Title: Death of a Sculptor in Hue, Shape, and Color
Author: MCV Egan
Genre: Women's Suburban Fiction
Release Date: January 9, 2017
Summary:
Color-coded love stories and revealing female anatomies lead to the puzzling death of world-renowned sculptor, Bruce Jones.
In life, the artist loved women, almost as much as women loved him. Adored for his art, colorful personality, and sexual prowess, Bruce is mourned by the world. The multifaceted perspectives of his four ex-wives, the current wife, his new love interest, and their children narrate this pulse-pounding tale.
Loose ends are tied up by the insights of Sylvia, his son Aaron’s wife and a trusted keeper of secrets; Scott, the private investigator and family friend; Nonna, the quintessential grandmother everyone loves but to whom few are truly related; and Detective Jim Miller who will not rest until he discovers Bruce Jones’ murderer.
Mary: Wife No. 1
Thunder, lightning and rain, that was what we had at our wedding. However, on the day of his funeral, the Florida heat and humidity made my face shiny with perspiration. My hair looked like a dark Brillo pad. My children requested I attend the funeral of my first husband. Bruce Jones, the world-renowned sculptor.
The parking lot was already packed with an unexpected variety of cars. I then realized that it was not peak season. The South Florida snowbirds are attached to their cars and they migrate with them back and forth each year.
I noticed a police car and a uniformed man by the entrance. Even for Bruce a bit much; however, since 9/11 security has been tight everywhere.
The valet attendant opened my rental car door. “Welcome ma’am. Your daughter is waiting for you.”
“Thank you. Please make sure you keep the car in the shade. August Florida heat and sun are not my friends.” I pulled a five-dollar bill from my purse to tip him, but he shook his head and mumbled, “No, thank you.” After all It was Palm Beach. I probably should have pulled out a twenty.
I was surprised that the building looked like an actual church, at least from the outside. The church had a long name. It was Universal something or other; apparently, a place of worship with neither affiliation nor strictures. Bruce’s life had, after all, been too outré to pretend he followed any conventional religious norm.
“Thanks for coming, mom.” Clair’s voice shouldn’t have surprised me, but I stood still, focused on carefully dabbing my shiny nose. I clicked the compact shut, smiled and answered, “Anything for you and Aaron sweetheart.” She nodded as she guided me where to sit. It was toward the back of the church; the ex-wives’ pew.
“Please mom, don’t look at me that way. This funeral is a time for forgiveness and closure.”
Clair always found a way to get me to do whatever she wanted. The last thing I wanted was to be in the company of the women sitting there. I touched my frizzy hair, regretting my rejection of the keratin treatment.
Wife number two, Leslie, was the first to say hello. “Mary, you look lovely. It’s been years.”
“It has, thankfully,” I replied. The other two simply nodded, and I nodded back. Leslie, the one Bruce left me for, handed me a packet of tissues and winked. Forcing a smile, I took them. The idea that she assumed I planned to cry had not crossed my mind. I pulled the compact out of my purse again to check my makeup; it looked fine. Through the mirror I saw the reflection of the fifth and last Mrs. Bruce Jones, the widow. She was standing waiting for the ushers. I shook my head in disbelief. There next to Brooke was the coffin. The ushers waited with the coffin for the minister’s signal. It had images of Bruce’s artwork. Digital photography makes it possible to decorate anything in living color. Some of the images were blocked from my view by the ushers, but not mine. There I was paraded as a nude sketch. Each one of Bruce’s loves had a color and mine was pink. It was kitsch…even worse, it was downright tasteless.
Bruce had a type. We all had brown hair, and pretty faces with full lips and straight noses. The eye color varied as did our size and build. His type was limited to our physiognomy. I clicked the compact shut, and the other ex-wives faced me, startled by the sound. I shrugged with a coy apologetic smile. Look at the five of us; he had a type.
Bruce’s love also had a shelf life. He took the seven-year-itch need to scratch very literally. Some marriages were shorter, because sometimes the divorces got complicated and his new loves always overlapped with the old. Public or private, his relationships always lasted seven years.
I was nineteen when I first walked into his classroom. He was tall and muscular. I felt a tingle at the base of my neck when I saw his back, as if somehow I already knew. When he turned to face me, I was gone and completely in love. I fell in love with Bruce and the sculpture next to him all at once. I soon learned he made love in a way no other man did─not that I was very experienced then─Bruce traced every inch of my body with every part of his. At twenty-four, he already made a good living from his sculptures, but teaching remained his passion. As he grew older and wealthier, he taught short workshops in different parts of the world. His last one had been just a few months before his untimely death. He was after all, only sixty-two.
It was clear by the careful shape of his sculptures that he knew the shape of my legs, ankles, feet, and every other part of my body. His sculpture venues varied, his talent knew no boundaries. Bruce loved and sculpted as instinctively as the rest of us breathe. Whoever inherited the rights to his art would be wise to market his sketches as limited edition lithographs. Bruce liked to keep those private, but he always added color to the sketches in a way that made them works of art unto themselves. Bruce was as gifted with hue and color as he was with shapes. Those were the sketches that someone had the poor taste to use for the coffin. As the ushers moved around I heard the reactions of the other ex-wives, a blend of gasps and giggles. We recognized all the shapes and colors.
Focused on raising our children, I had not noticed when the sculptures started to change. That was when Leslie entered the picture. Bruce may not have planned to divorce me, or at least for years I tried to believe that, but then Leslie got pregnant.
Our marriage, his first as well, was the longest marriage, it lasted ten years. Three of those, Bruce had spent loving Leslie, but playing house with me. His marriage to Leslie was far shorter. I could tell by the sculptures he had loved her for seven years. We all met him through his art in one way or another. Wife number three, Petra, worked in an art gallery. Although not an artist she was very involved with his work. I derived great pleasure from the public scandal when he hurt Leslie that way, leaving her for a mere merchant. By then Bruce had a name, an art, and a face that was recognized everywhere. Leslie had ended my marriage, so curiosity as to who had ended hers interrupted my life for a time. Hers was the only one of Bruce’s love stories I followed carefully, aside from my own.
Aside from relishing in Leslie’s pain, his personal life did not pique my interest. I knew my children were always respected and old enough to voice concern if anyone mistreated them. I could not remember if it was the third or fourth wife who was the only one of us who did not have children with Bruce.
Chopin’s somber Marche Funèbre snapped me back to the moment. The elaborate coffin encasing Bruce’s body had been placed on a movable catafalque. The catafalque with squeaky wheels carried Bruce’s body in a guided procession down the aisle. He was always a large man and had managed to become larger as he aged. His appetite for food and drink superseded all his other appetites.
Leslie whispered in my ear, “She doesn’t look sad.”
Glancing over at the person in question, I nodded in agreement. The widow could not be described as grieving. Grief is, of course, different in all of us. The body language of grief, though, is universal; the defeated, slumped shoulders, head bowed, tears flowing. Leslie was right. The widow was crying, but they almost looked like tears of relief.
A montage of Bruce’s works on a screen at the side of the altar shaped in a semicircle created the focal point. The aisle inclined and my pew toward the back provided a good vantage point. The incline was slight, but pronounced enough to give those of us in the back a full view. The ushers seemed to be holding back the coffin so it would not speed down the aisle. The wheels continued to squeak. Bruce would have hated this. The minister or priestess─I am not sure what title this universal church gave them,─had a very unpleasant voice and thus was difficult to listen to. No voice, even a pleasant one, could compete with Bruce’s art. For all the rotten things I would be happy to tell you about Bruce Jones, his art was not something anyone could criticize. Even the most prestigious critics raved about his talent and his work.
The slides were in chronological order. The memory and pain from the sting of betrayal flooded me as it had twenty-eight years earlier. I could see Leslie through the corner of my eye and the blush that betrayed her shame.
As wife number two, she had been party to betrayal because she too had been betrayed. I know Leslie grew to love my children very much. I guess she saw me as an extension of that love in some ways. I felt terrible. I had been so curt.
My hand reached to her shoulder in a gesture of solidarity and forgiveness when the images on the screen segued to show the shape of ex-wife number three. My heart ached for Leslie because we had similar builds, and many would not have been able to distinguish when Bruce transitioned from sculpting my body to sculpting hers.
Ex-wife number three, Petra─a very tall woman, with long slender limbs─had a body that blatantly displayed the transition from Leslie to her replacement. The unquestionable change in shape left no doubt Bruce’s affections had shifted again. Leslie, pregnant with her second child at the time, lost the baby to grief, a loss I also knew well.
At that point, I did need the tissues Leslie had given me, but I was shedding tears for her, not for Bruce. I miscarried a child with my second husband. I understood her pain and sense of loss. Mine, too, was the last child, the child I never had.
Bruce never sculpted pregnant women. Consequently, wife number three, the one who had never been pregnant had seven years that boasted more sculptures than the rest of us. At the seven-year mark, Bruce’s transition into a new love story, a new model. Petra’s telltale sobs showed her grasp of Bruce’s tell. After all, loving Bruce was a gamble. The change of model in the sculpture showed his change of heart. Petra was from a foreign country, I never paid much attention where. My kids interacted with her, and she welcomed them with kindness. In tandem, Leslie and I passed her the tissues.
Petra took both tissues we offered and her lips moved in a quiet whisper; the words were obviously meant for Leslie, though I could discern they were, “I am sorry”
My daughter, Clair, had always lived up to the dual meanings of her name; clear and famous. Clair could see things with great clarity, and she could convey them as such. I could only assume that she knew the ex-wives belonged together, ‘for closure and forgiveness’ as she had said.
Clair’s modeling career had started in her teens at her insistence; she was not pushed nor did anyone suggest she should model. She knew she was very attractive, and she knew she could convey her beauty and charm to an audience, a photographer, a camera.
Her modeling spun into acting. She was as natural on a screen as on a stage. It came to her with ease, though she was happy to take classes and learn. My Aaron is also successful, but he is a behind-the-scenes sort of person. I took great pride in knowing that I had always been a good mother. I had known how to allow my children to forge their own paths.
Not everything in my life succeeded, but I was a success at being a mother. I recognized Bruce’s love shelf life because I had one of my own, with a trail of the remains of ended marriages or relationships. Mine perhaps more impressive than Bruce’s.
I guess Bruce might have been the love of my life. But now in my mid-fifties, I questioned whether a spouse or companion had any viable use? I loved art, my passion, and although my work is not as popular or renowned as Bruce’s, I have achieved a certain level of success.
Author Bio:
M.C.V. Egan is the pen name chosen by Maria Catalina Vergara Egan. Catalina was born in Mexico City, Mexico in 1959, the sixth of eight children, in a traditional Catholic family. From a very young age, she became obsessed with the story of her maternal grandfather, Cesar Agustin Castillo--mostly the story of how he died.
She spent her childhood in Mexico. When her father became an employee of The World Bank in Washington D.C. in the early 1970s, she moved with her entire family to the United States. Catalina was already fluent in English, as she had spent one school year in the town of Pineville, Louisiana with her grandparents. There she won the English award, despite being the only one who had English as a second language in her class. In the D.C. suburbs she attended various private Catholic schools and graduated from Winston Churchill High School in Potomac, Maryland in 1977.
She attended Montgomery Community College, where she changed majors every semester. She also studied in Lyons, France, at the Catholic University for two years. In 1981, due to an impulsive young marriage to a Viking (the Swedish kind, not the football player kind), Catalina moved to Sweden where she resided for five years and taught at a language school for Swedish, Danish, and Finnish businesspeople. She then returned to the USA, where she has lived ever since. She is fluent in Spanish, English, French and Swedish.
Maria Catalina Vergara Egan is married and has one son who, together with their five-pound Chihuahua, makes her feel like a full-time mother. Although she would not call herself an astrologer she has taken many classes and taught a few beginner classes in the subject M.C.V. Egan's new series DEFINING WAYS uses Astrology and the Metaphysical tools.
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