Showing posts with label occult. Show all posts
Showing posts with label occult. Show all posts

Friday, October 14, 2022

πŸŽƒπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŽƒ: The Devil Rides Out by Dennis Wheatley



Summary:

The aristocratic Duke de Richleau faces new, sinister challenges in this macabre tale of the dark arts. When his good friend Simon Aron's naΓ―ve curiosity is tested, the Duke, along with his ever-patient friends Rex Van Ryn, and Richard Eaton, must intricately plot a means of both physical and spiritual rescue. But with Van Ryn's affections for abeautiful woman caught in the web of Satanists, and Eaton's ongoing scepticism, they all risk being brought to the verge of madness through dabbling with the powers of evil.

From London to the West Country, the slums of Paris to a Christian monastery, the action of this powerful occult thriller moves with fantastic, compelling force.



1
The Incomplete Reunion
The Duke de Richleau and Rex Van Ryn had gone in to dinner at eight o’clock, but coffee was not served till after ten.

An appetite in keeping with his mighty frame had enabled Van Ryn to do ample justice to each well-chosen course and, as was his custom each time the young American arrived in England, the Duke had produced his finest wines for this, their reunion dinner at his flat.

A casual observer might well have considered it a strange friendship, but despite their difference in age and race, appearance and tradition, a real devotion existed between the two.

Some few years earlier Rex’s foolhardiness had landed him in a Soviet prison, and the elderly French exile had put aside his peaceful existence as art connoisseur and dilettante to search for him in Russia. Together they had learned the dangerous secret of ‘The Forbidden Territory’ and travelled many thousand verts pursued by the merciless agents of the Ogpu.

There had been others too in that strange adventure; young Richard Eaton, and the little Princess Marie Lou whom he had brought out of Russia as his bride; but as Rex accepted a long Hoyo de Monterrey from the cedar cabinet, which the Duke’s man presented to him, his thoughts were not of the Eatons, living now so happily with their little daughter Fleur in their lovely country home. He was thinking of that third companion whose subtle brain and shy, nervous courage had proved so great an aid when they were hunted like hares through the length and breadth of Russia, the frail, narrow-shouldered Englishman, Simon Aron.

‘What could possibly have kept Simon from being with them tonight?’ Rex was wondering. He had never failed before to make these reunion dinners, and why had the Duke brushed aside his inquiries about him in such an offhand manner? There was something odd behind De Richleau’s reticence, and Rex had a feeling that for all his host’s easy charm and bland, witty conversation something had gone seriously wrong.

He slowly revolved some of the Duke’s wonderful old brandy in a bowl-shaped glass, while he watched the servant preparing to leave the room. Then, as the door closed, he set it down and addressed De Richleau almost abruptly.

‘Well, I’m thinking it’s about time for you to spill the beans.’

The Duke inhaled the first cloud of fragrant smoke from another of those long Hoyos and answered guardedly. ‘Had you not better tell me, Rex, to what particular beans you refer?’

‘Simon of course! For years now the three of us have dined together on my first night, each time I’ve come across, and you were too mighty casual to be natural when I asked about him before dinner. Why isn’t he here?’

‘Why, indeed, my friend?’ the Duke repeated, running the tips of his fingers down his lean, handsome face. ‘I asked him, and told him that your ship docked this morning, but he declined to honour us tonight.’

‘Is he ill then?’

‘No, as far as I know he’s perfectly well. At all events he was at his office today.’

‘He must have had a date then that he couldn’t scrap, or some mighty urgent work. Nothing less could induce him to let us down on one of these occasions. They’ve become, well, in a way, almost sacred to our friendship.’

‘On the contrary he is at home alone tonight. He made his apologies of course, something about resting for a Bridge Tournament that starts …’

‘Bridge Tournament my foot!’ exclaimed Rex angrily. ‘He’d never let that interfere between us three. It sounds mighty fishy to me. When did you see him last?’

‘About three months ago.’

‘What! But that’s incredible. Now look here!’ Rex thrust the onyx ashtray from in front of him, and leaned across the table. ‘You haven’t quarrelled, have you?’

De Richleau shook his head. ‘If you were my age, Rex, and had no children, then met two younger men who gave you their affection, and had all the attributes you could wish for in your sons, how would it be possible for you to quarrel with either of them?’

‘That’s so, but three months is a whale of a while for friends who are accustomed to meet two or three times a week. I just don’t get this thing at all, and you’re being a sight too reticent about it. Come on now, what do you know?’

The grey eyes of piercing brilliance which gave such character to De Richleau’s face, lit up.  ‘Is he ill then?’

‘No, as far as I know he’s perfectly well. At all events he was at his office today.’

‘He must have had a date then that he couldn’t scrap, or some mighty urgent work. Nothing less could induce him to let us down on one of these occasions. They’ve become, well, in a way, almost sacred to our friendship.’

‘On the contrary he is at home alone tonight. He made his apologies of course, something about resting for a Bridge Tournament that starts …’

‘Bridge Tournament my foot!’ exclaimed Rex angrily. ‘He’d never let that interfere between us three. It sounds mighty fishy to me. When did you see him last?’

‘About three months ago.’

‘What! But that’s incredible. Now look here!’ Rex thrust the onyx ashtray from in front of him, and leaned across the table. ‘You haven’t quarrelled, have you?’

De Richleau shook his head. ‘If you were my age, Rex, and had no children, then met two younger men who gave you their affection, and had all the attributes you could wish for in your sons, how would it be possible for you to quarrel with either of them?’

‘That’s so, but three months is a whale of a while for friends who are accustomed to meet two or three times a week. I just don’t get this thing at all, and you’re being a sight too reticent about it. Come on now, what do you know?’

The grey eyes of piercing brilliance which gave such character to De Richleau’s face, lit up. ‘That,’ he said suddenly, ‘is just the trouble. I don’t know anything.’

‘But you fear that, to use his own phrase, Simon’s “in a muddle—a really nasty muddle” eh? And you’re a little hurt that he hasn’t brought his worry to you.’

‘To whom else should he turn if not to one of us—and you were in the States.’

‘Richard maybe, he’s an even older friend of Simon’s than we are.’

‘No. I spent last weekend at Cardinals Folly and neither Richard nor Marie Lou could tell me anything. They haven’t seen him since he went down to stay last Christmas and arrived with a dozen crates of toys for Fleur.’

‘How like him!’ Rex’s gargantuan laugh rang suddenly through the room. ‘I might have known the trunkful I brought over would be small fry if you and Simon have been busy on that child.’

‘Well I can only conclude that poor Simon is “in a muddle” as you say, or he would never treat us all like this.’

‘But what sort of a muddle?’ Rex brought his leg-of-mutton fist crashing down on the table angrily. ‘I can’t think of a thing where he wouldn’t turn to us.’

‘Money,’ suggested the Duke, ‘is the one thing that with his sensitive nature he might not care to discuss with even his closest friends.’

‘I doubt it being that. My old man has a wonderful opinion of Simon’s financial ability and he handles a big portion of our interests on this side. I’m pretty sure we’d be wise to it if he’d burned his fingers on the market. It sounds as if he’d gone bats about some woman to me.’

De Richleau’s face was lit by his faintly cynical smile for a moment. ‘No,’ he said slowly. ‘A man in love turns naturally to his friends for congratulation or sympathy as his fortune with a woman proves good or ill. It can’t be that.’

For a little the two friends sat staring at each other in silence across the low jade bowl with its trailing sprays of orchids: Rex, giant shouldered, virile and powerful, his ugly, attractive, humorous young face clouded with anxiety; the Duke, a slim, delicate-looking man, with slender, fragile hands and greying hair, but with no trace of weakness in his fine, distinguished face. His aquiline nose, broad forehead and grey ‘devil’s’ eyebrows might well have replaced those of the cavalier in the Van Dyck that gazed down from the opposite wall. Instead of the conventional black, he wore a claret-coloured vicuna smoking suit, with silk lapels and braided fastenings; this touch of colour increased his likeness to the portrait. He broke the silence suddenly.

‘Have you by any chance ever heard of a Mr Mocata, Rex?’

‘Nope. Who is he anyway?’

‘A new friend of Simon’s who has been staying with him these last few months.’

‘What, at his Club?’

‘No–no, Simon no longer lives at his Club. I thought you knew. He bought a house last February, a big, rambling old place tucked away at the end of a cul-de-sac off one of those quiet residential streets in St John’s Wood.’

‘Why, that’s right out past Regent’s Park, isn’t it? What’s he want with a place out there when there are any number of nice little houses to let in Mayfair?’

‘Another mystery, my friend.’ The Duke’s thin lips creased into a smile. ‘He said he wanted a garden, that’s all I can tell you.’

‘Simon! A garden!’ Rex chuckled. ‘That’s a good story I’ll say. Simon doesn’t know a geranium from a fuchsia. His botany is limited to an outsized florist’s bill for bunching his women friends from shops, and why should a bachelor like Simon start running a big house at all?’

‘Perhaps Mr Mocata could tell you,’ murmured De Richleau mildly, ‘or the servant that he has imported.’

‘Have you ever seen this bird, Mocata I mean?’

‘Yes, I called one evening about six weeks ago. Simon was out so Mocata received me.’

‘And what did you make of him?’

‘I disliked him intensely. He’s a pot-bellied, bald-headed man of about sixty, with large, protuberant, fishy eyes, limp hands, and a most unattractive lisp. He reminded me of a large white slug.’

‘What about this servant that you mention?’

‘I only saw him for a moment when he crossed the hall, but he reminded me in a most unpleasant way of the Bogey Man with whom I used to be threatened in my infancy.’

‘Why, is he a black?’

‘Yes. A Malagasy I should think.’

Rex frowned. ‘Now what in heck is that?’

‘A native of Madagascar. They are a curious people, half-Negro and half-Polynesian. This great brute stands about six foot eight, and the one glimpse I had of his eyes made me want to shoot him on sight.’

‘Do you know any more about these people?’ asked Rex grimly.

‘Not a thing.’

‘Well, I’m not given to worry, but I’ve heard quite enough to get me scared for Simon. He’s in some jam or he’d never be housing people like that.’

The Duke gently laid the long, blue-grey ash of his cigar in the onyx ashtray. ‘There is not a doubt,’ he said slowly, ‘that Simon is involved in some very business, but I have been stifling my anxiety until your arrival. You see I wanted to hear your views before taking the very exceptional step of, yes butting in, is the expression, on the private affairs of even so intimate a friend. The question is now—what are we to do?’

‘Do!’ Rex thrust back his chair and drew himself up to his full magnificent height. ‘We’re going up to that house to have a little heart-to-heart talk with Simon-right now!’

‘I’m glad you feel like that’, said De Richleau quietly, ‘because I ordered the car for half past ten. Shall we go?’


Small town Satanists lure an innocent brother and sister into their coven.

Release Date: July 20, 1968
Release Time: 95 minutes

Director: Terence Fisher

Cast:
Christopher Lee as Nicholas, Duc de Richleau
Charles Gray as Mocata
NikΓ© Arrighi as Tanith Carlisle
Leon Greene as Rex Van Ryn (dubbed by Patrick Allen)
Patrick Mower as Simon Aron
Gwen Ffrangcon-Davies as Countess
Sarah Lawson as Marie Eaton
Paul Eddington as Richard Eaton
Rosalyn Landor as Peggy Eaton
Russell Waters as Malin

πŸ˜ˆπŸ‘°Note: US title - The Devil's BrideπŸ‘°πŸ˜ˆ



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Author Bio:

Dennis Yates Wheatley (1897–1977) was an English author whose prolific output of stylish thrillers and occult novels made him one of the world's best-selling writers from the 1930s through the 1960s. His Gregory Sallust series was one of the main inspirations for Ian Fleming's James Bond stories. Born in South London, he was the eldest of three children of an upper-middle-class family, the owners of Wheatley & Son of Mayfair, a wine business. He admitted to little aptitude for schooling, and was expelled from Dulwich College. Soon after his expulsion Wheatley became a British Merchant Navy officer cadet on the training ship HMS Worcester. During the Second World War, Wheatley was a member of the London Controlling Section, which secretly coordinated strategic military deception and cover plans. His literary talents gained him employment with planning staffs for the War Office. He wrote numerous papers for the War Office, including suggestions for dealing with a German invasion of Britain. During his life, he wrote more than 70 books which sold over 50 million copies.


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Wednesday, June 23, 2021

Blog Tour: Retribution by Kristoffer Gair

Title: Retribution
Author: Kristoffer Gair
Series: Falling Awake #4
Genre: M/M Romance, Suspense
Release Date: June 19, 2021
Cover Design: Kris Norris


Summary:

“Some people are so low, they gotta look up to see Hell.”

The death of Thomas Reis continues to ripple through the lives of those connected to his case fourteen years later. Andrew O’Donnell and Lawrence Boggs have already fallen, but three more pick up where the others left off, and each for his own reason.

One believes in justice, the second loyalty, and the third desperately seeks a reason to live. All three, however, share the same final end game; Retribution.

The hunt begins.


“I’m glad I caught you before you left then. I’m truly sorry.” He bowed his head. “I held your husband in the highest regards.”

“He respected you, too. Can I get you something to drink? I’m afraid I don’t have much. I’ll be leaving in the next day or two, but I think I have some orange juice, and I just made a fresh pot of coffee.”

“No, thank you.”

Norrma led him into the kitchen and sat down at the table, one of the few pieces of furniture left behind until the day she left. Various paperwork lay in little piles on the table, some it from the landlord, and others from the movers, bank, and relatives who’d sent cards.

“Lawrence’s funeral was this past weekend, then I insisted the kids head back to school. I know they wanted to stay with me and help out here, and maybe it was cruel to send them away, but I think staying busy and being around their friends will help them more than being here right now.” She sniffed. “Lawrence would have insisted they get on with their lives as soon as they could. ‘Death,’ he told us many times, ‘is a natural part of things. Living is for the now. Mourning can always be done later.’ He always made sure we knew exactly how he felt. None of us had to guess whether or not he loved us.”

Joe nodded. “His directness is something I appreciated immensely.”

She took a sip of coffee. “The police came, had a look at his case files, and couldn’t really make heads or tails out of them.” Norma chuckled. “Lawrence always had a unique way of organizing things in life that sometimes only he understood. I packed up what they didn’t take. Honestly, I think they confiscated a few things here and there just so it looked good in their report. I don’t believe they’ll ever find anything, though. Nobody really understood what Lawrence worked on, not in the big picture way.”

Joe grinned. “I know the type. Law enforcement through and through. Takes one to know one, I guess.”

“That’s what I was thinking.” She peered down at her cup. “Do you know what might have happened to him?”

“Maybe.” Joe leaned in. “I sent somebody down here from Iowa, a young man named Andrew, who was looking for a case file I’d loaned Lawrence. Honestly, I figured things would go one way, and Lawrence would swat the boy on the ass and send him back home. Turns out the kid had a way about him, and I think they started working together. This tells me Lawrence was already working on a case and they somehow connected, or he found a use for Andrew.

“The problem is, I don’t have a lot to go on. Something isn’t feeling quite right. The parts aren’t adding up, only I’m not getting a big enough glimpse of the picture.” Joe leaned back in his chair. “I need a bit more.”

“Would these help?” She reached under the stack of folders and paperwork, pulled out two large envelopes, and handed them over.

Anybody who knew Lawrence would recognize his handwriting in a heartbeat. Same perfectly shaped letters. Same size. Unmistakable. And the words written on the front? JOE MURPHY.

Joe’s head cocked to the side. Curiosity? Disbelief? Both? And then she saw something else, a tensing in the man’s posture and narrowing of the eyes.

The predator senses prey?

Joe hefted the two envelopes in his hand. “Lawrence left these for me?”

The lump in her throat returned. “That’s why I was hoping you’d come. I think he knew what he was working on might not end well, and he once told me if anything ever happened to him, you’re the only one he trusted to look into it.”

She watched the man run his fingers across the surface of the envelopes, across his name.

“You didn’t give these to the locals?” he asked. “Or show them?”

She shook her head. “Lawrence trusted you. I’ll put my trust in you before them, too.”

“I don’t know what’s in these.” Joe patted the top envelope. “I can’t promise anything.”

“Don’t expect you to.” Norma sat up straight. Strength. Maybe a little pride. “Maybe one promise. Someone took away my husband, my children’s father. Someone took our love, my happiness, and future. Whoever it is ain’t no better than a roaming, rabid dog, and those kinds of dogs get put down.”

He stared at her. He stared long and hard. “Yes. Yes, they do.”


Who are some of your favorite authors and/or books to read when you need to relax?
My preference when I’m reading something to relax is to read biographies or autobiographies. I’ve loved the books about Johnny Carson, am enthralled with Edgar Froese’s book on Tangerine Dream, dove headfirst into Dee Snider’s book on Twisted Sister, and adored Myrna Loy’s autobiography. I’ll also read books on the making of films, like the Friday The 13th series or Phantasm, and I’m currently reading a book on the unused scripts for the Halloween sequels.

That being said, I’ll also pick up something by Kiernan Kelly, G.A. Hauser, Eden Winters, Brent D. Seth, Patricia Logan, Anne Rice, and/or Stephen King.

If you were approached to have your book made into a film, who would you cast?
I’ve actually thought about this quite a bit while I was writing the book because I like to have a visual idea of who I’m putting into a scene. For the lead character of Joe Murphy in Falling Awake IV: Retribution, I’d be looking at casting George Dzundza. If you don’t recognize the name right away, he played Michael Douglas’s partner in Basic Instinct. I could see George being able to pull off a grizzled, older, former police captain here.

As for Roy Girard, the current police captain, I would have cast Raymond J. Barry twenty years ago. I’ve always imagined him in the part, especially after his performance in the film The Ref. Unfortunately, he’s older than George Dzundza, and the character is younger. Still, Raymond would have been my first choice.

Now, the character of Frank? He’d be someone new, someone I haven’t seen on the screen before, though he’d have gotten plenty of practice by this book since his character appears in the second and third books, too.

It's often asked what is your favorite part of being a writer but what is the easiest or most natural part of the creative process for you?
The most natural part of the creative process for me is creating a couple of characters in broad strokes, then having them interact with each other or other characters in their environment, and see what develops. If their actions feel forced and/or insincere, then I know I’m steering too hard. If their personalities emerge and I see how I can incorporate them into what I think the story is going to be, then I know I’m on the right track. I’m a dialogue writer, and if conversations feel real to me, they should hopefully feel real to someone else reading the story, and that creates a rapport between me as the writer and the reader.

Is there any one character you've created that is most like you? If yes, who and why?
Andy Stevenson in A Funny Thing Happened On The Way To My Sexual Orientation is probably the closest I ever came to a character who’s closest to my personality. I put a lot of my views about life into his head that came out through his mouth. I recently skimmed that book and am relieved to say I’ve come a long ways since my twenties. The book is a bit of a time capsule and I’m still proud of it, but I also see where I’d think the story out very differently if I wrote it today versus then.

If you could go anywhere (finances, time, & obligations not an issue) where would you go and why?
I’ve still never gotten to Australia, and I’d love to. An Australia and New Zealand combination trip. My father and I talked about it for a while, and we were supposed to go after I graduated from college. Unfortunately, I didn’t have the money, put it off, and we never got the chance before he passed from Alzheimer’s.

Why Australia? I’ve heard for years how amazing the people are there. I think, too, that after this pandemic, experiencing a little amazing would be nice. It’s highly unlikely, though, that I’ll ever get my husband to go.




Author Bio:
Kristoffer Gair grew up in Fraser, MI and is a graduate of Grand Valley State University. He is the author of 7 novels—some written under the pseudonym Kage Alan—been a part of 6 anthologies, and currently lives in a suburb of Detroit.


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Wednesday, July 15, 2020

Blog Tour: Requiem by Kristoffer Gair

Title: Requiem
Author: Kristoffer Gair
Series: Falling Awake #3
Genre: M/M Romance, Suspense, Occult
Release Date: July 14, 2020
Cover Design: Kris Norris

Summary:
He will turn what is into what can be.

They targeted him before he was ever born. They will hunt him. They will execute anyone around him. They will rip his innocence away, corrupt him, and twist him into an instrument of terror. He will give the world reason to fear, fear the unknown, and he will do this lifetime after lifetime after lifetime.

Except this time, Daniel Davis hasn’t come back alone.

Four souls have returned with him, would-be protectors who’ve vowed to shield him from this fate. If they succeed, Daniel will turn what is into what can be. And if they fail, his light will dim and fade…forever.


“It’s okay, baby. It’s okay.” Amanda grabbed a blanket from the inside of the vehicle and wrapped it around Daniel, then took a clean cloth and held it up to his chin. He’d need stitches and there’d be one hell of a scar. “Look at me.” He did, still shaking.

She’d almost been a moment too late. A second of hesitation and he’d be dead. What did the intruder want? What had he been looking for? And why did he scream what he did at Daniel?

Let me see your eyes. It’s in there, isn’t it? Deep down you can feel it.

The intruder’s words. Why the eyes? What was in them? What had he looked for? And why would Daniel feel it? Why did all of this feel so familiar to her? She knew the answers somewhere in the back of her memory, just out of reach. Why couldn’t she remember?

You can’t hide from us! We’ll find you again and again and again!

This had happened before. It happened now. It would happen again. Unless…

She studied the young boy’s face, the remains of a kind of innocence now lost and something new dawning. He’d never be the same again. Ever. Nobody prepared him for this. Not this young. How did one recover? With time? Without his mother or father?

Daniel began sobbing anew, as if reading her mind about his parents, whom she was sure he already missed.

“You’re—” Her voice cracked and she struggled not to break down in front of him. He didn’t need that. He needed strength. “You’re safe, baby. You’re safe now, Daniel.”

He stared into her eyes now. Was he searching for truth, or to see the depths of her own demons compared to his?

She met his gaze with her own and peered into his eyes. Blue. The blue eyes she’d seen in her recent dreams when he’d appeared much older. Still there, but… She felt her head tilt to the side as she searched even deeper. Beyond the blue. Something else. Something new. Foreign. Fear? No. Fear was on the outside, on the surface, but below the fear in a place he couldn’t feel or know existed inside himself? Shadows. Something that didn’t belong. A blackness, a blackness that swirled around in its infancy, as if waking.

The intruder is responsible for this. He woke this thing.

The blackness stopped moving for a moment. Did it sense her? She stared at it and some part of it intuitively stared back at her. The blackness knew her. They were old acquaintances. And if the thing, this entity or presence…whatever the hell it was…could have sneered at her, she knew it would have.

Have you ever heard a child scream as if their soul was being ripped apart at the seams? Like there’s no safe place in Heaven, Earth, or in-between that’s safe.

Where did these words come from? When did she say them? Part of her understood she never had, and yet another part, the part far back in her mind, knew she had. But when? How could that even be possible? Amanda also understood Daniel’s soul was infected and this thing inside him would take great joy in ripping him apart.

“You’re safe now, Daniel,” she repeated, mostly to reassure herself, only she knew deep down it wasn’t true.

The darkness in Daniel’s eyes began its dance anew.

…it’s going to eat him from the inside out.

Her words again? When did she say this?

“You’re not going to get him,” she muttered.

The darkness found an opening and began to disappear behind Daniel’s eyes, hiding beyond the physical, beyond reach. Beyond her reach.

He’s already ours.

Daniel began to shake.


What is the biggest influence/interest that brought you to this genre?
I grew up with a mother who read to me constantly, and then I’d read to her. I developed my love of the story from her, and I allowed everything around me to push my imagination into places I didn’t think or know I could go. There was also an absence of gay characters in books I read, characters who I could identify with. So, if I was going to actually pursue writing novels, then I wanted to write the kinds of stories I wish I’d had growing up, and with characters like the ones who appeared in my stories. Many of them tend to be smartasses if that’s any indication of my personality. =)

When writing a book, what is your favorite part of the creative process (outline, plot, character names, editing, etc)?
I approach each new book knowing where I want the story to begin, where the middle should be, and how it will end. How the story moves from A to B to C is the beauty of the creative process. I love this part. This is where the magic happens. Making it all come together, though, is in the editing. That’s also where I come up with entirely new combinations of profanity. I’m not afraid of editing. I’m not overly fond of it, but I acknowledge that this is where the book will, hopefully, truly shine. And it gets the bad words out of my system before I go to work at the rectory.

When reading a book, what genre do you find most interesting/intriguing?
I have a rule when I’m writing a book; I’ll only read biographies or autobiographies. The reason for this is I don’t want to subconsciously borrow a plot point from another author. But I do love biographies and autobiographies. I’ve read quite a few biographies about Johnny Carson, then autobiographies by Edgar Froese of Tangerine Dream, Don Rickles, Chevy Chase, Cybil Shepherd, Rutger Hauer, Leonard Nimoy, George Takei, Robert Englund, Lance Henrickson, and so many others.

If you could co-author with any author, past or present, who would you choose?
This is the first question that’s really stumped the living daylights out of me. lol Writing a story feels, at least to me, like it’s a very singular vision. You’re creating something and seeing it through from start to finish. To share that seems so precarious. I’d say I’d love to write a book with my best friend from college, Don Zomberg, who passed away in April this year, only I think (knowing my personality) I’d try to take over the story. And several of my other author friends? It would become a battle of the wills. And this isn’t a bad thing. It’s not wrong. I think it’s actually quite natural.

However, had my mentor, Dr. Milton Ford, not passed away in 2014, I could see trying to write a novel with him. Milt is the one who is probably responsible for me being a published author. He was familiar with my style, with my approach to writing, and I was very honored to be asked to offer feedback on two of his books before they were published. I think he and I could have tackled a project, and I would have been able to compromise in areas of the story that were important to him, as he would have for me. Great question, by the way!

Have you always wanted to write or did it come to you "later in life"?
I wrote my first puppet play back in 1st Grade and continued writing them for several years. Suffice to say I had the bug that early in life. Also, our teacher would read something, one of the Judy Blume books for example, and I’d sit down and try to write the sequel because we wanted more. I never got very far, but I was trying.


I actually have a notebook of a story I was writing in 8th grade and, even then, you can see an early version of the kind of humor found in my books today. I can see the layers of plot points as they emerge and find their meaning as the story progresses. The story itself is probably complete shite as was what I wrote in high school and most of college, but I was learning. I needed to learn the tools and once I put them together and finished the first draft of my first novel, I was hooked. There’d be no chance I’d ever stop writing. It’s like breathing. Or, in my husband’s case, snoring.



Author Bio:
Kristoffer Gair grew up in Fraser, MI and is a graduate of Grand Valley State University. He is the author of 7 novels—some written under the pseudonym Kage Alan—been a part of 6 anthologies, and currently lives in a suburb of Detroit.


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Friday, October 20, 2017

Friday's Film Adaptations: The Devil Rides Out by Dennis Wheatley


Summary:
The aristocratic Duke de Richleau faces new, sinister challenges in this macabre tale of the dark arts. When his good friend Simon Aron's naive curiosity is tested, the Duke, along with his ever-patient friends Rex Van Ryn, and Richard Eaton, must intricately plot a means of both physical and spiritual rescue. But with Van Ryn's affections for a beautiful woman caught in the web of Satanists, and Eaton's ongoing scepticism, they all risk being brought to the verge of madness through dabbling with the powers of evil.

From London to the West Country, the slums of Paris to a Christian monastery, the action of this powerful occult thriller moves with fantastic, compelling force.
Film
Small town Satanists lure an innocent brother and sister into their coven.
πŸ˜ˆπŸ‘°Note: US title - The Devil's BrideπŸ‘°πŸ˜ˆ

Release Date: July 20, 1068
Release Time: 95 minutes

Cast:
Christopher Lee – Nicholas, Duc de Richleau
Charles Gray – Mocata
NikΓ© Arrighi – Tanith Carlisle
Leon Greene – Rex Van Ryn (dubbed by Patrick Allen)
Patrick Mower – Simon Aron
Gwen Ffrangcon-Davies – Countess
Sarah Lawson – Marie Eaton
Paul Eddington – Richard Eaton
Rosalyn Landor – Peggy Eaton
Russell Waters – Malin




Trailer

Clips



Author Bio:
Dennis Yates Wheatley (1897 – 1977) was an English author whose prolific output of stylish thrillers and occult novels made him one of the world's best-selling writers from the 1930s through the 1960s. His Gregory Sallust series was one of the main inspirations for Ian Fleming's James Bond stories.

Born in South London, he was the eldest of three children of an upper-middle-class family, the owners of Wheatley & Son of Mayfair, a wine business. He admitted to little aptitude for schooling, and was expelled from Dulwich College. Soon after his expulsion Wheatley became a British Merchant Navy officer cadet on the training ship HMS Worcester.

During the Second World War, Wheatley was a member of the London Controlling Section, which secretly coordinated strategic military deception and cover plans. His literary talents gained him employment with planning staffs for the War Office. He wrote numerous papers for the War Office, including suggestions for dealing with a German invasion of Britain.

Dennis Wheatley died on 11th November 1977. During his life he wrote over 70 books and sold over 50 million copies.


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