Now a major motion picture starring George Clooney and directed by Alexander Payne.
Fortunes have changed for the King family, descendants of Hawaiian royalty and one of the state’s largest landowners. Matthew King’s daughters—Scottie, a feisty ten-year-old, and Alex, a seventeen-year-old recovering drug addict—are out of control, and their charismatic, thrill-seeking mother, Joanie, lies in a coma after a boat-racing accident. She will soon be taken off life support. As Matt gathers his wife’s friends and family to say their final goodbyes, a difficult situation is made worse by the sudden discovery that there’s one person who hasn’t been told: the man with whom Joanie had been having an affair. Forced to examine what they owe not only to the living but to the dead, Matt, Scottie, and Alex take to the road to find Joanie’s lover, on a memorable journey that leads to unforeseen humor, growth, and profound revelations.
1
the sun is shining, mynah birds are chattering, palm trees are swaying, so what. I’m in the hospital and I’m healthy. My heart is beating as it should. My brain is firing off messages that are loud and clear. My wife is on the upright hospital bed, positioned the way people sleep on airplanes, her body stiff, head cocked to the side. Her hands are on her lap.
“Can’t we lay her flat?” I ask.
“Wait,” my daughter Scottie says. She takes a picture of her mother, a Polaroid. She fans herself with the photo, and I press the button on the side of the bed to lower my wife’s upper body. I release the button when she is almost flat on her back.
Joanie has been in a coma for twenty-three days, and in the next few days I’ll have to make some decisions based on our doctor’s final verdict. Actually, I’ll just have to find out what the doctor has to say about Joanie’s condition. I don’t have any decisions to make, since Joanie has a living will. She, as always, makes her own decisions.
Today is Monday. Dr. Johnston said we’ll talk on Tuesday, and this appointment is making me nervous, as though it’s a romantic date. I don’t know how to act, what to say, what to wear. I rehearse answers and reactions, but I’ve nailed only the lines that respond to favorable scenarios. I haven’t rehearsed Plan B.
“There,” Scottie says. Her real name is Scottie. Joanie thought it would be cool to name her after Joanie’s father, Scott. I have to disagree.
I look at the photo, which looks like those joke snapshots everyone takes of someone sleeping. I don’t know why we think they’re so funny. There’s a lot that can be done to you while you’re sleeping. This seems to be the message. Look how vulnerable you are, the things you aren’t aware of. Yet in this picture you know she isn’t just sleeping. Joanie has an IV and something called an endotracheal tube running out of her mouth to a ventilator that helps her breathe. She is fed through a tube and is administered enough medication to sustain a Fijian village. Scottie is documenting our life for her social studies class. Here’s Joanie at Queen’s Hospital, her fourth week in a coma, a coma that has scored a 10 on the Glasgow scale and a III on the Rancho Los Amigos scale. She was in a race and was launched from an offshore powerboat going eighty miles an hour, but I think she will be okay.
“She reacts nonpurposefully to stimuli in a nonspecific manner, but occasionally, her responses are specific though inconsistent.” This is what I’ve been told by her neurologist, a young woman with a slight tremor in her left eye and a fast way of talking that makes it hard to ask questions. “Her reflexes are limited and often the same, regardless of stimuli presented,” she says. None of this sounds good to me, but I’m assured Joanie’s still holding on. I feel she’ll be okay and one day able to function normally. I’m generally right about things.
“What was she racing for?” the neurologist asked.
The question confused me. “To win, I guess. To get to the end first.”
“shut this off,” I tell Scottie. She finishes pasting the picture into her book then turns off the television with the remote.
“No, I mean this.” I point to the stuff in the window—the sun and trees, the birds on the grass hopping from crumb to crumb thrown by tourists and crazy ladies. “Turn this off. It’s horrible.” The tropics make it difficult to mope. I bet in big cities you can walk down the street scowling and no one will ask you what’s wrong or encourage you to smile, but everyone here has the attitude that we’re lucky to live in Hawaii; paradise reigns supreme. I think paradise can go fuck itself.
“Disgusting,” Scottie says. She slides the stiff curtain across the window, shutting all of it out.
I hope she can’t tell that I’m appraising her and that I’m completely worried by what I see. She’s excitable and strange. She’s ten. What do people do during the day when they’re ten? She runs her fingers along the window and mumbles, “This could give me bird flu,” and then she forms a circle around her mouth with her hand and makes trumpet noises. She’s nuts. Who knows what’s going on in that head of hers, and speaking of her head, she most definitely could use a haircut or a brushing. There are small tumbleweeds of hair resting on the top of her head. Where does she get haircuts? I wonder. Has she ever had one before? She scratches her scalp, then looks at her nails. She wears a shirt that says i’m not that kind of girl. but i can be! I’m grateful that she isn’t too pretty, but I realize this could change.
I look at my watch. Joanie gave it to me.
“The hands glow and the face is mother-of-pearl,” she said.
“How much did it cost?” I asked.
“How did I know that would be the very first thing you said about it?”
I could see she was hurt, that she put a lot of work into selecting the gift. She loves giving gifts, paying attention to people so she can give them a gift that says she took the time to know and listen to them. At least it seems like that’s what she does. I shouldn’t have asked about the price. She just wanted to show that she knew me.
“What time is it?” Scottie asks.
“Ten-thirty.”
“It’s still early.”
“I know,” I say. I don’t know what to do. We’re here not only because we’re visiting and hoping Joanie has made some progress during the night, reacting to light and sound and painful jabs, but also because we have nowhere else to go. Scottie’s in school all day and then Esther picks her up, but this week I felt she should spend more time here and with me, so I took her out of school.
“What do you want to do now?” I ask.
She opens her scrapbook, a project that seems to occupy all of her time. “I don’t know. Eat.”
“What would you usually do now?”
“Be in school.”
“What if it were Saturday? What would you do then?”
“Beach.”
I try to think of the last time she was completely in my care and what we did together. I think it was when she was around one, one and a half. Joanie had to fly to Maui for a shoot and couldn’t find a babysitter, and her parents couldn’t do it, for some reason. I was in the middle of a trial and stayed home but absolutely had to get some work done, so I put Scottie in the bathtub with a bar of soap. I watched to see what happened. She splashed and tried to drink the bathwater, and then she found the soap and reached to grab it. It eluded her grasp and she tried again, a look of wonder on her small face, and I slipped out into the hall, where I had set up a workstation and a baby monitor. I could hear her laughing, so I knew she wasn’t drowning. I wonder if this would still work: putting her in a tub with a slippery bar of Irish Spring.
“We can go to the beach,” I say. “Would Mom take you to the club?”
“Well, duh. Where else would we go?”
“Then it’s a plan. After you talk and we see a nurse, we’ll check in at home, then go.”
Scottie takes a picture out of her album, crushes it in her hand, and throws it away. I wonder what the picture was, if it was the one of her mother on the bed, probably not the best family relic. “I wish,” Scottie says. “What do I wish?”
It’s one of our games. Every now and then she names a place she wishes we were besides this place, this time in our lives.
“I wish we were at the dentist,” she decides.
“Me, too. I wish we were getting our mouths x-rayed.”
“And Mom was getting her teeth whitened,” she says.
I really do wish we were at Dr. Branch’s office, the three of us getting high on laughing gas and feeling our numb lips. A root canal would be a blast compared to this. Or any medical procedure, really. Actually, I wish I could be home working. I have to make a decision on who should own the land that has been in my family since the 1840s. This sale will eliminate all of my family’s land holdings, and I desperately need to study up on the facts before the meeting I have with my cousins six days from now. That’s our deadline. Two o’clock at Cousin Six’s house six days from today. We’ll approve a buyer. It’s irresponsible of me to have put off thinking about this deal for so long, but I guess this is what our family has done for a while now. We’ve turned our backs to our legacy, waiting for someone else to come along and assume both our fortune and our debts.
I’m afraid Esther may have to take Scottie to the beach, and I’m about to tell her, but then I don’t because I feel ashamed. My wife is in the hospital, my daughter needs her parents, and I need to work. Once again I’m putting her in the tub.
I see Scottie staring at her mother. She has her back against the wall, and she’s fumbling with the hem of her shirt.
“Scottie,” I say. “If you’re not going to say anything, then we may as well leave.”
“Okay,” she says. “Let’s go.”
“Don’t you want to tell your mother what’s going on in school?”
“She never cares about what’s going on in school.”
“What about your extracurricular activities? Your schedule’s fuller than the president’s. Your scrapbook, show her that. Or what did you make in glassblowing the other day?”
“A bong,” she says.
I look at her closely before responding. She doesn’t appear to have said anything remarkable. I never know if she knows what she’s talking about. “Interesting,” I say. “What is a bong?”
She shrugs. “Some high school guy taught me how to make it. He said it would go well with chips and salsa and any other food I could think of. It’s some kind of platter.”
“Do you still have this . . . bong?”
“Sort of,” she says. “But Mr. Larson told me to make it into a vase. I could put flowers in it and give it to her.” She points at her mother.
“That’s a great idea!”
She eyes me skeptically. “You don’t have to get all Girl Scout about it.”
“Sorry,” I say.
I lean back in my chair and look at all the holes in the ceiling. I don’t know why I’m not worried, but I’m just not. I know Joanie will be okay because she always makes it out okay. She will wake up and Scottie will have a mother and we can talk about our marriage and I can put my suspicions aside. I’ll sell the property and buy Joanie a boat, something that will shock her and make her throw her head back and laugh.
“Last time you were the one in the bed,” Scottie says.
“Yup.”
“Last time you lied to me.”
“I know, Scottie. Forgive me.”
She’s referring to my stint in the hospital. I had a minor motorcycling accident. I crashed at the track, soaring over the handlebars into a pile of red dirt. At home, after the wreck, I told Joanie and Scottie what had happened but insisted I was okay and that I wasn’t going to the hospital. Scottie issued me these little tests to demonstrate my unreliability. Joanie participated. They played bad cop, worse cop.
“How many fingers?” Scottie asked, holding up what I thought was a pinky and a thumb.
“Balls,” I said. I didn’t want to be tested this way.
“Answer her,” Joanie said.
“Two?”
Matt King, a husband and father of two girls, must re-examine his past and navigate his future when his wife is in a boating accident off Waikiki. He awkwardly attempts to repair his relationship with his daughters - 10 year-old precocious Scottie and rebellious 17 year-old Alexandra - while wrestling with a decision to sell his family's land.
Release Date: Novembe 10, 2011
Release Time: 115 minutes
Director: Alexander Payne
Cast:
George Clooney as Matthew "Matt" King
Shailene Woodley as Alexandra "Alex" King
Amara Miller as Scottie King
Nick Krause as Sid
Beau Bridges as Hugh King
Judy Greer as Julie Speer
Matthew Lillard as Brian Speer
Robert Forster as Scott Thorson
Patricia Hastie as Elizabeth King
Mary Birdsong as Kai Mitchell
Rob Huebel as Mark Mitchell
Milt Kogan as Dr. Johnston
Laird Hamilton as Troy
Michael Ontkean as Cousin Milo
Matt Corboy as Kaiba
Awards:
2011 Academy Awards
Best Picture - Jim Burke, Alexander Payne, Jim Taylor - Nominated
Best Director - Alexander Payne - Nominated
Best Actor - George Clooney - Nominated
Best Adapted Screenplay - Alexander Payne, Nat Faxon, Jim Rash - Won
Best Film Editing - Kevin Tent - Nominated
BAFTA's
Best Film - Jim Burke, Alexander Payne, Jim Taylor - Nominated
Best Actor - George Clooney - Nominated
Best Adapted Screenplay -Alexander Payne, Nat Faxon, Jim Rash - Nominated
Golden Globes
Best Picture – Drama - Won
Best Director - Alexander Payne - Nominated
Best Actor – Drama - George Clooney - Won
Best Supporting Actress - Shailene Woodley - Nominated
Best Screenplay - Alexander Payne, Nat Faxon, Jim Rash - Nominated
Trailer
Clips
Kaui Hart Hemmings has degrees from Colorado College, Sarah Lawrence, and she was a Stegner Fellow at Stanford University. Her first novel, a New York Times bestseller, THE DESCENDANTS, has been published in twenty-two other countries and is now an Oscar-winning film directed by Alexander Payne and starring George Clooney. She has also published a story collection, HOUSE OF THIEVES. Her novel, The POSSIBILITIES, is an Oprah and People magazine "must read" and has been optioned by Jason Reitman. Her debut YA novel, JUNIORS, has been published by Penguin Putnam. Her most recent novel is HOW TO PARTY WITH AN INFANT. She lives in Hawaii.
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