Title: The Stars May Rise & Fall
Author: Estella Mirai
Genre: M/M Romance
Expected Release Date: December 11, 2018
Cover Design: MiblArt
Summary:Teru came to Tokyo with dreams of making it big in the glam-metal visual kei scene, but three years later, all he has to show for it is a head of hot pink hair and some skill with an eyeliner pencil. He may look the part, but he doesn’t sound it, and constant bickering among his bandmates has him worried about his future. When he finds a mysterious business card in his bag, he’s willing to take any help he can get.
Help comes in the form of Rei, a crippled, disfigured composer whose own career was ended by an accident before it had really begun. With Teru’s voice and looks, and Rei’s money and songwriting skills, both of their dreams seem about to come true – but a forbidden kiss and a late-night confession threaten to tear it all apart. Now Teru, who has spent most of his life denying his attraction to men, and Rei, who vowed long ago never to love again, must reconcile their feelings with their careers – and with their carefully constructed ideas of themselves.
THE STARS MAY RISE AND FALL is an M/M retelling of Phantom of the Opera, set in Tokyo at the turn of the millennium. It comes with a healthy dose of angst and a dollop of nostalgia, as well as an age-difference romance, a physically disabled love interest, and memorable characters who will stay with you long after the pages are closed.
I can help you. Call me.
Teru ran his finger around the edge of the card. Maybe it hadbeen a mistake. Should he call, and let whoever had left it know?
He opened the window and lit a cigarette. The smoke floated out into the muggy Tokyo night.
“This is stupid,” he said aloud. “It’s one in the morning. Whoever it is, they’re asleep.”
But Teru wasn’t asleep. His bandmates probably weren’t asleep either. If it was a musician who had left the card, one in the morning was better than one in the afternoon.
I can help you. Call me.
He picked up his phone and dialed.
It rang once, twice—and Teru cut the connection. This is stupid. But he didn’t feel stupid. He felt guilty, like he’d been doing something he shouldn’t.
He stubbed out the cigarette and walked across the room to the refrigerator. Nothing but a pack of noodles and a flat Diet Coke. Even though he’d already had a couple with the guys after the show,what Teru really needed was a beer.
On the other side of the room, the phone rang.
The floor was littered with clothes and magazines and Playstation controllers. Teru almost tripped as he lunged for the phone, and then only crouched there, watching it, with his nerves wrapped around his voice box like a snake. There was no name with the number, but Teru knew it by heart. He’d only been staring at it for the past hour.
The ringing stopped. An engine rumbled outside Teru’s window, and a train clattered over distant tracks. Upstairs, slippered feet padded across a tatami floor. The air was thick with an anticipation far from silence—but just as easily shattered by the trill of a different ring.
Teru’s fingers fumbled to open the text.
I heard you sing.
He stared, waiting for the words to sink in. They didn’t, though. They made no sense.
It had only been a mistake after all.
You’ve got the wrong number,he replied.This is Teru, the drummer for La Rose Verboten. I don’t sing.
And then: You should.
The phone rang again.
“Hello?”
“You have a beautiful voice.”
It wasn’t Yasu. It wasn’t anyone he knew.
“Hello?” Teru repeated. “Who is this?”
“A friend.” The voice was male, deep and effortlessly sensual in a way that Seika would have envied. It made Teru distinctly uncomfortable.
“Look,” Teru said. “I think you want Bara. I’m not the singer. I’m the drummer. The one with pink hair?”
“I heard you,” the man pressed. “In the dressing room. I can help you.”
In the dressing room?There’d been no one else in there.
“Is this some kind of joke?”
“Not at all.”
“What do you want?” Teru whispered.
“To teach you. To help you. Will you meet with me?”
Teru’s palms were sweaty, his face flushed. It was partly exhaustion, partly a lingering buzz… but it was more than that. He felt dirty. This was worse than what he felt with Seika—and it was just a voice on the goddamn phone.
“There’s a studio in Koenji,” he heard himself say.
“No!” the man snapped, and he took a sharp, hissing breath. “No studios. You may come to my apartment.”
“Your apartment?”
“Please. It is… difficult, for me to go out.”
“Um… okay.” What the hell did that mean?
“I live in Meguro,” the man said. “Near the live house. I can send you the address. If you’ll come.” There was a plea in his voice, a quiet desperation. Teru swallowed, hard.
“You want to give me singing lessons?”
“Yes.”
This was insane. “When?”
“Whenever you are free.”
Teru glanced at his calendar. June, 2000. Three years, almost to the day, since he had stepped off the night bus from Niigata. After all that time, he didn’t even have anything to lose.
Teru ran his finger around the edge of the card. Maybe it hadbeen a mistake. Should he call, and let whoever had left it know?
He opened the window and lit a cigarette. The smoke floated out into the muggy Tokyo night.
“This is stupid,” he said aloud. “It’s one in the morning. Whoever it is, they’re asleep.”
But Teru wasn’t asleep. His bandmates probably weren’t asleep either. If it was a musician who had left the card, one in the morning was better than one in the afternoon.
I can help you. Call me.
He picked up his phone and dialed.
It rang once, twice—and Teru cut the connection. This is stupid. But he didn’t feel stupid. He felt guilty, like he’d been doing something he shouldn’t.
He stubbed out the cigarette and walked across the room to the refrigerator. Nothing but a pack of noodles and a flat Diet Coke. Even though he’d already had a couple with the guys after the show,what Teru really needed was a beer.
On the other side of the room, the phone rang.
The floor was littered with clothes and magazines and Playstation controllers. Teru almost tripped as he lunged for the phone, and then only crouched there, watching it, with his nerves wrapped around his voice box like a snake. There was no name with the number, but Teru knew it by heart. He’d only been staring at it for the past hour.
The ringing stopped. An engine rumbled outside Teru’s window, and a train clattered over distant tracks. Upstairs, slippered feet padded across a tatami floor. The air was thick with an anticipation far from silence—but just as easily shattered by the trill of a different ring.
Teru’s fingers fumbled to open the text.
I heard you sing.
He stared, waiting for the words to sink in. They didn’t, though. They made no sense.
It had only been a mistake after all.
You’ve got the wrong number,he replied.This is Teru, the drummer for La Rose Verboten. I don’t sing.
And then: You should.
The phone rang again.
“Hello?”
“You have a beautiful voice.”
It wasn’t Yasu. It wasn’t anyone he knew.
“Hello?” Teru repeated. “Who is this?”
“A friend.” The voice was male, deep and effortlessly sensual in a way that Seika would have envied. It made Teru distinctly uncomfortable.
“Look,” Teru said. “I think you want Bara. I’m not the singer. I’m the drummer. The one with pink hair?”
“I heard you,” the man pressed. “In the dressing room. I can help you.”
In the dressing room?There’d been no one else in there.
“Is this some kind of joke?”
“Not at all.”
“What do you want?” Teru whispered.
“To teach you. To help you. Will you meet with me?”
Teru’s palms were sweaty, his face flushed. It was partly exhaustion, partly a lingering buzz… but it was more than that. He felt dirty. This was worse than what he felt with Seika—and it was just a voice on the goddamn phone.
“There’s a studio in Koenji,” he heard himself say.
“No!” the man snapped, and he took a sharp, hissing breath. “No studios. You may come to my apartment.”
“Your apartment?”
“Please. It is… difficult, for me to go out.”
“Um… okay.” What the hell did that mean?
“I live in Meguro,” the man said. “Near the live house. I can send you the address. If you’ll come.” There was a plea in his voice, a quiet desperation. Teru swallowed, hard.
“You want to give me singing lessons?”
“Yes.”
This was insane. “When?”
“Whenever you are free.”
Teru glanced at his calendar. June, 2000. Three years, almost to the day, since he had stepped off the night bus from Niigata. After all that time, he didn’t even have anything to lose.
What is the biggest influence/interest that brought you to this genre?
I'm sure this comes as a huge shock to M/M romance readers, but I actually got into M/M via... *gasp* fanfiction! My very first fanfic was a Sirius/Remus that I never posted anywhere because there were too many authors who knew more about Harry Potter than I did who were doing it better... but I had fun writing. I did eventually publish in other fandoms though, and had what I thought was the brilliantly original idea of a story where *gasp again* the queer ship was canon! Turns out that wasn't as original as I thought it was at the time, but that turned out to be a good thing. Once I found out that original M/M, and queer fiction in general, was an actual thriving genre, I started reading and writing, and never looked back.
When writing a book, what is your favorite part of the creative process (outline, plot, character names, editing, etc)?
Oh, definitely editing. Drafting is like pulling teeth for me, but once I've actually GOT the draft, I love chipping away at my rough little diamond until it shines.
When reading a book, what genre do you find most interesting/intriguing?
I love mysteries and thrillers, although I don' t think I'll ever write one! I think a part of it is just that I really respect those authors, because to write a well-plotted mystery or thriller, you really do need to plan out everything, plant hints and red herrings, and have it all come together in a satisfying ending. Since I'm definitely more of a pantser, I really admire authors who can do that. It's also just nice to read in a genre that I know I'll never write in, because I have less of a tendency to compare myself to other authors, and I can just relax and enjoy.
If you could co-author with any author, past or present, who would you choose?
The actual, practical answer to this is probably "no one." Writing is just so intensely personal for me that I don't know if I could share an early draft with anyone who didn't already know me inside-out. And I do have a couple of author friends who fit that description, but they all write in different genres and have very different careers. HOWEVER, assuming for a moment that the stars all aligned, I would love to co-write with my good friend Becky Albertalli. I think we get each other well enough that it might work, and it would absolutely be a lot of fun, with tons of "OMG ME TOO" conversations and comments reading "LOL," "THIS", or just plain old "<3" in each other's margins.
Have you always wanted to write or did it come to you "later in life"?
I literally cannot remember the first thing I wrote. I've probably been writing since before kindergarten. (I distinctly remember a lift-the-flap book made out of the boxes that ballet tights came in.) However, I did not want to be PUBLISHED until I had finished the third or fourth draft of this book, and I felt so strongly that people would love it that I had to give it a chance. Scribbling on notebooks, though? That's like breathing.
I'm sure this comes as a huge shock to M/M romance readers, but I actually got into M/M via... *gasp* fanfiction! My very first fanfic was a Sirius/Remus that I never posted anywhere because there were too many authors who knew more about Harry Potter than I did who were doing it better... but I had fun writing. I did eventually publish in other fandoms though, and had what I thought was the brilliantly original idea of a story where *gasp again* the queer ship was canon! Turns out that wasn't as original as I thought it was at the time, but that turned out to be a good thing. Once I found out that original M/M, and queer fiction in general, was an actual thriving genre, I started reading and writing, and never looked back.
When writing a book, what is your favorite part of the creative process (outline, plot, character names, editing, etc)?
Oh, definitely editing. Drafting is like pulling teeth for me, but once I've actually GOT the draft, I love chipping away at my rough little diamond until it shines.
When reading a book, what genre do you find most interesting/intriguing?
I love mysteries and thrillers, although I don' t think I'll ever write one! I think a part of it is just that I really respect those authors, because to write a well-plotted mystery or thriller, you really do need to plan out everything, plant hints and red herrings, and have it all come together in a satisfying ending. Since I'm definitely more of a pantser, I really admire authors who can do that. It's also just nice to read in a genre that I know I'll never write in, because I have less of a tendency to compare myself to other authors, and I can just relax and enjoy.
If you could co-author with any author, past or present, who would you choose?
The actual, practical answer to this is probably "no one." Writing is just so intensely personal for me that I don't know if I could share an early draft with anyone who didn't already know me inside-out. And I do have a couple of author friends who fit that description, but they all write in different genres and have very different careers. HOWEVER, assuming for a moment that the stars all aligned, I would love to co-write with my good friend Becky Albertalli. I think we get each other well enough that it might work, and it would absolutely be a lot of fun, with tons of "OMG ME TOO" conversations and comments reading "LOL," "THIS", or just plain old "<3" in each other's margins.
Have you always wanted to write or did it come to you "later in life"?
I literally cannot remember the first thing I wrote. I've probably been writing since before kindergarten. (I distinctly remember a lift-the-flap book made out of the boxes that ballet tights came in.) However, I did not want to be PUBLISHED until I had finished the third or fourth draft of this book, and I felt so strongly that people would love it that I had to give it a chance. Scribbling on notebooks, though? That's like breathing.
Estella Mirai lives just outside of Tokyo with her human family and a very spoiled lap cat. When she isn’t reading or writing, she works in editing and translation—which means that 99% percent of her day is usually words. In her minimal free time, she enjoys watching musicals, cooking (badly), and slaughtering power ballads at karaoke.
EMAIL: estellamiraibooks@gmail.com
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