Saturday, January 28, 2017

Death of a Sculptor in Hue, Shape, and Color by MCV Egan

Title: Death of a Sculptor in Hue, Shape, and Color
Author: MCV Egan
Genre: Women's Suburban Fiction
Release Date: January 9, 2017
Summary:
Color-coded love stories and revealing female anatomies lead to the puzzling death of world-renowned sculptor, Bruce Jones.

In life, the artist loved women, almost as much as women loved him. Adored for his art, colorful personality, and sexual prowess, Bruce is mourned by the world. The multifaceted perspectives of his four ex-wives, the current wife, his new love interest, and their children narrate this pulse-pounding tale.

Loose ends are tied up by the insights of Sylvia, his son Aaron’s wife and a trusted keeper of secrets; Scott, the private investigator and family friend; Nonna, the quintessential grandmother everyone loves but to whom few are truly related; and Detective Jim Miller who will not rest until he discovers Bruce Jones’ murderer.


Mary: Wife No. 1

Thunder, lightning and rain, that was what we had at our wedding. However, on the day of his funeral, the Florida heat and humidity made my face shiny with perspiration. My hair looked like a dark Brillo pad. My children requested I attend the funeral of my first husband. Bruce Jones, the world-renowned sculptor.

The parking lot was already packed with an unexpected variety of cars. I then realized that it was not peak season. The South Florida snowbirds are attached to their cars and they migrate with them back and forth each year.

I noticed a police car and a uniformed man by the entrance. Even for Bruce a bit much; however, since 9/11 security has been tight everywhere.

The valet attendant opened my rental car door. “Welcome ma’am. Your daughter is waiting for you.”

“Thank you. Please make sure you keep the car in the shade. August Florida heat and sun are not my friends.” I pulled a five-dollar bill from my purse to tip him, but he shook his head and mumbled, “No, thank you.” After all It was Palm Beach. I probably should have pulled out a twenty.

I was surprised that the building looked like an actual church, at least from the outside. The church had a long name. It was Universal something or other; apparently, a place of worship with neither affiliation nor strictures. Bruce’s life had, after all, been too outrΓ© to pretend he followed any conventional religious norm.

“Thanks for coming, mom.” Clair’s voice shouldn’t have surprised me, but I stood still, focused on carefully dabbing my shiny nose. I clicked the compact shut, smiled and answered, “Anything for you and Aaron sweetheart.” She nodded as she guided me where to sit. It was toward the back of the church; the ex-wives’ pew.

“Please mom, don’t look at me that way. This funeral is a time for forgiveness and closure.”

Clair always found a way to get me to do whatever she wanted. The last thing I wanted was to be in the company of the women sitting there. I touched my frizzy hair, regretting my rejection of the keratin treatment.

Wife number two, Leslie, was the first to say hello. “Mary, you look lovely. It’s been years.”

“It has, thankfully,” I replied. The other two simply nodded, and I nodded back. Leslie, the one Bruce left me for, handed me a packet of tissues and winked. Forcing a smile, I took them. The idea that she assumed I planned to cry had not crossed my mind. I pulled the compact out of my purse again to check my makeup; it looked fine. Through the mirror I saw the reflection of the fifth and last Mrs. Bruce Jones, the widow. She was standing waiting for the ushers. I shook my head in disbelief. There next to Brooke was the coffin. The ushers waited with the coffin for the minister’s signal. It had images of Bruce’s artwork. Digital photography makes it possible to decorate anything in living color. Some of the images were blocked from my view by the ushers, but not mine. There I was paraded as a nude sketch. Each one of Bruce’s loves had a color and mine was pink. It was kitsch…even worse, it was downright tasteless.

Bruce had a type. We all had brown hair, and pretty faces with full lips and straight noses. The eye color varied as did our size and build. His type was limited to our physiognomy. I clicked the compact shut, and the other ex-wives faced me, startled by the sound. I shrugged with a coy apologetic smile. Look at the five of us; he had a type.

Bruce’s love also had a shelf life. He took the seven-year-itch need to scratch very literally. Some marriages were shorter, because sometimes the divorces got complicated and his new loves always overlapped with the old. Public or private, his relationships always lasted seven years.

I was nineteen when I first walked into his classroom. He was tall and muscular. I felt a tingle at the base of my neck when I saw his back, as if somehow I already knew. When he turned to face me, I was gone and completely in love. I fell in love with Bruce and the sculpture next to him all at once. I soon learned he made love in a way no other man did─not that I was very experienced then─Bruce traced every inch of my body with every part of his. At twenty-four, he already made a good living from his sculptures, but teaching remained his passion. As he grew older and wealthier, he taught short workshops in different parts of the world. His last one had been just a few months before his untimely death. He was after all, only sixty-two.

It was clear by the careful shape of his sculptures that he knew the shape of my legs, ankles, feet, and every other part of my body. His sculpture venues varied, his talent knew no boundaries. Bruce loved and sculpted as instinctively as the rest of us breathe. Whoever inherited the rights to his art would be wise to market his sketches as limited edition lithographs. Bruce liked to keep those private, but he always added color to the sketches in a way that made them works of art unto themselves. Bruce was as gifted with hue and color as he was with shapes. Those were the sketches that someone had the poor taste to use for the coffin. As the ushers moved around I heard the reactions of the other ex-wives, a blend of gasps and giggles. We recognized all the shapes and colors.

Focused on raising our children, I had not noticed when the sculptures started to change. That was when Leslie entered the picture. Bruce may not have planned to divorce me, or at least for years I tried to believe that, but then Leslie got pregnant.

Our marriage, his first as well, was the longest marriage, it lasted ten years. Three of those, Bruce had spent loving Leslie, but playing house with me. His marriage to Leslie was far shorter. I could tell by the sculptures he had loved her for seven years. We all met him through his art in one way or another. Wife number three, Petra, worked in an art gallery. Although not an artist she was very involved with his work. I derived great pleasure from the public scandal when he hurt Leslie that way, leaving her for a mere merchant. By then Bruce had a name, an art, and a face that was recognized everywhere. Leslie had ended my marriage, so curiosity as to who had ended hers interrupted my life for a time. Hers was the only one of Bruce’s love stories I followed carefully, aside from my own.

Aside from relishing in Leslie’s pain, his personal life did not pique my interest. I knew my children were always respected and old enough to voice concern if anyone mistreated them. I could not remember if it was the third or fourth wife who was the only one of us who did not have children with Bruce.

Chopin’s somber Marche FunΓ¨bre snapped me back to the moment. The elaborate coffin encasing Bruce’s body had been placed on a movable catafalque. The catafalque with squeaky wheels carried Bruce’s body in a guided procession down the aisle. He was always a large man and had managed to become larger as he aged. His appetite for food and drink superseded all his other appetites.

Leslie whispered in my ear, “She doesn’t look sad.”

Glancing over at the person in question, I nodded in agreement. The widow could not be described as grieving. Grief is, of course, different in all of us. The body language of grief, though, is universal; the defeated, slumped shoulders, head bowed, tears flowing. Leslie was right. The widow was crying, but they almost looked like tears of relief.

A montage of Bruce’s works on a screen at the side of the altar shaped in a semicircle created the focal point. The aisle inclined and my pew toward the back provided a good vantage point. The incline was slight, but pronounced enough to give those of us in the back a full view. The ushers seemed to be holding back the coffin so it would not speed down the aisle. The wheels continued to squeak. Bruce would have hated this. The minister or priestess─I am not sure what title this universal church gave them,─had a very unpleasant voice and thus was difficult to listen to. No voice, even a pleasant one, could compete with Bruce’s art. For all the rotten things I would be happy to tell you about Bruce Jones, his art was not something anyone could criticize. Even the most prestigious critics raved about his talent and his work.

The slides were in chronological order. The memory and pain from the sting of betrayal flooded me as it had twenty-eight years earlier. I could see Leslie through the corner of my eye and the blush that betrayed her shame.

As wife number two, she had been party to betrayal because she too had been betrayed. I know Leslie grew to love my children very much. I guess she saw me as an extension of that love in some ways. I felt terrible. I had been so curt.

My hand reached to her shoulder in a gesture of solidarity and forgiveness when the images on the screen segued to show the shape of ex-wife number three. My heart ached for Leslie because we had similar builds, and many would not have been able to distinguish when Bruce transitioned from sculpting my body to sculpting hers.

Ex-wife number three, Petra─a very tall woman, with long slender limbs─had a body that blatantly displayed the transition from Leslie to her replacement. The unquestionable change in shape left no doubt Bruce’s affections had shifted again. Leslie, pregnant with her second child at the time, lost the baby to grief, a loss I also knew well.

At that point, I did need the tissues Leslie had given me, but I was shedding tears for her, not for Bruce. I miscarried a child with my second husband. I understood her pain and sense of loss. Mine, too, was the last child, the child I never had.

Bruce never sculpted pregnant women. Consequently, wife number three, the one who had never been pregnant had seven years that boasted more sculptures than the rest of us. At the seven-year mark, Bruce’s transition into a new love story, a new model. Petra’s telltale sobs showed her grasp of Bruce’s tell. After all, loving Bruce was a gamble. The change of model in the sculpture showed his change of heart. Petra was from a foreign country, I never paid much attention where. My kids interacted with her, and she welcomed them with kindness. In tandem, Leslie and I passed her the tissues.

Petra took both tissues we offered and her lips moved in a quiet whisper; the words were obviously meant for Leslie, though I could discern they were, “I am sorry”

My daughter, Clair, had always lived up to the dual meanings of her name; clear and famous. Clair could see things with great clarity, and she could convey them as such. I could only assume that she knew the ex-wives belonged together, ‘for closure and forgiveness’ as she had said.

Clair’s modeling career had started in her teens at her insistence; she was not pushed nor did anyone suggest she should model. She knew she was very attractive, and she knew she could convey her beauty and charm to an audience, a photographer, a camera.

Her modeling spun into acting. She was as natural on a screen as on a stage. It came to her with ease, though she was happy to take classes and learn. My Aaron is also successful, but he is a behind-the-scenes sort of person. I took great pride in knowing that I had always been a good mother. I had known how to allow my children to forge their own paths.

Not everything in my life succeeded, but I was a success at being a mother. I recognized Bruce’s love shelf life because I had one of my own, with a trail of the remains of ended marriages or relationships. Mine perhaps more impressive than Bruce’s.

I guess Bruce might have been the love of my life. But now in my mid-fifties, I questioned whether a spouse or companion had any viable use? I loved art, my passion, and although my work is not as popular or renowned as Bruce’s, I have achieved a certain level of success.





Author Bio:
M.C.V. Egan is the pen name chosen by Maria Catalina Vergara Egan. Catalina was born in Mexico City, Mexico in 1959, the sixth of eight children, in a traditional Catholic family. From a very young age, she became obsessed with the story of her maternal grandfather, Cesar Agustin Castillo--mostly the story of how he died.

She spent her childhood in Mexico. When her father became an employee of The World Bank in Washington D.C. in the early 1970s, she moved with her entire family to the United States. Catalina was already fluent in English, as she had spent one school year in the town of Pineville, Louisiana with her grandparents. There she won the English award, despite being the only one who had English as a second language in her class. In the D.C. suburbs she attended various private Catholic schools and graduated from Winston Churchill High School in Potomac, Maryland in 1977.

She attended Montgomery Community College, where she changed majors every semester. She also studied in Lyons, France, at the Catholic University for two years. In 1981, due to an impulsive young marriage to a Viking (the Swedish kind, not the football player kind), Catalina moved to Sweden where she resided for five years and taught at a language school for Swedish, Danish, and Finnish businesspeople. She then returned to the USA, where she has lived ever since. She is fluent in Spanish, English, French and Swedish.

Maria Catalina Vergara Egan is married and has one son who, together with their five-pound Chihuahua, makes her feel like a full-time mother. Although she would not call herself an astrologer she has taken many classes and taught a few beginner classes in the subject M.C.V. Egan's new series DEFINING WAYS uses Astrology and the Metaphysical tools.


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Friday, January 27, 2017

Friday's Film Adaption: To Have and Have Not by Ernest Hemingway


Summary:
To Have and Have Not is the dramatic, brutal story of Harry Morgan, an honest boat owner who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who swarm the region, and involve him in a strange and unlikely love affair.

In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the "haves" and the "have nots" and creates one of the most subtle and moving portraits of a love affair in his oeuvre. In turn funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not takes literary high adventure to a new level. As the Times Literary Supplement observed, "Hemingway's gift for dialogue, for effective understatement, and for communicating such emotions the tough allow themselves, has never been more conspicuous."



Chapter 1
You know how it is there early in the morning in Havana with the bums still asleep against the walls of the buildings; before even the ice wagons come by with ice for the bars? Well, we came across the square from the dock to the Pearl of San Francisco CafΓ© to get coffee and there was only one beggar awake in the square and he was getting a drink out of the fountain. But when we got inside the cafΓ© and sat down, there were the three of them waiting for us.

We sat down and one of them came over.

"Well," he said.

"I can't do it," I told him. "I'd like to do it as a favor. But I told you last night I couldn't."

"You can name your own price."

"It isn't that. I can't do it. That's all."

The two others had come over and they stood there looking sad. They were nice-looking fellows all right and I would have liked to have done them the favor.

"A thousand apiece," said the one who spoke good English.

"Don't make me feel bad," I told him. "I tell you true I can't do it."

"Afterwards, when things are changed, it would mean a good deal to you."

"I know it. I'm all for you. But I can't do it."

"Why not?"

"I make my living with the boat. If I lose her I lose my living."

"With the money you buy another boat."

"Not in jail."

They must have thought I just needed to be argued into it because the one kept on.

"You would have three thousand dollars and it could mean a great deal to you later. All this will not last, you know."

"Listen," I said. "I don't care who is president here. But I don't carry anything to the states that can talk."

"You mean we would talk?" one of them who hadn't spoke said. He was angry.

"I said anything that can talk."

"Do you think we are lenguas largas?"

"No."

"Do you know what a lengua larga is?"

"Yes. One with a long tongue."

"Do you know what we do with them?"

"Don't be tough with me," I said. "You propositioned me. I didn't offer you anything."

"Shut up, Pancho," the one who had done the talking before said to the angry one.

"He said we would talk," Pancho said.

"Listen," I said. "I told you I didn't carry anything that can talk. Sacked liquor can't talk. Demijohns can't talk. There's other things that can't talk. Men can talk."

"Can Chinamen talk?" Pancho said, pretty nasty.

"They can talk but I can't understand them," I told him.

"So you won't?"

"It's just like I told you last night. I can't."

"But you won't talk?" Pancho said.

The one thing that he hadn't understood right had made him nasty. I guess it was disappointment, too. I didn't even answer him.

"You're not a lengua larga, are you?" he asked, still nasty.

"I don't think so."

"What's that? A threat?"

"Listen," I told him. "Don't be so tough so early in the morning. I'm sure you've cut plenty people's throats. I haven't even had my coffee yet."

"So you're sure I've cut people's throats?"

"No," I said. "And I don't give a damn. Can't you do business without getting angry?"

"I am angry now," he said. "I would like to kill you."

"Oh, hell," I told him. "Don't talk so much."

"Come on, Pancho," the first one said. Then, to me, "I am very sorry. I wish you would take us."

"I'm sorry, too. But I can't."

The three of them started for the door, and I watched them go. They were good-looking young fellows, wore good clothes; none of them wore hats, and they looked like they had plenty of money. They talked plenty of money, anyway, and they spoke the kind of English Cubans with money speak.

Two of them looked like brothers and the other one, Pancho, was a little taller but the same sort of looking kid. You know, slim, good clothes, and shiny hair. I didn't figure he was as mean as he talked. I figured he was plenty nervous.

As they turned out of the door to the right, I saw a closed car come across the square toward them. The first thing a pane of glass went and the bullet smashed into the row of bottles on the showcase wall to the right. I heard the gun going and, bop, bop, bop, there were bottles smashing all along the wall.

I jumped behind the bar on the left side and could see looking over the edge. The car was stopped and there were two fellows crouched down by it. One had a Thompson gun and the other had a sawed-off automatic shotgun. The one with the Thompson gun was a nigger. The other had a chauffeur's white duster on.

One of the boys was spread out on the sidewalk, face down, just outside the big window that was smashed. The other two were behind one of the Tropical beer ice wagons that was stopped in front of the Cunard bar next door. One of the ice-wagon horses was down in the harness, kicking, and the other was plunging his head off.

One of the boys shot from the rear corner of the wagon and it ricocheted off the sidewalk. The nigger with the Tommy gun got his face almost into the street and gave the back of the wagon a burst from underneath and sure enough one came down, falling toward the sidewalk with his head above the curb. He flopped there, putting his hands over his head, and the chauffeur shot at him with the shotgun while the nigger put in a fresh pan; but it was a long shot. You could see the buckshot marks all over the sidewalk like silver splatters.

The other fellow pulled the one who was hit back by the legs to behind the wagon, and I saw the nigger getting his face down on the paving to give them another burst. Then I saw old Pancho come around the corner of the wagon and step into the lee of the horse that was still up. He stepped clear of the horse, his face white as a dirty sheet, and got the chauffeur with the big Luger he had; holding it in both hands to keep it steady. He shot twice over the nigger's head, coming on, and once low.

He hit a tire on the car because I saw dust blowing in a spurt on the street as the air came out, and at ten feet the nigger shot him in the belly with the Tommy gun, with what must have been the last shot in it because I saw him throw it down, and old Pancho sat down hard and went over forwards. He was trying to come up, still holding onto the Luger, only he couldn't get his head up, when the nigger took the shotgun that was lying against the wheel of the car by the chauffeur and blew the side of his head off. Some nigger.

I took a quick one out of the first bottle I saw open and I couldn't tell you yet what it was. The whole thing made me feel pretty bad. I slipped along behind the bar and out through the kitchen in back and all the way out. I went clean around the outside of the square and never even looked over toward the crowd there was coming fast in front of the cafΓ© and went in through the gate and out onto the dock and got on board.

The fellow who had her chartered was on board waiting. I told him what had happened.

"Where's Eddy?" this fellow Johnson that had us chartered asked me.

"I never saw him after the shooting started."

"Do you suppose he was hit?"

"Hell, no. I tell you the only shots that came in the cafΓ© were into the showcase. That was when the car was coming behind them. That was when they shot the first fellow right in front of the window. They came at an angle like this — "

"You seem awfully sure about it," he said.

"I was watching," I told him.

Then, as I looked up, I saw Eddy coming along the dock looking taller and sloppier than ever. He walked with his joints all slung wrong.

"There he is."

Eddy looked pretty bad. He never looked too good early in the morning; but he looked pretty bad now.

"Where were you?" I asked him.

"On the floor."

"Did you see it?" Johnson asked him.

"Don't talk about it, Mr. Johnson," Eddy said to him. "It makes me sick to even think about it."

"You better have a drink," Johnson told him. Then he said to me, "Well, are we going out?"

"That's up to you."

"What sort of a day will it be?"

"Just about like yesterday. Maybe better."

"Let's get out, then."

"All right, as soon as the bait comes."

We'd had this bird out three weeks fishing the stream and I hadn't seen any of his money yet except one hundred dollars he gave me to pay the consul, and clear, and get some grub, and put gas in her before we came across. I was furnishing all the tackle and he had her chartered at thirty-five dollars a day. He slept at a hotel and came aboard every morning. Eddy got me the charter so I had to carry him. I was giving him four dollars a day.

"I've got to put gas in her," I told Johnson.

"All right."

"I'll need some money for that."

"How much?"

"It's twenty-eight cents a gallon. I ought to put in forty gallons anyway. That's eleven-twenty."

He got out fifteen dollars.

"Do you want to put the rest on the beer and the ice?" I asked him.

"That's fine," he said. "Just put it down against what I owe you."

I was thinking three weeks was a long time to let him go, but if he was good for it what difference was there? He should have paid every week anyway. But I've let them run a month and got the money. It was my fault but I was glad to see it run at first. It was only the last few days he made me nervous but I didn't want to say anything for fear of getting him plugged at me. If he was good for it, the longer he went the better.

"Have a bottle of beer?" he asked me, opening the box.

"No, thanks."

Just then this nigger we had getting bait comes down the dock and I told Eddy to get ready to cast her off.

The nigger came on board with the bait and we cast off and started out of the harbor, the nigger fixing on a couple of mackerel; passing the hook through their mouth, out the gills, slitting the side and then putting the hook through the other side and out, tying the mouth shut on the wire leader and tying the hook good so it couldn't slip and so the bait would troll smooth without spinning.

He's a real black nigger, smart and gloomy, with blue voodoo beads around his neck under his shirt, and an old straw hat. What he liked to do on board was sleep and read the papers. But he put on a nice bait and he was fast.

"Can't you put on a bait like that, captain?" Johnson asked me.

"Yes, sir."

"Why do you carry a nigger to do it?"

"When the big fish run you'll see," I told him.

"What's the idea?"

"The nigger can do it faster than I can."

"Can't Eddy do it?"

"No, sir."

"It seems an unnecessary expense to me." He'd been giving the nigger a dollar a day and the nigger had been on a rumba every night. I could see him getting sleepy already.

"He's necessary," I said.

By then we had passed the smacks with their fish cars anchored in front of CabaΓ±as and the skiffs anchored fishing for mutton fish on the rock bottom by the Morro, and I headed her out where the Gulf made a dark line. Eddy put the two big teasers out and the nigger had baits on three rods.

The stream was in almost to soundings and as we came toward the edge you could see her running nearly purple with regular whirlpools. There was a light east breeze coming up and we put up plenty of flying fish, those big ones with the black wings that look like the picture of Lindbergh crossing the Atlantic when they sail off.

Those big flying fish are the best sign there is. As far as you could see, there was that faded yellow gulfweed in small patches that means the main stream is well in and there were birds ahead working over a school of little tuna. You could see them jumping; just little ones weighing a couple of pounds apiece.

"Put out any time you want," I told Johnson.

He put on his belt and his harness and put out the big rod with the Hardy reel with six hundred yards of thirty-six thread. I looked back and his bait was trolling nice, just bouncing along on the swell, and the two teasers were diving and jumping. We were going just about the right speed and I headed her into the Stream.

"Keep the rod butt in the socket on the chair," I told him. "Then the rod won't be as heavy. Keep the drag off so you can slack to him when he hits. If one ever hits with the drag on he'll jerk you overboard."

Every day I'd have to tell him the same thing but I didn't mind that. One out of fifty parties you get know how to fish. Then when they do know, half the time they're goofy and want to use line that isn't strong enough to hold anything big.

"How does the day look?" he asked me.

"It couldn't be better," I told him. It was a pretty day all right.

I gave the nigger the wheel and told him to work along the edge of the Stream to the eastward and went back to where Johnson was sitting watching his bait bouncing along.

"Want me to put out another rod?" I asked him.

"I don't think so," he said. "I want to hook, fight, and land my fish myself."

"Good," I said. "Do you want Eddy to put it out and hand it to you if one strikes so you can hook him?"

"No," he said. "I prefer to have only one rod out."

"All right."

The nigger was still taking her out and I looked and saw he had seen a patch of flying fish burst out ahead and up the stream a little. Looking back, I could see Havana looking fine in the sun and a ship just coming out of the harbor past the Morro.

"I think you're going to have a chance to fight one today, Mr. Johnson," I told him.

"It's about time," he said. "How long have we been out?"

"Three weeks today."

"That's a long time to fish."

"They're a funny fish," I told him. "They aren't here until they come. But when they come there's plenty of them. And they've always come. If they don't come now they're never coming. The moon is right. There's a good stream and we're going to have a good breeze."

"There were some small ones when we first came."

"Yes," I said. "Like I told you. The small ones thin out and stop before the big ones come."

"You party-boat captains always have the same line. Either it's too early or too late or the wind isn't right or the moon is wrong. But you take the money just the same."

"Well," I told him, "the hell of it is that it usually is too early or too late and plenty of time the wind is wrong. Then when you get a day that's perfect you're ashore without a party."

"But you think today's a good day?"

"Well," I told him, "I've had action enough for me already today. But I'd like to bet you're going to have plenty."

"I hope so," he said.

We settled down to troll. Eddy went forward and laid down. I was standing up watching for a tail to show. Every once in a while the nigger would doze off and I was watching him, too. I bet he had some nights.

"Would you mind getting me a bottle of beer, captain?" Johnson asked me.

"No, sir," I said, and I dug down in the ice to get him a cold one.

"Won't you have one?" he asked.

"No, sir," I said. "I'll wait till tonight."

I opened the bottle and was reaching it toward him when I saw this big brown buggar with a spear on him longer than your arm burst head and shoulders out of the water and smash at that mackerel. He looked as big around as a saw log.

"Slack it to him!" I yelled.

"He hasn't got it," Johnson said.

"Hold it, then."

He'd come up from deep down and missed it. I knew he'd turn and come for it again.

"Get ready to turn it loose to him the minute he grabs it."

Then I saw him coming from behind under water. You could see his fins out wide like purple wings and the purple stripes across the brown. He came on like a submarine and his top fin came out and you could see it slice the water. Then he came right behind the bait and his spear came out too, sort of wagging, clean out of water.

"Let it go into his mouth," I said. Johnson took his hand off the reel spool and it started to whiz and the old marlin turned and went down and I could see the whole length of him shine bright silver as he turned broadside and headed off fast toward shore.

"Put on a little drag," I said. "Not much."

He screwed down on the drag.

"Not too much," I said. I could see the line slant up. "Shut her down hard and sock him," I said. "You've got to sock him. He's going to jump anyway."

Johnson screwed the drag down and came back on the rod.

"Sock him!" I told him. "Stick it into him. Hit him half a dozen times."

He hit him pretty hard a couple of times more, and then the rod bent double and the reel commenced to screech and out he came, boom, in a long straight jump, shining silver in the sun and making a splash like throwing a horse off a cliff.

"Ease up on the drag," I told him.

"He's gone," said Johnson.

"The hell he is," I told him. "Ease up on the drag quick."

I could see the curve in the line and the next time he jumped he was astern and headed out to sea. Then he came out again and smashed the water white and I could see he was hooked in the side of the mouth. The stripes showed clear on him. He was a fine fish bright silver now, barred with purple, and as big around as a log.

"He's gone," Johnson said. The line was slack.

"Reel on him," I said. "He's hooked good. Put her ahead with all the machine!" I yelled to the nigger.

Then once, twice, he came out stiff as a post, the whole length of him jumping straight toward us, throwing the water high each time he landed. The line came taut and I saw he was headed inshore again and I could see he was turning.

"Now he'll make his run," I said. "If he hooks up I'll chase him. Keep your drag light. There's plenty of line."

The old marlin headed out to the nor'west like all the big ones go, and brother, did he hook up. He started jumping in those long lopes and every splash would be like a speed boat in a sea. We went after him, keeping him on the quarter once I'd made the turn. I had the wheel and I kept yelling to Johnson to keep his drag light and

reel fast. All of a sudden I see his rod jerk and the line go slack. It wouldn't look slack unless you knew about it because of the pull of the belly of the line in the water. But I knew.

"He's gone," I told him. The fish was still jumping and he went on jumping until he was out of sight. He was a fine fish all right.

"I can still feel him pull," Johnson said.

"That's the weight of the line."

"I can hardly reel it. Maybe he's dead."

"Look at him," I said. "He's still jumping." You could see him out a half a mile, still throwing spouts of water.

I felt his drag. He had it screwed down tight. You couldn't pull out any line. It had to break.

"Didn't I tell you to keep your drag light?"

"But he kept taking out line."

"So what?"

"So I tightened it."

"Listen," I told him. "If you don't give them line when they hook up like that they break it. There isn't any line will hold them. When they want it you've got to give it to them. You have to keep a light drag. The market fishermen can't hold them tight when they do that even with a harpoon line. What we have to do is use the boat to chase them so they don't take it all when they make their run. After they make their run they'll sound and you can tighten up the drag and get it back."

"Then if it hadn't broken I would have caught him?"

"You'd have had a chance."

"He couldn't have kept that up, could he?"

"He can do plenty of other things. It isn't until after he's made his run that the fight starts."

"Well, let's catch one," he said.

"You have to reel that line in first," I told him.

We'd hooked that fish and lost him without waking Eddy up. Now old Eddy came back astern.

"What's the matter?" he said.

Eddy was a good man on a boat once, before he got to be a rummy, but he isn't any good now. I looked at him standing there tall and hollow-cheeked with his mouth loose and that white stuff in the corners of his eyes and his hair all faded in the sun. I knew he woke up dead for a drink.

"You'd better drink a bottle of beer," I told him. He took one out of the box and drank it.

"Well, Mr. Johnson," he said, "I guess I better finish my nap. Much obliged for the beer, sir." Some Eddy. The fish didn't make any difference to him.

Well, we hooked another one around noon and he jumped off. You could see the hook go thirty feet in the air when he threw it.

"What did I do wrong then?" Johnson asked.

"Nothing," I said. "He just threw it."

"Mr. Johnson," said Eddy, who'd waked up to have another bottle of beer — "Mr. Johnson, you're just unlucky. Now maybe you're lucky with women. Mr. Johnson, what do you say we go out tonight?" Then he went back and laid down again.

About four o'clock when we're coming back close in to shore against the Stream; it going like a mill race, us with the sun at our backs; the biggest black marlin I ever saw in my life hit Johnson's bait. We'd put out a feather squid and caught four of those little tuna and the nigger put one on his hook for bait. It trolled pretty heavy but it made a big splash in the wake.

Johnson took the harness off the reel so he could put the rod across his knees because his arms got tired holding it in position all the time. Because his hands got tired holding the spool of the reel against the drag of the big bait, he screwed the drag down when I wasn't looking. I never knew he had it down. I didn't like to see him hold the rod that way but I hated to be crabbing at him all the time. Besides, with the drag off, line would go out so there wasn't any danger. But it was a sloppy way to fish.

I was at the wheel and was working the edge of the stream opposite that old cement factory where it makes deep so close in to shore and where it makes a sort of eddy where there is always lots of bait. Then I saw a splash like a depth bomb, and the sword, and eye, and open lower-jaw and huge purple-black head of a black marlin. The whole top fin was up out of water looking as high as a full-rigged ship, and the whole scythe tail was out as he smashed at that tuna. The bill was as big around as a baseball bat and slanted up, and as he grabbed the bait he sliced the ocean wide open. He was solid purple-black and he had an eye as big as a soup bowl. He was huge. I bet he'd go a thousand pounds.

I yelled to Johnson to let him have line but before I could say a word, I saw Johnson rise up in the air off the chair as though he was being derricked, and him holding just for a second onto that rod and the rod bending like a bow, and then the butt caught him in the belly and the whole works went overboard.

He'd screwed the drag tight, and when the fish struck, it lifted Johnson right out of the chair and he couldn't hold it. He'd had the butt under one leg and the rod across his lap. If he'd had the harness on it would have taken him along, too.

I cut out the engine and went back to the stern. He was sitting there holding onto his belly where the rod butt had hit him.

"I guess that's enough for today," I said.

"What was it?" he said to me.

"Black marlin," I said.

"How did it happen?"

"You figure it out," I said. "The reel cost two hundred and fifty dollars. It costs more now. The rod cost me forty-five. There was a little under six hundred yards of thirty-six thread."

Just then Eddy slaps him on the back. "Mr. Johnson," he says, "you're just unlucky. You know I never saw that happen before in my life."

"Shut up, you rummy," I said to him.

"I tell you, Mr. Johnson," Eddy said, "that's the rarest occurrence I ever saw in my life."

"What would I do if I was hooked to a fish like that?" Johnson said.

"That's what you wanted to fight all by yourself," I told him. I was plenty sore.

"They're too big," Johnson said. "Why, it would just be punishment."

"Listen," I said. "A fish like that would kill you."

"They catch them."

"People who know how to fish catch them. But don't think they don't take punishment."

"I saw a picture of a girl who caught one."

"Sure," I said. "Still fishing. He swallowed the bait and they pulled his stomach out and he came to the top and died. I'm talking about trolling for them when they're hooked in the mouth."

"Well," said Johnson, "they're too big. If it isn't enjoyable, why do it?"

"That's right, Mr. Johnson," Eddy said. "If it isn't enjoyable, why do it? Listen, Mr. Johnson. You hit the nail on the head there. If it isn't enjoyable — why do it?"

I was still shaky from seeing that fish and feeling plenty sick about the tackle and I couldn't listen to them. I told the nigger to head her for the Morro. I didn't say anything to them and there they sat, Eddy in one of the chairs with a bottle of beer and Johnson with another.

"Captain," he said to me after a while, "could you make me a highball?"

I made him one without saying anything, and then I made myself a real one. I was thinking to myself that this Johnson had fished fifteen days, finally he hooks into a fish a fisherman would give a year to tie into, he loses him, he loses my heavy tackle, he makes a fool of himself and he sits there perfectly content, drinking with a rummy.

When we got in to the dock and the nigger was standing there waiting, I said, "What about tomorrow?"

"I don't think so," Johnson said. "I'm about fed up with this kind of fishing."

"You want to pay off the nigger?"

"How much do I owe him?"

"A dollar. You can give him a tip if you want."

So Johnson gave the nigger a dollar and two Cuban twenty-cent pieces.

"What's this for?" the nigger asks me, showing the coins.

"A tip," I told him in Spanish. "You're through. He gives you that."

"Don't come tomorrow?"

"No."

The nigger gets his ball of twine he used for tying baits and his dark glasses, puts on his straw hat and goes without saying good-by. He was a nigger that never thought much of any of us.

"When do you want to settle up, Mr. Johnson?" I asked him.

"I'll go to the bank in the morning," Johnson said. "We can settle up in the afternoon."

"Do you know how many days there are?"

"Fifteen."

"No. There's sixteen with today and a day each way makes eighteen. Then there's the rod and reel and the line from today."

"The tackle's your risk."

"No, sir. Not when you lose it that way."

"I've paid every day for the rent of it. It's your risk."

"No, sir," I said. "If a fish broke it and it wasn't your fault, that would be something else. You lost that whole outfit by carelessness."

"The fish pulled it out of my hands."

"Because you had the drag on and didn't have the rod in the socket."

"You have no business to charge for that."

"If you hired a car and ran it off a cliff, don't you think you'd have to pay for it?"

"Not if I was in it," Johnson said.

"That's pretty good, Mr. Johnson," Eddy said. "You see it, don't you, cap? If he was in it he'd be killed. So he wouldn't have to pay. That's a good one."

I didn't pay any attention to the rummy. "You owe two hundred and ninety-five dollars for that rod and reel and line," I told Johnson.

"Well, it's not right," he said. "But if that's the way you feel about it why not split the difference?"

"I can't replace it for under three hundred and sixty. I'm not charging you for the line. A fish like that could get all your line and it not be your fault. If there was any one here but a rummy they'd tell you how square I'm being with you. I know it seems like a lot of money but it was a lot of money when I bought the tackle, too. You can't fish fish like that without the best tackle you can buy."

"Mr. Johnson, he says I'm a rummy. Maybe I am. But I tell you he's right. He's right and he's reasonable," Eddy told him.

"I don't want to make any difficulties," Johnson said finally. "I'll pay for it, even though I don't see it. That's eighteen days at thirty-five dollars and two ninety-five extra."

"You gave me a hundred," I told him. "I'll give you a list of what I spent and I'll deduct what grub there is left. What you bought for provisions going over and back."

"That's reasonable," Johnson said.

"Listen, Mr. Johnson," Eddy said. "If you knew the way they usually charge a stranger you'd know it was more than reasonable. Do you know what it is? It's exceptional. The Cap is treating you like you were his own mother."

"I'll go to the bank tomorrow and come down in the afternoon. Then I'll get the boat day after tomorrow."

"You can go back with us and save the boat fare."

"No," he said. "I'll save time with the boat."

"Well," I said. "What about a drink?"

"Fine," said Johnson. "No hard feelings now, are there?"

"No, sir," I told him. So the three of us sat there in the stern and drank a highball together.

The next day I worked around her all morning, changing the oil in her base and one thing and another. At noon I went uptown and ate at a Chink place where you get a good meal for forty cents, and then I bought some things to take home to my wife and our three girls. You know, perfume, a couple of fans and three of those high combs. When I finished I stopped in at Donovan's and had a beer and talked with the old man and then walked back to the San Francisco docks, stopping in at three or four places for a beer on the way. I bought Frankie a couple at the Cunard bar and I came on board feeling pretty good. When I came on board I had just forty cents left. Frankie came on board with me, and while we sat and waited for Johnson I drank a couple of cold ones out of the ice box with Frankie.

Eddy hadn't shown up all night or all day but I knew he would be around sooner or later, as soon as his credit ran out. Donovan told me he'd been in there the night before a little while with Johnson, and Eddy had been setting them up on credit. We waited and I began to wonder about Johnson not showing up. I'd left word at the dock for them to tell him to go on board and wait for me but they said he hadn't come. Still, I figured he had been out late and probably didn't get up till around noon. The banks were open until three-thirty. We saw the plane go out, and about five-thirty I was all over feeling good and was getting plenty worried.

At six o'clock I sent Frankie up to the hotel to see if Johnson was there. I still thought he might be out on a time or he might be there at the hotel feeling too bad to get up. I kept waiting and waiting until it was late. But I was getting plenty worried because he owed me eight hundred and twenty-five dollars.

Frankie was gone about a little over half an hour. When I saw him coming he was walking fast and shaking his head.

"He went on the plane," he said.

All right. There it was. The consulate was closed. I had forty cents, and, anyhow, the plane was in Miami by now. I couldn't even send a wire. Some Mr. Johnson, all right. It was my fault. I should have known better.

"Well," I said to Frankie, "we might as well have a cold one. Mr. Johnson bought them." There were three bottles of Tropical left.

Frankie felt as bad as I did. I don't know how he could but he seemed to. He just kept slapping me on the back and shaking his head.

So there it was. I was broke. I'd lost five hundred and thirty dollars of the charter, and tackle I couldn't replace for three hundred and fifty more. How some of that gang that hangs around the dock would be pleased at that, I thought. It certainly would make some Conchs happy. And the day before I turned down three thousand dollars to land three aliens on the Keys. Anywhere, just to get them out of the country.

All right, what was I going to do now? I couldn't bring in a load because you have to have money to buy the booze and besides there's no money in it any more. The town is flooded with it and there's nobody to buy it. But I was damned if I was going home broke and starve a summer in that town. Besides I've got a family. The clearance was paid when we came in. You usually pay the broker in advance and he enters you and clears you. Hell, I didn't even have enough money to put in gas. It was a hell of a note, all right. Some Mr. Johnson.

"I've got to carry something, Frankie," I said. "I've got to make some money."

"I'll see," said Frankie. He hangs around the water front and does odd jobs and is pretty deaf and drinks too much every night. But you never saw a fellow more loyal nor with a better heart. I've known him since I first started to run over there. He used to help me load plenty of times. Then when I quit handling stuff and went party-boating and broke out this swordfishing in Cuba I used to see him a lot around the dock and around the cafΓ©. He seems dumb and he usually smiles instead of talking, but that's because he's deaf.

"You carry anything?" Frankie asked.

"Sure," I said. "I can't choose now."

"Anything?"

"Sure."

"I'll see," Frankie said. "Where will you be?"

"I'll be at the Perla," I told him. "I have to eat."

You can get a good meal at the Perla for twenty-five cents. Everything on the menu is a dime except soup, and that is a nickel. I walked as far as there with Frankie, and I went in and he went on. Before he went he shook me by the hand and clapped me on the back again.

"Don't worry," he said. "Me Frankie; much politics. Much business. Much drinking. No money. But big friend. Don't worry."

"So long, Frankie," I said. "Don't you worry either, boy."

Film
A skipper-for-hire's romance with a beautiful drifter is complicated by his growing involvement with the French resistance.

Release Date: October 11, 1944
Release Time: 100 minutes

Cast:
Humphrey Bogart as Harry "Steve" Morgan
Walter Brennan as Eddie
Lauren Bacall as Marie "Slim" Browning
Dolores Moran as Mme Hélène de Bursac
Hoagy Carmichael as Cricket
Sheldon Leonard as Lieutenant Coyo
Walter Surovy as Paul de Bursac
Marcel Dalio as GΓ©rard (Frenchy)
Walter Sande as Johnson
Dan Seymour as Capitaine Renard
Aldo Nadi as Renard's bodyguard
Paul Marion as Beauclère
Eugene Borden as Quartermaster
Patricia Shay as Mrs. Beauclère
Emmett Smith as Bartender
Pat West as Bartender


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Author Bio:
Ernest Hemingway ranks as the most famous of twentieth-century American writers; like Mark Twain, Hemingway is one of those rare authors most people know about, whether they have read him or not. The difference is that Twain, with his white suit, ubiquitous cigar, and easy wit, survives in the public imagination as a basically, lovable figure, while the deeply imprinted image of Hemingway as rugged and macho has been much less universally admired, for all his fame. Hemingway has been regarded less as a writer dedicated to his craft than as a man of action who happened to be afflicted with genius. When he won the Nobel Prize in 1954, Time magazine reported the news under Heroes rather than Books and went on to describe the author as "a globe-trotting expert on bullfights, booze, women, wars, big game hunting, deep sea fishing, and courage." Hemingway did in fact address all those subjects in his books, and he acquired his expertise through well-reported acts of participation as well as of observation; by going to all the wars of his time, hunting and fishing for great beasts, marrying four times, occasionally getting into fistfights, drinking too much, and becoming, in the end, a worldwide celebrity recognizable for his signature beard and challenging physical pursuits.


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Revolutionary Temptation by Silvia Violet

Summary:
1777 New York City

The American colonists are fighting for their independence, but the battlefield is not the only place to wage war. When General Washington’s head of intelligence asks Captain Jack West to spy on the British in New York, Jack agrees, despite reservations about this ungentlemanly pursuit.

Jack’s contact in the city recruits bookshop owner Elias Ashfield, an impeccably dressed sensualist who flaunts his desire for both men and women and seeks a place in high society. Jack longs for a simple life guided by clear principles. Eli is a risk-taker who knows how to get what he wants. And he wants Jack in his bed.

Events in Jack’s past have made him fearful of acting on his secret craving for a man’s touch, but Eli intrigues Jack as much as he infuriates him. As Jack and Eli search for the information the rebel army needs, they realize there’s more between them than mere lust. But finding a way to be together may prove more difficult than defeating the British Empire.


As a lover of historicals, I can honestly say that I absolutely LOVED Revolutionary Temptation!  The detail to the time really heightened an already great story of drama and love.  Jack is wary of his inclination, with good reason, and Eli is not.  Eli may not flaunt his lifestyle for all to see, it is a dangerous time to be gay afterall, but he also doesn't restrict his wants and he's certainly not as quiet as Jack thinks he should be.  When they find themselves brought together for the cause of freedom from the British, well, lets just say nothing is ever the same for either of them again.  Throw in Constance Sullivan, their boss in the New York spy ring, and you have an intriguing tale of love, espionage, freedom, that adds up to a wonderful read with just the right amount of angst and a little humor thrown in for good measure.  A great addition to my historical library that I'm already looking forward to re-reading.

RATING: 


Captain Jack West entered the noisy tavern where numerous continental-army officers attempted to alleviate their winter boredom with tankards of ale. He glanced around the room searching for Major Tallmadge, who’d summoned Jack, saying he wanted to discuss a special mission. There was over a foot of snow on the ground, and both the rebels and the British were holed up for the winter.

Three weeks earlier during the fighting in Trenton, Jack had been shot in the leg. The bullet had lodged in the outer side of his thigh, a few inches above the knee. He’d sustained a cracked femur and bled heavily, but thank God, the surgeon had saved his leg. After weeks in bed, he was now able to walk, but he had a pronounced limp and his leg pained him constantly. What kind of mission could he carry out in his current condition? Not to say he wouldn’t be thankful to do something other than listen to the bluster of fellow officers or contemplate how poor the rebels’ chances would be come spring.

Tallmadge sat on a bench in the corner of the crowded room. As Jack moved his way, a man knocked into him, nearly spilling his beer all over Jack’s coat. Jack caught the man’s arm and steadied him.

“Sorry, Captain,” the man mumbled.

Annoyed as he was, Jack forced himself to smile. The soldier was young and foolish—hell, they all were—and he’d been too distracted by the buxom serving girl to watch where he was going. Jack shooed him on his way.

Speaking of distractions, Benjamin Tallmadge was an incredibly beautiful man. Not that Jack had heard or seen anything to suggest Tallmadge had an interest in more than friendship with his fellow men. Even if he had, Jack wouldn’t dare approach him. He couldn’t afford that kind of risk. It was difficult enough to keep his men in line without rumors he was a sodomite.

“Good evening,” he said, taking a seat across from Tallmadge.

“Jack.” Tallmadge held out his hand to shake. “Thank you for joining me.”

Tallmadge looked preoccupied, not surprising considering the difficult task he’d been assigned as Washington’s head of intelligence. Jack asked, “You mentioned a special mission?”

“I did, and I want to ask you to hear me out before you respond.”

Not a promising beginning. “Ben, what’s going on?”

“Washington needs information about what’s happening in New York: How many troops are there? What reinforcements are coming in the spring? What is General Howe planning?”

Jack nodded; so far nothing he’d said was surprising.

“Our scouts haven’t been able to find much of interest. We need someone on the inside. You have relatives in the city, and the winter is an excellent time to visit them.”

Jack frowned. “I hardly think the British are going to divulge their secrets to a continental officer.”

“No, they won’t.”

Wait a moment… Ben wanted Jack to be a spy. “You don’t want me to go in uniform, do you?”

Ben shook his head. “I don’t.”

“You want me to go as a spy.”

Ben sighed. “I do. We need this information if we’re to have a chance when the fighting starts next spring.”

“You can’t be serious. I—” Ben held up his hand, and Jack stopped mid-word, though he held himself rigid. He’d been determined to still be useful after his injury, but he wasn’t going to slink around and listen at keyholes.

“I asked you to hear me out.”

Jack nodded. He had. He’d known Ben since they’d joined the Second Continental Light Dragoons at the same time, only a few years after they’d each taken their degrees. And here they were, men of only twenty-three years, deciding moral questions that would guide this new nation.

“Traditional intelligence-gathering isn’t going to get us the information we need,” Ben insisted.

“Surely you have reservations about this. A gentleman doesn’t—”

“A gentleman doesn’t slaughter men or steal provisions.”

Jack bristled at their fight for freedom put in those terms. “Killing soldiers in a battle and seizing what the army needs isn’t…”

Ben’s knowing look silenced Jack. In truth, Jack was simply parroting what he was supposed to believe. Ben had a point. The army had resorted to all manner of ungentlemanly behavior to survive: surprise attacks, stealing food from local farms, burning civilian homes. And still they had little to eat, barely any wood for fuel, and few blankets to cover freezing soldiers. If the rebels didn’t have a decisive victory in the spring, how many of these men would stick around? The British already massively outnumbered them. And with his injury, would Jack even be able to fight?

Could he lower himself to play the spy to help the rebels win? “Spies are little better than criminals. Some would say they’re worse.”

They paused their conversation while a serving girl offered a pitcher of ale and a cup for Jack. When she left them, Ben said, “It’s not the method I would prefer, but I’ll do whatever I have to in order to defeat the British.”

Could Jack do any less? He’d never been a coward. He’d faced enemy fire on the battlefield, and while he’d been terrified, he hadn’t run. As a man of honor, he could visit his family in the city unscathed, as long as he kept his political views to himself. If he were caught there as a spy, he’d hang, a disgraceful death.

“Did you choose me for this because of my leg?” No matter what the surgeon said, he was determined he would heal enough to make himself battle-worthy.

Ben shook his head. “I trust you. I’ve seen how bravely you fight, and I’ve also seen you uphold your principles when it would be easier not to. You’ve been kind when you didn’t have to be.”

“And that makes me a good spy?” It seemed to say quite the opposite to Jack.

“A spy needs to be dedicated, intelligent, and able to decide when to push and when to let go. You have all those qualities.”

“But I’m also plainspoken. I’ve never been one to sneak around, and I don’t lie easily.”

Ben took a sip of ale and studied Jack. “Are you sure about that?”

Dear God, did Ben know his secret? Surely not. What could he have done to give himself away?

“I try to be honest. That’s always been important to me.” If only he weren’t cursed with a desire for men that he had to lie about unless he wanted to die for it.

Ben smiled. “We all lie sometimes. Most of us are better at it than we care to admit.”

Author Bio:
Silvia Violet writes fun, sexy stories that will leave you smiling and satisfied. She has a thing for characters who are in need of comfort and enjoys helping them surrender to love even when they doubt it exists. Silvia's stories include sizzling contemporaries, paranormals, and historicals. When she needs a break from listening to the voices in her head, she spends time baking, taking long walks, and curling up with her favorite books. Keep up with her latest ventures by signing up for her newsletter.


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