Saturday, June 10, 2017

Release Day Blitz: Secrets of the Hanged Man by Bruce Blake

Title: Secrets of the Hanged Man
Author: Bruce Blake
Series: Icarus Fell #3
Genre: Urban Fantasy
Release Date: June 10, 2017
Summary:
Icarus Fell thought the afterlife couldn't get any worse...until Hell came looking for him.

When you are the orphaned child of a disgraced nun, and you're saddled with a ridiculous name like Icarus Fell, you don't expect things can go drastically downhill.

Until death comes along and an archangel recruits you for a job you screw up so badly you nearly lose your son to a demonic priest and a fallen angel.

And then, burdened by the lives lost because of your foul ups, you travel to Hell, a detour that costs you more dearly then you could ever have imagined.

No, things couldn't get much worse in the afterlife...unless Satan sends his lap dog to bring back the one thing he thinks belongs to him.

You.

Why couldn't death be easy?


The man tottered past the door without a second look and entered my territory. I held my breath. I didn’t imagine for a second he’d hear me breathing, but it’s what you do when you don’t want people to find you, a tactic every kid learns playing hide-and-seek.

He stopped a few feet away, wobbling side to side like a man standing on the deck of a ship at sea rather than a stable patch of cement behind the fifth best Italian joint in town. I didn’t fancy the look of him: he resembled a man unable to hold his booze.

Desperate to prove me right, he jerked to the side, bent at the waist and threw up on a pile of garbage bags.

“Jesus, dude. Careful. I think you got some on my shoes.”

Startled, the man fell back, his ass squishing on a damp piece of cardboard. He surveyed my dark corner, staring right at me without seeing me, probably shocked at a trash heap that spoke English. I toyed with the idea of fucking with him, but my annoyance at his presence squashed the desire. It made more sense to get rid of him because the dinner rush would be done soon, and I didn’t want to share the bounty.

I leaned forward and his gaze found me, not exactly like looking in a mirror for him because his rumpled and creased business suit and recently-cut-but-out-of-place short hair didn’t match my look. In eight months, I’d been near a barber once to ask for change, never for a trim. And opportunities to wash oneself or one’s clothes came along infrequently when living on the street—ditto the chance to shave—so I’d done neither in weeks. My patchy teenage beard probably made me look more like a crazy man.

“S...sorry, ah, dude.” The man wiped his mouth on his sleeve, then his hands on his pants. “I didn’t see you.”

He didn’t sound as intimidated as I’d hoped. “No sweat, man. Just don’t puke on me again.”

“Sure.”

He clawed at trash bags, clambering in the manner of a turtle flipped on its back until he got his feet under him, then brushed at the grime on his overcoat, smudging it across the lapel with his grubby hands. Smearing complete, he stood watching me, arms dangling loose at his sides.

I faded into the shadows, looked at the end of my joint to make sure it was still lit, then took a deep drag, the burner’s orange glow illuminating my lips and the tip of my nose. With one eye closed to keep the smoke out, I held my breath for a few seconds, then puffed it free of my lungs in a swirling cloud. The man breathed deep, inhaling the sweet odor of marijuana, and looked at me expectantly.

“You want a hit, dude?” Maybe if I shared my weed, I wouldn’t have to share the food when it arrived.

“S...sure.”

He took a step, hand extended to accept my offer.

“Grab a seat.”

I shuffled over in a rustle of cardboard and plastic, creating space for him to sit and thinking that, if I got him high enough fast enough, he wouldn’t notice when room service showed up. The guy looked a lightweight, so it shouldn’t take much.

He slouched forward to take a seat and lost his balance; on the way down, his forehead smacked against the brick wall and he tumbled into my lap. I jerked my hand away, barely keeping him from knocking the joint out of my fingers.

“Come on, man. First you lose your cookies on me, now you sit on me? Get it together.”

“S-s-sorry.” The stuttered word bore the distinct slur of inebriation, or maybe the ding he’d taken to the noodle caused it. He shinnied himself off me, coming too-close-for-comfort to pawing my balls as he did, then scooted his butt around until he found a comfortable spot amongst the garbage. “My name is Jack.”

He held out his hand for me to shake, but instead of the usual societal formalities, I offered him the joint. Jack took it between his thumb and index finger and inhaled with the exaggerated sucking sound made by people who don’t normally smoke. He held his breath and passed the reefer back. I grinned when his lungs revolted and a held-in cough bulged his cheeks, making him resemble a poor impersonation of Dizzy Gillespie.

“Good shit, hey?”

“Yeah,” Jack agreed struggling to inhale a breath of fresh air. “Good shit.”

I took another pull of the joint. “I haven’t seen you around before. You’re not dressed like most of the guys who hang out here.”

He looked down at his suit and I followed his gaze to the streak of puke down the front of his jacket, the spots of grime on the lapel. His purple tie hung askew and the creased tails of his mauve shirt hung over his belt.

“Had a fight with my girlfriend,” he said and belched the mixed aroma of puke and ganja. I waved my hand to clear the air; he swallowed and grimaced. “She’s pregnant.”

“And this is how you celebrate?”

Jack shook his head and winced with pain. “Nothing to celebrate. Kid can’t be mine.”

“Shitty, dude. Another drag?”

He blinked, then rubbed his hand across his eyes like someone scrubbing the sleepiness away. I waited for a second, but he didn’t seem to have heard me, so I elbowed him in the ribs to get his attention.

“You all right, man?”

“Yeah, I’m good.”

He took the joint, blinking. I thought the smoke caused it but, when he turned, I saw blood flowing into his eyes from the gash he’d given himself in the forehead. A trail of dark fluid ran from his hairline, past his eye, along his cheek and down to his jaw.

“Dude, you got some blood there.”

Jack’s eyes rolled up, looking for the wound like a dog chasing its tail, then he giggled at himself for trying to see his own forehead. He transferred the joint to his left hand, touched his head and lowered his fingers in front of his eyes.

“Banged my head,” he said and took a toke. “Hurts.”

“I bet.”

On Unfaithful Wings #1
Summary:
To some, death is the end; to others, a beginning. To Icarus Fell, it should have been a relief from a life gone seriously awry.

But death had other plans.

Icarus doesn't believe that the man awaiting him when he wakes up in a cheap motel room is really the archangel Michael, or that God's right hand wants him to help souls on their way to Heaven. Icarus doesn't believe there's a Heaven, so why should they want his help?

But the man claiming to be the archangel tempts him with an offer he can't ignore--harvest enough souls and get back the life he wished he'd had.

It seems Icarus has nothing to lose, until he botches a harvest and the soul that went to Hell instead of Heaven comes back to make him pay by threatening to take away the life he hoped to win back.

To save the wife and son he already lost once, Icarus will have to become the man he never was. Somehow, he will have to learn to believe.

All Who Wander are Lost #2
Summary:
If we're good, we go to Heaven; if we're bad we go to Hell. No one wants to go to Hell.

Except one man who wishes people would just remember to call him Ric.

In the aftermath of a serial killer's murderous spree, souls who didn't deserve damnation went to Hell. The archangel Michael doesn't seem concerned, but Icarus Fell can't bear the guilt of knowing it's his fault they ended up there.

But how can he save them when the archangel forbids him from going and his guardian angel refuses to help?

The answer comes in the form of another beautiful, bewitching guardian angel who offers to be his guide. They travel to Hell to rescue the unjustly damned one by one, but salvation comes at a cost and the economy of Hell demands souls.


Is it a price Icarus is willing to pay?

Author Bio:
Bruce Blake lives on Vancouver Island in British Columbia, Canada. When pressing issues like shovelling snow and building igloos don't take up his spare time, Bruce can be found taking the dog sled to the nearest coffee shop to work on his short stories and novels.

Actually, Victoria, B.C. is only a couple hours north of Seattle, Wash., where more rain is seen than snow. Since snow isn't really a pressing issue, Bruce spends more time trying to remember to leave the "u" out of words like "colour" and "neighbour" than he does shovelling (and watch out for those pesky double l's). The father of two, Bruce is also the trophy husband of a burlesque diva.


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Secrets of the Hanged Man #3

On Unfaithful Wings #1

All Who Wander Are Lost #2

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The Chauffeur by AP Hallmark

Title: The Chauffeur
Author: AP Hallmark
Genre: Romance
Release Date: June 6, 2017
Summary:
April Sanders is beautiful and educated. She’s also a chauffeur. Her elite client list is quite extensive, and Jason Rowe is one of them.

From the moment he lays eyes on her, he tries to gain her attention, but unlike the other women he’s encountered, she isn’t impressed. Imagine his surprise when he learns she’s been hired to drive exclusively for the family.

Remaining the dedicated professional, April rejects Jason’s advances. That is until she receives the approval of the family matriarch. Her life will never be the same.

When a business deal goes sour between Jason and a competitive business associate, April gets caught in the crossfire. After a series of suspicious and ominous incidents threaten the Rowes’ inner circle, Jason’s possessive and protective nature knows no bounds where Ms. Sanders is concerned.

The Rowe’s are powerful and have powerful connections. When a member of the family is wounded, there’s no stopping the force behind them.


“Listen, Kyle, she’s beautiful, okay? But there can’t be anything between us. She’s an employee, and we come from different worlds.”

“You’re right. You come from the silver spoon variety. April comes from the salt of the earth kind that uses her college degree for the betterment of society by teaching underprivileged children and adults at the center three weekends a month, and after work, if she has the spare time.”

“What? What did you say?”

“For some reason, she likes to drive snobs around and be treated like pond scum, like the guy she was working for before she came to us.”

“What do you mean? Did he treat her badly?”

“Emily says that guy felt her up any chance he got until Sam threatened him,” he explains, leaning against the workbench. “But that didn’t last very long, and he was back at it about two weeks later.”

Again with this, Sam!” I say to myself.

“According to Emily, he’s a total Adonis.” I stop pacing long enough to see him use the air quotes.
“What’s so funny now?”

“You should hear what she calls you.” He bends over in a full belly-laugh, and now I’m really pissed.

“What?” I ask, rolling my eyes, taking his bait. “What does she call me?”

“Oh, no. Emily swore me to secrecy. But I will tell you it was given to you the day she took you and Kate to the airport.” His hand smacks the counter before he bends over in laughter again.

“You better fucking tell me, Kyle.”

“I gotta go. I promised Emily a phone call tonight.”

He starts to leave but stops at the door, turns to me and bursts out laughing again.

The day she took me to the airport? What could it be? I was a perfect gentleman. While I’m racking my brain, trying to figure out what it could be, I hear a ruckus from the backyard. Someone is shouting outside.

Spending a few minutes in the quiet garage, I head out toward the pool and see Kyle hanging out over his balcony. He’s wearing one of Nicole’s wigs, and I can’t help but laugh at how ridiculous he looks.

Romeo, Romeo! wherefore art thou Romeo?

What’s he doing quoting Shakespeare?

What's in a name? That which we call a rose

By any other name would smell as sweet.

“What the fuck are you doing, Kyle?”

Oh, Romeo, Romeo,” he says again before he goes into the house—laughing, of course.

I shake my head at his antics, and then it hits me like a load of bricks.

“Romeo? She calls me Romeo?”

I run up the stairs with the sole purpose of clobbering my brother when I pass my giggling mother on the landing.

“This is going to be fun,” she says.

I stop in my tracks and turn toward her. “What did you just say, Mother?”

She shuts her bedroom door behind her, and I hear her laughter as well as Kyle’s. I barge into his room, where he’s literally rolling on the floor laughing his ass off.

Mom, Romeo hit me!

Author Bio:
A.P. Hallmark resides in Reno, Nevada, near her youngest daughter and four grandchildren. A paralegal in real life, she started her love of reading at the young age of fifteen, beginning with her first Harlequin Romance … and Fabio.

Her male characters are strong and possessive, her women are strong and feminine. With two powerful lead characters, her stories are filled with adventure, romance, and sometimes their will to be the last one standing gives her readers a fun ride.









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Friday, June 9, 2017

Saturday's Series Spotlight: Phoebe Pope by Nya Jade


Titles: The Year of Four & The Blood of Kings
Author: Nya Jade
Series: Phoebe Pope #1 & 2
Genre: Paranormal, Young Adult
Release Dates: The Year of Four - October 28, 2012
The Blood of Kings - April 14, 2017


The Year of Four #1
Summary:
The students of Green Lane Academy roam their halls unaware that below their manicured campus exists a prestigious school of an entirely different kind . . .

Sixteen-year-old Phoebe Pope has enrolled at the Campus Below: a spy academy for shape-shifters hidden deep beneath the grounds of a boarding school whose humans unknowingly protect it. There, thanks to a carefully planned schedule, she leads a double life: spy trainee Below and normal teenager Above.

As if two course loads, concealing a secret power she alone wields, and coping with her father’s recent death weren’t enough, Phoebe finds herself developing major feelings for actor and teen heartthrob Colten Chase, who attends the Campus Above and appears to be majoring in winning Phoebe’s heart. But when officials learn that Phoebe may be at the center of a startling prophecy, she becomes the target of shape-shifting assassins who will stop at nothing to suppress the truth.

Now Phoebe’s lessons about Shaper’s enemies and spycraft take on great importance as a menace stalks the campus, with Phoebe as its target. Meanwhile, what began as an unlikely relationship with Colten, quickly morphs into heartache when she suspects that something sinister lurks beneath this movie star’s glitter and fame. Suddenly, Phoebe’s caught in a mesh of lies, betrayals, and danger where she doesn’t know who to trust, and needs to rely on herself—and her secret power—to get to the truth and to stay alive.

The Blood of Kings #2
Summary:
According to the press, Phoebe Pope and teen movie star Colten Chase are no longer an item—which is just how the happy new couple like it. And yet there’s trouble in paradise . . .

Phoebe is haunted by dreams that show her things she can’t possibly know about—including a pact between Colten and a wanted assassin. In the daylight, she struggles to keep a newly emerging power hidden, even as her hands itch to wield it.

Meanwhile, in the wake of their escape from a Vigo crèche, Phoebe and her fellow Hyphas study under lock and key at the Campus Below. As the foursome wait to see who among them will fulfill the prophecy, someone dear to Phoebe is kidnapped by a powerful Vigo determined to use her to spy on the Shaper royalty. When the Hyphas are called to the Royal Court, Phoebe refuses to heed warnings of imminent danger for she will do whatever it takes to rescue her loved one.

But once at court, nothing is as it first appears. A sinister force controls some royals, while others whisper behind closed doors about forbidden alliances. And as Phoebe draws on her courage to complete the task set by her enemy, she makes a startling discovery—one that upends her father’s memory.

With dangerous conspiracies surfacing, Phoebe must uncover what the Royal Shapers really want from her, and decide whether there’s room for Colten in her unraveling life

The Year of Four #1
Phoebe was too far away to sense whether the boy had one heart or two. Through the maze of trees with clattering leaves, she could see him moving with purposeful speed. He was headed toward her destination—a brownstone chapel perched at the top of a small hill. Not knowing the boy’s nature made Phoebe hesitate. Then came the sound of tower bells. Eight o’clock. There was no time to think of an alternate route. She was officially late for the Conversion.

A loud, echoing crack quickened Phoebe’s pace as lightning slashed the indigo sky above her. She had barely reached the base of the hill when rain began pounding down. Clutching the camera that hung from the strap around her neck, she sprinted the final stretch, arriving breathless.

Phoebe wiped the rain from her face, and then entered the chapel. Inside, light from moon-facing windows cast a misty glow across the sanctuary, the air redolent with the smoke of a blazing fireplace. She glanced around the heart of the nondenominational Green Lane Academy. It seemed so ordinary, so quiet, even peaceful. Rows of pews with velvet cushions ran the width of the room. She moved between them, taking care to remain in the shadows. An irregular shape in a dark corner caught her eye and Phoebe could just barely make out the outline of the boy. He knelt with his head between his hands, his body huddled against a pew. Praying.

Phoebe paused several feet away and waited. After a moment she felt energy seeping from the boy’s skin, raising the hairs on hers. Cold and electric, it meant one thing: the boy had only one heart. She couldn’t risk him seeing what she had come there to do. That meant waiting. Just then, something stirred behind her.



Phoebe Pope
Tell us about your family.
My mom's human and my father was a Shaper - a race of shape-shifter. That's what makes me a Hypha (half human, half shape-shifter). I'm an only child and I live with my maternal grandfather when I'm not at boarding school.

What was the scariest moment of your life?
The night I was tortured. . . I really don't want to talk about it right now. I hope that's okay. . . .

What is your favorite meal?
A hot bowl of soup – lentil or tomato - with a big salad and a scone on the side.

Do you play any sports?
I'm allergic to sports - well, at least the ones that involve moving balls.

What do you do to unwind and relax?
I take early morning photographs. I enjoy watching the rest of the world wake up.

Who should play you in a film?
I'm tall so I'm not sure. But if my story got turned into a major film, I'd love a newbie to play me. It would be awesome to have my movie be someone's big break!

Do you have a favorite quote?
"Be yourself; everyone else is already taken." - Oscar Wilde

Author Bio:
Nya Jade has enjoyed a fun career as a singer-songwriter. Her music videos have aired on the Vh1, BET and MTV networks and she’s opened for some of the biggest names in music. Nya’s music has also received recognition in major publications, including USA Today and the LA Times. She took a break from writing and performing music to write The Year of Four, her first YA novel. When she isn’t writing, Nya can be found hanging out with family and friends, reading or bargain hunting for her next pair of funky shoes. Nya lives with her family in California.


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Friday's Film Adaptions: The Big Sleep by Raymond Chandler


Summary:
A dying millionaire hires private eye Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, and Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.

"Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid....He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man.

This is the Code of the Private Eye as defined by Raymond Chandler in his 1944 essay 'The Simple Act of Murder.' Such a man was Philip Marlowe, private eye, an educated, heroic, streetwise, rugged individualist and the hero of Chandler's first novel, The Big Sleep. This work established Chandler as the master of the 'hard-boiled' detective novel, and his articulate and literary style of writing won him a large audience, which ranged from the man in the street to the most sophisticated intellectual.

Marlowe subsequently appeared in a series of extremely popular novels, among them The Lady in the Lake, The Long Goodbye, and Farewell, My Lovely." ~ Elizabeth Diefendorf, editor, The New York Public Library's Books of the Century, p. 112.

Selected as one of Time Magazine's All-Time 100 Novels, with the following review: "'I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be.' This sentence, from the first paragraph of The Big Sleep, marks the last time you can be fully confident that you know what's going on.

The first novel by Raymond Chandler at the age of 51.



ONE
It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.

The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn't have any clothes on but some very long and convenient hair. The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere. I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn't seem to be really trying.

There were French doors at the back of the hall, beyond them a wide sweep of emerald grass to a white garage, in front of which a slim dark young chauffeur in shiny black leggings was dusting a maroon Packard convertible. Beyond the garage were some decorative trees trimmed as carefully as poodle dogs. Beyond them a large greenhouse with a domed roof. Then more trees and beyond everything the solid, uneven, comfortable line of the foothills.

On the east side of the hall a free staircase, tile-paved, rose to a gallery with a wrought-iron railing and another piece of stained-glass romance. Large hard chairs with rounded red plush seats were backed into the vacant spaces of the wall round about. They didn't look as if anybody had ever sat in them. In the middle of the west wall there was a big empty fireplace with a brass screen in four hinged panels, and over the fireplace a marble mantel with cupids at the corners. Above the mantel there was a large oil portrait, and above the portrait two bullet-torn or moth-eaten cavalry pennants crossed in a glass frame. The portrait was a stiffly posed job of an officer in full regimentals of about the time of the Mexican war. The officer had a neat black imperial, black mustachios, hot hard coal-black eyes, and the general look of a man it would pay to get along with. I thought this might be General Sternwood's grandfather. It could hardly be the General himself, even though I had heard he was pretty far gone in years to have a couple of daughters still in the dangerous twenties.

I was still staring at the hot black eyes when a door opened far back under the stairs. It wasn't the butler coming back. It was a girl.

She was twenty or so, small and delicately put together, but she looked durable. She wore pale blue slacks and they looked well on her. She walked as if she were floating. Her hair was a fine tawny wave cut much shorter than the current fashion of pageboy tresses curled in at the bottom. Her eyes were slate-gray, and had almost no expression when they looked at me. She came over near me and smiled with her mouth and she had little sharp predatory teeth, as white as fresh orange pith and as shiny as porcelain. They glistened between her thin too taut lips. Her face lacked color and didn't look too healthy.

"Tall, aren't you?" she said.

"I didn't mean to be."

Her eyes rounded. She was puzzled. She was thinking. I could see, even on that short acquaintance, that thinking was always going to be a bother to her.

"Handsome too," she said. "And I bet you know it."

I grunted.

"What's your name?"

"Reilly," I said. "Doghouse Reilly."

"That's a funny name." She bit her lip and turned her head a little and looked at me along her eyes. Then she lowered her lashes until they almost cuddled her cheeks and slowly raised them again, like a theater curtain. I was to get to know that trick. That was supposed to make me roll over on my back with all four paws in the air.

"Are you a prizefighter?" she asked, when I didn't.

"Not exactly. I'm a sleuth."

"A--a--" She tossed her head angrily, and the rich color of it glistened in the rather dim light of the big hall. "You're making fun of me."

"Uh-uh."

"What?"

"Get on with you," I said. "You heard me."

"You didn't say anything. You're just a big tease." She put a thumb up and bit it. It was a curiously shaped thumb, thin and narrow like an extra finger, with no curve in the first joint. She bit it and sucked it slowly, turning it around in her mouth like a baby with a comforter.

"You're awfully tall," she said. Then she giggled with secret merriment. Then she turned her body slowly and lithely, without lifting her feet. Her hands dropped limp at her sides. She tilted herself towards me on her toes. She fell straight back into my arms. I had to catch her or let her crack her head on the tessellated floor. I caught her under her arms and she went rubber-legged on me instantly. I had to hold her close to hold her up. When her bead was against my chest she screwed it around and giggled at me.

"You're cute," she giggled. "I'm cute too."

I didn't say anything. So the butler chose that convenient moment to come back through the French doors and see me holding her.

It didn't seem to bother him. He was a tall, thin, silver man, sixty or close to it or a little past it. He had blue eyes as remote as eyes could be. His skin was smooth and bright and he moved like a man with very sound muscles. He walked slowly across the floor towards us and the girl jerked away from me. She flashed across the room to the foot of the stairs and went up them like a deer. She was gone before I could draw a long breath and let it out.

The butler said tonelessly: "The General will see you now, Mr. Marlowe."

I pushed my lower jaw up off my chest and nodded at him. "Who was that?"

"Miss Carmen Sternwood, sir."

"You ought to wean her. She looks old enough."

He looked at me with grave politeness and repeated what he had said.

TWO
We went out at the French doors and along a smooth red-flagged path that skirted the far side of the lawn from the garage. The boyish-looking chauffeur had a big black and chromium sedan out now and was dusting that. The path took us along to the side of the greenhouse and the butler opened a door for me and stood aside. It opened into a sort of vestibule that was about as warm as a slow oven. He came in after me, shut the outer door, opened an inner door and we went through that. Then it was really hot. The air was thick, wet, steamy and larded with the cloying smell of tropical orchids in bloom. The glass walls and roof were heavily misted and big drops of moisture splashed down on the plants. The light had an unreal greenish color, like light filtered through an aquarium tank. The plants filled the place, a forest of them, with nasty meaty leaves and stalks like the newly washed fingers of dead men. They smelled as overpowering as boiling alcohol under a blanket.

The butler did his best to get me through without being smacked in the face by the sodden leaves, and after a while we came to a clearing in the middle of the jungle, under the domed roof. Here, in a space of hexagonal flags, an old red Turkish rug was laid down and on the rug was a wheel chair, and in the wheel chair an old and obviously dying man watched us come with black eyes from which all fire had died long ago, but which still had the coal-black directness of the eyes in the portrait that hung above the mantel in the hall. The rest of his face was a leaden mask, with the bloodless lips and the sharp nose and the sunken temples and the outward-turning earlobes of approaching dissolution. His long narrow body was wrapped--in that heat--in a traveling rug and a faded red bathrobe. His thin clawlike hands were folded loosely on the rug, purple-nailed. A few locks of dry white hair clung to his scalp, like wild flowers fighting for life on a bare rock.

The butler stood in front of him and said: "This is Mr. Marlowe, General."

The old man didn't move or speak, or even nod. He just looked at me lifelessly. The butler pushed a damp wicker chair against the backs of my legs and I sat down. He took my hat with a deft scoop.

Then the old man dragged his voice up from the bottom of a well and said: "Brandy, Norris. How do you like your brandy, sir?"

"Any way at all," I said.

The butler went away among the abominable plants. The General spoke again, slowly, using his strength as carefully as an out-of-work show-girl uses her last good pair of stockings.

"I used to like mine with champagne. The champagne as cold as Valley Forge and about a third of a glass of brandy beneath it. You may take your coat off, sir. It's too hot in here for a man with blood in his veins."

I stood up and peeled off my coat and got a handkerchief out and mopped my face and neck and the backs of my wrists. St. Louis in August had nothing on that place. I sat down again and I felt automatically for a cigarette and then stopped. The old man caught the gesture and smiled faintly.

"You may smoke, sir. I like the smell of tobacco."

I lit the cigarette and blew a lungful at him and he sniffed at it like a terrier at a rathole. The faint smile pulled at the shadowed corners of his mouth.

"A nice state of affairs when a man has to indulge his vices by proxy," he said dryly. "You are looking at a very dull survival of a rather gaudy life, a cripple paralyzed in both legs and with only half of his lower belly. There's very little that I can eat and my sleep is so close to waking that it is hardly worth the name. I seem to exist largely on heat, like a newborn spider, and the orchids are an excuse for the heat. Do you like orchids?"

"Not particularly," I said.

The General half-closed his eyes. "They are nasty things. Their flesh is too much like the flesh of men. And their perfume has the rotten sweetness of a prostitute."

I stared at him with my mouth open. The soft wet heat was like a pall around us. The old man nodded, as if his neck was afraid of the weight of his head. Then the butler came pushing back through the jungle with a teawagon, mixed me a brandy and soda, swathed the copper ice bucket with a damp napkin, and went away softly among the orchids. A door opened and shut behind the jungle.

I sipped the drink. The old man licked his lips watching me, over and over again, drawing one lip slowly across the other with a funeral absorption, like an undertaker dry-washing his hands.

"Tell me about yourself, Mr. Marlowe. I suppose I have a right to ask?"

"Sure, but there's very little to tell. I'm thirty-three years old, went to college once and can still speak English if there's any demand for it. There isn't much in my trade. I worked for Mr. Wilde, the District Attorney, as an investigator once. His chief investigator, a man named Bernie Ohls, called me and told me you wanted to see me. I'm unmarried because I don't like policemen's wives."

"And a little bit of a cynic," the old man smiled. "You didn't like working for Wilde?"

"I was fired. For insubordination. I test very high on insubordination, General."

"I always did myself, sir. I'm glad to hear it. What do you know about my family?"

"I'm told you are a widower and have two young daughters, both pretty and both wild. One of them has been married three times, the last time to an ex-bootlegger who went in the trade by the name of Rusty Regan. That's all I heard, General."

"Did any of it strike you as peculiar?"

"The Rusty Regan part, maybe. But I always got along with bootleggers myself."

He smiled his faint economical smile. "It seems I do too. I'm very fond of Rusty. A big curly-headed Irishman from Clonmel, with sad eyes and a smile as wide as Wilshire Boulevard. The first time I saw him I thought he might be what you are probably thinking he was, an adventurer who happened to get himself wrapped up in some velvet."

"You must have liked him," I said. "You learned to talk the language."

He put his thin bloodless hands under the edge of the rug. I put my cigarette stub out and finished my drink.

"He was the breath of life to me--while he lasted. He spent hours with me, sweating like a pig, drinking brandy by the quart and telling me stories of the Irish revolution. He had been an officer in the I.R.A. He wasn't even legally in the United States. It was a ridiculous marriage of course, and it probably didn't last a month, as a marriage. I'm telling you the family secrets, Mr. Marlowe."

"They're still secrets," I said. "What happened to him?"

The old man looked at me woodenly. "He went away, a month ago. Abruptly, without a word to anyone. Without saying good-bye to me. That hurt a little, but he had been raised in a rough school. I'll hear from him one of these days. Meantime I am being blackmailed again."

Film
Private eye Philip Marlowe investigates a society girl's involvement in the murder of a pornographer.

Release Date: August 23, 1946
Release Time: 116 minutes

Cast:
Humphrey Bogart as Philip Marlowe
Lauren Bacall as Vivian Sternwood Rutledge
John Ridgely as Eddie Mars
Martha Vickers as Carmen Sternwood
Dorothy Malone as Acme Bookstore proprietress
Peggy Knudsen as Mona Mars
Regis Toomey as Chief Inspector Bernie Ohls
Charles Waldron as General Sternwood
Charles D. Brown as Norris
Bob Steele as Lash Canino
Elisha Cook, Jr. as Harry Jones
Louis Jean Heydt as Joe Brody
Sonia Darrin as Agnes Lowzier
Tommy Rafferty as Carol Lundgren (uncredited)

Quotes:
General Sternwood: How do you like your brandy, sir?
Marlowe: In a glass.
----
Vivian: I don't like your manners.
Marlowe: And I'm not crazy about yours. I didn't ask to see you. I don't mind if you don't like my manners, I don't like them myself. They are pretty bad. I grieve over them on long winter evenings. I don't mind your ritzing me drinking your lunch out of a bottle. But don't waste your time trying to cross-examine me.
----
Female Taxi Driver: If you can use me again sometime, call this number.
Marlowe: Day and night?
Female Taxi Driver: Uh, night's better. I work during the day.
----
Carmen Sternwood: Is he as cute as you are?
Marlowe: Nobody is.
----
Marlowe: My, my, my! Such a lot of guns around town and so few brains! You know, you're the second guy I've met today that seems to think a gat in the hand means the world by the tail.


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Author Bio:
Raymond Thornton Chandler was an American novelist and screenwriter.

In 1932, at age forty-four, Raymond Chandler decided to become a detective fiction writer after losing his job as an oil company executive during the Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published just seven full novels during his lifetime (though an eighth in progress at his death was completed by Robert B. Parker). All but Playback have been realized into motion pictures, some several times. In the year before he died, he was elected president of the Mystery Writers of America. He died on March 26, 1959, in La Jolla, California.

Chandler had an immense stylistic influence on American popular literature, and is considered by many to be a founder, along with Dashiell Hammett, James M. Cain and other Black Mask writers, of the hard-boiled school of detective fiction. Chandler's Philip Marlowe, along with Hammett's Sam Spade, are considered by some to be synonymous with "private detective," both having been played on screen by Humphrey Bogart, whom many considered to be the quintessential Marlowe.

Some of Chandler's novels are considered to be important literary works, and three are often considered to be masterpieces: Farewell, My Lovely (1940), The Little Sister (1949), and The Long Goodbye (1953). The Long Goodbye is praised within an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery".


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