Body Parts & Mind Games #4
Summary:Organ trafficking, different types of attraction and far-right nationalism are ingredients in this tale about Mike, Ross, Raith and Phil, a gay polyamorous quad who live in North-East England.
Phil is a surgeon at Warbridge Hospital. A patient's organs are harvested illegally. Are Phil's colleagues involved?
Detective Nick Seabrooke returns to Warbridge and asks Phil to aid the investigation. Agreeing endangers the quad in more ways than one. How will Nick, who is asexual, react to working with the quad again? How will they react to him?
This is the fourth story in the County Durham Quad series. Background information is provided for new readers.
A Share in a Secret #5
Sooner or later, secrets will outâŠ
Mike, Ross, Raith and Phil are a gay, polyamorous quad who live in County Durham, North-East England. Mikeâs nephews visit, and launch the quad into a tale involving inclusivity and investment scams, false arrest, and a desperate attempt to keep a dangerous secret hidden.
Meanwhile, Nick Seabrooke is now living and working in the village. Can the quad navigate the complexities of a sexual-asexual relationship? They would risk their safety for each other. Are they willing to do so for Nick?
This is the fifth County Durham Quad story. As always, background information is included for new readers.
Fast, Free, and Flying #6
Summary:Drones lie at the heart of this mystery facing Mike, Ross, Raith and Phil, four men who live in North East England.
A spate of art-related burglaries and a series of horrific kidnaps have occurred. The freedom of the quad and that of Nick, their special friend, is threatened by involvement in both cases. They are the prime suspects in one and Mike becomes a victim of the other. The officer in charge is the quad's old enemy, Detective Chief Inspector Fortune. Should the men dismiss their distrust and tell him what they know?
Meanwhile, Nick has issues of his own to consider. Compromises are needed, but how many?
This is the sixth tale in the County Durham Quad series. Background is included to aid new readers.
Body Parts & Mind Games #4
Morning in âCromartyâ, a much-loved home in the Durham hills. Cooking odours drifted through the kitchen, up the stairs and out of the open windows. They reminded Phil of the smell from one of Warbridgeâs less-inviting cafes and he wrinkled his nose in protest. He looked critically at the heap of greasy protein that Mike described as âa proper breakfastâ and sat down to a bowl of porridge and a thick slice of wholemeal toast, thinly spread with margarine. Low fat.
âI can see you lookinâ smug,â said Mike, âbut you donât have to sit with your bum on a bike for the next six hours. You said youâre not workinâ today or tomorrow.â
âKeep eating that stuff and you wonât be working tomorrow, either. Youâll be on a drip in one of the wards,â Phil retorted. He was a consultant surgeon at Warbridge General Hospital, a forty minutesâ drive away. Mike worked in Warbridge too, as an examiner for the Institute of Advanced Motoristsâfor short, the IAM. Mike laughed and began to tuck in.
A tall, heavily tattooed, bare-footed man entered the sunny kitchen: Raith, Philâs husband.
âOo! That looks tasty. Can I have a bit?â
Mike slapped the hand that was about to steal a slice of fried bread. âGet your own!â he said.
Before Raith could complain, the fourth member of the quad came into the room. It was Ross, Mikeâs partner, and he was brandishing a letter.
âFinally!â he exclaimed. âMcAllisters. Theyâve agreed to sell us the quarry.â
Ross had plans for the quarry. For a long time, he had wanted to clean it up, install a ramp and steps, and erect an eco-friendly workshop and display area in the quarry bottom. There wasnât much spare, flat land in Tunhead itself. The cobbled lane between the houses, known simply as The Street, rose steeply and beyond it were wild moors. Although neither Mike nor Phil nor Raith shared his enthusiasm, they knew the quarry was a danger. Whatâs more, they had their own reasons to see it cleared; the previous summer, Raith had nearly died there. They had plenty of money. They were willing to support Rossâs big ideas.
âSo, as itâs celebration time,â said Raith, âcan I have a mushroom?â
âOne!â
Raith took two. Being greasy, they slipped out of his fingers and onto the floor.
âAre you intendinâ to pick them up?â asked Mike. âCos if youâre not, I might strangle you with one of your ribbons.â
Raithâs hair was waist-length and often adorned with ribbons and bows. He ignored Mikeâs threat and, for answer, swiped a tomato and asked, âWhat do you think weâll find down there, Ross? Body parts?â
âParts of my last bike, more likely,â growled Mike, smartly forking the remaining tomato. âDidnât your mam tell you not to play with men with guns?â
âDidnât yours tell you not to talk with your mouth full?â
Phil, who didnât wish to be reminded of the previous autumnâs eventsâRaith, held at gunpoint in the quarry, Mike, racing to save him on his bike and wrecking it in the processâturned the conversation back to Rossâs letter.
âWhat exactly do McAllisters say?â he asked, so Ross poured himself a cup of coffee, and began to furnish the details.
But there are many types of body parts. Just a few weeks later, Raith was wondering if Phil still fancied his.
A Share in a Secret #5
Late afternoon in âCromartyâ, a normally quiet home in Tunhead, County Durham. Phil and Mike were seated in the living room. Phil stopped typing the article he was preparing for a medical journal and looked in the direction of the kitchen. Mike stopped skyping his brother, looked up too and, not really expecting an answer, asked, âWhat the fuckâs he up to now?â
The âheâ was Raith, Philâs husband. Raith was a successful artist and ceramicist, but he sounded like someone intent on demolition not on creation.
âI thought all our kitchen units were the easy-glide, silently-closing variety,â Phil commented as another cupboard drawer slammed shut.
âThey are, but the manufacturers hadnât met Raith, had they? Nuthinâs Raith-proof, is it?â
The banging stopped and voices took their place. Ross, Mikeâs civil partner, had come into the kitchen from the garden. He walked through to the living room and met Mikeâs and Philâs enquiring eyes.
âHeâs made a chart. He was looking for something to stick it up with,â Ross explained.
âStick it up? It sounded like he was hammerinâ it up,â said Mike.
âA chart?â
âYes. Heâs fixing it on the wall now. Itâll either amuse you or horrify you. Iâm not sure which. Possibly both. He wants us to discuss it before Nick comes round for his tea.â
âI thought we were involving Nick in all our discussions,â Phil remarked.
âYes, but not this one. Youâll see why in a minute. Come on.â
Mike, Ross, Raith, Philâand Nick. By their own definitions the first four men were four sorts of poly. Polydomestic: they shared the household duties. Polypecuniary: they shared their incomes too. Polydemocratic: they had equal say in decisions and tossed a coin if the vote was evenly split. And fourthly, they were polyamorous: they loved each other deeply, although Ross only had sex with Mike. Nick was Tunheadâs most recent inhabitant. He shared most of his meals and much of his spare time with the quad, but although he now lived in the village, he didnât live in Cromarty. There were reasons for the need for a little separation. Hence Raithâs chart. Nick might be romantically and emotionally attracted to men or, rather, to one manâMikeâbut he wasnât attracted to anybody sexually. In fact, he was revolted by the thought of an intimately physical relationship.
Ross stood aside and ceremoniously waved Mike and Phil through to the kitchen. In place of the whiteboard that, ten minutes earlier, had indicated the weekâs household duties list, there was a large sheet of cartridge paper divided into two vertical columns. The left hand column comprised extremely realistic drawings. The other, narrower one was partially filled in. It contained some ticks and some crosses.
âAre you planninâ expandinâ into illustratinâ porn?â asked Mike as he studied the drawings. âThatâs you, Phil! Bloody hell. Thatâs me!â he added, and pointed to a portrayal of two men indulging in frottage.
âYes, Iâve already put a cross by that one,â Raith said. âI knew Nick wouldnât like it.â
âLooks like you two liked it though,â Ross commented as, curious, he took a close look.
âSo this is⊠what, exactly? And Iâm not talkinâ about the drawinâs themselves. I can see what they are.â
âWell,â said Raith, âI thought it would save us a lot of future problems if we sorted out what we were allowed and not allowed to do when Nickâs in our home instead of in his place.â
âAnd you figured that a bloody big explicit poster starinâ at him over his tea was the best way to do it?â
The âheâ was Raith, Philâs husband. Raith was a successful artist and ceramicist, but he sounded like someone intent on demolition not on creation.
âI thought all our kitchen units were the easy-glide, silently-closing variety,â Phil commented as another cupboard drawer slammed shut.
âThey are, but the manufacturers hadnât met Raith, had they? Nuthinâs Raith-proof, is it?â
The banging stopped and voices took their place. Ross, Mikeâs civil partner, had come into the kitchen from the garden. He walked through to the living room and met Mikeâs and Philâs enquiring eyes.
âHeâs made a chart. He was looking for something to stick it up with,â Ross explained.
âStick it up? It sounded like he was hammerinâ it up,â said Mike.
âA chart?â
âYes. Heâs fixing it on the wall now. Itâll either amuse you or horrify you. Iâm not sure which. Possibly both. He wants us to discuss it before Nick comes round for his tea.â
âYes, but not this one. Youâll see why in a minute. Come on.â
Mike, Ross, Raith, Philâand Nick. By their own definitions the first four men were four sorts of poly. Polydomestic: they shared the household duties. Polypecuniary: they shared their incomes too. Polydemocratic: they had equal say in decisions and tossed a coin if the vote was evenly split. And fourthly, they were polyamorous: they loved each other deeply, although Ross only had sex with Mike. Nick was Tunheadâs most recent inhabitant. He shared most of his meals and much of his spare time with the quad, but although he now lived in the village, he didnât live in Cromarty. There were reasons for the need for a little separation. Hence Raithâs chart. Nick might be romantically and emotionally attracted to men or, rather, to one manâMikeâbut he wasnât attracted to anybody sexually. In fact, he was revolted by the thought of an intimately physical relationship.
Ross stood aside and ceremoniously waved Mike and Phil through to the kitchen. In place of the whiteboard that, ten minutes earlier, had indicated the weekâs household duties list, there was a large sheet of cartridge paper divided into two vertical columns. The left hand column comprised extremely realistic drawings. The other, narrower one was partially filled in. It contained some ticks and some crosses.
âAre you planninâ expandinâ into illustratinâ porn?â asked Mike as he studied the drawings. âThatâs you, Phil! Bloody hell. Thatâs me!â he added, and pointed to a portrayal of two men indulging in frottage.
âYes, Iâve already put a cross by that one,â Raith said. âI knew Nick wouldnât like it.â
âLooks like you two liked it though,â Ross commented as, curious, he took a close look.
âSo this is⊠what, exactly? And Iâm not talkinâ about the drawinâs themselves. I can see what they are.â
âWell,â said Raith, âI thought it would save us a lot of future problems if we sorted out what we were allowed and not allowed to do when Nickâs in our home instead of in his place.â
âAnd you figured that a bloody big explicit poster starinâ at him over his tea was the best way to do it?â
Fast, Free, and Flying #6
A new sound had been added to the rustic ones that normally formed the backdrop to life in the Durham hills. Instead of the bleating of sheep, there was a whirringâand it came from the sky. The quadâs new video channel was up and running, and Raith, plus drone, was filming everything and everyone. He was, as he liked to put it, âDoing the rounds.â
âDoinâ my head in,â was how it seemed to Mike and, right then, there was a danger of that actually happening. Mike was responsible for nearly all the quadâs maintenance work. He was sitting astride a rooftop, replacing the flashing on one of Tunheadâs chimneys. Tunhead was the little hamlet where the quad lived. It was the seat of BOTWAC, the Beck On The Wear Arts Centre, and the video channel was designed, in part, to promote the artisansâ wares.
âWatch what youâre doinâ with that bloody thing!â Mike yelled from his perch.
âItâs alright, Mike. Iâm in full control,â Raith yelled back.
âNot from where I am, youâre not! I thought you werenât supposed to fly it over buildinâs!â
Raith made the drone whizz round in a circle and shouted, âWell Tunhead doesnât really count as buildings, does it? I mean, twelve tiny houses, my studio and a disused church. Itâs hardly buildings.â
âIt felt like buildinâs when Ross and I were refurbishinâ it all, and it felt like buildinâs three years ago when I knocked the walls through to next door just to give you leg room.â
âThatâs building, Mike, not buildings.â
Sometimes, there was no answer to Raithâs logic. Mike swore softly, sighed and decided to wait until tea-time, when all the men would be home together. Theyâd discuss Raith and his drone then. First things first. He continued repairing the chimney.
* * * * * *
In Tees, Tyne and Wear Constabularyâs new Tyneside police station, another drone-related conversation had caused heated words that day. The woman making a complaint was angry.
âLook,â she said to the officer on the front counter, âthis is the third time itâs happened in a fortnight. I ignored the first invasion of my privacy. The second time the blessĂ©d thing was hovering overhead, I telephoned. I was told that someone would contact me. Nobodyâs done so, and this morning it happened again. I want something doing. I feel I canât go into my own garden and Iâm bothered that whoeverâs doing this is spying on me and my children. Itâs horrible and it shouldnât be allowed.â
The woman had good reason to feel harassed. She lived in what had once been the lodge of a large country estate. That is, she occupied the house that lay at one end of a long, tree-lined drive. The drive led, through parkland with trees and an ornamental lake, to a substantial eighteenth century property. On three occasions recently, the peace of the surroundings had been broken by the whirring of a drone. More importantly, she felt intimidated by the droneâs presence. As she said, she felt she was being spied on. Surely that was a crime?
It was, the official told her. At least two different offences connected with drone misuse might be invoked on the womanâs behalf, but, in a case like hers, invoking them was problematic. Even if an incident should happen again and a patrol car could reach her while the drone was still visible and airborne, there was little that officers could do. Firstly, they would need to locate and identify the flyer. If they felt that a harassment offence had been committed, they could instruct the flyer to land the drone. However, there was no power of seizure and, indeed, no power to even view the footage unless there was suspected terrorist activityâunlikely in this case. The woman had to be content with an apology and a promise that an officer would definitely come and visit her. In fact, a detective called a few days later, but not specifically because of her case. By then, the big country house had been burgled, and thousands of pounds of silver, porcelain and artwork had been stolen.
Jude Tresswell lives in south-east England but was born and raised in the north, and thatâs where her heart is. She is ace, and has been married to the same man for many years. She feels that she understands compromise. She supports Liverpool FC, listens to a lot of blues music and loves to write dialogue.
Body Parts & Mind Games #4
A Share in a Secret #5
Fast, Free, and Flying #6
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