Saturday, March 14, 2026

🎬🎭Saturday's Series Spotlight🎭🎬: Alasdair and Toby Investigations by Charlie Cochrane Part 2



The Case of the Undiscovered Corpse #3
Summary:

An Alasdair and Toby and Cambridge Fellows Mystery #1
Alasdair and Toby Investigations #3
Cambridge Fellows Mysteries
Alasdair Hamilton and Toby Bowe are the darlings of post-war British cinema, playing Holmes and Watson onscreen and off. When they’re called on to portray their fellow amateur detectives—Orlando Coppersmith and Jonty Stewart—not only do they find distinct challenges in depicting real people, they also become embroiled in solving a century-old murder.

How did a body lie undiscovered so long in the Stewart family vaults, who’s been covering up the murder ever since and why was the victim killed in the first place?












The Case of the Deadly Deception #4
Summary:

Alasdair & Toby Mystery #4
When Alasdair Hamilton and Toby Bowe swopped the seats of their spitfires for the glamour of Landseer studios, they couldn’t have imagined that they’d end up playing Holmes and Watson both onscreen and off.

Their reputation for amateur sleuthing has led them into some tricky situations, but none as puzzling as dealing with the Monday Evening Association. Why should seemingly rationale people claim to be able to perform outrageous feats and how is this linked to the apparently accidental death of a fellow Landseer actor?

When threats to the upcoming coronation are uncovered, the sleuthing actors are faced with a challenge tougher than fighting the Luftwaffe.







The Case of the Undiscovered Corpse
Original Review April 2023:
Again, I can't believe it took me nearly 7 months to read The Case of the Undiscovered Corpse especially since it involves one of my all-time favorite mystery solving duos, Jonty Smith and Orlando Coppersmith, and another of Charlie Cochrane's amateur detecting duos that is definitely climbing higher and higher on the same list, Toby Bowe and Alasdair Hamilton.  Can only lay it down to my slowly returning reading mojo that took a hit during the pandemic.  After catching up on the most recent adventures in their individual series I couldn't not jump in and boy am I glad I did!

I'll be honest, the first time I was introduced to Alasdair and Toby wayback when in The Case of the Overprotective Ass(originally appearing in the author's Home Fires Burning duet which I read in 2015) I never imagined they would get to play Jonty and Orlando onscreen(in the book but oh wouldn't it be wonderful if it was really on our screens?) but now that she has combined the two and that is exactly what A&T are preparing to do, it seems such an obvious crossover. Hindsight, right?πŸ˜‰  I've read many stories where authors have linked some of their series together, in both small and huge ways, and though Undiscovered Corpse may not be the most original it is definitely one of the most satisfying.

When the pairs meet to discuss personal idiosyncrasies that should be included but also left out, i.e. the subtle and not so subtle looks of longing A&T often sneak into their portrayals of Holmes and Watson that somehow go unnoticed to many but not the knowing and watchful eye of J&O, discussion turns to the undiscovered corpse found in the Stewart vault in 1914.  Unable to let that delicious morsal go the four men are off and running.  Obviously trying to discover the truth from nearly 40 years prior, especially considering the poor Drayton had been lying their unnoticed for decades already, is not going to be easy.

What great mystery is easily solved? Let's face it, if it's easily solved than it probably doesn't deserve the "great" moniker.

So as you are well aware I won't spoil anything which means no details of the mystery will be found here.  Will the foursome find anything definitive?  Unlikely but perhaps.  The fun for me is in the hunt and they definitely do a lot of hunting.  I will say that for some, Undiscovered Corpse may be confusing or a convolution of too many possibilities but for me it's the many possibles and the chemistry between our four MCs that makes for such high level fun. 

The above mentioned chemistry is highlighted in the bouncing of ideas off each other but it's also a growing friendship.  A&T more than once ponder if they will ever be able to live as J&O but as they are in the public eye it seems a very far in the future possibility but you know it gives them hope when they see what the older pair have carved out for themselves.  It's this very generational "gap"(for lack of a better term) that leaves historical in the LGBTQ genre appealing to me. I love history anyway but in LGBTQ stories it reminds us just how far society has come, we have a long way to go acceptance and equality wise but it makes me appreciate where we as humans are and heightens the hope that one day loving who we wish will never be questioned or looked down on.

My above statement is further proof that as always, Charlie Cochrane respects the past with the nitty, gritty, and her own brand of witty details of yesteryear(on multiple fronts) but those details never appear as a school lesson, The Case of the Undiscovered Corpse is cozy, entertaining fun of the highest variety.

For those wondering about reading the individual series, Cambridge Fellows Mysteries and Alasdair & Toby Investigations, prior to Undiscovered Corpse?  You don't.  As a series-read-in-order kind of gal, I can't imagine not having read them but it is not at all necessary.  The chemistry between our two couples is never in doubt, minor mentions of previous cases pepper throughout but don't play a part in the investigations.  I will warn you though, if you are unfamiliar with either or both the established series, your taste will be piqued and want to devour all their great cases.  You won't be sorry, they are all brilliantly delightful, which is an odd description for murder and mayhem but no less truthful.  As they say in one of my favorite shows(completely different genre but no less accurate): This is the way.πŸ˜‰



The Case of the Deadly Deception #4
Original Review July Book of the Month 2025:
Once again, Charlie Cochrane as proven she is a Queen of British Mystery.  I remember when I first read Toby and Alasdair way back in 2015 in The Case of the Overprotective Ass in the author's Home Fires Burning duology.  I enjoyed them immensely, though at the time I was coming off of a Cambridge Fellows series read and had a hard time letting go of Jonty and Orlando to fully appreciate Alasdair & Toby on their own merit without comparisons.  Which is something I'm ashamed to admit but when you love an author's couple so much, it can be hard to move on to someone new.  

HOWEVER.  Since then I've come to love A&T almost as much as J&O and can do so without comparing the characters or the series(and that isn't just because the author has connected the 2 series either).  A&T are definitely their own people with their own styles of living and detecting.  Such a delight that just keeps getting better with each new entry and case.

I won't touch on the case itself much so as not to spoil it, I will say that every little tidbit they discover leads to more questions and very few answers until the reveal.  I won't say I was completely shocked but at the same time I didn't really think that was exactly how it was all going to go down.  I just love stories when multi fronts merge together and in Deadly Deception, the lads are tasked with one case that leads to another that may or may not collide, but either way you get a big old pot of alphabet soup of clues and mayhem.  A good mystery keeps you guessing, a great mystery lets you think you have it, makes you doubt yourself multiple times, and even when you are dead certain you finally got it, you still find yourself completely thrown sideways.  

Charlie Cochrane's The Case of the Deadly Deception is a great mystery.

One last thing, as I mentioned above, the author connected An Alasdair & Toby Mystery and Cambridge Fellows Mystery with the last entry, The Case of the Undiscovered Corpse, where A&T prepare to play J&O in a new movie, but here we get to see the next generation of Stewarts take up the investigation mantle in Jonty's great nephew, Jonny.  What a brilliantly entertaining addition to the Cochrane amateur detecting universe!  Dare I hope that Jonny and his better half, Roger, help J&O in an investigation in their elder years? Or an even bigger dare to hope, their very own case and series? πŸ˜‰hint, hintπŸ˜‰  Wherever the next generation pops up next, I doubt we've seen the last of them.

RATING:





The Case of the Undiscovered Corpse #3
Cambridge September 3rd 1952
“Good morning, Orlando. Lovely to see you.”

Those words had been spoken first thing in the morning on numerous occasions and in many different settings over the best part of fifty years. From lips that had once been young and full, but which were now showing fine lines and downed with white, rather like the hair which crowned Jonty Stewart’s head. A full set of hair—he’d inherited his paternal grandfather’s locks rather than his father’s bald pate—yet the tawny gold had now all gone to be replaced with hoary silver.

“Lovely to see you, too.” Orlando Coppersmith turned in the bed, easing into a more comfortable position. He was currently beset with an issue concerning his left rotator cuff, or so the doctor had diagnosed, one that should get better with exercise. It had been a result of over-exertion in the garden and not, as Jonty told everyone, due to Orlando having dealt the bridge cards too vigorously.

“What does your diary have in store for you today?” The airy tone in Jonty’s voice as he asked the question immediately put his partner on alert.

“The usual. College business and the like given the arrival of students is hull up on the horizon. Why do you ask?”

“I’d like to suggest a slight change to plans dinner-wise. Are you free tonight?”

“Ye-es. Why?”

“I had a phone call last evening, when you were at your orgy.” That was another line which had been used innumerable times over the years, referring to Orlando being out playing cards. He’d learned to ignore it. “It was to invite us to dinner and a discussion.”

“A commission, do you think?” It had been a while since they’d had a really good mystery to get their teeth into. Odds and ends of investigations, yes, including ones bound up with the war that they simply couldn’t accept, because they’d have had little chance of fulfilling them. Finding where Aunt Elsie had hidden the family silver because she thought that Hitler would invade—said aunt having then been so inconsiderate as to get herself killed in an air raid before she could share the location of the treasure with the rest of the family—had been a typical kind of request. As were the string of entreaties to locate the whereabouts of men who’d been declared missing in action, at least one of whom Jonty had decided had likely taken a convenient opportunity to get away from home.

At least they could now decline the commissions with dignity, pleading old age and the inability to travel as far as they used to, alongside not being up to the physical challenge of digging up bomb sites to find Aunt Elsie’s spoons. These excuses might have been seen through had the applicants observed the pair of them working vigorously in the garden at Forsythia Cottage or indeed still almost as vigorously sharing the pleasures of the double bed.

“It’s not about a commission as such, although there’s a peripheral link to an old, unsolved mystery.” Jonty raised an eyebrow. “One we might have got involved with at the time had we not been otherwise occupied. No, this is something quite different and rather exciting.”

“Am I allowed a clue to whatever you’re on about?”

“Not a single one. I want you to come to this meeting with an open mind and if I drop the merest hint, you’ll mull it over all day. Suffice to say the discussion could lead us into pastures entirely new for us, which is rather nice at our time of life, wouldn’t you say?”

“I’ll only say one way or the other when I know what these pastures new are and whether they’ll be green or arid.” Orlando was rather pleased with his analogy. “You’re not even going to make an indication as to whom I’m eating with?”

“No, because it risks giving the game away entirely. A knight of the realm. Title conferred as opposed to inherited. You’ve met him before, although that doesn’t cut down the field. Very nice chap, who has a proposal for us and—” Jonty cuffed Orlando’s arm. “That’s quite enough. You’re wheedling secrets out of me. I’m easing my stiff old bones out of this bed before you spoil all the elements of surprise.”

“Just one more question, then. Will this different and exciting whatever-it-is be the sort of thing to make me jump for joy or run away screaming?”

“I can’t imagine you running away screaming from anything, at this point in your life. Quite below your dignity. I might have to see if I can engineer it happening, simply for the novelty.” Jonty, now on his feet, stretched extravagantly, like a great cat rousing itself.

“You didn’t answer my question.”

“True, oh light of my life, although that’s simply because I can’t formulate an answer. I’ve been weighing it up since last night and I honestly don’t know. All I can state with any certainty is that we’d be stupid not to explore the possibilities. Too young still to be stick-in-the-muds.” Jonty made an elaborate bow. “And now I exit, if not pursued by a bear, then pursued by your third degree. Patience, old man.”

“Patience my arse,” Orlando muttered, although he couldn’t help smiling. Whatever happened over dinner would turn out to be gratifying. If he liked this mysterious proposal, then it would add a new challenge to their lives and if he hated it then he could go into a pleasing yet dignified huff for at least twenty-four hours. And tease Jonty over his rashness for the next few weeks.

Despite the ache in Orlando’s shoulder, life was still good.





The Case of the Deadly Deception #4
Chapter One
April 1953

Dear Mr Bowe
You are invited to the next meeting of the Monday Evening Association. We assemble at seven thirty sharp, first and third Mondays of the month, in the offices of Herbert and Chapman, floor three, Clanfield House, Eagle Street, London. We appreciate that you are a busy man, so will understand if you can’t join us on this occasion but we feel it vital you attend as soon as convenient.
Yours sincerely,
Lloyd Conway
Chairman
M.E.A.

“Well, what do you make of that?” Toby Bowe, who’d thrust the letter into Alasdair Hamilton’s hands almost as soon as he’d entered the latter’s house—and then had waited with admirable patience for his fellow actor to peruse it—felt he could wait no longer. “It came this morning, forwarded from the studio, and I have no idea who Conway is or anything about this association he represents.”

“I’ve never heard of him, either.” Alasdair raised his eyebrow, the one which was heavily insured by Landseer Studios due to its notable capacity for expressing emotion. “Miss Marple was a member of a Tuesday Night Club, so perhaps these are fans of either Mrs Christie or detective fiction in general.”

“I suppose that’s possible, but they could have given a chap a clue as part of their invitation. What if I go there based on that premise, then find they’re…I don’t know…a group of artists who’d want me to pose au naturel?” Toby tapped the letter. “There’s no address given for me to reply to, unless I send it via those offices.”

“Hmm. It does smack somewhat of fishiness.” Alasdair took the letter into his drawing room, where he stationed himself by the window to view it in a better light.

Toby suppressed a smile at the actions. Alasdair would no doubt not have given a thought to himself being seen in a better light, as well, nor to him presenting his best profile to the audience of one. He and Toby had been colleagues—and lovers—for long enough now not to have any element of vanity in their relationship. Yet what was done for the camera, or for the benefit of those in the stalls if the actor was on stage, could become habitual. And Alasdair did present a pleasing sight, standing with the missive in hand, the afternoon light catching his dark hair.

“So, what in the communication specifically smells of either fish, flesh or good red herring?” Toby asked as he settled himself into one of the comfortable fireside chairs. 

“The name of the offices, for a start. Herbert and Chapman. Herbert Chapman.”

“Oh, yes. The Arsenal and all that.” Toby should have spotted the significance of the name. “If it’s not a coincidence, it could be another indication of a love of detective fiction. An allusion to The Arsenal Stadium Mystery.”

“I’ve not read that one. Should I?”

“Yes. It’s quite fun. You’ll have to imagine the men running around in shorts as the book isn’t illustrated.” Toby produced his cheeky grin, so beloved of newspaper and magazine photographers. “If Mr Conway and his merry band do enjoy reading of that type, perhaps that’s the very reason they want me to attend one of their get-togethers.”

“To talk about portraying Dr Watson on the screen or emulating his and Holmes’s exploits off it?” Alasdair asked.

“Either or both. In each case they’d benefit from my inside knowledge.” Landseer was unique in being the film studio that could boast of actors who were involved in detection onscreen and off.

“Then why not invite me to the meeting, as well?” Alasdair couldn’t hide his disappointment at not being asked.

“Perhaps they have done and your invitation has been delayed in the post? They wouldn’t invite us both via one letter, surely, as they can’t—please God—be aware of the exact relationship between us.”

“True. Or perhaps they are exclusively fans of Watson rather than Holmes. Let’s check if Eagle Street exists, anyway.” Alasdair went to his bookcase, selected the A to Z, then perched himself with it on the arm of Toby’s chair. “Well, the road’s here. Just north of Lincoln’s Inn. Not an area I know.”

“Indeed.” Toby took the letter back, although studying it for further clues seemed a vain pursuit. “I think I’ll get the Landseer people on this. They’ll surely know if this Conway chap or his group have a reputation, say for inveigling film stars into their clutches then performing terrible things upon them. If Landseer advise me to go ahead, they might also provide a bodyguard, to prevent the clothes from being ripped off my muscular frame.”

“Twit. The Monday Evening Association is unlikely to turn out to be populated by your adoring female public. Aren’t they called something like The Toby Bowe Appreciation Society?”

“They are indeed and a more splendid bunch of women you could not wish to meet. I think you’re right in saying this has to be a different kind of organisation, though: adoring male public, perhaps, given that Lloyd is a chap’s name.” Toby folded the invitation and tucked it in the pocket of his jacket. “I’ll reply to him once Landseer give the go ahead. Perhaps I’m being over cautious, purely from the lack of information. Whoever this group is, facing them can’t be as dangerous as squaring up to a Junkers with a trigger-happy pilot.”

Alasdair took Toby’s hand. “One can only hope. And if they are genuine fans, too coy to advertise the fact, it would be a shame to disappoint them. Common decency must always be observed towards those who ultimately pay our wages.”

“Let alone always observing the avoidance of adverse publicity.” Toby chuckled.

“Were you joking about needing a bodyguard?” Alasdair asked.

“Only partly. It wouldn’t surprise me if Sir Ian, should he get wind of this, insists I’m properly looked after. Some burly chap to act as chauffeur and be in the offing in case of trouble.” Sir Ian Sheringham, head of the studio, wouldn’t want one of his most valuable properties to be put into a potentially tricky situation. “Are you volunteering to disguise yourself for the part?”

“No thank you, much as I’m intrigued by the whole business. It’s simply that I have someone in mind for such a role, should it be required.”

“Are you going to tell me who?”

“You’ll have to guess. Clue one, your godfather mentioned him a while back as being a useful person to have in one’s corner if trouble was brewing. He’d helped him out with a case, I believe.”

Toby furrowed his brow. “That doesn’t narrow down the field much. He’s often running across people, helpful or otherwise.” Matthew Firestone, being one of the police force’s most reliable—and successful—officers met plenty of folk and had many tales about them to regale his friends with.

“Then consider clue two. He’s pally with the brother of one of Matthew’s other godsons. I think I’ve got that right.”

“Right or not, it doesn’t help much, either. Matthew has stood at the font so many times he might as well be ordained. Another clue please, Sherlock. At the risk of me having to play an astonished Watson at how obvious the answer is.”

Alasdair, who was evidently enjoying this greatly said, “Third and last clue. He has a connection to a certain person you’re portraying in our upcoming release.”

“Jonty Stewart? Oh, of course. We’re talking about his great nephew, aren’t we?”

“Correct, my dear Watson. Jonny Stewart, which is rather confusing name wise but at least memorable because of the similarity to Jonty. Except in your case obviously not memorable at all.” Alasdair snorted.

Toby now recalled the conversation with Matthew clearly, but didn’t want to admit that he hadn’t been paying attention throughout, because there’d been a rather handsome waiter in the offing who’d been making eyes at him. It had taken all of Toby’s concentration to ensure he gave no hint of response to the saucy chap, not least because he had all he needed—romance wise—currently sitting on the arm of his chair.

“Why do you have Jonny in mind, as opposed to anybody that Landseer could suggest?” Toby asked.

“It feels neat and tidy, with the Stewart connection.” Alasdair liked things neat and tidy. “It might even be useful publicity if this thing somehow becomes public. Young Jonny carrying the family torch.”

“Quite.” They weren’t portraying Holmes and Watson in this latest offering but the entirely real Jonty Stewart and Orlando Coppersmith. “You really do think there’s something odd about this, don’t you?”

“Yes. I couldn’t tell you exactly why—a pricking of my thumbs, maybe—but it’s like when we’d scrambled, and were flying in an apparently clear sky yet knew there were bandits about.”

A shiver shot down Toby’s spine. He remembered that feeling in every detail and hoped he’d never experience such a sensation again.

***

Those at Landseer studios who seemed to know everything there was to know—about anything—were tasked with looking at the letter and gave Toby his answer very promptly, or so he reported to Alasdair. There was apparently nothing in the communication from Conway that rang any corporate alarm bells, so if he wanted to attend the Monday Evening Association meeting on April the twentieth, he could.

“They say they don’t recognise the name or address as being linked to any of their unpleasant correspondents. You know, like the ones who take umbrage at the way Landseer portrays Holmes and Watson, particularly your Sherlock getting his end away with whichever minx Fiona is playing.” Toby grinned over his teacup.

They were both at the studios, grabbing a cuppa before a meeting about all the activities surrounding the launch of their new film. Fiona Marsden would be attending, too, she being the key third part of the Landseer star acting triumvirate. The fact that she’d recently begun a romance with Jonty Stewart’s nephew, the present holder of the family title, wouldn’t hurt publicise the new film, either.

“A chaste kiss in the final five minutes counts as getting one’s end away, does it?” Alasdair said, with a snort.

“In the fans’ eyes, yes, according to the complaints received. Although these folk are no doubt right in saying that Sherlock never went so far with a woman. Nor man neither, I’d guess.”

“He wasn’t a real person, you know.”

“I know that. Although I’m not sure everyone else does.” Toby took a drink. “Apparently, 221b Baker Street receives post from people hither and yon wanting the great detective to solve their problems. Those letters can’t all have been sent as a bit of a joke.”

Good point. “And will Sir Ian allow you to go into the Eagle Street lions’ den alone?”

“Absolutely not.” Toby explained—much to Alasdair’s satisfaction—that Sir Ian, had happened to drop into the department concerned when they’d been making their enquiries. “As a result of which, he’s just sent me a note. He’s worried about potential risks to yours truly and said that he’d need to organise somebody to go with me. I said you might have the very chap.” 

“Excellent. I’ll ring up to Sir Ian’s office, right now, and suggest Jonny. I’ve got two numbers for the latter, office and home, garnered from his great uncle Jonty.”

“Have you? How sensible.” Toby nodded approval. “What did the Cambridge connections think of the idea?”

“They gave it their whole-hearted approval. I also discovered more about the mystery he helped Matthew with. Remember that story about Ivor Gregg the actor going missing? Jonny and a pal of his were involved with getting that sorted.”

“Well done him.” Toby raised his teacup to make a toast. “I did wonder if Sir Ian was going to suggest you as my wingman but either he doesn’t want to risk both of our handsome faces being bashed about or he’s avoiding us being seen together too often when not on studio business.”

“The second, I’d say.” There was an increasing risk of people becoming suspicious, especially when none of the fledgling romances he and Toby were apparently involved in actually took flight. “Talking of which, I wonder which young ladies they’ll hang on our arms for the premiere?”

“I’m due a rising starlet, although I have hinted that a bluestocking from Girton might be more fun and a novelty for the press coverage. I’m sure Jonty or Orlando have a suitable contact.”

Alasdair raised his non-insured eyebrow. “That would be a novelty. It’s a while since I was paired with a lesser daughter of minor nobility so I guess my partner will be along those lines. I do feel sorry for these women.”

The machinations of the Landseer publicity offices, which provided the daughters of captains of industry or other eligible ladies as the actors’ “dates” for events, had proved successful so far but surely there was a limit to how long they could get away with it?

“Quite. Hopes dashed and all that.” If Toby was going to add to that remark, he was prevented by the arrival of his dresser, who wanted to nab him for five minutes, if she could, regarding one of the costumes for their next film, The Heart That Wears the Crown. With a grin and a, “No peace for the wicked,” Toby let himself be taken off.

Alasdair could profitably use the time to ring through to Sir Ian, which he did without delay.

“Sir Ian? Do you have a moment?”

“I do, Alasdair. You just caught me before I go into a meeting about Naughty Nelly. Someone’s having kittens about the title. And the script.”

Naughty Nelly: there was a production that had already caused a problem or two, including losing its leading man to a fatal accident two days into shooting at the start of February. The role had been recast but production proper had yet to recommence. Alasdair hoped that the royal connection both films shared wouldn’t prove an ill omen. “Then I won’t delay you. I only wanted to suggest a suitable bodyguard—if that’s not too strong a term—for Toby, when he goes off to this strange meeting he’s been invited to.”

“Not too strong a term at all,” Sir Ian said. “Do you have as strong a smell of rat as I do?”

“Absolutely. So does Toby, although not as foul-smelling an odour as ours. I couldn’t tell you why, Sir Ian, and I haven’t been quite so frank about it with him but I’m not at all happy about this invitation. If I can’t go with him, which would no doubt be too great a risk on other fronts, then I want to do all I can to protect him, albeit vicariously.”

“Agreed on both counts. You’ll be in public view alongside each other often enough in the next few weeks, so if it’s not official Landseer business or to do with your detecting work, I’d rather being seen together didn’t happen.” Sir Ian rarely put his foot down in such a way: the Naughty Nelly business must be getting to him. “It’s a shame these two Cambridge chaps you’re portraying are too long in the tooth to do the honours on the bodyguard front.”

“Quite. Although the person I want to propose is of the same family—the Stewarts—and according to our constabulary friend Matthew Firestone, a good man in a tight corner.”

“Another Stewart? They’re getting everywhere, given Fiona’s latest amour.” Sir Ian chuckled. “Still, that would all hang together nicely with the new film, should it come to public attention. Can I leave you to organise that with him, please?”

“Of course.”

“Now, while I have you. It may appear that I’ve been slightly tardy regarding your and Toby’s companions for the premiere of Death Stalks the College, but I haven’t. In fact, it was all set up a while ago, at the suggestion of your two Cambridge contacts.”

“That sounds intriguing.” Maybe Toby would be getting his blue stocking companion.

“We certainly thought so when we heard their idea. It also fits nicely with the film, given that the two ladies concerned both helped you clear up that recent case with the Victorian corpse in the vaults. Names being…” the sound of papers being rummaged through came down the line, “Mrs Bessy Cutting and Miss Geraldine Topley. The publicity department are going to make a splash about it over the next few days but we’ve had to hold fire because Miss Topley had a fall and we weren’t sure if she’d have to pull out of the event and we’d need to call on one of the usual suspects. Luckily, she’s fully recovered so can attend. I hope that gets your approval.”

“It does indeed. Much better than having another young woman disappointed at the lack of follow up from either of us.”

“Exactly. The public will love them being there, of course, suggesting as it does that one of them might end up on your arm on a similar occasion in future.”

“That could be a suitable strategy for all such events.” And an answer to the thorny issue of why their companions tended to be for one evening only. “You could hold a ballot or a raffle—a shilling to enter and all proceeds to the Royal British Legion.”

“That’s brilliant, Alasdair. I’ll jot the idea down right now or else I’ll forget. Can you let Toby know about the arrangements? You can fight over who gets Bessy and who gets Geraldine.” Sir Ian chuckled.

“I will do so at the first opportunity. Good luck with Nelly.”

“I’ll need it. All the content is a matter of historical fact, of course, but the censor may cut up rough. We never have that problem with your films, and long may that continue. Ave Imperator, morituri te salutant.” With which comment, Sir Ian ended the call, leaving Alasdair to wonder at just how bad the upcoming meeting would be and how near the knuckle the script of Naughty Nelly was. Not anything that could be lodged against The Heart That Wears the Crown, even though it was frankly a piece of opportunism. One that had benefitted from Nelly’s problems, because the delay in production had meant slack capacity in various departments which had allowed the Cambridge film to be whizzed out in record time and without the risk of it looking like a quota quickie. In turn, the coronation film could then be moved forward and got out in a timely fashion.

The Heart That Wears the Crown had a long history. The film had first been mooted in the early years of Landseer studios, some twenty years previously, in anticipation of the day when the then Prince of Wales would succeed to the throne and the screen representation of a coronation would chime with the real one being held in June. The general disquiet caused by both King Edward’s abdication, and his choice of partner, had led to the film project being shelved indefinitely. Now, the country suddenly found itself with a young, beautiful queen, whose upcoming coronation was an occasion likely to shine as brightly as the diamonds in her crown amidst the lingering post-war austerity. So, the Landseer script was quietly dusted off and reworked into its present format, as suiting the trio of stars.

Assuming nothing awful happens to Toby at his meeting.

Alasdair decided to ring Jonny immediately, because if the man was unavailable, or didn’t wish to take up the commission, then he’d have to go back to Sir Ian cap in hand to report his failure. Fortune must have been smiling on the endeavour, though, because Alasdair not only caught Jonny at work, he professed himself delighted to help, particularly when told that Matthew Firestone had recommended him. “It all sounds very mysterious, though, Mr Hamilton.”

“Call me Alasdair, please. And yes, too mysterious for anyone’s liking. We might be being over-cautious but as your great uncle Jonty may have told you, we do our own bits of sleuthing, in a small way, and it’s possible we’ve made an enemy or two as we’ve done so.” Which idea had only come into Alasdair’s head that moment. Not that he could think of any specific enemies offhand, but those they’d helped to convict would have friends and relatives who might seek revenge.

“If there’s any rough stuff, I’ll be prepared. Should Toby and I meet beforehand to make a plan of campaign?”

“Sounds a splendid idea. I’ll get him to give you a call this evening, if that’s convenient. You can sort out the details between you both.”

“Aye, aye, captain. I’m looking forward to it.”

“Cheeky scamp,” Alasdair said, with a grin. It sounded like Jonny and Toby would get on like a house on fire, the pair of little rascals. Surely between them they’d be able to cope with anything Mr Conway’s meeting had to throw their way.

And he’d have to sit on his hands, to ensure he resisted all temptation to lurk in the Eagle Street area on Monday evening, just in case another pair of hands—or fists—were needed.




πŸ‘¬πŸ’™πŸ”ͺπŸ’•πŸ”«πŸ’™πŸ‘¬

If the men of St. Bride’s College knew what Jonty Stewart and Orlando Coppersmith got up to behind closed doors, the scandal would rock early-20th-century Cambridge to its core. But the truth is, when they’re not busy teaching literature and mathematics, the most daring thing about them isn’t their love for each other—it’s their hobby of amateur sleuthing.

Because wherever Jonty and Orlando go, trouble seems to find them. Sunny, genial Jonty and prickly, taciturn Orlando may seem like opposites. But their balance serves them well as they sift through clues to crimes, and sort through their own emotions to grow closer. But at the end of the day, they always find the truth . . . and their way home together.

********

Be sure and check the author's website for a complete chronological list of novels, novellas, free short stories in the Cambridge Fellows Mysteries Universe.

πŸ‘¬πŸ’™πŸ”ͺπŸ’•πŸ”«πŸ’™πŸ‘¬

Cambridge Fellows Mysteries

Charlie Cochrane
As Charlie Cochrane couldn't be trusted to do any of her jobs of choice - like managing a rugby team - she writes. Her favourite genre is gay fiction, predominantly historical romances/mysteries, but she's making an increasing number of forays into the modern day. She's even been known to write about gay werewolves - albeit highly respectable ones.

Her Cambridge Fellows series of Edwardian romantic mysteries were instrumental in seeing her named Speak Its Name Author of the Year 2009. She’s a member of both the Romantic Novelists’ Association and International Thriller Writers Inc.

Happily married, with a house full of daughters, Charlie tries to juggle writing with the rest of a busy life. She loves reading, theatre, good food and watching sport. Her ideal day would be a morning walking along a beach, an afternoon spent watching rugby and a church service in the evening.


EMAIL:  cochrane.charlie2@googlemail.com



The Case of the Undiscovered Corpse #3

The Case of the Deadly Deception #4

Cambridge Fellows Mysteries
Series #1-12

Series Novellas

Alasdair & Toby Investigations Series
An Act of Detection #1

The Case of the Grey Assassin #2



Friday, March 13, 2026

πŸŽ¬πŸŽ­πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŽ­πŸŽ¬: To Kill a Mockingbird by Harper Lee




Summary:

Look for The Land of Sweet Forever, a posthumous collection of newly discovered short stories and previously published essays and magazine pieces by Harper Lee, coming October 21, 2025.

Voted America's Best-Loved Novel in PBS's The Great American Read

Harper Lee's Pulitzer Prize-winning masterwork of honor and injustice in the deep South—and the heroism of one man in the face of blind and violent hatred

One of the most cherished stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than forty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father—a crusading local lawyer—risks everything to defend a black man unjustly accused of a terrible crime. 




PART ONE
When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow. When it healed, and Jem's fears of never being able to play football were assuaged, he was seldom self-conscious about his injury. His left arm was somewhat shorter than his right; when he stood or walked, the back of his hand was at right angles to his body, his thumb parallel to his thigh. He couldn't have cared less, so long as he could pass and punt.

When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out.

I said if he wanted to take a broad view of the thing, it really began with Andrew Jackson. If General Jackson hadn't run the Creeks up the creek, Simon Finch would never have paddled up the Alabama, and where would we be if he hadn't? We were far too old to settle an argument with a fist-fight, so we consulted Atticus. Our father said we were both right.

Being Southerners, it was a source of shame to some members of the family that we had no recorded ancestors on either side of the Battle of Hastings. All we had was Simon Finch, a fur-trapping apothecary from Cornwall whose piety was exceeded only by his stinginess. In England, Simon was irritated by the persecution of those who called themselves Methodists at the hands of their more liberal brethren, and as Simon called himself a Methodist, he worked his way across theAtlantic to Philadelphia, thence to Jamaica, thence to Mobile, and up the Saint Stephens. Mindful of John Wesley's strictures on the use of many words in buying and selling, Simon made a pile practicing medicine, but in this pursuit he was unhappy lest he be tempted into doing what he knew was not for the glory of God, as the putting on of gold and costly apparel. So Simon, having forgotten his teacher's dictum on the possession of human chattels, bought three slaves and with their aid established a homestead on the banks of the Alabama River some forty miles above Saint Stephens. He returned to Saint Stephens only once, to find a wife, and with her established a line that ran high to daughters. Simon lived to an impressive age and died rich.

It was customary for the men in the family to remain on Simon's homestead, Finch's Landing, and make their living from cotton. The place was self-sufficient: modest in comparison with the empires around it, the Landing nevertheless produced everything required to sustain life except ice, wheat flour, and articles of clothing, supplied by river-boats from Mobile.

Simon would have regarded with impotent fury the disturbance between the North and the South, as it left his descendants stripped of everything but their land, yet the tradition of living on the land remained unbroken until well into the twentieth century, when my father, Atticus Finch, went to Montgomery to read law, and his younger brother went to Boston to study medicine. Their sister Alexandra was the Finch who remained at the Landing: she married a taciturn man who spent most of his time lying in a hammock by the river wondering if his trot-lines were full.

When my father was admitted to the bar, he returned to Maycomb and began his practice. Maycomb, some twenty miles east of Finch's Landing, was the county seat of Maycomb County. Atticus's office in the courthouse contained little more than a hat rack, a spittoon, a checkerboard and an unsullied Code of Alabama. His first two clients were the last two persons hanged in the Maycomb County jail. Atticus had urged them to accept the state's generosity in allowing them to plead Guilty to second-degree murder and escape with their lives, but they were Haverfords, in Maycomb County a name synonymous with jackass. The Haverfords had dispatched Maycomb's leading blacksmith in a misunderstanding arising from the alleged wrongful detention of a mare, were imprudent enough to do it in the presence of three witnesses, and insisted that the-son-of-a-bitch-had-it-coming-to-him was a good enough defense for anybody. They persisted in pleading Not Guilty to first-degree murder, so there was nothing much Atticus could do for his clients except be present at their departure, an occasion that was probably the beginning of my father's profound distaste for the practice of criminal law.

During his first five years in Maycomb, Atticus practiced economy more than anything; for several years thereafter he invested his earnings in his brother's education. John Hale Finch was ten years younger than my father, and chose to study medicine at a time when cotton was not worth growing; but after getting Uncle Jack started, Atticus derived a reasonable income from the law. He liked Maycomb, he was Maycomb County born and bred; he knew his people, they knew him, and because of Simon Finch's industry, Atticus was related by blood or marriage to nearly every family in the town.

Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer's day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.

People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, nothing to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.

We lived on the main residential street in town--Atticus, Jem and I, plus Calpurnia our cook. Jem and I found our father satisfactory: he played with us, read to us, and treated us with courteous detachment.

Calpurnia was something else again. She was all angles and bones; she was nearsighted; she squinted; her hand was wide as a bed slat and twice as hard. She was always ordering me out of the kitchen, asking me why I couldn't behave as well as Jem when she knew he was older, and calling me home when I wasn't ready to come. Our battles were epic and one-sided. Calpurnia always won, mainly because Atticus always took her side. She had been with us ever since Jem was born, and I had felt her tyrannical presence as long as I could remember.

Our mother died when I was two, so I never felt her absence. She was a Graham from Montgomery; Atticus met her when he was first elected to the state legislature. He was middle-aged then, she was fifteen years his junior. Jem was the product of their first year of marriage; four years later I was born, and two years later our mother died from a sudden heart attack. They said it ran in her family. I did not miss her, but I think Jem did. He remembered her clearly, and sometimes in the middle of a game he would sigh at length, then go off and play by himself behind the car-house. When he was like that, I knew better than to bother him.

When I was almost six and Jem was nearly ten, our summertime boundaries (within calling distance of Calpurnia) were Mrs. Henry Lafayette Dubose's house two doors to the north of us, and the Radley Place three doors to the south. We were never tempted to break them. The Radley Place was inhabited by an unknown entity the mere description of whom was enough to make us behave for days on end; Mrs. Dubose was plain hell.

That was the summer Dill came to us.

Early one morning as we were beginning our day's play in the back yard, Jem and I heard something next door in Miss Rachel Haverford's collard patch. We went to the wire fence to see if there was a puppy--Miss Rachel's rat terrier was expecting--instead we found someone sitting looking at us. Sitting down, he wasn't much higher than the collards. We stared at him until he spoke:

"Hey."

"Hey yourself," said Jem pleasantly.

"I'm Charles Baker Harris," he said. "I can read."

"So what?" I said.

"I just thought you'd like to know I can read. You got anything needs readin' I can do it. . . ."

"How old are you," asked Jem, "four-and-a-half?"

"Goin' on seven."

"Shoot no wonder, then," said Jem, jerking his thumb at me. "Scout yonder's been readin' ever since she was born, and she ain't even started to school yet. You look right puny for goin' on seven."

"I'm little but I'm old," he said.

Jem brushed his hair back to get a better look. "Why don't you come over, Charles Baker Harris?" he said. "Lord, what a name."

"'s not any funnier'n yours. Aunt Rachel says your name's Jeremy Atticus Finch."

Jem scowled. "I'm big enough to fit mine," he said. "Your name's longer'n you are. Bet it's a foot longer."

"Folks call me Dill," said Dill, struggling under the fence.




A widowed lawyer in Depression-era Alabama defends a black man against a false rape charge while teaching his young children about the sad reality of prejudice.

Release Date: December 25, 1962
Release Time: 129 minutes

Director: Robert Mulligan

Cast:
Gregory Peck as Atticus Finch
Mary Badham as Jean Louise "Scout" Finch
Phillip Alford as Jeremy "Jem" Finch
John Megna as Charles Baker "Dill" Harris
Frank Overton as Sheriff Heck Tate
Rosemary Murphy as Miss Maudie Atkinson
Ruth White as Mrs. Dubose
Brock Peters as Tom Robinson
Estelle Evans as Calpurnia
Paul Fix as Judge John Taylor
Collin Wilcox as Mayella Violet Ewell
James Anderson as Robert E. Lee "Bob" Ewell
Alice Ghostley as Miss Stephanie Crawford
Robert Duvall as Arthur "Boo" Radley
William Windom as Horace Gilmer, District Attorney
Crahan Denton as Walter Cunningham
Richard Hale as Nathan Radley


Awards:
35th Academy Awards - April 8, 1963
Best Picture - Alan J. Pakula - Nominated
Best Director - Robert Mulligan - Nominated
Best Actor - Gregory Peck - Won
Best Supporting Actress - Mary Badham - Nominated
Best Adapted Screenplay - Horton Foote - Won
Best Art Direction - Alexander Golitzen, Henry Bumstead and Oliver Emert - Won
Best Cinematography - Russell Harlan - Nominated
Best Original Score - Elmer Bernstein - Nominated

17th BAFTAs - 1964
Best Film from any Source - Nominated
Best Foreign Actor - Gregory Peck - Nominated

20th Golden Globes - March 5, 1963
Best Motion Picture – Drama - Nominated
Best Actor in a Motion Picture – Drama - Gregory Peck - Won
Best Director – Motion Picture - Robert Mulligan - Nominated
Best Original Score – Motion Picture - Elmer Bernstein - Won
Best Film Promoting International Understanding - Won

AFIs 100 Years . . .
100 Movies - #34
100 Heroes & Villains -- Atticus Finch - #1 Hero
Film Scores - #17
100 Cheers - #2
100 Movies: 10th Anniversary Edition - #25
10 Top 10 - #1 Courtroom Drama






Harper Lee
Harper Lee was born in 1926 in Monroeville, Alabama. She attended Huntingdon College and studied law at the University of Alabama. She is the author of the acclaimed To Kill a Mockingbird, and was awarded the Pulitzer Prize, the Presidential Medal of Freedom and numerous other literary awards and honours. She died on 19 February 2016.




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Thursday, March 12, 2026

🎬🎭⏳Throwback Thursday's Time Machine⏳🎭🎬: Silent Sin by EJ Russell




Summary:
When tailor Marvin Gottschalk abandoned New York City for the brash boomtown of silent-film-era Hollywood, he never imagined he’d end up on screen as Martin Brentwood, one of the fledgling film industry’s most popular actors. Five years later a cynical Martin despairs of finding anything genuine in a town where truth is defined by studio politics and publicity. Then he meets Robbie Goodman.

Robbie fled Idaho after a run-in with the law. A chance encounter leads him to the film studio where he lands a job as a chauffeur. But one look at Martin and he’s convinced he’s likely to run afoul of those same laws—laws that brand his desires indecent, deviant… sinful.

Martin and Robbie embark on a cautious relationship, cocooned in Hollywood’s clandestine gay fraternity, careful to hide from the studio boss, a rival actor, and press on the lookout for a juicy story. But when a prominent director is murdered, Hollywood becomes the focus of a morality-based witch hunt, and the studio is willing to sacrifice even the greatest careers to avoid additional scandal.

Original Review July Book of the Month 2021:
Silent Sin is brilliant!

I've been looking for a story set in Old Hollywood for about 3 years and when this popped up in a FB group rec request I one-clicked immediately.  2020 screwed with my reading mojo so unfortunately I just got around to reading it and I loved it!  EJ Russell really sets scene of the silent era, incorporating real historical facts and scandals that add just the right level of reality into her fictional story.  Don't worry, Silent Sin isn't a tell-all, Hollywood documentary but it definitely shows the author's respect for the past with the balance of reality and fiction.

As for the characters, watching Robbie's journey from "runaway" country bumpkin to studio chauffer to stand-in to ???(well I don't want to give away all the lad's secretsπŸ˜‰) is an uplifting, heartfelt tale of entertainment.  Seeing Martin's journey of trying to stay true to who he is and who he lets the studio bosses and fans see makes you smile, laugh, and a few times you just want to shake him.  When their paths cross you just know that it's fate but you also know it won't be easy but it will definitely be captivating.  You can't help but want to wrap them both up in Mama Bear Hugs and tell them everything will be okay, of course there are a few times I want to smack them too and scream but that's what makes Silent Sin such a delight.

I have featured some of EJ Russell's books on my blog before but Silent Sin is my first read.  For me it's the perfect introduction to a new author, Sin ticks so many of my boxes: 
historical✅ 
romance✅
Old Hollywood✅
friendships✅
author's respect for the era✅
plenty of heart✅
I have to admit one of my favorite moments comes between Robbie and Martin's manager Sid, the actual activity happens off-page but we learn about it and it put the biggest smile on my face and a loud "YES!" in my internal monologue.  Just another example of how the author has written more than romance and how sucked into the story I became.

Again, Silent Sin is brilliant!


Original Audiobook Review March 2023:
It's been a year-and-a-half since I read Silent Sin and I loved listening to it just as much as I loved the original read.  Greg Boudreaux brings the characters and the era to life in a way that keeps you on the edge of your seat even, if like me, you already read the story and know it.  98% of the audiobooks I listen to are books I've previously read because I tend to zone out occasionally and that is no reflection on the story but because I listen mostly while working on the computer or in the kitchen and before I know it I'm concentrating on the task at hand and not the story, knowing the tale previously allows me not to have to try and find where I "zoned out".

Anywho, back to the narrator.  One of my boxes to tick that make an audiobook go from good to great is the expectation of hearing a sponsor's ad.  Now for those who don't know what I mean, I have been a collector of old radio programs since I was 10 and if you have never heard an ORP from the 30s & 40s they have one sponsor unlike the multi-commercials of television today.  Some shows incorporate the sponsor into the show others take a break for the ad in the middle.  So when I say "expectation of hearing a sponsor's ad" what I'm really looking for is a narration that gets me so involved I feel like I'm listening to an episode of Screen Actor's Playhouse where they often would bring a radio version of a hit movie to the masses.  Greg Boudreaux brings EJ Russell's words to life in such a manner and considering the setting is Old Hollywood I had a higher level of this expectation and he definitely delivered.  I look forward to re-listening for years to come.

RATING:





Chapter One
July 28, 1921 
Robbie slid the last crate of fruit out of Mr. Samson’s truck and only wobbled a little as he handed it off to a grocer’s assistant on the dusty Bakersfield road. He took off his battered straw hat, wiped the sweat off his forehead with the side of his arm, and settled the hat back on his head. Not that it kept out much sun—it was more holes than straw by this time. 

Mr. Samson, the orange grower Robbie had been helping for the last two days, strolled out of the little store, tucking a wallet into his back pocket. Robbie snatched his hat off his head again. 

“Will there be anything else, sir?”

“Not here.” Samson’s gaze slid away from his. “Don’t have the cash to pay you anything now, but I might have something for you back home at the groves.” He nodded at the truck. “I’ll give you a lift.” 

Robbie’s empty belly sank toward his toes, but he forced a smile. He’d learned in the last six weeks that the promise of a job rarely translated into money in his pocket, even if he actually did the work. A lift with the promise of work at the end of the ride—anything that got him farther from Idaho, really—was more than he could hope for. “Thank you, sir.” He stumbled toward the truck cab. 

“Hold on, you. Not up front.” Samson jerked his thumb toward the truck bed. “Back there. But give us a crank first.” 

Robbie nodded and scuffed through the dirt, where a pebble worked its way through the hole in the bottom of his right boot. He waited for Samson to get behind the wheel and then gave the handle a practiced crank. The engine caught, and the truck belched exhaust. Robbie hurried to the rear before Samson could change his mind about the lift too. 

As he was about to scramble over the tailgate, he spotted half a dozen discarded half-squashed fruits—a lemon and five oranges—almost beneath the wheels. He scrabbled them out of the dust, rolled them into the truck bed, and heaved himself in after them. The jerk when Samson put the truck in gear nearly sent Robbie over backward, but he grabbed on to one of the rough slats that bracketed the bed to save himself, driving a sliver into his thumb.

He crawled forward, herding his contraband in front of him until he could sit with his back to the cab. As the truck jounced along, raising clouds of dust in its wake, Robbie gathered the precious fruit in his lap and hunched over his knees. Fingers trembling, he tore into the skin of the first orange and dropped the peel through the slats. He shoved the first section into his mouth and moaned as the tart juice hit his parched mouth and throat. Squashed or not, this is pure heaven. How wonderful that people can grow something this marvelous, let alone make a living at it. 

His last meal was nothing but a hazy memory, so he ate one fruit after another—even the lemon, so sour it made his eyes water—as the string of discarded peels fell behind, a trail of gold dimmed by dust. 

After he polished off the last orange, he licked his fingers. Then he picked at the sliver in this thumb as he tried to dodge puddles of fermenting juice whenever Mr. Samson took a corner too sharply. The exhaustion of weeks of rough travel, most of it on foot, caught up with him, and he fell into a fitful doze. 

With a bone-rattling thump, the truck pulled to a stop. Robbie blinked, disoriented, and peered around in the glare of the setting sun. Where are we? His heart sank when he took in the sturdy buildings lining both sides of the road. A good-sized town. He tried to keep to open country whenever he could—less chance of getting work, but easier to find a stream for a drink and a wash or a secluded barn where he could catch enough shut-eye to go on the next day. 

Mr. Samson slapped the side of the truck. “End of the line, kid.”

Robbie scrambled to his feet and wiped his hands on his trousers, not that it did much good. His pants were as sticky as the truck bed. 

He hopped down onto the road and caught the tailgate when a wave of dizziness threatened to take him down for the count. “Thanks for the lift. I appreciate it.” 

Mr. Samson tilted his cowboy hat back and scratched his forehead. “No skin off my nose. You were a good worker. But turns out, now I think about it, I don’t need any help on the farm.” He shrugged. “Sorry.” 

“I understand. Thanks anyway.” He wished he hadn’t fallen asleep on the ride. He had no idea where he was. “Does this road lead to Mexico?” 

Mr. Samson hitched his dungarees up under his prosperous paunch. “Whatta you want to go there for? Nothing you can get there that you can’t get here.” 

“Where’s here?” 

He jerked his thumb over his shoulder. “Hollywood.” 

Robbie shaded his eyes with one hand and scanned the storefronts across the road. Hollywood Dry Goods. Hollywood Haberdashers. Hollywood Drug Store. “I guess it is.” 

With a touch of his hat brim, Mr. Samson climbed into his truck. “Give us another crank, will you?” 

Robbie complied and then backed away as the truck rattled off up a side street. 

What the heck can I do in a place like this? Robbie doubted his years of scratching out a living on a potato farm would qualify him for work in some other grower’s orange grove. There weren’t any factories that he could see, and Hollywood Haberdashers wouldn’t hire somebody with only one set of clothes—and those almost too worn to be decent. 

Mexico still seemed like the best bet, but suddenly he couldn’t muster the energy to take the next step or cadge the next lift or scrounge the next dime. 

So he shoved his hands in his empty pockets, forced his back straight, and strode down the sidewalk as though he truly had someplace to go, as though he wasn’t adrift or as castaway as his namesake—Robinson Crusoe Goodman. He shook his head as he followed the route Mr. Samson’s truck had taken, away from the main street and up a slight hill. Ma sure had some odd notions when it came to naming her sons. Eddie had been lucky. At least Pa had put his foot down over Oedipus. 

At the back of Mr. Samson’s orange grove, Robbie found a wooden shack worthy of his old man’s farm and secured with nothing but a two-by-four across its door. He slipped inside and blinked until his eyes adjusted to the gloom after the brightness of the westering sun. The dirt floor was littered with arm-long sections of metal pipe as big around as his head, and a stack of broken crates leaned against the wall like a rummy who’d never heard of the Volstead Act—not the most comfortable flop but better than he had any right to expect. 

He curled up on the floor with his back to the wall, arms wrapped across his belly, and begged sleep to take him before he cried.

*******

“I’m not working with Boyd Brody again, Sid. I can’t.” Martin Brentwood met his own gaze in the mirror over the drink cart in his living room. God, he looked like ten miles of bad road. “He tried to drown me.” 

Sid Howard, Martin’s manager, emerged from the kitchen, drying his hands on a dish towel. “Come on, Marty. He was just kidding. Giving you the business, same as he does with any actor. You can’t take this personal.” 

“I damn well do take it personally. He’d never try that shit with Fairbanks.” 

“Shite.” 

Martin frowned at Sid. “What?” 

“A baronet’s son from Hertfordshire wouldn’t say ‘shit.’” 

“But I’m not a baronet’s son from Hertfordshire.” Martin sloshed more gin into his glass. “That would be you. Me? I’m only a tailor’s apprentice from Flushing.” 

Sid tossed the towel on top of the piano and pried the glass out of Martin’s grip. “No. That would be me. And don’t forget it, even when we’re alone. Even in your own head. It’s easier to remember the lies if you live ’em full-time.” Sid sniffed the contents of the tumbler and made a face. “And don’t drink this shit. You’ll go blind.” 

“I’ll have you know this gin was brewed in Barstow’s finest bathtubs.” Martin shuffled to the davenport and flopped down on the cushions. “But you’re right.” He bared his teeth. “It’s shite.” 

“That’s more like it.” Sid settled in the wingback chair across from Martin. “So. I met with Jacob Schlossberg today.”

“Better you than me,” Martin muttered. “I loathe the bastard, and the feeling is decidedly mutual.” 

“Maybe. But the reasons for the hate are different. You hate him because he’s—” 

“A pontificating blowhard with delusions of grandeur and the morals of a weasel?” 

“Because,” Sid raised his voice over Martin’s, “he’s the one who controls your career.” 

“He’s not the only one. Ira owns half the studio.” 

“Yeah, but Ira’s the talent-facing brother. Jacob’s got his sausage-like finger on the studio’s financial pulse. And when it comes down to it, at Citadel Motion Pictures, money’ll trump talent every time.” 

Martin snorted. “So much for art.” 

“Pictures aren’t art, Marty. They’re business. Big business. And if nobody pays to see your picture, it don’t matter if it’s as arty as the Russian crown-fucking jewels.” 

“Really, Sid,” Martin murmured. “Your language.” 

Sid grinned. “Unlike some, I don’t forget who I’m supposed to be.” Sid folded his hands on his knee, and no matter how much he might be able to ape a working-class stiff from Queens, if anybody in Hollywood paid attention, his hands would give him away. Tailor’s apprentices didn’t have the kind of practiced grace that had been drilled into Sid when he was busy getting kicked out of every prep school in England. 

“As I said, I met with Jacob today.”

“And?” 

Sid’s heavy brows drew together. “He and Ira are split on whether they want to re-up your contract. Ira’s liked you since he brought you in from Inceville and put you in a suit instead of a cowboy hat. He thinks you’re the best bet the studio has to counter Valentino. But Jacob… well….” 

“I know, I know. He hates queers.” 

“Nobody knows for sure that you’re queer, Marty.” Sid’s scowl said, “And keep it that way” louder than words could. “Anyway, Jacob may hate queers personally, but he depends on them too, as long as they’re in their place.” 

Martin’s snort was a low-class sound, but nobody could hear him except Sid, who already knew the truth. Sid had invented Martin’s backstory. Hell, Sid had lived Martin’s backstory and he’d traded it with Martin’s when it became obvious which one of them could make a go of it in pictures. 

“Right. In wardrobe. In the art department. Where the public never sees.” 

“It’s not the invisibility that he cares about. He covets their taste. He knows he’s got none. He’s a stevedore’s son from the Bronx. He craves sophistication, so you’ll keep delivering it, because the only thing Jacob really hates is a threat to his profits. You can be as queer as Dick’s bloody hatband and he wouldn’t care as long as your pictures make money. But they won’t make money if your fans turn away. Remember what happened to Jack Kerrigan.” 

“Kerrigan’s popularity dropped because he made that asinine comment about being too good to go to war, not because he’s queer.”

“Exactly. But with the Hollywood press in their back pocket, the studio didn’t lift a finger to save him. He’d become a liability with all his talk about no woman measuring up to Mother, and his lover tucked cozily away downstairs, masquerading as his secretary. You don’t want to be in that position.” 

Martin pinched his eyes closed. “If it’s not because they suspect I’m in the life, then what is it? The cocaine? Because I told you, I’m never taking that stuff again, no matter how much the studio doctor prescribes.” 

“No. It’s because of your last driver. What was his name? Homer?” 

“Vernon, actually.” 

“Right. Well, they don’t like that you fired him.” 

“I fired him because he was a manipulative son of a bitch who saw driving a studio car as a sure way to stardom, provided he could fuck the right people.” 

“Swive.” 

“What? Are you telling me a baronet’s son wouldn’t say fuck?” 

“Baronets’ sons definitely do, especially when imprisoned at boarding school with dozens of other baronets’ sons. But Martin Brentwood, leading man and one of Hollywood’s finest gentlemen, does not.” 

Martin leaned his head on the cushions. “Jesus, Sid. Don’t you ever get tired of the act?” 

“I’ll keep up with the act as long as it pays the bills. And so will you.” Sid crossed his legs. “I met with Ira too. He needs you back in to do retakes on that pro-Prohibition picture you wrapped last week.”

Martin groaned. “Good lord. Must we pander to the temperance unions and morality clubs even more? Wasn’t it enough that I died horribly in the gutter at the end?” Martin should have gotten a clue about where his career was headed when he was cast as the drunken lout instead of the fellow who heroically takes an axe to the kegs of evil whiskey. 

“It has nothing to do with your performance. There were light flares in some of the scenes, and the cutter can’t fix it.” 

“Very well. I’ll return tomorrow to die again.” 

“Good. They expect you at ten.” 

“Ten.” Martin cracked open an eye. “That’s a civilized hour, but how am I supposed to get there? No chauffeur, remember? The studio still won’t let me drive, and you refuse to learn how. I’d take the streetcar, but—” 

“No. The last time you tried that, you nearly caused a riot.” Sid stood up and collected his briefcase from the ormolu side table. “I’ll contact the studio. They’ll assign you a driver, although you may have to share.” He lifted one perfectly straight eyebrow. “You’re not Valentino, after all. Yet.” 

“Isn’t it grand that I don’t want to be, then?” 

Sid sighed. “Marty, you need to think about your image. The studio’ll only protect you as long as you’re an asset, and you’ll only be an asset if—” 

“If I make Jacob enough money.” 

“If you don’t make their job harder. Having a car at your disposal twenty-four hours a day is more of a temptation than you need right now.”

Martin pushed himself upright with clenched fists. “What’s that supposed to mean?” 

“Lay off the steak and pinochle parties with Bill Taylor and George Hopkins. Stay away from Pershing Square. The only reason Homer—” 

“Vernon,” Martin murmured. 

“—was a real threat was because he suspected what was really going on there. If one of those jokers decides to spill to the press—” 

“They wouldn’t. Nobody who’s in the life would ever give me away. We don’t do that to one other. Not ever.” 

“That’s what everyone says until the first time. If anyone suspects the truth—” 

“Truth? This is Hollywood, Sid. Truth is what the fan rags print, and the studios have all of them in their back pockets, cheek by jowl with their string of crooked cops.” 

“Maybe. But you can’t depend on that lasting forever. Remember Kerrigan.” Sid settled his straw boater on his head. “A studio driver’ll pick you up tomorrow by nine thirty. I’ll take care of it.” 

Martin heaved himself to his feet to walk Sid to the door. “Thanks, Sid.” 

“And next time? If you’re gonna fire your driver, at least make sure you wait until he takes you home.” 

“Yeah, yeah.”

Sid grabbed Martin’s wrist, his dark eyes serious. “I mean it, Marty. Be careful. This may be your last chance at Citadel, but if you pick the wrong man, you may not have another chance at anything.” 

Martin opened his mouth to argue, but Sid walked out before he could gather his thoughts. He stood in the doorway as Sid strode down the sidewalk, the July sun beating down on the dusty boxwood hedges that lined the bungalow court. 

Damn it, he’s right. 

The places where it was safe to be a man who preferred men were few—New York, San Francisco, Hollywood. And even there, security was an illusion. The only thing that shielded them was the total obliviousness of most of the country. Hell, they didn’t even have a word for it. 

In the life. A nice, nondescript phrase that could mean anything. But to the men and women who sought their partners from their own gender, its very blandness was the only thing that stood between them and ruin, scandal, imprisonment… worse. With sodomy laws on the books in every state, the punishment for a conviction could be positively medieval. 

Martin shuddered, and as he wandered back to the drink cart, the streetcar bell clanged on Alvarado. I’ve still got some of my costumes from my vaudeville days. I could take the trolley to Pershing Square. Just for a little while. If he dressed in the rough clothes of a dockworker or the cheap suit of a salesman, nobody would know him for Martin Brentwood, movie star.

He leaned his forehead against the wall, excitement warring with shame in his belly. One last time. Without a driver, nobody would know. 

So much of being a star was in behaving like one. Presenting yourself like a person who would prompt people in middle America to shell out their dough for the privilege of watching you caper around on a screen for an hour or two. Hell, he’d heard United Artists was going to charge a two-dollar admission for Fairbanks’s next picture. 

It was nuts. 

It was nuts, but Sid was right. It paid the bills—his and Sid’s. He owed it to them both not to destroy his career, not to destroy his life. Because the sailors in Pershing Square might be thrillingly rough, but you never knew where they’d been. The last thing he needed was a case of the clap. Sid was right about that too. 

Martin wandered over to his desk. He had a pile of fan mail that needed answering. He probably should do that—he had few enough fans left. He’d best keep the faithful remnants happy. 

With one last sorrowful glance at the gin bottle, he sat down and picked up his fountain pen.


EJ Russell
Multi-Rainbow Award winner E.J. Russell—grace, mother of three, recovering actor—holds a BA and an MFA in theater, so naturally she’s spent the last three decades as a financial manager, database designer, and business intelligence consultant (as one does). She’s recently abandoned data wrangling, however, and spends her days wrestling words.

E.J. is married to Curmudgeonly Husband, a man who cares even less about sports than she does. Luckily, CH loves to cook, or all three of their children (Lovely Daughter and Darling Sons A and B) would have survived on nothing but Cheerios, beef jerky, and satsuma mandarins (the extent of E.J.’s culinary skill set).

E.J. lives in rural Oregon, enjoys visits from her wonderful adult children, and indulges in good books, red wine, and the occasional hyperbole.


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