Friday, August 18, 2017

Friday's Film Adaptations: The Suicide Club by Robert Louis Stevenson


Summary:
A generous and remarkable young prince, together with his loyal and brave servant, find more adventure than they bargained for in The Suicide Club, Robert Louis Stevenson's engrossing trilogy of short stories about a bizarre club for people with a strong desire to end their lives.

In these interrelated tales, Prince Florizel of Bohemia and his aide, Colonel Geraldine, travel incognito through some of the most dangerous haunts of 19th-century London. "The Story of the Young Man with the Cream Tarts" introduces Florizel to the formidable Suicide Club, an organization for people who wish to end their lives, but don't have the courage to accomplish the act themselves. The "Story of the Physician and the Saratoga Trunk" reveals the grim contents of a large piece of luggage that travels hundreds of miles to its final destination; and in "The Adventure of the Hansom Cab," a bloody resolution seals the fate of a notorious and elusive assassin.

Brimming with heart-stopping drama, this rare, lesser-known work by a master storyteller will appeal to a wide circle of readers, including fans of the great 19th-century English writer as well as lovers of a good mystery story.


CHAPTER 1
Story of the Young Man with the Cream Tarts
DURING HIS residence in London, the accomplished Prince Florizel of Bohemia gained the affection of all classes by the seduction of his manner and by a well-considered generosity. He was a remarkable man even by what was known of him; and that was but a small part of what he actually did. Although of a placid temper in ordinary circumstances, and accustomed to take the world with as much philosophy as any ploughman, the Prince of Bohemia was not without a taste for ways of life more adventurous and eccentric than that to which he was destined by his birth. Now and then, when he fell into a low humour, when there was no laughable play to witness in any of the London theatres, and when the season of the year was unsuitable to those field sports in which he excelled all competitors, he would summon his confidant and Master of the Horse, Colonel Geraldine, and bid him prepare himself against an evening ramble. The Master of the Horse was a young officer of a brave and even temerarious disposition. He greeted the news with delight, and hastened to make ready. Long practice and a varied acquaintance of life had given him a singular facility in disguise; he could adapt not only his face and bearing, but his voice and almost his thoughts, to those of any rank, character, or nation; and in this way he diverted attention from the Prince, and sometimes gained admission for the pair into strange societies. The civil authorities were never taken into the secret of these adventures; the imperturbable courage of the one and the ready invention and chivalrous devotion of the other had brought them through a score of dangerous passes; and they grew in confidence as time went on.

One evening in March they were driven by a sharp fall of sleet into an Oyster Bar in the immediate neighbourhood of Leicester Square. Colonel Geraldine was dressed and painted to represent a person connected with the Press in reduced circumstances; while the Prince had, as usual, travestied his appearance by the addition of false whiskers and a pair of large adhesive eyebrows. These lent him a shaggy and weather-beaten air, which, for one of his urbanity, formed the most impenetrable disguise. Thus equipped, the commander and his satellite sipped their brandy and soda in security.

The bar was full of guests, both male and female; but though more than one of these offered to fall into talk with our adventurers, none of them promised to grow interesting upon a nearer acquaintance. There was nothing present but the lees of London and the commonplace of disrespectability; and the Prince had already fallen to yawning, and was beginning to grow weary of the whole excursion, when the swing doors were pushed violently open, and a young man, followed by a couple of commissionaires, entered the bar. Each of the commissionaires carried a large dish of cream tarts under a cover, which they at once removed; and the young man made the round of the company, and pressed these confections upon everyone's acceptance with an exaggerated courtesy. Sometimes his offer was laughingly accepted; sometimes it was firmly, or even harshly, rejected. In these latter cases the new-comer always ate the tart himself, with some more or less humourous commentary.

At last he accosted Prince Florizel.

"Sir," said he, with a profound obeisance, proferring the tart at the same time between his thumb and forefinger, "will you so far honour an entire stranger? I can answer for the quality of the pastry, having eaten two dozen and three of them myself since five o'clock."

"I am in the habit," replied the Prince, "of looking not so much to the nature of a gift as to the spirit in which it is offered."

"The spirit, sir," returned the young man, with another bow, "is one of mockery."

"Mockery?" repeated Florizel. "And whom do you propose to mock?"

"I am not here to expound my philosophy," replied the other, "but to distribute these cream tarts. If I mention that I heartily include myself in the ridicule of the transaction, I hope you will consider honour satisfied and condescend. If not, you will constrain me to eat my twenty-eighth, and I own to being weary of the exercise."

"You touch me," said the Prince, "and I have all the will in the world to rescue you from this dilemma, but upon one condition. If my friend and I eat your cakes—for which we have neither of us any natural inclination—we shall expect you to join us at supper, by way of recompense."

The young man seemed to reflect.

"I have still several dozen upon hand," he said at last; "and that will make it necessary for me to visit several more bars before my great affair is concluded. This will take some time; and if you are hungry——"

The Prince interrupted him with a polite gesture.

"My friend and I will accompany you," he said: "for we have already a deep interest in your very agreeable mode of passing an evening. And now that the preliminaries of peace are settled, allow me to sign the treaty for both."

And the Prince swallowed the tart with the best grace imaginable.

"It is delicious," said he.

"I perceive you are a connoisseur," replied the young man.

Colonel Geraldine likewise did honour to the pastry; and every one in that bar having now either accepted or refused his delicacies, the young man with the cream tarts led the way to another and similar establishment. The two commissionaires, who seemed to have grown accustomed to their absurd employment, followed immediately after; and the Prince and the Colonel brought up the rear, arm in arm, and smiling to each other as they went. In this order the company visited two other taverns, where scenes were enacted of a like nature to that already described—some refusing, some accepting, the favours of this vagabond hospitality, and the young man himself eating each rejected tart.

On leaving the third saloon the young man counted his store. There were but nine remaining, three in one tray and six in the other.

"Gentlemen," said he, addressing himself to his two followers, "I am unwilling to delay your supper. I am positively sure you must be hungry. I feel that I owe you a special consideration. And on this great day for me, when I am closing a career of folly by my most conspicuously silly action, I wish to behave handsomely to all who give me countenance. Gentlemen, you shall wait no longer. Although my constitution is shattered by previous excesses, at the risk of my life I liquidate the suspensory condition."

With these words he crushed the nine remaining tarts into his mouth, and swallowed them at a single movement each. Then, turning to the commissionaires, he gave them a couple of sovereigns.

"I have to thank you," said he, "for your extraordinary patience."

And he dismissed them with a bow apiece. For some seconds he stood looking at the purse from which he had just paid his assistants, then, with a laugh, he tossed it into the middle of the street, and signified his readiness for supper.

In a small French restaurant in Soho, which had enjoyed an exaggerated reputation for some little while, but had already begun to be forgotten, and in a private room up two pair of stairs, the three companions made a very elegant supper, and drank three or four bottles of champagne, talking the while upon indifferent subjects. The young man was fluent and gay, but he laughed louder than was natural in a person of polite breeding; his hands trembled violently, and his voice took sudden and surprising inflections, which seemed to be independent of his will. The dessert had been cleared away, and all three had lighted their cigars, when the Prince addressed him in these words:—

"You will, I am sure, pardon my curiosity. What I have seen of you has greatly pleased but even more puzzled me. And though I should be loath to seem indiscreet, I must tell you that my friend and I are persons very well worthy to be entrusted with a secret. We have many of our own, which we are continually revealing to improper ears. And if, as I suppose, your story is a silly one, you need have no delicacy with us, who are two of the silliest men in England. My name is Godall, Theophilus Godall; my friend is Major Alfred Hammersmith— or at least, such is the name by which he chooses to be known. We pass our lives entirely in the search for extravagant adventures; and there is no extravagance with which we are not capable of sympathy."

"I like you, Mr. Godall," returned the young man; "you inspire me with a natural confidence; and I have not the slightest objection to your friend, the Major; whom I take to be a nobleman in masquerade. At least, I am sure he is no soldier."

The Colonel smiled at this compliment to the perfection of his art; and the young man went on in a more animated manner.

"There is every reason why I should not tell you my story. Perhaps that is just the reason why I am going to do so. At least, you seem so well prepared to hear a tale of silliness that I cannot find it in my heart to disappoint you. My name, in spite of your example, I shall keep to myself. My age is not essential to the narrative. I am descended from my ancestors by ordinary generation, and from them I inherited the very eligible human tenement which I still occupy and a fortune of three hundred pounds a year. I suppose they also handed on to me a hare-brain humour, which it has been my chief delight to indulge. I received a good education. I can play the violin nearly well enough to earn money in the orchestra of a penny gaff, but not quite. The same remark applies to the flute and the French horn. I learned enough of whist to lose about a hundred a year at that scientific game. My acquaintance with French was sufficient to enable me to squander money in Paris with almost the same facility as in London. In short, I am a person full of manly accomplishments. I have had every sort of adventure, including a duel about nothing. Only two months ago I met a young lady exactly suited to my taste in mind and body; I found my heart melt; I saw that I had come upon my fate at last, and was in the way to fall in love. But when I came to reckon up what remained to me of my capital, I found it amounted to something less than four hundred pounds! I ask you fairly—can a man who respects himself fall in love on four hundred pounds? I concluded, certainly not; left the presence of my charmer, and slightly accelerating my usual rate of expenditure, came this morning to my last eighty pounds. This I divided into two equal parts; forty I reserved for a particular purpose; the remaining forty I was to dissipate before the night. I have passed a very entertaining day; and played many farces besides that of the cream tarts which procured me the advantage of your acquaintance; for I was determined, as I told you, to bring a foolish career to a still more foolish conclusion; and when you saw me throw my purse into the street, the forty pounds were at an end. Now you know me as well as I know myself: a fool but consistent in his folly; and, as I will ask you to believe, neither a whimperer nor a coward."

From the whole tone of the young man's statement it was plain that he harboured very bitter and contemptuous thoughts about himself. His auditors were led to imagine that his love affair was nearer his heart than he admitted, and that he had a design on his own life. The farce of the cream tarts began to have very much the air of a tragedy in disguise.

"Why, is this not odd," broke out Geraldine, giving a look to Prince Florizel, "that we three fellows should have met by the merest accident in so large a wilderness as London, and should be so nearly in the same condition?"

"How?" cried the young man. "Are you, too, ruined? Is this supper a folly like my cream tarts? Has the devil brought three of his own together for a last carouse?"

"The devil, depend upon it, can sometimes do a very gentlemanly thing," returned Prince Florizel; "and I am so much touched by this coincidence, that, although we are not entirely in the same case, I am going to put an end to the disparity. Let your heroic treatment of the last cream tarts be my example."

So saying, the Prince drew out his purse and took from it a small bundle of banknotes.

"You see, I was a week or so behind you, but I mean to catch you up and come neck and neck into the winning-post," he continued. "This," laying one of the notes upon the table, "will suffice for the bill. As for the rest—"

He tossed them into the fire, and they went up the chimney in a single blaze.

The young man tried to catch his arm, but as the table was between them his interference came too late.

"Unhappy man," he cried, "you should not have burned them all! You should have kept forty pounds."

"Forty pounds!" repeated the Prince. "Why, in heaven's name, forty pounds?"

"Why not eighty?" cried the Colonel; "for to my certain knowledge there must have been a hundred in the bundle."

"It was only forty pounds he needed," said the young man gloomily. "But without them there is no admission. The rule is strict. Forty pounds for each. Accursed life, where a man cannot even die without money!"

The Prince and the Colonel exchanged glances.

"Explain yourself," said the latter. "I have still a pocket-book tolerably well lined, and I need not say how readily I would share my wealth with Godall. But I must know to what end: you must certainly tell us what you mean."

The young man seemed to awaken; he looked uneasily from one to the other, and his face flushed deeply.

"You are not fooling me?" he asked. "You are indeed ruined men like me?"

"Indeed, I am for my part," replied the Colonel.

"And for mine," said the Prince, "I have given you proof. Who but a ruined man would throw his notes into the fire? The action speaks for itself."

"A ruined man—yes," returned the other suspiciously, "or else a millionaire."

"Enough sir," said the Prince; "I have said so, and I am not accustomed to have my word remain in doubt."

"Ruined?" said the young man. "Are you ruined, like me? Are you, after a life of indulgence, come to such a pass that you can only indulge yourself in one thing more? Are you"—he kept lowering his voice as he went on—"are you going to give yourselves that last indulgence? Are you going to avoid the consequences of your folly by the one infallible and easy path? Are you going to give the slip to the sheriff's officers of conscience by the one open door?"

Suddenly he broke off and attempted to laugh.

"Here is your health!" he cried, emptying his glass, "and good night to you, my merry ruined men."

Colonel Geraldine caught him by the arm as he was about to rise.

"You lack confidence in us," he said, "and you are wrong. To all your questions I make answer in the affirmative. But I am not so timid, and can speak the Queen's English plainly. We too, like yourself, have had enough of life, and are determined to die. Sooner or later, alone or together, we meant to seek out death and beard him where he lies ready. Since we have met you, and your case is more pressing, let it be to-night—and at once—and, if you will, all three together. Such a penniless trio," he cried, "should go arm in arm into the halls of Pluto, and give each other some countenance among the shades!"

Geraldine had hit exactly on the manners and intonations that became the part he was playing. The Prince himself was disturbed, and looked over at his confidant with a shade of doubt. As for the young man, the flush came back darkly into his cheek, and his eyes threw out a spark of light.

"You are the men for me!" he cried, with an almost terrible gayety. "Shake hands upon the bargain!" (his hand was cold and wet.) "You little know in what a company you will begin the march! You little know in what a happy moment for yourselves you partook of my cream tarts! I am only a unit, but I am a unit in an army. I know Death's private door. I am one of his familiars, and can show you into eternity without ceremony and yet without scandal."

They called upon him eagerly to explain his meaning.

"Can you muster eighty pounds between you?" he demanded.

Geraldine ostentatiously consulted his pocket-book, and replied in the affirmative.

"Fortunate beings!" cried the young man. "Forty pounds is the entry money of the Suicide Club."

"The Suicide Club," said the Prince, "why, what the devil is that?"

Film
Before he can marry, a European prince gets mixed up with a suicide club.

Release Date: May 29, 1936
Release Time: 75 minutes

Cast:
Robert Montgomery as Prince Florizel
Rosalind Russell as Miss Vandeleur
Frank Morgan as Colonel Geraldine
Reginald Owen as President of Club
Louis Hayward as Young Man with Cream Tarts
E. E. Clive as King
Walter Kingsford as Malthus
Ivan F. Simpson as Collins (as Ivan Simpson)
Tom Moore as Major O'Rook
Robert Greig as Fat Man
Pedro de Cordoba as Sergei
Leyland Hodgson as Captain Rich (as Leland Hogdson)



Author Bio:
Robert Louis (Balfour) Stevenson was a Scottish novelist, poet, and travel writer, and a leading representative of English literature. He was greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling and Vladimir Nabokov.

Most modernist writers dismissed him, however, because he was popular and did not write within their narrow definition of literature. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the Western canon.

On December 3rd, 1894, he died of an apparent cerebral hemorrhage at the age of 44.


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