“Outrageous cleverness . . . among the finest fruits of the Golden Age” featuring amateur sleuth Philo Vance—from the author of The Canary Murder Case (Bloody Murder).
Members of the Greene family keep dying while the pool of possible perpetrators keeps shrinking. Philo Vance—the independently wealthy, staggeringly brilliant, not remotely modest (and did we mention handsome?) amateur sleuth—uses his detective skills to unravel the murders, though sadly not before most of the Greene family has been bumped off. But that’s Our Philo: The Sleuth You Love to Hate.
“A proper detective novel, with puzzles, red herrings, a closed cast of suspects and, most effective of all, an effectively-created atmosphere. Terror stalks the Greene mansion and the tension oozes off the page.” —In Search of the Classic Mystery Novel
Praise for the Philo Vance series
“With his highbrow manner and his parade of encyclopedic learning, Philo Vance is not only a detective; he is a god out of the machine.” —The New York Times
“The perfect sleuth for the Jazz Age.” —CrimeReads
“The Philo Vance novels were well-crafted puzzlers that captivated readers . . . the works of S.S. Van Dine serve to transport the reader back to a long-gone era of society and style of writing.” —Mystery Scene
CHAPTER 1
A DOUBLE TRAGEDY
(Tuesday, November 9; 10 a. m.)
It has long been a source of wonder to me why the leading criminological writers—men like Edmund Lester Pearson, H. B. Irving, Filson Young, Canon Brookes, William Bolitho, and Harold Eaton—have not devoted more space to the Greene tragedy; for here, surely, is one of the outstanding murder mysteries of modern times—a case practically unique in the annals of latter-day crime. And yet I realize, as I read over my own voluminous notes on the case, and inspect the various documents relating to it, how little of its inner history ever came to light, and how impossible it would be for even the most imaginative chronicler to fill in the hiatuses.
The world, of course, knows the external facts. For over a month the press of two continents was filled with accounts of this appalling tragedy; and even the bare outline was sufficient to gratify the public’s craving for the abnormal and the spectacular. But the inside story of the catastrophe surpassed even the wildest flights of public fancy; and, as I now sit down to divulge those facts for the first time, I am oppressed with a feeling akin to unreality, although I was a witness to most of them and hold in my possession the incontestable records of their actuality.
Of the fiendish ingenuity which lay behind this terrible crime, of the warped psychological motives that inspired it, and of the strange hidden sources of its technic, the world is completely ignorant. Moreover, no explanation has ever been given of the analytic steps that led to its solution. Nor have the events attending the mechanism of that solution—events in themselves highly dramatic and unusual—ever been recounted. The public believes that the termination of the case was a result of the usual police methods of investigation; but this is because the public is unaware of many of the vital factors of the crime itself, and because both the Police Department and the District Attorney’s office have, as if by tacit agreement, refused to make known the entire truth—whether for fear of being disbelieved or merely because there are certain things so terrible that no man wishes to talk of them, I do not know.
The record, therefore, which I am about to set down is the first complete and unedited history of the Greene holocaust. I feel that now the truth should be known, for it is history, and one should not shrink from historical facts. Also, I believe that the credit for the solution of this case should go where it belongs.
The man who elucidated the mystery and brought to a close that palimpsest of horror was, curiously enough, in no way officially connected with the police; and in all the published accounts of the murder his name was not once mentioned. And yet, had it not been for him and his novel methods of criminal deduction, the heinous plot against the Greene family would have been conclusively successful. The police in their researches were dealing dogmatically with the evidential appearances of the crime, whereas the operations of the criminal were being conducted on a plane quite beyond the comprehension of the ordinary investigator.
This man who, after weeks of sedulous and disheartening analysis, eventually ferreted out the source of the horror, was a young social aristocrat, an intimate friend of John F.-X. Markham, the District Attorney. His name I am not at liberty to divulge, but for the purposes of these chronicles I have chosen to call him Philo Vance. He is no longer in this country, having transferred his residence several years ago to a villa outside of Florence; and, since he has no intention of returning to America, he has acceded to my request to publish the history of the criminal cases in which he participated as a sort of amicus curiæ. Markham also has retired to private life; and Sergeant Ernest Heath, that doughty and honest officer of the Homicide Bureau who officially handled the Greene case for the Police Department, has, through an unexpected legacy, been able to gratify his life’s ambition to breed fancy wyandottes on a model farm in the Mohawk Valley. Thus circumstances have made it possible for me to publish my intimate records of the Greene tragedy.
A few words are necessary to explain my own participation in the case. (I say “participation,” though, in reality, my rôle was that of passive spectator.) For several years I had been Vance’s personal attorney. I had resigned from my father’s law firm—Van Dine, Davis & Van Dine—in order to devote myself exclusively to Vance’s legal and financial needs, which, by the way, were not many. Vance and I had been friends from our undergraduate days at Harvard, and I found in my new duties as his legal agent and monetary steward a sinecure combined with many social and cultural compensations.
Vance at that time was thirty-four years old. He was just under six feet, slender, sinewy, and graceful. His chiselled regular features gave his face the attraction of strength and uniform modelling, but a sardonic coldness of expression precluded the designation of handsome. He had aloof gray eyes, a straight, slender nose, and a mouth suggesting both cruelty and asceticism. But, despite the severity of his lineaments—which acted like an impenetrable glass wall between him and his fellows—, he was highly sensitive and mobile; and, though his manner was somewhat detached and supercilious, he exerted an undeniable fascination over those who knew him at all well.
Much of his education had been acquired in Europe, and he still retained a slight Oxonian accent and intonation, though I happen to be aware that this was no affectation: he cared too little for the opinions of others to trouble about maintaining any pose. He was an indefatigable student. His mind was ever eager for knowledge, and he devoted much of his time to the study of ethnology and psychology. His greatest intellectual enthusiasm was art, and he fortunately had an income sufficient to indulge his passion for collecting. It was, however, his interest in psychology and his application of it to individual behaviorism that first turned his attention to the criminal problems which came under Markham’s jurisdiction.
The first case in which he participated was, as I have recorded elsewhere, the murder of Alvin Benson.[2] The second was the seemingly insoluble strangling of the famous Broadway beauty, Margaret Odell.[3] And in the late fall of the same year came the Greene tragedy. As in the two former cases, I kept a complete record of this new investigation. I possessed myself of every available document, making verbatim copies of those claimed for the police archives, and even jotted down the numerous conversations that took place in and out of conference between Vance and the official investigators. And, in addition, I kept a diary which, for elaborateness and completeness, would have been the despair of Samuel Pepys.
The Greene murder case occurred toward the end of Markham’s first year in office. As you may remember, the winter came very early that season. There were two severe blizzards in November, and the amount of snowfall for that month broke all local records for eighteen years. I mention this fact of the early snows because it played a sinister part in the Greene affair: it was, indeed, one of the vital factors of the murderer’s scheme. No one has yet understood, or even sensed, the connection between the unseasonable weather of that late fall and the fatal tragedy that fell upon the Greene household; but that is because all of the dark secrets of the case were not made known.
Vance was projected into the Benson murder as the result of a direct challenge from Markham; and his activities in the Canary case were due to his own expressed desire to lend a hand. But pure coincidence was responsible for his participation in the Greene investigation. During the two months that had elapsed since his solution of the Canary’s death Markham had called upon him several times regarding moot points of criminal detection in connection with the routine work of the District Attorney’s office; and it was during an informal discussion of one of these problems that the Greene case was first mentioned.
Markham and Vance had long been friends. Though dissimilar in tastes and even in ethical outlook, they nevertheless respected each other profoundly. I have often marvelled at the friendship of these two antipodal men; but as the years went by I came more and more to understand it. It was as if they were drawn together by those very qualities which each realized—perhaps with a certain repressed regret—were lacking in his own nature. Markham was forthright, brusque, and, on occasion, domineering, taking life with grim and serious concern, and following the dictates of his legal conscience in the face of every obstacle: honest, incorruptible, and untiring. Vance, on the other hand, was volatile, debonair, and possessed of a perpetual Juvenalian cynicism, smiling ironically at the bitterest realities, and consistently fulfilling the rôle of a whimsically disinterested spectator of life. But, withal, he understood people as profoundly as he understood art, and his dissection of motives and his shrewd readings of character were—as I had many occasions to witness—uncannily accurate. Markham apprehended these qualities in Vance, and sensed their true value.
It was not yet ten o’clock of the morning of November the 9th when Vance and I, after motoring to the old Criminal Courts Building on the corner of Franklin and Centre Streets, went directly to the District Attorney’s office on the fourth floor. On that momentous forenoon two gangsters, each accusing the other of firing the fatal shot in a recent pay-roll hold-up, were to be cross-examined by Markham; and this interview was to decide the question as to which of the men would be charged with murder and which held as a State’s witness. Markham and Vance had discussed the situation the night before in the lounge-room of the Stuyvesant Club, and Vance had expressed a desire to be present at the examination. Markham had readily assented, and so we had risen early and driven down-town.
The interview with the two men lasted for an hour, and Vance’s disconcerting opinion was that neither was guilty of the actual shooting.
“Y’ know, Markham,” he drawled, when the sheriff had returned the prisoners to the Tombs, “those two Jack Sheppards are quite sincere: each one thinks he’s telling the truth. Ergo, neither of ’em fired the shot. A distressin’ predicament. They’re obvious gallows-birds—born for the gibbet; and it’s a beastly shame not to be able to round out their destinies in proper fashion. . . . I say, wasn’t there another participant in the hold-up?”
Markham nodded. “A third got away. According to these two, it was a well-known gangster named Eddie Maleppo.”
“Then Eduardo is your man.”
Markham did not reply, and Vance rose lazily and reached for his ulster.
“By the by,” he said, slipping into his coat, “I note that our upliftin’ press bedecked its front pages this morning with head-lines about a pogrom at the old Greene mansion last night. Wherefore?”
Markham glanced quickly at the clock on the wall, and frowned.
“That reminds me. Chester Greene called up the first thing this morning and insisted on seeing me. I told him eleven o’clock.”
“Where do you fit in?” Vance had taken his hand from the door-knob, and drew out his cigarette-case.
“I don’t!” snapped Markham. “But people think the District Attorney’s office is a kind of clearing-house for all their troubles. It happens, however, that I’ve known Chester Greene a long time—we’re both members of the Marylebone Golf Club—and so I must listen to his plaint about what was obviously an attempt to annex the famous Greene plate.”
“Burglary—eh, what?” Vance took a few puffs on his cigarette. “With two women shot?”
“Oh, it was a miserable business! An amateur, no doubt. Got in a panic, shot up the place, and bolted.”
“Seems a dashed curious proceeding.” Vance abstractedly reseated himself in a large armchair near the door. “Did the antique cutlery actually disappear?”
“Nothing was taken. The thief was evidently frightened off before he made his haul.”
“Sounds a bit thick, don’t y’ know.—An amateur thief breaks into a prominent home, casts a predat’ry eye on the dining-room silver, takes alarm, goes up-stairs and shoots two women in their respective boudoirs, and then flees. . . . Very touchin’ and all that, but unconvincin’. Whence came this caressin’ theory?”
Markham was glowering, but when he spoke it was with an effort at restraint.
“Feathergill was on duty last night when the call was relayed from Headquarters, and accompanied the police to the house. He agrees with their conclusions.”
“Nevertheless, I could bear to know why Chester Greene is desirous of having polite converse with you.”
Markham compressed his lips. He was not in cordial mood that morning, and Vance’s flippant curiosity irked him. After a moment, however, he said grudgingly:
“Since the attempted robbery interests you so keenly, you may, if you insist, wait and hear what Greene has to say.”
“I’ll stay,” smiled Vance, removing his coat. “I’m weak; just can’t resist a passionate entreaty. . . . Which one of the Greenes is Chester? And how is he related to the two deceased?”
“There was only one murder,” Markham corrected him in a tone of forbearance. “The oldest daughter—an unmarried woman in her early forties—was killed instantly. A younger daughter, who was also shot, has, I believe, a chance of recovery.”
“And Chester?”
“Chester is the elder son, a man of forty or thereabouts. He was the first person on the scene after the shots had been fired.”
“What other members of the family are there? I know old Tobias Greene has gone to his Maker.”
“Yes, old Tobias died about twelve years ago. But his wife is still living, though she’s a helpless paralytic. Then there are—or rather were—five children: the oldest, Julia; next, Chester; then another daughter, Sibella, a few years under thirty, I should say; then Rex, a sickly, bookish boy a year or so younger than Sibella; and Ada, the youngest—an adopted daughter twenty-two or three, perhaps.”
“And it was Julia who was killed, eh? Which of the other two girls was shot?”
“The younger—Ada. Her room, it seems, is across the hall from Julia’s, and the thief apparently got in it by mistake while making his escape. As I understand it, he entered Ada’s room immediately after firing on Julia, saw his error, fired again, and then fled, eventually going down the stairs and out the main entrance.”
Vance smoked a while in silence.
“Your hypothetical intruder must have been deuced confused to have mistaken Ada’s bedroom door for the staircase, what? And then there’s the query: what was this anonymous gentleman, who had called to collect the plate, doing above-stairs?”
“Probably looking for jewellery.” Markham was rapidly losing patience. “I am not omniscient.” There was irony in his inflection.
“Now, now, Markham!” pleaded Vance cajolingly. “Don’t be vindictive. Your Greene burglary promises several nice points in academic speculation. Permit me to indulge my idle whims.”
At that moment Swacker, Markham’s youthful and alert secretary, appeared at the swinging door which communicated with a narrow chamber between the main waiting-room and the District Attorney’s private office.
“Mr. Chester Greene is here,” he announced.
Release Date: August 11, 1929
Release Time: 69 minutes
Director: Frank Tuttle
Cast:
William Powell as Philo Vance
Florence Eldridge as Sibella Greene
Ullrich Haupt, Sr. as Dr. Arthur Von Blon
Jean Arthur as Ada Greene
Eugene Pallette as Sgt. Ernest Heath
E.H. Calvert as DA John F. x. Markham
Gertrude Norman as Mrs. Tobias Greene
Lowell Drew as Chester Greene
Morgan Farley as Rex Greene
Brandon Hurst as Sproot
Augusta Burmeister as Mrs. Gertrude Mannheim
Marcia Harris as Hemming
Author Bio:S. S. Van Dine is the pseudonym used by American art critic Willard Huntington Wright (October 15, 1888 – April 11, 1939) when he wrote detective novels. Wright was an important figure in avant-garde cultural circles in pre-World War I New York, and under the pseudonym (which he originally used to conceal his identity) he created the once immensely popular fictional detective Philo Vance, a sleuth and aesthete who first appeared in books in the 1920s, then in movies and on the radio.
The Greene Murder Case #3
KOBO / FELONY & MAYHEM / WIKI
Film
No comments:
Post a Comment