Showing posts with label 10-14. Show all posts
Showing posts with label 10-14. Show all posts

Friday, April 18, 2025

πŸ°πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸ°: The 101 Dalmatians by Dodie Smith



Summary:

The book that inspired the animated movie classic!

When Dearly's Dalmatians have their first litter of pups—fifteen in all—everyone is delighted. But their joy is shortlived, for the pups are kidnapped! Scotland Yard is baffled, but the keenest canine minds are on the case—and on the trail of Cruella de Vil, the most fiendish person to ever covet a fur coat.

Pongo and Missis would give everything they have to bring their puppies safely home... but will they succeed in rescuing them from the cluthes of the evil Cruella de Vil?

"A tale full to overflowing with those prime requisites of a good story—warmth and humor, imagination and suspense."—Chicago Sunday Tribune

"Superb reading. The puzzle of the hundred and one is delightful.... Highly recommended."—SLJ



‘Ladies and gentlemen,’ she said, dramatically, ‘puppies are arriving earlier than expected. Mr and Mrs Dearly ask you to remember that Missis has never before been a mother. She needs absolute quiet.’

There was an instant silence, broken only by a stifled sneeze. Then the guests rose, drank a whispered toast to the young mother, and tiptoed from the house.

All except Cruella de Vil. When she reached the hall she went straight to Nanny Butler, who was seeing the guests out, and demanded:

‘Where are those puppies?’

Nanny Butler had no intention of telling, but Cruella heard the Dearly voices’ and ran upstairs. This time she was wearing a black satin dress with ropes of pearls, but the same absolutely simple white mink cloak. She had kept it round her all through dinner, although the room was very warm (and the pepper very hot).

‘I must, I must see the darling puppies,’ she cried.

The cupboard door was a little open. The Dearlys were inside, soothing Missus. Three puppies had been born before Nanny Butler, on bringing Missus a nourishing chicken dinner, had discovered what was happening.

Cruella flung open the door and stared down at the three puppies.

‘But they’re mongrels – all white, no spots at all!’ she cried. ‘You must drown them at once.’

‘Dalmatians are always born white,’ said Mrs Dearly, glaring at Cruella. ‘The spots come later.’

‘And we wouldn’t drown them even if they were mongrels,’ said Mrs Dearly, indignantly.

‘It’d be quite easy,’ said Cruella. ‘I’ve drowned dozens of my cat’s kittens. She always chooses some wretched alley-cat for their father so they’re never worth keeping.

‘Surely you leave her one kitten?’ said Mrs Dearly.

‘If I’d done that, I’d be overrun with cats,’ said Cruella.

‘Are you sure those horrid little white rats are pure Dalmatian puppies?’

‘Quite sure,’ snapped Mrs Dearly. ‘Now please go away, you’re upsetting Missus.’

And indeed Missus was upset. Even with the Dearlys there to protect her and her puppies, she was a little afraid of this tall woman with black-and-white hair who stared so hard. And that poor cat who had lost all her kittens! Never, Never, would Missus forget that! (And one day she was to be glad she remembered it.)

‘How long will it be before the puppies are old enough to leave their mother?’ asked Cruella. ‘In case I want to buy some.’

‘Seven or eight weeks,’ said Mr Dearly. ‘But there won’t be any for sale.’ Then he shut the cupboard door in Cruella’s face and Nanny Butler firmly showed her out of the house.



An evil high-fashion designer plots to steal dalmatian puppies in order to make an extravagant fur coat but creates an extravagant mess instead.

Release Date: November 27, 1996
Release Time: 103 minutes

Director: Stephen Herek

Cast:
Glenn Close as Cruella de Vil
Jeff Daniels as Roger Dearly
Joely Richardson as Anita Campbell-Green-Dearly
Joan Plowright as Nanny
Hugh Laurie as Jasper
Mark Williams as Horace
John Shrapnel as Mr. Skinner
Tim McInnerny as Alonzo
Hugh Fraser as Frederick
Zohren Weiss as Herbert
Brian Capron as television news reporter
Frank Welker as the voice of Pongo and Perdita

Awards:
50th BAFTAs - April 29, 1997
Best Makeup and Hair - Lynda Armstrong, Martial Corneville, Colin Jamison and Jean-Luc Russier - Nominated

54th Golden Globes - January 19, 1997 . . . 
Best Performance by an Actress in a Motion Picture-Musical or Comedy - Glenn Close - Nominated








1961  /  1996



Dodie Smith
Born Dorothy Gladys Smith in Lancashire, England, Dodie Smith was raised in Manchester (her memoir is titled A Childhood in Manchester). She was just an infant when her father died, and she grew up fatherless until age 14, when her mother remarried and the family moved to London. There she studied at the Royal Academy of Dramatic Arts and tried for a career as an actress, but with little success. She finally wound up taking a job as a toy buyer for a furniture store to make ends meet. Giving up dreams of an acting career, she turned to writing plays, and in 1931 her first play, Autumn Crocus, was published (under the pseudonym “C.L. Anthony”). It was a success, and her story — from failed actress to furniture store employee to successful writer — captured the imagination of the public and she was featured in papers all over the country. Although she could now afford to move to a London townhouse, she didn't get caught up in the “literary” scene — she married a man who was a fellow employee at the furniture store.

During World War II she and her husband moved to the United States, mostly because of his stand as a conscientious objector and the social and legal difficulties that entailed. She was still homesick for England, though, as reflected in her first novel, I Capture the Castle (1948). During her stay she formed close friendships with such authors as Christopher Isherwood and John Van Druten, and was aided in her literary endeavors by writer A.J. Cronin.

She is perhaps best known for her novel The Hundred and One Dalmatians, a hugely popular childrens book that has been made into a string of very successful animated films by Walt Disney. She died in 1990.


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Friday, August 23, 2024

πŸ“šπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸ“š: Are You There God? It's Me, Margaret by Judy Blume



Summary:

The iconic coming-of-age novel from the beloved author, Judy Blume, whose “name has long been synonymous with young adult fiction” (Los Angeles Times). Now a major motion picture starring Rachel McAdams and Kathy Bates!

“Are You There God? It’s Me Margaret is very special.” —Amy Poehler (Vulture)

“Generations of teenage girls have grown up reading the tales of teenage angst told by beloved author Judy Blume.” —Mashable
 
Margaret Simon, almost twelve, has just moved from New York City to the suburbs, and she’s anxious to fit in with her new friends. When she’s asked to join a secret club she jumps at the chance. But when the girls start talking about boys, bras, and getting their first periods, Margaret starts to wonder if she’s normal. There are some things about growing up that are hard for her to talk about, even with her friends. Lucky for Margaret, she’s got someone else to confide in . . . someone who always listens.



Are you there God? It’s me, Margaret. We’re moving today. I’m so scared God. I’ve never lived anywhere but here. Suppose I hate my new school? Suppose everybody there hates me? Please help me God. Don’t let New Jersey be too horrible. Thank you.

We moved on the Tuesday before Labor Day. I knew what the weather was like the second I got up. I knew because I caught my mother sniffing under her arms. She always does that when it’s hot and humid, to make sure her deodorant’s working. I don’t use deodorant yet. I don’t think people start to smell bad until they’re at least twelve. So I’ve still got a few months to go.

I was really surprised when I came home from camp and found out our New York apartment had been rented to another family and that we owned a house in Farbrook, New Jersey. First of all I never even heard of Farbrook. And second of all, I’m not usually left out of important family decisions.

But when I groaned, “Why New Jersey?” I was told, “Long Island is too social-Westchester is too expensive-and Connecticut is too inconvenient.”

So Farbrook, New Jersey it was, where my father could commute to his job in Manhattan, where I could go to public school, and where my mother could have all the grass, trees and flowers she ever wanted. Except I never knew she wanted that stuff in the first place.

The new house is on Morningbird Lane. It isn’t bad. It’s part brick, part wood. Also, there is a very nice brass knocker. Every house on our new street looks a lot the same. They are all seven years old. So are the trees.

I think we left the city because of my grandmother, Sylvia Simon. I can’t figure out any other reason for the move. Especially since my mother says Grandma is too much of an influence on me. It’s no big secret in our family that Grandma sends me to summer camp in New Hampshire. And that she enjoys paying my private school tuition (which she won’t be able to do any more because now I’ll be going to public school). She even knits me sweaters that have labels sewed inside saying MADE EXPRESSLY FOR YOU…BY GRANDMA.

And she doesn’t do all that because we’re poor. I know for a fact that we’re not. I mean, we aren’t rich but we certainly have enough. Especially since I’m an only child. That cuts way down on food and clothes. I know this family that has seven kids and every time they go to the shoe store it costs a bundle. My mother and father didn’t plan for me to be an only child, but that’s the way it worked out, which is fine with me because this way I don’t have anybody around to fight.

Anyhow, I figure this house-in-New-Jersey business is my parents’ way of getting me away from Grandma. She doesn’t have a car, she hates buses and she thinks all trains are dirty. So unless Grandma plans to walk, which is unlikely, I won’t be seeing much of her. Now some kids might think, who cares about seeing a grandmother? But Sylvia Simon is a lot of fun, considering her age, which I happen to know is sixty. The only problem is she’s always asking me if I have boyfriends and if they’re Jewish. Now that is ridiculous because number one I don’t have boyfriends. And number two what would I care if they’re Jewish or not?


When her family moves from the city to the suburbs, 11-year-old Margaret navigates new friends, feelings, and the beginning of adolescence.

Release Date: April 28, 2023
Release Time: 106 minutes

Director: Kelly Fremon Craig

Cast:
Abby Ryder Fortson as Margaret Simon
Rachel McAdams as Barbara Simon
Kathy Bates as Sylvia Simon
Benny Safdie as Herb Simon
Elle Graham as Nancy Wheeler
Amari Alexis Price as Janie Loomis
Katherine Kupferer as Gretchen Potter
Kate MacCluggage as Mrs. Jan Wheeler
Aidan Wojtak-Hissong as Moose Freed
Landon S. Baxter as Evan Wheeler
Echo Kellum as Mr. Benedict
Zackary Brooks as Philip Leroy
Isol Young as Laura Danker
Simms May as Norman Fisher
Mia Dillon as Mary Hutchins
Gary Houston as Paul Hutchins



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Judy Blume
Judy Blume spent her childhood in Elizabeth, NJ, making up stories inside her head. She has spent her adult years in many places, doing the same thing, only now she writes her stories down on paper. Adults as well as children will recognize such Blume titles as: Are You There God? It's Me, Margaret; Superfudge; Blubber; Just As Long As We're Together; and Forever. She has also written the best-selling novels Wifey; Smart Women; and, Summer Sisters. More than 75 million copies of her books have been sold, and her work has been translated into twenty-six languages. 

She receives thousands of letters each month from readers of all ages who share their feelings and concerns with her.

Judy received a B.S. in education from New York University in 1961, which named her a Distinguished Alumna in 1996, the same year that American Library Association honored her with the Margaret A. Edwards Award for Lifetime Achievement. She has won more than ninety awards, none more important than those coming directly from her youngest readers. 

She serves on the boards of the Author's Guild, currently as Vice President; the Society of Children's Book Writers and Illustrators, where she sponsors an award for contemporary fiction; and the National Coalition Against Censorship, working to protect intellectual freedom. In Spring 2002, Judy was a spokesperson for the Cheerios "A Book for Every Child" literacy campaign which benefited Reading is Fundamental, America's largest literacy organization. She is also the founder and trustee of The Kids Fund, a charitable and educational foundation. 

Judy's first book in the Fudge series, Tales of a Fourth Grade Nothing, was published in 1972. She is thrilled to be celebrating its 30th Anniversary with the publication of Double Fudge. Just as generations of fans have loved the Fudge books, generations of Judy's family have inspired them. Thirty years ago, Fudge was inspired by her son, Larry, and now Double Fudge was written at the request of her grandson, Elliot. 

Judy lives on islands up and down the East Coast with her husband George Cooper. They have three grown children and one grandchild.




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Friday, May 31, 2024

πŸŒˆπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŒˆ: Simon vs. the Homo Sapiens Agenda by Becky Albertalli



Summary:

Now a major motion picture: Love, Simon, starring Nick Robinson and Katherine Langford!

This edition includes new Simon and Blue emails, a behind-the-scenes scrapbook from the Love, Simon movie set, and Becky Albertalli in conversation with fellow authors Adam Silvera and Angie Thomas.

William C. Morris Award Winner: Best Young Adult Debut of the Year * National Book Award Longlist

"A remarkable gift of a novel."—Andrew Smith, author of Grasshopper Jungle

"I am so in love with this book."—Nina LaCour, author of Hold Still

"Feels timelessly, effortlessly now."—Tim Federle, author of Better Nate Than Ever

"The best kind of love story."—Alex Sanchez, Lambda Award-winning author of Rainbow Boys and Boyfriends with Girlfriends

Sixteen-year-old and not-so-openly gay Simon Spier prefers to save his drama for the school musical. But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now change-averse Simon has to find a way to step out of his comfort zone before he's pushed out—without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he's never met.

Incredibly funny and poignant, this twenty-first-century coming-of-age, coming out story—wrapped in a geek romance—is a knockout of a debut novel by Becky Albertalli.



1
IT’S A WEIRDLY SUBTLE CONVERSATION. I almost don’t notice I’m being blackmailed.

We’re sitting in metal folding chairs backstage, and Martin Addison says, “I read your email.”

“What?” I look up.

“Earlier. In the library. Not on purpose, obviously.”

“You read my email?”

“Well, I used the computer right after you,” he says, “and when I typed in Gmail, it pulled up your account. You probably should have logged out.”

I stare at him, dumbfounded. He taps his foot against the leg of his chair.

“So, what’s the point of the fake name?” he asks.

Well. I’d say the point of the fake name was to keep people like Martin Addison from knowing my secret identity. So I guess that worked out brilliantly.

I guess he must have seen me sitting at the computer.

And I guess I’m a monumental idiot.

He actually smiles. “Anyway, I thought it might interest you that my brother is gay.”

“Um. Not really.”

He looks at me.

“What are you trying to say?” I ask.

“Nothing. Look, Spier, I don’t have a problem with it. It’s just not that big of a deal.”

Except it’s a little bit of a disaster, actually. Or possibly an epic fuckstorm of a disaster, depending on whether Martin can keep his mouth shut.

“This is really awkward,” Martin says.

I don’t even know how to reply.

“Anyway,” he says, “it’s pretty obvious that you don’t want people to know.”

I mean. I guess I don’t. Except the whole coming out thing doesn’t really scare me.

I don’t think it scares me.

It’s a giant holy box of awkwardness, and I won’t pretend I’m looking forward to it. But it probably wouldn’t be the end of the world. Not for me.

The problem is, I don’t know what it would mean for Blue. If Martin were to tell anyone. The thing about Blue is that he’s kind of a private person. The kind of person who wouldn’t forget to log out of his email. The kind of person who might never forgive me for being so totally careless.

So I guess what I’m trying to say is that I don’t know what it would mean for us. For Blue and me.

But I seriously can’t believe I’m having this conversation with Martin Addison. Of all the people who could have logged into Gmail after me. You have to understand that I never would have used the library computers in the first place, except they block the wireless here. And it was one of those days where I couldn’t wait until I was home on my laptop. I mean, I couldn’t even wait to check it on my phone in the parking lot.

Because I had written Blue from my secret account this morning. And it was sort of an important email.

I just wanted to see if he had written back.

“I actually think people would be cool about it,” Martin says. “You should be who you are.”

I don’t even know where to begin with that. Some straight kid who barely knows me, advising me on coming out. I kind of have to roll my eyes.

“Okay, well, whatever. I’m not going to show anyone,” he says.

For a minute, I’m stupidly relieved. But then it hits me.

“Show anyone?” I ask.

He blushes and fidgets with the hem of his sleeve. Something about his expression makes my stomach clench.

“Did you—did you take a screenshot or something?”

“Well,” he says, “I wanted to talk to you about that.”

“Sorry—you took a fucking screenshot?”

He purses his lips together and stares over my shoulder. “Anyway,” he says, “I know you’re friends with Abby Suso, so I wanted to ask—”

“Seriously? Or maybe we could go back to you telling me why you took a screenshot of my emails.”

He pauses. “I mean, I guess I’m wondering if you want to help me talk to Abby.”

I almost laugh. “So what—you want me to put in a good word for you?”

“Well, yeah,” he says.

“And why the hell should I do that?”

He looks at me, and it suddenly clicks. This Abby thing. This is what he wants from me. This, in exchange for not broadcasting my private fucking emails.

And Blue’s emails.

Jesus Christ. I mean, I guess I figured Martin was harmless. A little bit of a goobery nerd, to be honest, but it’s not like that’s a bad thing. And I’ve always thought he was kind of hilarious.

Except I’m not laughing now.

“You’re actually going to make me do this,” I say.

“Make you? Come on. It’s not like that.”

“Well, what’s it like?”

“It’s not like anything. I mean, I like this girl. I was just thinking you would want to help me here. Invite me to stuff when she’ll be there. I don’t know.”

“And what if I don’t? You’ll put the emails on Facebook? On the fucking Tumblr?”

Jesus. The creeksecrets Tumblr: ground zero for Creekwood High School gossip. The entire school would know within a day.

We’re both quiet.

“I just think we’re in a position to help each other out,” Martin finally says.

I swallow, thickly.

“Paging Marty,” Ms. Albright calls from the stage. “Act Two, Scene Three.”

“So, just think about it.” He dismounts his chair.

“Oh yeah. I mean, this is so goddamn awesome,” I say.

He looks at me. And there’s this silence.

“I don’t know what the hell you want me to say,” I add finally.

“Well, whatever.” He shrugs. And I don’t think I’ve ever been so ready for someone to leave. But as his fingers graze the curtains, he turns to me.

“Just curious,” he says. “Who’s Blue?”

“No one. He lives in California.”

If Martin thinks I’m selling out Blue, he’s fucking crazy.

Blue doesn’t live in California. He lives in Shady Creek, and he goes to our school. Blue isn’t his real name.

He’s someone. He may even be someone I know. But I don’t know who. And I’m not sure I want to know.

And I’m seriously not in the mood to deal with my family. I probably have about an hour until dinner, which means an hour of trying to spin my school day into a string of hilarious anecdotes. My parents are like that. It’s like you can’t just tell them about your French teacher’s obvious wedgie, or Garrett dropping his tray in the cafeteria. You have to perform it. Talking to them is more exhausting than keeping a blog.

It’s funny, though. I used to love the chatter and chaos before dinner. Now it seems like I can’t get out the door fast enough. Today especially. I stop only long enough to click the leash onto Bieber’s collar and get him out the door.

I’m trying to lose myself in Tegan and Sara on my iPod. But I can’t stop thinking about Blue and Martin Addison and the holy awfulness of today’s rehearsal.

So Martin is into Abby, just like every other geeky straight boy in Advanced Placement. And really, all he wants is for me to let him tag along when I hang out with her. It doesn’t seem like a huge deal when I think about it that way.

Except for the fact that he’s blackmailing me. And by extension, he’s blackmailing Blue. That’s the part that makes me want to kick something.

But Tegan and Sara help. Walking to Nick’s helps. The air has that crisp, early fall feeling, and people are already lining their steps with pumpkins. I love that. I’ve loved it since I was a kid.

Bieber and I cut around to Nick’s backyard and through the basement. There’s a massive TV facing the door, on which Templars are being brutalized. Nick and Leah have taken over a pair of rocking video game chairs. They look like they haven’t moved all afternoon.

Nick pauses the game when I walk in. That’s something about Nick. He won’t put down a guitar for you, but he’ll pause a video game.

“Bieber!” says Leah. Within seconds, he perches awkwardly with his butt in her lap, tongue out and leg thumping. He’s so freaking shameless around Leah.

“No, it’s cool. Just greet the dog. Pretend I’m not here.”

“Aww, do you need me to scratch your ears, too?”

I crack a smile. This is good; things are normal. “Did you find the traitor?” I ask.

“Killed him.” He pats the controller.

“Nice.”

Seriously, there is no part of me that cares about the welfare of assassins or Templars or any game character ever. But I think I need this. I need the violence of video games and the smell of this basement and the familiarity of Nick and Leah. The rhythm of our speech and silences. The aimlessness of mid-October afternoons.

“Simon, Nick hasn’t heard about le wedgie.”

“Ohhhh. Le wedgie. C’est une histoire touchante.”

“English, please?” says Nick.

“Or pantomime,” Leah says.

As it turns out, I’m kind of awesome at reenacting epic wedgies.

So maybe I do like to perform. A little.

I think I’m getting that Nick-and-Leah sixth-grade field trip feeling. I don’t know how to explain it. But when it’s just the three of us, we have these perfect, stupid moments. Martin Addison doesn’t exist in this kind of moment. Secrets don’t exist.

Stupid. Perfect.

Leah rips up a paper straw wrapper, and they’re both holding giant Styrofoam cups of sweet tea from Chick-fil-A. I actually haven’t been to Chick-fil-A for a while. My sister heard they donate money to screw over gay people, and I guess it started to feel weird eating there. Even if their Oreo milk shakes are giant vessels of frothy deliciousness. Not that I can bring that up with Nick and Leah. I don’t exactly talk about gay stuff with anyone. Except Blue.

Nick takes a swig of his tea and yawns, and Leah immediately tries to launch a little paper wad into his mouth. But Nick clamps his mouth shut, blocking it.

She shrugs. “Just keep on yawning, sleepyhead.”

“Why are you so tired?”

“Because I party hard. All night. Every night,” Nick says.

“If by ‘party,’ you mean your calculus homework.”

“WHATEVER, LEAH.” He leans back, yawning again. This time, Leah’s paper wad grazes the corner of his mouth.

He flicks it back toward her.

“So, I keep having these weird dreams,” he adds.

I raise my eyebrows. “Yikes. TMI?”

“Um. Not that kind of dream.”

Leah’s whole face goes red.

“No, just,” Nick says, “like actual weird dreams. Like I dreamed I was in the bathroom putting on my contacts, and I couldn’t figure out which lens went in which eye.”

“Okay. So then what?” Leah’s face is buried in the fur on the back of Bieber’s neck, and her voice is muffled.

“Nothing. I woke up, I put my contacts in like normal, and everything was fine.”

“That’s the most boring dream ever,” she says. And then, a moment later, “Isn’t that why they label the left and right sides of the containers?”

“Or why people should just wear glasses and stop touching their eyeballs.” I sink cross-legged onto the carpet. Bieber slides out of Leah’s lap to wander toward me.

“And because your glasses make you look like Harry Potter, right, Simon?”

One time. I said it once.

“Well, I think my unconscious is trying to tell me something.” Nick can be pretty single-minded when he’s feeling intellectual. “Obviously, the theme of the dream is vision. What am I not seeing? What are my blind spots?”

“Your music collection,” I suggest.

Nick rocks backward in the video game chair and takes another swig of tea. “Did you know Freud interpreted his own dreams when he was developing his theory? And he believed that all dreams are a form of unconscious wish fulfillment?”

Leah and I look at each other, and I can tell we’re thinking the same thing. It doesn’t matter that he’s quite possibly talking complete bullshit, because Nick is a little bit irresistible when he’s in one of his philosophical moods.

Of course, I have a strict policy of not falling for straight guys. At least, not confirmed straight guys. Anyway, I have a policy of not falling for Nick. But Leah has fallen. And it’s caused all kinds of problems, especially now that Abby’s in the picture.

At first, I didn’t understand why Leah hated Abby, and asking about it directly got me nowhere.

“Oh, she’s the best. I mean, she’s a cheerleader. And she’s so cute and skinny. Doesn’t that just make her so amazing?”

You have to understand that no one has mastered the art of deadpan delivery like Leah.

But eventually I noticed Nick switching seats with Bram Greenfeld at lunch—calculated switching, designed to maximize his odds of sitting near Abby. And then the eyes. The famous Nick Eisner lingering, lovesick eyes. We’d been down that vomit-inducing road before with Amy Everett at the end of freshman year. Though, I have to admit there’s something fascinating about Nick’s nervous intensity when he likes someone.

When Leah sees that look pass across Nick’s face, she just shuts down.

Which means there’s actually one good reason for being Martin Addison’s wingman matchmaker bitch. If Martin and Abby hook up, maybe the Nick problem will just go away. Then Leah can chill the heck out, and equilibrium will be restored.

So it’s not just about me and my secrets. It’s hardly about me at all.


Simon Spier keeps a huge secret from his family, his friends and all of his classmates: he's gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.

Release Date: March 16, 2018
Release Time: 110 minutes

Director: Greg Berlanti

Cast:
Nick Robinson as Simon Spier
Bryson Pitts as 10-year-old Simon
Nye Reynolds as 5-year-old Simon
Josh Duhamel as Jack Spier
Jennifer Garner as Emily Spier
Katherine Langford as Leah Burke
Alexandra Shipp as Abby Susso
Jorge Lendeborg Jr. as Nick Eisner
Keiynan Lonsdale as Abraham "Bram" Greenfeld
Miles Heizer as Cal Price
Logan Miller as Martin Addison
Tony Hale as Mr. Worth
Talitha Bateman as Nora Spier
Skye Mowbray as 6-year-old Nora Spier
Natasha Rothwell as Ms. Albright
Drew Starkey as Garrett Laughlin
Clark Moore as Ethan
Joey Pollari as Lyle
Mackenzie Lintz as Taylor Metternich

Awards:
MTV Movie & TV Awards - June 18, 2018
Best Kiss - Nick Robinson and Keiynan Lonsdale - Won
Best Musical Moment - Love, Simon - Nominated

GLAAD Media Award - March 28, 2019
Outstanding Film – Wide Release - Love, Simon - Won



Trailer

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Becky Albertalli
Becky Albertalli is the author of the acclaimed novels Simon vs. the Homo Sapiens Agenda (film: Love, Simon), The Upside of Unrequited, and Leah on the Offbeat. She is also the co-author of What If It's Us with Adam Silvera. A former clinical psychologist who specialized in working with children and teens, Becky lives with her family in Atlanta. You can visit her online at her website.




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