had to listen to one more of her tirades, I would say something irrevocable. As much as I no longer wanted to live with her, she was my mother, and I needed to treat her with as much respect as I was able to. Unfortunately, that meant behaving like the basest coward and running away.
I left a note on the kitchen table, collected my suitcase, and shoved the front door key under the door as I left.
CARL’S room felt like me: it looked the same, but it was empty. The washstand still held the same fluted blue-and-white basin and jug, but his brushes and shaving gear were gone. I laid out my toiletries precisely but on the opposite side of the basin from where he’d always stored his. After hanging my clothes in the single wardrobe, I pushed them to the left, leaving enough room for as many again beside them. Then I positioned the suitcase on its side on top of the wardrobe. I stared at the bed, but didn’t touch it. His bed had always been narrower than mine, so I’d never slept in it. If I closed my eyes, I could see Carl as he was the last time I saw him, belly swollen, bones broken, tears streaming down his face.
I didn’t close my eyes.
Mrs. Gill let me take one of the brocade wing-back chairs from the downstairs sitting room. I positioned it near the window, facing out so I could sit and look at the garden, with the branches of the jacaranda tree gracefully protecting the corner of the vegetable garden from the midday sun. I kept it at an angle so I could also see the door. On the floor beside the chair, I placed a sturdy branch that had fallen from the gum tree in the neighbor’s yard.
At dinner that night, I met the other boarders. I remembered one from my previous time there, but the other two were new. I forgot their names before I’d finished shaking their hands. They took their places at the dining table, leaving one place setting unclaimed. They sat silently and avoided looking at each other, a stark contrast to the noisy conversation that had heralded their arrival. The two other dining tables were bare of place settings. I went to the kitchen.
“Mrs. Gill, is there anything I can help you with?” I asked as I walked into the room.
A crash greeted me, and I looked over to see a tall, thin young man, with a head of unruly mahogany curls, crouched over a smashed plate. He frantically scooped scattered food onto the largest piece of plate. As I watched, blood bloomed on his hand, and I rushed over to him.
“Mr. Harrison, don’t.”
“You’ve cut yourself,” I murmured as I reached for the young man’s hand. “Let me see.”
I wasn’t sure exactly what happened next. One moment I crouched next to the injured man, the next I lay sprawled on the floor with food splattered over me and the young man curled into a whimpering ball, pressed against the wall beside the stove. His trousers rode up his ankles as he curled in on himself, but I could see the fabric gathering under his belt, a testament to recently lost weight.
“Mr. Harrison, come away now.”
I looked up to see Mrs. Gill standing on the far side of the table, concern etching wrinkles into her forehead.
“Come now, Mr. Harrison, I’ll put your dinner in the dining room with the others.” She loaded a large wooden tray with plates of steaming food and left. I glanced at the man on the floor, and I felt torn between doing as Mrs. Gill instructed and helping the man.
The whimpers had stopped, but the man hadn’t moved, his face resolutely hidden from me. I determined to ask Mrs. Gill about him after dinner, then went to eat my meal.
By the time I’d finished eating, I’d decided I would ask Mrs. Gill if I could eat in the kitchen from then on. Anything would be better than the uncomfortable silences alternating with generalized complaints against society that had accompanied my meal in the dining room.
“THAT’S Mr. Donnelly.” Mrs. Gill efficiently dried plates and put them in a stack with a clack. “I mentioned him this morning.”
“Is he…?”
“He was in the war, Mr. Harrison.” Mrs. Gill turned to stare at me. “I’m sure you know the kinds of things he might have experienced.”
Shell shock. I’d seen it before. Good soldiers, even great soldiers, started to sob and not stop, even when the medics came to carry them out. Others experienced flashbacks so bad they went on rampages and shot everything that moved. Hell, I’d even experienced some of that myself. I still had nightmares.
“How long has he been with you?”
“Only a couple of months. He just needs things quiet for a while, I think.”
Hence giving him the back bedroom. I placed my hand on her shoulder. “You’re a good woman, Mrs. Gill.”
Whistling in the Dark by Tamara Allen
Jack's expression of surprise lasted only an instant before a wicked leer took its place. As he sauntered over, Sutton's heart seemed to quicken to 2/2 time. He didn't know if Jack felt the same attraction, the one coursing with sudden heat through his blood. He wanted to think so—but Jack seemed to play to the crowd as he dropped onto Sutton’s lap and, draping both arms around his shoulders, drew closer for a kiss. Jack's breath warm in his face reminded him to breathe and he did so, audibly. But at the last second, Jack brushed his forehead with a brotherly buss and everyone exclaimed in good-natured protest.
Jack was unrepentant. "That's how they kiss in Kansas," he said and turned laughing eyes back to Sutton. "Tell 'em, Mabel."
Deciding to correct that misapprehension, Sutton took him by the lapels and kissed him. He could feel Jack's initial shock in the lack of response. Then Jack kissed back, sparking something neither of them could blame on the champagne. His momentum dropped them backward to the pillows, Jack still kissing him as if he never wanted to stop, and Sutton didn’t mind in the least if it went on forever. He ignored the whoops and whistles from their audience and Jack did too, until Theo stuck his nose in. "Would you gentlemen care for the key to my apartment?"
Jack broke from the kiss, meeting Sutton's gaze for barely an instant before turning to smirk at Theo. "Satisfied?"
Theo looked only more amused. "Just what I was about to ask you."
Disentangling themselves, they sat up and Jack made a show of straightening Sutton's coat and tie before rising to swagger back to his spot.
Sutton avoided all the laughing faces and wondered if he'd gone too far. No one else seemed to think so or care, so he tried not to care, either. But he couldn't bring himself to look Jack’s way until the game had broken up and the others had returned to dancing. By then, Jack had vanished in the crowd and before Sutton could look for him, Theo pounced to ask without pretense this time if he would play the piano again.
It was after midnight when Sutton wandered to the edge of the roof for a little fresh air and a sumptuous view. A welcome breeze blew in his face along the shadowed walk behind the palms. He found Jack leaning on the parapet, his features in unusually quiet repose as he took in the view. Unbidden came the thought that Jack was terribly handsome and rather dear, besides.
Jack looked around at his approach and smiled easily. "You ready to go home?"
"No, I just wanted to—well, I hope I didn't embarrass you earlier. In the game," he added, at Jack's puzzled look.
"Oh, that?" Jack laughed. "Nothing to worry about. Unless Topeka law says we're engaged."
"Not even promised. In our case, anyway." He felt foolish. The kiss had been part of a silly game. He shouldn't have brought it up.
"Champagne?" Jack picked up the bottle on the ledge and filled his empty glass.
"No, thank you. I think I'm done with that or I'll be sick."
Jack downed the glassful. "You've been to fancier parties than this. Your folks must throw some real hummers."
"Yes, just—decidedly different." He shuddered to imagine what his parents would think of the goings-on at Theo's.
"No kissing? Or dancing?"
"Dancing, of course. But of the proper sort."
Jack rolled his eyes. "A party's no place to be proper. Your folks don't know you dance with boys?"
"I never have," Sutton said, then realized Jack meant more than dancing.
"You always blush that easily?" Jack grabbed his hands and whirled him around in an unsteady circle.
"Jack, for heaven’s sake." But he couldn't keep from laughing.
"You can't fox-trot worth a damn, Mabel."
"Is that what you're trying to do?"
"Smug bastard." Jack grinned and pushed him. "You don't even know how to get good and drunk. I think you met me just in time."
Awfully Glad by Charlie Cochrane
A makeshift stage. An audience. An entirely male audience, in khaki. A high sense of anticipation. The Macaronis concert party about to perform. Music starts, curtain is pulled across—to an outbreak of applause—revealing a group of men in evening dress, who take up the tune. The show begins.
They’d reached the part where the comic had finished his rendition of “Gilbert the Filbert,” leaving the stage to guffaws of laughter and thundering applause, and the tenor had come on to the opening strains of “Roses of Picardy.” The audience settled down, lulled by the familiar tune but with the first buzz of expectation starting to rise. They’d been briefed about this concert party by a couple of the officers whose friends had seen them perform before. So far, the advance information had been correct—good singing, good jokes, a couple of things slightly near the knuckle but not going too far.
And now, the much-vaunted and long-awaited “Roses of Picardy.” That song could only mean one thing—the imminent appearance of the lovely Miss Madeleine.
Second Lieutenant Hampson nudged his fellow officer in the ribs. “She’s on her way. I wonder if she’s really as hot a piece of stuff as they say.”
Lieutenant Browne shrugged. “I hope so. I’ve been looking forward to this a long while.”
An agitated “Shh!” from somewhere along the line of spectators put a stop to conversation as the tenor’s rendition of the verse began. The holding of breaths within the audience became palpable, especially when the curtain to one side of what passed for a stage twitched slightly. The chorus came, and with it Madeleine, gorgeous in a lavender dress to match her eyes and a sumptuous hat, worn at a coquettish angle. An outbreak of wolf whistling, a single shout of “Cor!” and more “Shh!”s, mainly from the colonel in the front row who’d leaned forward to get a better view of the trim ankles that appeared as she sashayed across the stage.
“What a peach,” Hampson whispered, staring up at the stage, spellbound.
“Not bad at all.” Browne tipped his head to one side to set up a better line of observation of the trim waist, the pert backside, and the well-proportioned décolletage. Those curves were just what you wanted in a woman.
The song came to an end among rapturous applause, whistling, and stomping of feet. The tenor kissed Miss Madeleine’s hand and led her upstage, where she prepared for her solo, batting her eyelashes flirtatiously at the colonel. She looked like a nice girl, dressed like a nice girl, was rumoured to have no truck with any of the officers who beat a path to her stage door, but there was a roguish twinkle in her eye which belied all of that.
The first few bars of “Home Fires Burning” welling up from the small orchestra stifled any expectations of a saucy song to match the saucy twinkle. Her voice was clear, bell-like, incredibly moving. By the time the song had finished, sleeves were being drawn across faces and noses blown. Even Hampson, who had never been known to show much in the way of emotion—apart from getting worked up over a shapely, slim-waisted form—had a tear in his eye.
“Marvellous,” he said, clapping wildly. “And think. We’re the lucky blighters who’ll get to meet her afterwards.”
Browne laughed. “She’ll never look twice at you. Not with that shock of hair—she’ll think a scarecrow’s come in.”
“Is it that bad? Could you lend me a comb?” Hampson tried—in vain—to flatten his locks into submission.
“We’ll have you turned out like the Queen of the May.” Browne grinned. “Now hush.”
Madeleine had been joined by the tenor for a haunting love duet, one which soon had the audience thinking of home and happier times, far away from trench foot and whiz-bangs. They’d be back to that soon enough, but for now they had a glimpse of something heavenly, and not just in the form of Madeleine’s shapely arms.
They’d reached the part where the comic had finished his rendition of “Gilbert the Filbert,” leaving the stage to guffaws of laughter and thundering applause, and the tenor had come on to the opening strains of “Roses of Picardy.” The audience settled down, lulled by the familiar tune but with the first buzz of expectation starting to rise. They’d been briefed about this concert party by a couple of the officers whose friends had seen them perform before. So far, the advance information had been correct—good singing, good jokes, a couple of things slightly near the knuckle but not going too far.
And now, the much-vaunted and long-awaited “Roses of Picardy.” That song could only mean one thing—the imminent appearance of the lovely Miss Madeleine.
Second Lieutenant Hampson nudged his fellow officer in the ribs. “She’s on her way. I wonder if she’s really as hot a piece of stuff as they say.”
Lieutenant Browne shrugged. “I hope so. I’ve been looking forward to this a long while.”
An agitated “Shh!” from somewhere along the line of spectators put a stop to conversation as the tenor’s rendition of the verse began. The holding of breaths within the audience became palpable, especially when the curtain to one side of what passed for a stage twitched slightly. The chorus came, and with it Madeleine, gorgeous in a lavender dress to match her eyes and a sumptuous hat, worn at a coquettish angle. An outbreak of wolf whistling, a single shout of “Cor!” and more “Shh!”s, mainly from the colonel in the front row who’d leaned forward to get a better view of the trim ankles that appeared as she sashayed across the stage.
“What a peach,” Hampson whispered, staring up at the stage, spellbound.
“Not bad at all.” Browne tipped his head to one side to set up a better line of observation of the trim waist, the pert backside, and the well-proportioned décolletage. Those curves were just what you wanted in a woman.
The song came to an end among rapturous applause, whistling, and stomping of feet. The tenor kissed Miss Madeleine’s hand and led her upstage, where she prepared for her solo, batting her eyelashes flirtatiously at the colonel. She looked like a nice girl, dressed like a nice girl, was rumoured to have no truck with any of the officers who beat a path to her stage door, but there was a roguish twinkle in her eye which belied all of that.
The first few bars of “Home Fires Burning” welling up from the small orchestra stifled any expectations of a saucy song to match the saucy twinkle. Her voice was clear, bell-like, incredibly moving. By the time the song had finished, sleeves were being drawn across faces and noses blown. Even Hampson, who had never been known to show much in the way of emotion—apart from getting worked up over a shapely, slim-waisted form—had a tear in his eye.
“Marvellous,” he said, clapping wildly. “And think. We’re the lucky blighters who’ll get to meet her afterwards.”
Browne laughed. “She’ll never look twice at you. Not with that shock of hair—she’ll think a scarecrow’s come in.”
“Is it that bad? Could you lend me a comb?” Hampson tried—in vain—to flatten his locks into submission.
“We’ll have you turned out like the Queen of the May.” Browne grinned. “Now hush.”
Madeleine had been joined by the tenor for a haunting love duet, one which soon had the audience thinking of home and happier times, far away from trench foot and whiz-bangs. They’d be back to that soon enough, but for now they had a glimpse of something heavenly, and not just in the form of Madeleine’s shapely arms.
Bethan put Nye's plate on the table and craned her neck to peer past her husband and through the window. The farmyard, misty even though it was past noon, was empty apart from a few fowls.
"He's run down the lane." Nye picked up his knife and fork. "We saw the post cart. Beats me what Alwyn and his pals find to write about."
He began to eat, and Bethan covered the other plate and set it to warm on the side of the range.
"I'm glad for him," she murmured. "They went through a lot. It's good for him to have someone who understands."
"You'd think he'd sooner forget the bloody war." Nye's mouth was full of boiled ham but Bethan heard the swear word clearly.
"Nye Harrhy, I'll wash your mouth out," she said. "I won't have language like that in my house." She shot a pointed glance towards the crib and Nye nodded, finishing his mouthful.
"I would have gone, you know, but farming –"
"I'm glad you didn't. Look at poor Alwyn."
"Listen, more like." Nye cut more ham and dipped it in the piccalilli. "How many times did he wake you last night?"
"Only twice." Bethan looked to the window again and there was Alwyn strolling across the yard with Fly a black and white shadow at his heels. He had the open letter tilted to catch the light for his one good eye. Her adored big brother, dark and quick, had turned heads, but now he could barely look anyone in the face, even those who loved him. She studied him: his mouth drawn awry by the scars that seamed his right cheek, his once smooth skin like old oak bark, the stub of an ear. He was too far away for her to see the drooping lid that covered the clouded remains of the eye that had once been so bright. She suppressed a shiver and got up to fetch his plate.
On the threshold Alwyn gestured Fly away to her barrel bed in the shelter of the byre then came in and kicked off his boots. He gave them both his usual nod of greeting then settled at the table with a whisper of thanks. He ate quickly, just nodding as Nye complained about the high prices for fodder.
"They say it's all going to France to feed the draft beasts. Better prices from the War Office. And now they've called up most of the men, how are we going to harrow and plant with just us two?"
"I can harrow," Bethan pointed out.
"You've got the baby now," Nye said, "and another on the way. I'm not having my wife out in the fields."
"I wanted to talk to you about that." Alwyn's gruff whisper was so unexpected that it cut sharply over Nye's grumbling. "I have a friend who needs a job. Was in my platoon. He's home, not fit to go down the pit."
"A miner? What use will a miner be?"
"He worked with the ponies." Alwyn glanced at Bethan. "He's a good worker."
"And he's a friend," Bethan said. "Nye? We could see how he does."
Nye turned from brother to sister, his mouth tightening in the exasperated moue he always made when they ganged up on him. "Well." His tone was grudging. "Ponies, horses – all the same, isn't it, apart from the size."
While Alwyn went to find a pen to write a reply, Nye admitted that he'd had doubts about getting all their work done even if Bethan had helped.
"There's only so many hours in the day and Alwyn's not the man he was. We can try this fellow, see how he does." Nye nodded as he put his coat back on. "Even if he only helps about the stable and yard, it will be better than nothing."
EE Montgomery
E E Montgomery wants the world to be a better place, with equality and acceptance for all. Her philosophy is: We can’t change the world but we can change our small part of it and, in that way, influence the whole. Writing stories that show people finding their own ‘better place’ is part of E E Montgomery’s own small contribution.
Thankfully, there’s never a shortage of inspiration for stories that show people growing in their acceptance and love of themselves and others. A dedicated people-watcher, E E finds stories everywhere. In a cafe, a cemetery, a book on space exploration or on the news, there’ll be a story of personal growth, love, and unconditional acceptance there somewhere.
Tamara Allen resides in the piney woods north of Houston with her cozy family of husband, son, and cat. Her primary occupation is keeping them out of trouble, but on the side she likes to make up stories, for the pleasure of living briefly in an era long gone by.
Charlie Cochrane
As Charlie Cochrane couldn't be trusted to do any of her jobs of choice - like managing a rugby team - she writes. Her favourite genre is gay fiction, predominantly historical romances/mysteries, but she's making an increasing number of forays into the modern day. She's even been known to write about gay werewolves - albeit highly respectable ones.
Her Cambridge Fellows series of Edwardian romantic mysteries were instrumental in seeing her named Speak Its Name Author of the Year 2009. She’s a member of both the Romantic Novelists’ Association and International Thriller Writers Inc.
MEGAN REDDAWAY lives in England and has been entertained by fictional characters acting out their stories in her head for as long as she can remember. She began writing them down as soon as she could.
Since she grew up, she has worked as a secretary, driver, barperson, and article writer, among other things. Whatever she is doing, she always has a story bubbling away at the same time.
For news of Megan’s gay romance releases and two free stories, visit her website.
Elin Gregory lives in South Wales and works in a museum in a castle built on the edge of a Roman Fort! She reckons that's a pretty cool job.
Elin usually writes on historical subjects, and enjoys weaving the weird and wonderful facts she comes across in her research into her plots. She likes her heroes hard as nails but capable of tenderness when circumstances allow. Often they are in danger, frequently they have to make hard choices, but happy endings are always assured.
Current works in progress include one set during the Great War, another in WW2, one set in the Dark Ages and a series of contemporary romances set in a small town on the Welsh border.
EE Montgomery
EMAIL: eemontgomery11@gmail.com
Charlie Cochrane
KOBO / GOOGLE PLAY / AUTOGRAPH / MLR
RIPTIDE / iTUNES / AUDIBLE / SMASHWORDS
EMAIL: cochrane.charlie2@googlemail.com
Megan Reddaway
Elin Gregory
The Courage to Love by EE Montgomery
Whistling in the Dark by Tamara Allen
AMAZON US / AMAZON UKB&N / KOBO / iTUNES AUDIO
AUDIBLE / SMASHWORDS
iTUNES / GOODREADS TBR
A Position in Paris by Megan Reddaway
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