Showing posts with label sara dobie bauer. Show all posts
Showing posts with label sara dobie bauer. Show all posts

Monday, July 17, 2023

πŸŽ…πŸŽ†πŸŽ„Monday's Mystical Magic-Xmas in JulyπŸŽ„πŸŽ†πŸŽ…: He Sees You When You're Sleeping by Sara Dobie Bauer



Summary:
We met when you were just a child, but you’re a man now and need my protection.

With Christmas Eve approaching, I’ll watch over you.
Whether you know it or not.

Because no one is allowed to hurt you.
No one but me.

At 20K words, He Sees You When You’re Sleeping is a twisted take on Santa, featuring M/M romance, horror, and the holiday season.


Original Review December 2021:
HOLY HANNAH BATMAN!!!  How did I miss this last year? This is my first read from Sara Dobie Bauer but it won't be my last!  

I won't say too much about He Sees You When You're Sleeping so not to spoil this short novella.  I will say that I don't think I've ever read or seen such a unique and intriguing take on Santa Claus before which probably made me love it even more.  He Sees You may not be the family oriented, animated classic, Hallmark brand of the man in the red suit that has dominated our Christmas memories but Sara Dobie Bauer's Kris will forever live on in my future holidays.  

Despite the darker take on a holiday staple, you can't help but cheer for Kris and Jack, wanting them to have that Hallmark HEA but whether they do is something you will have to read for yourself.  Trust me if you enjoy a little dark mixed with holiday light than He Sees You When You're Sleeping is definitely up your Christmas chimney.

RATING:



He went by Kris, although little children knew him by another name. When December 24 arrived, so did the woman in black, her face always hidden by a hood. Together, they would spend a night of toil that felt much longer than only one night. They had spent Christmas Eve together for decades, maybe more. Kris wasn’t clear on time. The only thing clear was his annual duty: walk the world every Christmas Eve, protect children, and leave gifts for the ones who believed. 

There weren’t as many believers anymore; several houses didn’t glow as Kris walked a poor street on the outskirts of New York City. Sadly, most of the small houses were dark, which meant the children who lived there no longer awaited the entity known as “Father Christmas.” That meant Kris could pass by those homes. He and the woman in black had no time for unbelievers. 

They stopped in front of one house, though, and Kris tilted his head to the side, curious. The house was ramshackle, probably built in the 1970s or early 80s. Bright white snow sat heavily on the roof—at least six inches—and Kris wouldn’t have been surprised if the roof caved in. He was impressed the house still stood at all with its decrepit, cracked siding; one broken window, covered in thick paper and tape; and not a single Christmas light. 

Yet, the house …

It didn’t glow, per se. It flickered. Kris couldn’t remember seeing anything like it, and although his ageless memory was vast, he knew it couldn’t be trusted. There was a big, empty space in his life before he became “Kris.” He remembered nothing before that one Christmas Eve when he woke up and started walking with the woman in black, visiting all the houses that glowed—so many back then. So few now. 

Why did this house flicker, like an aged light bulb about to go out? 

He didn’t bother asking his companion for answers. In all their time together, the woman in black never spoke. When Kris approached the front door, made of scraped and weatherworn wood, she followed. Kris took them to The Other Place where they couldn’t be seen. Then, they walked through the front door. 

As soon as they entered the cramped foyer, Kris smelled cigarettes and heard shouting. A child cried, “Run! Go!” followed by the sound of furniture being knocked over. 

An adult voice joined the hubbub: “You little shit.” 

Kris actually startled at the vicious smack of flesh hitting flesh. Then, the echo of a body hitting the floor. The misleading quiet swish of bodies in an altercation. The child cried out again just as Kris turned a corner, and the woman in black lingered behind, as usual. 

Kris entered a living room with a threadbare couch, cheap TV, and dark fireplace. An overflowing ashtray was knocked over, spilled beside a three-legged coffee table held up by a stack of phone books. 

Invisible to all present, Kris ground his teeth at the scene as a father knelt above his son, who couldn’t have been older than ten, and smacked him repeatedly, while the child flailed his skinny arms to no avail.

The father kept cussing, mumbling to himself, and Kris smelled alcohol from where he stood. A soft whimper caught his attention. In the back corner, beneath a kitchen table, two children—smaller than the one being attacked—stared in horror but remained hiding. Apparently, this was a usual occurrence, their bigger brother defending them by accepting the brunt of their father’s ire. 

Kris’s heart ached. 

After one more solid whack, the drunken dad pointed in the boy’s face. 

The boy bled from his mouth but didn’t shed a tear. 

“That’s what you get for asking for a goddamn fire because it’s Christmas.” The word came as a taunt. “Christmas ain’t even real, you fucking halfwit. It’s just another useless day.” Then, the father pushed to his feet and wove across the room unsteadily before disappearing down a dark hall. 

It took a moment for the child on the floor to sit up, but he did eventually, dark hair a mess. He wiped his bleeding face on the sleeve of an oversized flannel shirt with a hole in the elbow. Kris recognized the boy, although on previous Christmas Eves, he had never looked so malnourished, so sick. 

After a silent moment, the two other children exited their hiding spot and joined their brother in the center of the room. 

The little girl, hair in a messy ponytail, said, “Told you,” and poked her brother in the knee. 

He didn’t acknowledge her, just stared into the empty fireplace. 

“Yeah,” the other child said. Although probably no older than six or seven, he had a rough appearance as though he’d spent several years living on the street. 

The smaller children recovered fast and left, probably off to their bedrooms to play. Kris hated how fast they recovered, because it meant this third child—the elder child who had protected them—received beatings often. And no one cared. 

Kris observed as the bleeding boy continued staring into the fire with his arms wrapped around his bent knees. That was when he noticed. 

It was this boy who flickered. This boy had called Kris into the house. 

With a snap, Kris produced a fire in the fireplace, and the child skidded backwards across the warped wooden floor. Then, Kris wrapped the boy safely in The Other Place and sat at his side. Kris might have expected some kind of reaction—a scream, perhaps, which was why he’d wrapped them in the place where no one could see or hear them until Kris allowed. 

But the child didn’t scream. He looked at Kris, at the fire, and glanced over his shoulder down the hall. 

“No one will bother us,” Kris said quietly. 

The kid wrinkled his nose. “Shit, he must have hit me really hard this time.” The profanity sounded extra ugly coming from the mouth of someone so young. 

“Does your father hit you a lot?” Kris asked. He felt huge next to someone so small and frail. He wondered when the child had last eaten. 

The boy winced. “That’s not my father.” He shrugged. “I don’t know my father. Frank is just my foster asshole.” He wiped a drop of blood from the side of his mouth with his thumb. “Who are you anyway?” Reflected flames danced in his wide eyes, green as a freshly cut pine tree. 

“Father Christmas.” 

The child’s head whipped toward him. “What? Like, Santa?” 

“Yes.” Kris nodded. “And you believe in me.”


Author Bio:
Bestselling romance author.
Bisexual witch.
Feminist. Pro-choice. Anti-censorship.
Timothee Chalamet freak.
Horror movie aficionado.
Vampire mermaid in a past life.

Sara Dobie Bauer somehow survived her party-hard college years at Ohio University to earn a creative writing degree. She lives with her precious Pit Bull in Northeast Ohio, although she’d really like to live in a Tim Burton film.


WEBSITE  /  NEWSLETTER  /  KOBO
iTUNES  /  TUMBLR  /  INSTAGRAM
AUDIBLE  /  FB GROUP  /  B&N
BOOKBUB  /  AMAZON  /  GOODREADS
EMAIL: sara@saradobie.com





Sunday, January 2, 2022

8th Day of Christmas Author Spotlight: Sara Dobie Bauer



Sara Dobie Bauer

Sara Dobie Bauer is a bestselling author, model, and mental health / LGBTQ advocate with a creative writing degree from Ohio University. She lives with her hottie husband and two precious pups in Northeast Ohio, although she’d really like to live in a Tim Burton film.


FACEBOOK  /  TWITTER  /  WEBSITE
KOBO  /  INSTAGRAM  /  TUMBLR  /  B&N
BOOKBUB  /  AMAZON  /  GOODREADS




He Sees You When You're Sleeping
Summary:

We met when you were just a child, but you’re a man now and need my protection.

With Christmas Eve approaching, I’ll watch over you.
Whether you know it or not.

Because no one is allowed to hurt you.
No one but me.

At 20K words, He Sees You When You’re Sleeping is a twisted take on Santa, featuring M/M romance, horror, and the holiday season.



A Lord to Love
Summary:
During negotiations for a truce between the feuding Price and Morgan families, Lord John Morgan makes a shocking offer: he will give the Price family their land, in exchange for Harrison Price's hand in marriage.

John has long been enamored with Harrison, the beautiful son of his late rival. Harrison is nineteen, inexperienced, and known for being cold and bitingly brilliant. The union seems impossible, but John is determined to win the affections of his young obsession.

Will the frigid Harrison concede, or will the object of John's adoration leave him alone at the altar?



Broken News
Summary:
He was supposed to hurt him. Ruin him. Instead, he fell in love.

In the big, bad city, Eric West holds the reins. A mafia king, he is feared, ruthless, and obsessed with a man half his age. 

Will, his favorite whore, is young, beautiful, and the only person to ever bring him to his knees. 

Will is a man to kill for.
A man to change for.
But what if Will isn’t what he seems?

**Broken News is a standalone M/M romance featuring age gap, detailed adult content, violence, and hurt/comfort.**



Abstract Love
Summary:
I hate Sam Shelby. So why do I want to kiss him?

Sam never expected to move back to Cleveland.
Donovan never expected to be attracted to a man.
Well, shit happens.

After high school, Sam Shelby moved to New York. Eight years later, he returns to Cleveland and lands a job at the best ad firm in town. It would be the perfect gig, if his boss weren’t such an ass.

After his wife leaves, Donovan Cooper questions everything. The arrival of a young, arrogant, gifted graphic designer at Donovan’s firm is the last straw.

Tempers flare over office gossip, and following a nasty argument and scathing kiss, Donovan flails away from heterosexuality while Sam struggles to keep his “no relationship” rule intact.

Despite ugly socks, fiery fights, and their best intentions to not fall in love, these bullheaded coworkers can’t deny their chemistry. Donovan seeks happiness while Sam seeks success, but is there room for more?

ABSTRACT LOVE is a 71,000 word enemies-to-lovers romantic comedy with an age gap.



Handsome Death
Summary:

I’m not hunting him; I’m protecting him.

At least, that’s what I tell myself.

In New York City, a beautiful creature like Tristan Clement should not be walking the streets alone, and I’m the perfect vampire to watch his back.

But what if keeping him safe isn’t enough anymore? What if I want to touch? And taste?

I need him. But I’ve never needed anyone.

In a world where paranormal creatures live amongst us and must follow certain laws, living life as a dangerous loner works for vampire Ethan. Inhabiting his gleaming apartment, wearing his designer suits, jetting around the world as a fanged killer-for-hire, Ethan does it all alone.

That is, until he literally runs into Tristan. Tristan, who is clearly trouble wrapped in skinny jeans and an oversized sweater. Tristan, with his shock of angelic blond curls. Tristan, who plays piano more beautifully than the old masters-- and Ethan would know; he saw Beethoven.

Tristan is gorgeous, a little sassy, and irresistible. Also, Ethan is horrified to note, Tristan has no idea how incredibly tempting he is to things that go bump in the night.

Overcome by the urge to keep Tristan safe, Ethan begins to... well, stalk is such a strong word. What starts as an obsession quickly becomes something more, something that Ethan needs. And to his surprise, Tristan seems to need him, too...

*This darkly romantic tale delivers steamy passion and a happily ever after. Be advised that Handsome Death includes explicit m/m content, stalking, mentions of past abuse, and graphic violence.* 



He Sees You When You're Sleeping

A Lord of Love

Broken News

Abstract Love

Handsome Death

Sunday, December 5, 2021

Sunday's Short Stack: He Sees You When You're Sleeping by Sara Dobie Bauer



Summary:

We met when you were just a child, but you’re a man now and need my protection.

With Christmas Eve approaching, I’ll watch over you.
Whether you know it or not.

Because no one is allowed to hurt you.
No one but me.

At 20K words, He Sees You When You’re Sleeping is a twisted take on Santa, featuring M/M romance, horror, and the holiday season.





HOLY HANNAH BATMAN!!!  How did I miss this last year? This is my first read from Sara Dobie Bauer but it won't be my last!  

I won't say too much about He Sees You When You're Sleeping so not to spoil this short novella.  I will say that I don't think I've ever read or seen such a unique and intriguing take on Santa Claus before which probably made me love it even more.  He Sees You may not be the family oriented, animated classic, Hallmark brand of the man in the red suit that has dominated our Christmas memories but Sara Dobie Bauer's Kris will forever live on in my future holidays.  

Despite the darker take on a holiday staple, you can't help but cheer for Kris and Jack, wanting them to have that Hallmark HEA but whether they do is something you will have to read for yourself.  Trust me if you enjoy a little dark mixed with holiday light than He Sees You When You're Sleeping is definitely up your Christmas chimney.

RATING:



He went by Kris, although little children knew him by another name. When December 24 arrived, so did the woman in black, her face always hidden by a hood. Together, they would spend a night of toil that felt much longer than only one night. They had spent Christmas Eve together for decades, maybe more. Kris wasn’t clear on time. The only thing clear was his annual duty: walk the world every Christmas Eve, protect children, and leave gifts for the ones who believed. 

There weren’t as many believers anymore; several houses didn’t glow as Kris walked a poor street on the outskirts of New York City. Sadly, most of the small houses were dark, which meant the children who lived there no longer awaited the entity known as “Father Christmas.” That meant Kris could pass by those homes. He and the woman in black had no time for unbelievers. 

They stopped in front of one house, though, and Kris tilted his head to the side, curious. The house was ramshackle, probably built in the 1970s or early 80s. Bright white snow sat heavily on the roof—at least six inches—and Kris wouldn’t have been surprised if the roof caved in. He was impressed the house still stood at all with its decrepit, cracked siding; one broken window, covered in thick paper and tape; and not a single Christmas light. 

Yet, the house …

It didn’t glow, per se. It flickered. Kris couldn’t remember seeing anything like it, and although his ageless memory was vast, he knew it couldn’t be trusted. There was a big, empty space in his life before he became “Kris.” He remembered nothing before that one Christmas Eve when he woke up and started walking with the woman in black, visiting all the houses that glowed—so many back then. So few now. 

Why did this house flicker, like an aged light bulb about to go out? 

He didn’t bother asking his companion for answers. In all their time together, the woman in black never spoke. When Kris approached the front door, made of scraped and weatherworn wood, she followed. Kris took them to The Other Place where they couldn’t be seen. Then, they walked through the front door. 

As soon as they entered the cramped foyer, Kris smelled cigarettes and heard shouting. A child cried, “Run! Go!” followed by the sound of furniture being knocked over. 

An adult voice joined the hubbub: “You little shit.” 

Kris actually startled at the vicious smack of flesh hitting flesh. Then, the echo of a body hitting the floor. The misleading quiet swish of bodies in an altercation. The child cried out again just as Kris turned a corner, and the woman in black lingered behind, as usual. 

Kris entered a living room with a threadbare couch, cheap TV, and dark fireplace. An overflowing ashtray was knocked over, spilled beside a three-legged coffee table held up by a stack of phone books. 

Invisible to all present, Kris ground his teeth at the scene as a father knelt above his son, who couldn’t have been older than ten, and smacked him repeatedly, while the child flailed his skinny arms to no avail.

The father kept cussing, mumbling to himself, and Kris smelled alcohol from where he stood. A soft whimper caught his attention. In the back corner, beneath a kitchen table, two children—smaller than the one being attacked—stared in horror but remained hiding. Apparently, this was a usual occurrence, their bigger brother defending them by accepting the brunt of their father’s ire. 

Kris’s heart ached. 

After one more solid whack, the drunken dad pointed in the boy’s face. 

The boy bled from his mouth but didn’t shed a tear. 

“That’s what you get for asking for a goddamn fire because it’s Christmas.” The word came as a taunt. “Christmas ain’t even real, you fucking halfwit. It’s just another useless day.” Then, the father pushed to his feet and wove across the room unsteadily before disappearing down a dark hall. 

It took a moment for the child on the floor to sit up, but he did eventually, dark hair a mess. He wiped his bleeding face on the sleeve of an oversized flannel shirt with a hole in the elbow. Kris recognized the boy, although on previous Christmas Eves, he had never looked so malnourished, so sick. 

After a silent moment, the two other children exited their hiding spot and joined their brother in the center of the room. 

The little girl, hair in a messy ponytail, said, “Told you,” and poked her brother in the knee. 

He didn’t acknowledge her, just stared into the empty fireplace. 

“Yeah,” the other child said. Although probably no older than six or seven, he had a rough appearance as though he’d spent several years living on the street. 

The smaller children recovered fast and left, probably off to their bedrooms to play. Kris hated how fast they recovered, because it meant this third child—the elder child who had protected them—received beatings often. And no one cared. 

Kris observed as the bleeding boy continued staring into the fire with his arms wrapped around his bent knees. That was when he noticed. 

It was this boy who flickered. This boy had called Kris into the house. 

With a snap, Kris produced a fire in the fireplace, and the child skidded backwards across the warped wooden floor. Then, Kris wrapped the boy safely in The Other Place and sat at his side. Kris might have expected some kind of reaction—a scream, perhaps, which was why he’d wrapped them in the place where no one could see or hear them until Kris allowed. 

But the child didn’t scream. He looked at Kris, at the fire, and glanced over his shoulder down the hall. 

“No one will bother us,” Kris said quietly. 

The kid wrinkled his nose. “Shit, he must have hit me really hard this time.” The profanity sounded extra ugly coming from the mouth of someone so young. 

“Does your father hit you a lot?” Kris asked. He felt huge next to someone so small and frail. He wondered when the child had last eaten. 

The boy winced. “That’s not my father.” He shrugged. “I don’t know my father. Frank is just my foster asshole.” He wiped a drop of blood from the side of his mouth with his thumb. “Who are you anyway?” Reflected flames danced in his wide eyes, green as a freshly cut pine tree. 

“Father Christmas.” 

The child’s head whipped toward him. “What? Like, Santa?” 

“Yes.” Kris nodded. “And you believe in me.”


Author Bio:

Sara Dobie Bauer is a bestselling author, model, and mental health / LGBTQ advocate with a creative writing degree from Ohio University. She lives with her hottie husband and two precious pups in Northeast Ohio, although she’d really like to live in a Tim Burton film.


FACEBOOK  /  TWITTER  /  WEBSITE
KOBO  /  INSTAGRAM  /  TUMBLR  /  B&N
BOOKBUB  /  AMAZON  /  GOODREADS





Monday, May 17, 2021

Monday's Mystical Magic: This is Not a Horror Movie by Sara Dobie Bauer

Title: This is Not a Horror Movie
Author: Sara Dobie Bauer
Genre: M/M Romance, Paranormal
Release Date: May 13, 2021
Cover Design: Natasha Snow


Summary:

Emory Jones loves two things: horror movies and Connor Nichols. 

For the past four years, Emory, Connor, and their families have vacationed side by side on Longboat Key, Florida. Eighteen-year-old Emory has pined for his neighbor from behind the covers of Stephen King books, but college boy Connor has never noticed him. Probably because Emory looks like Jack Skellington with good hair.

Emory anticipates another predictable summer of sunburn and disappointment. Instead, he ends up with a mystery on his hands when a beloved beach bum goes missing, and Connor volunteers to help with the search. Turns out it’s not just scary movie cops who are worthless, so the boys start an investigation of their own—leading them straight to an abandoned beach resort.

Despite the danger, Emory and Connor grow closer, but as Emory’s gay dreams start coming true, so do the horror movie tropes he so loves. Even though he knows that sex equals death in slasher flicks, Emory can’t keep his hands off the guy of his teenage dreams.



I’m about to follow a mysterious rat into the darkness when a hand lands on my shoulder. I suck a panicked gasp in through my lips as Connor says, “Sorry! Sorry.”

I put my hands on my knees and relearn breathing.

He stands there, backlit like some kind of hot angel, and shrugs. “Maybe you should be thanking me.”

“What?”

“You like to be scared,” he says.

He’s right. Haunted house in the neighborhood? I’m first. Spooky cemetery? Coming through. Maybe that’s part of the reason I always let Liz drag me to parties at the Outpost. It feels like being in a scary movie. I’m waiting for Leatherface to show up and murder the morally reprehensible youth. Of course, if horror movie rules are true, I’m totally dead. I lost my virginity at sixteen and more often than not spend “happy hour” sharing malt liquor with Longboat’s famous homeless dude, Leland.

“What are you doing over here?” Connor asks.

“Befriending local wildlife.” I glance over my shoulder into the dark. I shove hair out of my face—a nervous tic I’ve acquired since growing it out. Because I needed another nervous tic. “What are you doing over here?”

“Talking to you.” He grins, but I can feel a disconnect. 

Connor and I have always had a mutually agreed upon rhythm. He’s the big, gorgeous straight dude who puts up with me, the skinny, little gay kid. 

Well. 

No one knows I’m gay down here. Florida is for family, not fu— Anyway.
In summers past, Connor wrestled me and tickled me, and I pretended not to like it. We talked about some things, mostly scary movies, but kept an emotional distance. He accepts me being a drama queen, and I never let him know I would climb Everest for his kiss. 

Staring at me with a dumb look on his face is not our rhythm.

I finally lose my shit. “Jesus, am I bleeding from my eyes?”

He coughs out a laugh. “What?”

“You’re looking at me funny.”

He looks away. “Oh.”

I cross my arms. I have, in fact, filled out a lot since last summer—and the lifeguarding helps—but I’m still self-conscious about my small frame and will probably never forget the jocks calling me “Tinker Bell” from seventh to tenth grade. I press my lips together and side-eye the kids dancing to some club beat on Liz’s phone. “Everyone’s looking at me funny, actually.”

Connor clears his throat and plucks at the front of his tight, white T-shirt. He looks like he wants to dive headfirst into the empty pool at his back.

“You don’t have to talk to me, you know.”

His blue eyes flit back my way. Even in the dark, I know they’re blue. He says, “But I like talking to you.”

I hug myself tighter and lift a shoulder. “Seen any good horror movies lately?”

His smile is back. “Tons. I saw this French one called Raw.”

I bounce up on my toes. “Cannibals! Oh my God, that movie was so good! The writing.” I tear at my hair in euphoric bliss.

He nods. “And the scene with the roommate.”

“And the ending!” I poke him in the chest. “Dude, I tried to get Liz to watch it. She’s all vegetarian now because she dated this hippie dude senior year. She said she gave up meat for her health, but I think it’s because he said he tasted death in her mouth.”

Connor does the silent open-mouth laugh thing that happens when my storytelling reaches peak levels of absurd. 

“She made it thirty minutes into the movie before she had to leave the room and vomit. Meanwhile, I was sitting there eating, like, spaghetti.”

He puts his hand on my shoulder as he keeps laughing. I smell his deodorant: sporty man stuff. “I can’t believe I almost didn’t come this year.”

That steals the air from my lungs. Sure, I should be avoiding the guy, looking forward to the future, but all of a sudden, I can’t imagine a summer without Connor Nichols making me blush.

Author Bio:
Sara Dobie Bauer is a bestselling author, model, and mental health / LGBTQ advocate with a creative writing degree from Ohio University. She lives with her hottie husband and two precious pups in Northeast Ohio, although she’d really like to live in a Tim Burton film.


FACEBOOK  /  TWITTER  /  WEBSITE
KOBO  /  INSTAGRAM  /  TUMBLR  /  B&N
BOOKBUB  /  AMAZON  /  GOODREADS 




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Sunday, October 4, 2020

Sunday Safe Word Shelf: Handsome Death by Sara Dobie Bauer


Summary:
I’m not hunting him; I’m protecting him.

At least, that’s what I tell myself.

In New York City, a beautiful creature like Tristan Clement should not be walking the streets alone, and I’m the perfect vampire to watch his back.

But what if keeping him safe isn’t enough anymore? What if I want to touch? And taste?

I need him. But I’ve never needed anyone.

In a world where paranormal creatures live amongst us and must follow certain laws, living life as a dangerous loner works for vampire Ethan. Inhabiting his gleaming apartment, wearing his designer suits, jetting around the world as a fanged killer-for-hire, Ethan does it all alone.

That is, until he literally runs into Tristan. Tristan, who is clearly trouble wrapped in skinny jeans and an oversized sweater. Tristan, with his shock of angelic blond curls. Tristan, who plays piano more beautifully than the old masters-- and Ethan would know; he saw Beethoven.

Tristan is gorgeous, a little sassy, and irresistible. Also, Ethan is horrified to note, Tristan has no idea how incredibly tempting he is to things that go bump in the night.

Overcome by the urge to keep Tristan safe, Ethan begins to... well, stalk is such a strong word. What starts as an obsession quickly becomes something more, something that Ethan needs. And to his surprise, Tristan seems to need him, too...

*This darkly romantic tale delivers steamy passion and a happily ever after. Be advised that Handsome Death includes explicit m/m content, stalking, mentions of past abuse, and graphic violence.* 


I feel an itch on the back of my neck so glance behind me, and indeed, there he is, the blond kid from yesterday. I must have caught him staring, because as soon as I turn to look, he ducks his head and goes back to reading.

I shouldn’t approach him. Granted, he’s stunning. Most vampires would love to get their hands on his bare skin, but I’m not one for picking up humans outside of blood clubs. I’m cautious. Vampires can get in a lot of trouble for biting a human without consent. Like sentenced-to-death trouble. The humans at blood clubs know what they’re getting into. This guy? He looks like a puppy in need of a cuddle. He has no idea what a vampire could do to him.

Maybe some reconnaissance is in order. Just to, you know, make sure he’s all right after yesterday’s altercation.

Or something.

I’m lying to myself. This isn’t a protective detail in Serbia, this is me away from combat too long and bored in New York.

Fuck it.

He sits at one of the heavy wooden tables with the lid off his cup. His hair hangs halfway over his forehead, tilted down over a paperback, but I can still see his mouth, the way he chews his bottom lip, making it pinker, fuller.

I walk right up to his table. I don’t wait for him to look up. I don’t wait for an invitation. I just sit.

He startles at my arrival. His eyes widen and stare at me.

“Who are you?” I ask. I’ve always been really good at openings.

“Uhh.” His forehead wrinkles.

I drum my fingertips on the table. “I’ve never seen you in here before.”

“You saw me yesterday.” He folds the top corner of a page in his paperback: Dracula by Bram Stoker. “You saved my ass yesterday.”

“Before yesterday,” I reply.

He sighs. “A Starbuck’s bought out my favorite coffee shop, so I guess this is now my favorite coffee shop. Buy local.” He scoops his messenger bag off the floor and shoves the book inside.

The kid has one of those runway model faces—gaunt if not so beautiful, sharp and yet soft. Freckles? Zero. Wait, no, he’s got just a smattering that you would only notice close-up … or with well-trained vampiric eyes. He has no shadow of recently shaved facial hair, and that’s no surprise based on the white-blond of his hair. He must moisturize those lips because nobody’s mouth just naturally looks like the perfect mixture of velvet and silk.

He sighs again, louder. “You’re staring at me.”

No, I’m studying him—checking out his vulnerable areas, which are pretty much everywhere considering he’s so thin and fragile-looking.

As for everyone else in the coffee shop, they’re looking at the kid like they want to take him to bed. I catch a girl at the next table over gawking. A big dude with a beard stands in line to our right, his mouth hanging half open as he admires.

“Everyone is staring at you,” I respond.

His pale cheeks burn bright red as he swoops his bag onto his shoulder and stands. “No, that’s …” He shakes his head. “Ha, no.” He doesn’t say goodbye. He even leaves his coffee, half-consumed on the table. He up and abandons me without a word, but I do watch him go—as does half of Inky Grounds.

Once he disappears out into the early October morning, I turn back around and stare at his deserted coffee. Granted, I’m not smooth—I get it—but he didn’t have to run out like that. I just wanted to see that he was safe. Shit, I don’t even know his name. 

Author Bio:
Sara Dobie Bauer is a bestselling author, model, and mental health / LGBTQ advocate with a creative writing degree from Ohio University. She lives with her hottie husband and two precious pups in Northeast Ohio, although she’d really like to live in a Tim Burton film.


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Tuesday, September 8, 2020

Blog Tour: Abstract Love by Sara Dobie Bauer

Title: Abstract Love
Author: Sara Dobie Bauer
Genre: M/M Romance
Release Date: September 4, 2020
Cover Design: Natasha Snow

Summary:
I hate Sam Shelby. So why do I want to kiss him?

Sam never expected to move back to Cleveland.
Donovan never expected to be attracted to a man.
Well, shit happens.

After high school, Sam Shelby moved to New York. Eight years later, he returns to Cleveland and lands a job at the best ad firm in town. It would be the perfect gig, if his boss weren’t such an ass.

After his wife leaves, Donovan Cooper questions everything. The arrival of a young, arrogant, gifted graphic designer at Donovan’s firm is the last straw.

Tempers flare over office gossip, and following a nasty argument and scathing kiss, Donovan flails away from heterosexuality while Sam struggles to keep his “no relationship” rule intact.

Despite ugly socks, fiery fights, and their best intentions to not fall in love, these bullheaded coworkers can’t deny their chemistry. Donovan seeks happiness while Sam seeks success, but is there room for more?


Donovan sifted through a few hand-drawn logos on the desk and froze when he found a crudely drawn sketch of himself. Sam must have done it during a meeting at some point, capturing Donovan’s faux hawk, wide jaw, and severe expression.

Jesus, was this what other people saw when they looked at him? Did he really look so miserable?

“Make yourself at home?”

Donovan dropped the picture and stood straight at the sound of Sam’s voice.

He leaned against the doorframe, with one ankle crossed over the other.
“It’s really bullshit when people say that, you know?” Sam said. “Make yourself at home. No one actually wants their friends to take off their pants, drink all their beer, and binge The Great British Bake Off.” He paused. “What are you doing in my office?”

“I didn’t mean to snoop.”

The office door closed as he stepped inside. “Sure you did, or you wouldn’t be in here, so what’s up?”

Sam circled the desk, so Donovan circled the other way, although he noticed it was true what coworkers said: Sam did smell good—like clean laundry and cedar. “I think we started off on the wrong foot.”

Sam snort laughed and flipped through some files on his desk. “More like wrong continent, man.” When he found what he was looking for, he tapped the file’s corner against his palm. “I can handle guys like you, you know.”

Donovan shifted back on his heels. “Guys like me?”

“Hmm. Corporate assholes. All you see are dollar signs. You take no pleasure in your work. Advertising is money to you, not art, but without the artists, there wouldn’t be advertising, so…” He sucked his cheeks into his mouth, a momentary fish face.

Donovan wanted to tell him it wasn’t true. Donovan loved art.

He used to love art.

Sam continued, “I know I look like a six-foot-two Disney princess, but you’re not gonna rattle me.” To prove his point, Sam got right up in Donovan’s personal space until Donovan took a step back. Again, he was not used to dealing with someone his own height. “And I’m right about the Great Lakes ad campaign. If you’d pull your head out of your ass, maybe you’d notice.” He turned away abruptly.

“Sam.”

“What?”

“I’m sorry.” Ouch, that hurt coming out.

Sam’s rebuttal: “Prove it.”

“Excuse me?”

He rested a hand on the desk and cocked his hip out—the very picture of young attitude. “Listen to me in meetings.”

“I was listening.”

“Nope.” He shook his head and ran a hand through his unkempt, unprofessional hair. “No, you were hearing. I need you to listen. There’s a difference. And I know I’m just some fucking kid to you, but I ruled the New York City advertising scene. I know what I’m doing, Donovan, so let me do it.”

“Fine.” He’d had enough. He’d apologized, okay, so he’d done his Monica-enforced duty. He didn’t owe Sam anything else.

He didn’t run for the door, but he definitely moved with speed.


Who are some of your favorite authors and/or books to read when you need to relax?
Reading any and all MM romance relaxes me. Oddly, horror relaxes me, too. (I’m a scary movie junkie.)

If I really need word therapy, though, I head over to Archive of Our Own and read fan fiction. I adore fan fiction. Not only are fan fiction authors incredibly talented, but also many fan fic stories are focused on character, relationship, and sex. There’s no conflict! No stress! Gimme some of that.

If you were approached to have your book made into a film, who would you cast?
In Abstract Love: The Movie, Timothee Chalamet has to play Sam Shelby. In the book, Sam even wears outfits Timothee has worn in real life. They’re both beautiful, and I’d love to see Timothee in a comedic role.

Donovan is more difficult. I picture Daniel Craig—but younger Daniel Craig. Basically, for him to play the role, we’d need a time machine. Does anyone have a time machine?

It's often asked what is your favorite part of being a writer but what is the easiest or most natural part of the creative process for you?
Going with the flow. I’m a pantser, not a plotter. Once I have my characters outlined in detail and a vague idea of plot, I start writing and let the muse take over. Go with the flow. I don’t stress over what comes next; I just write. I’ve had many an epiphany while driving to yoga. The scenes just come to me, and I record them—one after the other until “The End.”

Is there any one character you've created that is most like you? If yes, who and why?
John Conlon in We Still Live. He’s a creative writing professor who survived a school shooting. That’s not what we have in common, though. John suffers from depression and severe anxiety but easily hides behind charisma and a sense of humor. He’s got demons, all right? That’s me. Although I now speak openly about my mental illness, I went years hiding my demons in the shadows. I still do it sometimes. It’s sometimes a necessity, but I try to be forthright about my feelings as much as possible.

If you could go anywhere (finances, time, & obligations not an issue) where would you go and why?
Hawaii. I love the ocean. I’m pretty sure I was either a shark or dolphin (maybe mermaid) in a past life. I want to see the grandeur and culture of the Hawaiian Islands. My one concern: if I go, I might never leave.


That said, I will be in New Orleans for Halloween, staying in a mansion in the French Quarter. Pretty sure that’s going to be a darn good time.

Author Bio:
Sara Dobie Bauer is a bestselling author, model, and mental health / LGBTQ advocate with a creative writing degree from Ohio University. She lives with her hottie husband and two precious pups in Northeast Ohio, although she’d really like to live in a Tim Burton film.


FACEBOOK  /  TWITTER  /  WEBSITE
NEWSLETTER  /  FB GROUP  /  B&N
KOBO  /  INSTAGRAM  /  TUMBLR
BOOKBUB  /  AMAZON  /  GOODREADS 




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