Friday, November 8, 2019

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: Patrol by Philip Macdonald


Summary:
The novel that inspired John Ford’s The Lost Patrol: A band of World War I soldiers fights to survive in the desert after their leader is shot and killed.

There had been, here, eleven men. Now ten rode away. . . .

In the Mesopotamian desert during the First World War, an unseen enemy guns down the leader of a British parol. The officer was the only one who knew their orders, and he did not told anyone else where they are located.

Now the sergeant must lead his men through a hostile desert landscape full of invisible Arab snipers. One by one, they are being picked off, and the group of diverse men with different backgrounds must try to come together in order to survive. The decision-making process proves far from easy as tensions and prejudices from their former lives come to a head.

The basis for films by Walter Summer and John Ford, this bestselling novel is a suspenseful tale of the Great War for readers of Robert Graves or Ford Madox Ford—or anyone who enjoys an action-packed war story. Author Philip MacDonald, who served in Mesopotamia with the British cavalry, went on to become one of the most popular writers of thrillers and detective fiction.


Chapter 1
"I don't exactly know," said the Sergeant half aloud, "what to do with him."

The head which rested on his knee shifted a little and a froth of blood bubbled suddenly at the corners of the mouth.

"'M!" said the Sergeant. "Bell!"

The Corporal who stood beside him knelt, peering at the face on the Sergeant's knee. "That's that" he said.

The Sergeant freed his right hand and groped under the boy's tunic. He looked as if he were listening. Presently his fingers came away. He said:

"Yes. Pity. Decent boy in some ways. No soldier." He gently eased down the body until it lay flat upon the sand. He dried his hand upon the side of his breeches and began methodically to empty the pockets of the body's drill tunic.

The Corporal rose to his feet and dusted the soft grey-dun sand from his right leg. "There's those entrenching tools," he said. "Will I get two-three o' the blokes to start in?"

"Yes," said the Sergeant. He did not look up; he was arranging the contents of the dead subaltern's pockets in small heaps, tidily.

Corporal Bell turned and walked slowly, with his lounging gait, back over the twenty yards which separated the body of their officer from the eight troopers who made up the rest of this small patrol. These stood and sat in a listless group. Over an arm of each man were the reins of his horse, standing above and beside him. Both men and horses seemed to droop a little: it was as if the sun which beat down upon them had weighted rays which were pressing them towards the sand.

The Corporal came up to this group. He said:

"Morelli, Pearson, Brown — hand over your goras to Hale, put your rifles back in the buckets an' get those three entrenching tools."

Three men rose and gave their reins to a fourth, who now disappeared within a shifting ring of horses, out from which his voice, nasal and Cockney, rose ever and again in bitter, plaintive obscenity.

"What's on, Corp?" A giant of a man emerged from the cluster. In his hand was a small, oddly-shaped spade. He looked at it, turning it this way and that. "What's on?" he repeated.

"Muriel's got his," said the Corporal, "clean through left lung." He raised his voice. "Come on, you two, Brown's here. What you playin' about at? Jildi!"

They came; two small men: Pearson shuffling, despondent, beads of sweat running down his face from beneath his topee. Morelli stocky, alert, cheerful.

The Corporal surveyed the three. "Fall in, Sextons," he said. "Come on!" He led the way.

"What's on?" Morelli cocked his head to look up at Brown. "We gotta make nice comfort'ble bed for His Majesty's Second Lif'tenant A. de C. G. Hawkins?"

"Comfort hell!" Brown said. "He's out."

"What's that?" Pearson raised his drawn little face.

Brown looked down at him. "Muriel," he said, "is napoo. The officer is dead. Our commander is no longer alive. We are grave-diggers. Understand now, Pansy?"

"Oh! shut up!" Pearson muttered. He plodded on, shoulders bent.

"Bleeding queer, that Buddo suddenly poppin' up like that!" Morelli raised a hand and tilted his topee forward to scratch at the back of his head. "Where'd the bleeder come from?"

"I nearly got him with my second," said Brown. "Damn' fast that horse was, though. But he was a good shot. Bell says right through Muriel's left lung." He fell silent as they came up to the Sergeant and the body at his feet.

"Whereabouts?" asked the Corporal.

"Anywhere. Anywhere. Only get busy." The Sergeant was preoccupied. He held a map outspread before him.

The sand was loose. The three sweated. There was presently a hole pronounced by the Corporal as of sufficient depth. Into this was placed the body of Second-Lieutenant (acting Lieutenant) Arthur de Courcy Grammont Hawkins.

"Get on! Get on!" said the Sergeant.

The three entrenching tools and the boots of the Corporal swept back the sand.

"Going to mark it?" the Corporal asked.

The Sergeant shook his head. "What's the good?" He came close and surveyed their work. "Stamp it down a bit," he said.

They stamped it down.

The Sergeant looked again. He said:

"That'll do. Bell, get 'em mounted." He unfolded the map again. "Bring my mare along, Morelli."

Three minutes later the little party, riding two abreast but with ten yards or so between each couple, moved off again, heading almost due north. Already loose sand had drifted over the stamped-down square which momentarily had distinguished the subaltern's grave: now there was no sign, no mark, no indication whatsoever. There had been, here, eleven men. Now ten rode away. A man had been cancelled.

Chapter 2
They had been marching for an hour — ten minutes' trot, fifteen minutes' walk, five minutes' rest.

After the second rest, as they trotted, the Sergeant, ahead, turned in his saddle.

"Corporal Bell!" he called.

The Corporal cantered from his place until he rode level. "Yes," he said.

For several moments the Sergeant was silent. At last he said, looking straight ahead of him:

"Know where we are, Bell?"

"No," said the Corporal.

The Sergeant turned now. "Know what we were meant to do, Bell?"

"No," said the Corporal.

"Neither do I." He laughed a little.

"Eh!" said Bell, in a startled voice.

"You heard me," said the Sergeant. He jerked his head to indicate the place where the subaltern had been buried. "That young fool! He never told me his orders."

"What?" Bell said, and sat upright in his saddle.

The Sergeant shook his head. "Not a word; not a mutter. I asked him, four or five times. It was always: 'Yes, yes, Sergeant; I must do that.' Last time he said: 'To-morrow.' Tomorrow!" He cleared his throat and spat savagely into the sand. "To-morrow! Well, here's our to-morrow! Nice one, too! Isn't it?"

The Corporal rubbed at his unshaven chin, rasping the strap of his helmet up and down against the blue stubble. "Where're we heading now?" he asked.

"I've worked it out," the Sergeant said, "as best I can. We're goin' dead north. We ought to hit the river by to-morrow night. That is, assumin' I'm somewhere near right about where we were when that young fool pegged out."

"We may hit the river," Bell said slowly. "And that'll be that? But what else'll we hit?"

The Sergeant hunched his shoulders; barely a shrug. "Search me!" he said. "It's a fine thing — a patrol patrollin' without known' what they're at. An' the orders locked up in that dead brat. They ought to have 'em on paper. They would in a real army. But here am I: I know the Brigade was movin' yesterday after we left 'em; I know we were to join 'em. But I don't know which way they were goin', or where we were to strike up with 'em."

The Corporal's lips pursed themselves in a soundless whistle. He rubbed at his chin again but did not speak.

The two rode on in silence unbroken for perhaps five minutes.

"Don't say anything," said the Sergeant at last, "to the men. Not yet." He held up his arm, easing his horse to a walk. The narrow double line, spread thinly out behind him, ceased jigging.

Almost at once, with the change, came a thinning of the separate clouds of dusty sand which had enveloped each couple. Brown, riding as first file with Morelli, scrubbed at his lips, first with his naked forearm, then, more usefully, with a foul but at least not sand-covered handkerchief. "Thank God!" he said.

"Ah," Morelli agreed. "An' a gink can't even spit. Christ! I'm dry." He spoke with the faintest traces of an American accent, born of those nine months in 1913 when, as the senior and male half of Morel and Moree, he had danced in the lesser vaudeville theatres of New York, Chicago, and Pittsburg.

"What about a swig?" Brown spoke doubtfully, feeling with tentative fingers at the string of his water-bottle cork.

"Shouldn't," said Morelli.

"'Spose not." Brown reluctantly lifted his hand back to the reins again.

Both men, on a common train of thought, turned to look behind them. There, ten yards away, rode Hale. He had no companion, but led a spare horse across whose back was a pack-saddle of curious shape: at each side of this saddle, below other cases, was strapped a long leather case like a bolster.

"We're windy!" Morelli said.

"Oy!" called Hale. "Wot yer worryin' abaht? Fink I've drunk it all!"

"— !" said Brown. He smiled. Every one smiled with Hale the military as they had with Hale the prosperous fish-hawker.

The quarter-hour came to its end. Again the Sergeant flung up his arm, this time halting his horse. The files closed up to him and to each other.

They dismounted, to form such another group as that of an hour before. They had travelled perhaps eight miles; but this, for all the change in their surrounding, might have been less than ten yards.

"Might's well be on the shifting platform at the Lane!" Abelson looked about him, his leering Semite mouth curled in disgust, "Ride, ride, ride, and bleeding well ride. And ride. And nothing to show for it! I says — it! And — it!" He did not repeat himself. — the war! And — the bleeding day I joined up! — it all!"

Sanders, who had been sitting with his head in his hands, looked up wearily. He said:

"That foul tongue of yours is a public offence, Abelson." He spoke English with an accent whose purity would have been remarkable at a dinner of The Pedants: coming from the unshaven lips of an unkept trooper in the British Army it was so incongruous as to be almost an indecency.

Abelson, who was standing, wheeled round to look down at his attacker. He hunched his shoulders, and his heavy jowl, covered with black stubble, was thrust forward. His eyes closed to slits. The fingers of his right hand bunched themselves into a fist at the end of a heavily-muscled forearm. He said:

"Yeh praying, oily, bahstud!"

His tone was an offence greater than the words. Sanders' thin, high-nosed face showed the rush of blood even beneath the tan and beard and sweat-caked dust. But he closed tighter his thin lips.

"Yeh — !" said Abelson, bending. "Yeh bloody offal!"

"Put a sock in it!" Brown said wearily from beside the two. "Leave the feller alone, Abelson."

"Leave him alone! Leave him alone?" growled the Jew. "Why don't he leave me? He's asking for a poke in the ear! Beggin' for it." He looked down at Sanders again, and into Sanders' bright, mad eyes of pale and blazing blue.

"Aren't yeh?" Abelson said. "I'm sick of yeh! Every time I open me mouth, you chip in. And I've told yeh what's coming. Haven't I now?"

Sanders climbed stiffly to his feet; a man of medium height and uncertain age, thin and meagre and stooping. In the Regiment's records his civil occupation was shown enigmatically as "student."

"I'm here," he said. "Hit me if you wish."

The Sergeant's voice came from behind him suddenly. "Saunders! Take that rifle of yours off your saddle. And you, too, Abelson and Hale. You'll all be in trouble if you're not careful."

These three turned to their horses and each from a long bucket on the off side drew his rifle. The Sergeant passed on.

At the rear fringe of the group, its penultimate file, Pearson sat alone. Looped round his right arm were the reins of two horses, for to him had fallen the lot of leading the dead subaltern's charger. The Corporal had told him as if he were conferring an honour ... Damn him! the great hulking swine! Why didn't he lead the horse himself? Bad enough to ride that mare he'd got, which would jig-jig all the time, even when they were at the walk ...

His throat was parched and aching, his mouth full of grit, his tongue stiff and unmanageable. He tried to straighten his bowed shoulders, but the weight and hardness of the laden bandolier seemed suddenly to have increased unbearably, so that, in spite of the heat, he almost wished that his drill tunic were over his shirt rather than, like all the others, with the Regiment's transport.

He felt with sly fingers for his water-bottle. He looked cautiously round him. None of the others ... how did they manage not to ... His hand felt the weight of the cloth-covered bottle; its leather traps and metal neck scorched his fingers. The bottle was light. Too light. He should not have used so much. Presently it would be empty.

Well, Presently would look after itself. He swung the bottle round to the front of his body. The charger chose this moment to shift away, thus pulling at his right arm.

"Come up!" whined Pearson, and jerked at its mouth. He got both hands to the bottle and started to ease the cork.

"Pearson!" said the Sergeant's voice.

"Sergeant?" He got somehow to his feet, slipping the bottle again to its place at his side.

The Sergeant faced him and put out a hand and weighed the bottle in his palm. He said:

"You're a fool, Pearson."

"Yes, Sergeant."

"Take it off and give it to me."

The little man hesitated: he would, he felt, sooner have obeyed an order to cut off one of his fingers.

"Look slippy!" the Sergeant said. "I shan't drink it, y'know. And then you'll have more to-night."

"Yes, Sergeant." He slipped the strap from his shoulder and held out the bottle. The Sergeant took it and passed on.

He came, last, to Cook and MacKay, the inseparables. Cook, sitting, held two rifles embraced by one enormous arm upon which showed dully, through the coated dust, the crude colours of a tattooed snake. Standing with the two horses was MacKay. He held a very small piece of sponge, drenched from his water-bottle, and with this was wiping the caked filth from the nostrils of his chestnut.

The Sergeant stood watching. MacKay, the nostrils done, slipped the reins of Cook's black up over his arm, and, with both hands thus free, opened the chestnut's mouth and scrubbed with the damp sponge at the gums and tongue and roof. He stopped, releasing the lower jaw. The horse pushed its head against the man's shoulder, then fumbled with caressing lips at his ear.

"Ye great carrl!" said MacKay gently. He turned to Cook. "Matlow," he said, and held out the sponge. "Ye just gi' yon a drop out ye' boatle."

"Ar," Cook said. He took the sponge, held it over the neck of his bottle, and shook water on to it.

MacKay repeated his work upon the black. When he had finished, the Sergeant spoke.

"It does brighten 'em up," he said.

"Ay." MacKay took his rifle from Cook's arm, slung it by its webbing band over his shoulder, and surveyed the two horses. They stood noticeably more alert than their fellows. Their heads hung, but not with such utter dejection. They had not, now, that appearance of being upon the point of lying in the sand. "Ay," said MacKay again. "'F there waur ony ither so'jers heere, horrses wud a' be like yon." He tilted back his topee and wiped at the sweat on his forehead with his forearm: the action showed the white hair at his temples and the radiating mesh of wrinkles about his bloodshot eyes. He added: "So they wud, too, 'f Ah waur in charrge."

The Sergeant smiled. "That's all right, Jock," he said. MacKay was privileged. Once, half-way back through his twenty-five years' pre-war service, he had been a Squadron-Sergeant-Major. But whisky, at first in easy steps, then with a rushing slide, had brought him low again. He left the army a trooper, as a trooper he enlisted in this regiment when war broke out. A trooper he was still, having steadfastly refused many offers of promotion.

"What's a'right?" he said.

The Sergeant laughed. "About the horses. Next halt, they'll be watered. I want you to do it, MacKay. Third of a bucket each, or a little less. That right-hand bag mustn't be touched. Get me?"

MacKay nodded. "Ay."

"But first you'll draw just a drop from the bag and take it round. They'll all be sponged out before watering."

"Ay."

"Right. Start in the minute we halt next time." The Sergeant turned on his heel and walked back to where Morelli held his horse.

The patrol mounted and rode on. It was early afternoon and with every minute the sun impossibly grew hotter. They were trotting, and the forty-eight hooves raised each its cloud of grey dust, soft yet gritty. These clouds flew high and joined themselves until around each couple, always with them, enveloping, hung a foul veil in which sight was difficult, speech impossible, and life itself an irksome discomfort. The grey powder hung to their skin, their hair, their clothes: horses and men were dingy, sweating ghosts.


A British army troop fights off Arab snipers while holed up in an oasis.

Release Date: February 16, 1924
Release Time: 73 minutes

Cast:
Victor McLaglen as The Sergeant
Boris Karloff as Sanders
Wallace Ford as Morelli
Reginald Denny as George Brown
J. M. Kerrigan as Quincannon
Billy Bevan as Herbert Hale
Alan Hale as Matlow Cook
Brandon Hurst as Corporal Bell
Douglas Walton as Pearson
Sammy Stein as Abelson
Howard Wilson as Aviator
Paul Hanson as Jock MacKay



Author Bio:
Philip MacDonald (who some give as 1896 or 1899 as his date of birth) was the grandson of the writer George MacDonald and son of the author Ronald MacDonald and the actress Constance Robertson.

During World War I he served with the British cavalry in Mesopotamia, later trained horses for the army, and was a show jumper. He also raised Great Danes. After marrying the writer F. Ruth Howard, he moved to Hollywood in 1931. He was one of the most popular mystery writers of the 1930s, and between 1931 and 1963 wrote many screenplays along with a few radio and television scripts.

His detective novels, particularly those featuring his series detective Anthony Gethryn, are primarily "whodunnits" with the occasional locked room mystery. His first detective novel was 'The Rasp' (1924), in which he introduced his character Anthony Gethryn.

In later years MacDonald wrote television scripts for Alfred Hitchcock Presents ('Malice Domestic', 1957) and Perry Mason ('The Case of the Terrified Typist', 1958).

He twice received an Edgar Award for Best Short Story: in 1953, for 'Something to Hide', and in 1956, for 'Dream No More'. Indeed many critics felt that his short story writing was superior to his novels and they did win five second prizes in the annual contests held by 'Ellery Queen's Mystery Magazine'.

He also wrote under the pseudonyms Oliver Fleming, Anthony Lawless, Martin Porlock, W.J. Stuart and Warren Stuart.


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Thursday, November 7, 2019

Re-Readables 2019: 🎧Audiobook Edition🎧 Part 3


πŸ’•πŸ“šπŸ’™πŸ“šπŸ’šπŸ“šπŸ’›πŸ“šπŸ’œπŸ“šπŸ’•

I have never been one to do much re-reading, which is surprising because I can re-watch a movie or television show I love endlessly but books just never seemed to interest me for revisiting.  When they introduced audiobooks it gave me a chance to enjoy some of my favorites over and over.  The past few years I guess I've changed and there are some books that have become almost required re-reading, the summer wouldn't be complete without a revisit.  This year I decided to do my annual re-read almost exclusively in audiobook, there are a few entries that are too short or just not released in audio yet that got the old fashion re-read.

πŸ’•πŸ“šπŸ’™πŸ“šπŸ’šπŸ“šπŸ’›πŸ“šπŸ’œπŸ“šπŸ’•

Part 1  /  Part 2



New York Christmas
Audiobook Review September 2019:
My original review from 5 years ago is short and to the point.  Well, guess what?  Short and to the point states it perfectly.  I haven't re-read New York Christmas since, not because I didn't enjoy it, not because I didn't take the time, but because it was a holiday story and unfortunately I just have too many Christmas tales to read each year that I tend to not re-visit no matter how much I loved it the first time.  One of these years I will do a Re-Read Christmas in July Edition but until then, audiobooks make for a great chance to experience the magic again.

So the only thing I really have to add to this story is the narration.  Once again Sean Crisden brings to life the amazing-ness of RJ Scott's words.  Could another narrator do just as good a job?  Probably but at this time I can't imagine any other voice other than Crisden's.  New York Christmas is a bit sugary sweet(perhaps for some too much so) but if you can't have sugary sweet romance for Christmas then when can you?  This is a story of romance, friendship, discovery, all wrapped up in a lovely Christmas bow and Sean Crisden resonates that with every word.

Love Happens Anyway
Audiobook Re-Read Review September 2019:
I really don't think there is anything I can add to either my original ebook review or last year's audiobook review.  I may have listened to this a few months before the holidays but with RJ Scott's words and Sean Crisden's voice, I kept expecting to look up and see snow and my holiday light display outside my window.  Brilliant holiday tale from beginning to end.

The Christmas Throwaway
Audiobook Review September 2019:
Well, 5 years ago I had plans to re-read this one the following Christmas but unfortunately I did not, nor have I since.  Reasons, good or bad, I just have too many new holiday tales to devour every year so my faves get left behind.  I didn't exactly do the Re-Read Christmas in July Edition that I had planned but I did decide to enjoy a few in September while I was enjoying a plethora of audiobooks.  So The Christmas Throwaway was a definite re-visit in audio version this year and guess what?  I enjoyed it even more now than I did then.  This is definitely one of those stories that helps restore faith in human nature.  Once again, Sean Crisden lends his voice to RJ Scott's words making them a perfect duo for bringing romance to life.

RATING:



Snowball in Hell
Audiobook Review September 2019:
Noir, mystery, history these are all some of my favorite genres so when they are all wrapped together with forbidden romance, at least forbidden in the era, and you have a brilliant story that I enjoy even knowing the whos and whys of the mystery.  Being able to enjoy the mystery element even knowing the culprit(or culprits - don't want to give anything away for the newbies) takes storytelling talent and Josh Lanyon has never let me down in that area.  As for the voice of Alexander Masters?  Perfectly suited for the whole noir era of the 1940s in Snowball in Hell.

Cards on the Table
Audiobook Review September 2019:
I still absolutely love the blending of historical, mystery, and contemporary romance in this Josh Lanyon novella.  Course, I still want to smack Tim and Jack's heads together a couple of times with their lack of communication but you have to have drama somewhere right?  Sean Crisden's narration is pretty spot on and adds a kindof noir flare to this blended contemporary mystery.  Now I can enjoy re-visiting Cards on the Table in both ebook and audio for years to come.

Murder Takes the High Road
Audiobook Review October 2019:
A year+ later and Murder Takes the High Road is just as good as I remember.  Creepy, funny, lusty, with creaks and groans around every corner or behind every seat if you will.  Carter and John may not be Adrien and Jake or Holmes and Moriarity but they embody everything I have come to love and expect from a Lanyon novel: romance, friendship(reluctantly at times), chemistry, and of course danger.  As for Gary Furlong's narration, he brings it all to life perfectly that helped remind me why Murder was my May Book of the Month in 2018.  I'm already looking forward to enjoying this one for years to come.

RATING:


RJ Scott
USA Today bestselling author RJ Scott writes stories with a heart of romance, a troubled road to reach happiness, and most importantly, a happily ever after.

RJ Scott is the author of over one hundred romance books, writing emotional stories of complicated characters, cowboys, millionaire, princes, and the men who get mixed up in their lives. RJ is known for writing books that always end with a happy ever after. She lives just outside London and spends every waking minute she isn’t with family either reading or writing.

The last time she had a week’s break from writing she didn’t like it one little bit, and she has yet to meet a bottle of wine she couldn’t defeat.

She’s always thrilled to hear from readers, bloggers and other writers. Please contact via the links below.

Josh Lanyon
Bestselling author of over sixty titles of classic Male/Male fiction featuring twisty mystery, kickass adventure and unapologetic man-on-man romance, JOSH LANYON has been called "the Agatha Christie of gay mystery."

Her work has been translated into eleven languages. The FBI thriller Fair Game was the first male/male title to be published by Harlequin Mondadori, the largest romance publisher in Italy. Stranger on the Shore (Harper Collins Italia) was the first M/M title to be published in print. In 2016 Fatal Shadows placed #5 in Japan's annual Boy Love novel list (the first and only title by a foreign author to place on the list).

The Adrien English Series was awarded All Time Favorite Male Male Couple in the 2nd Annual contest held by the Goodreads M/M Group (which has over 22,000 members). Josh is an Eppie Award winner, a four-time Lambda Literary Award finalist for Gay Mystery, and the first ever recipient of the Goodreads Favorite M/M Author Lifetime Achievement award.

Josh is married and they live in Southern California.


RJ Scott
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Narrators
Sean Crisden
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Alexander Masters

Gary Furlong



New York Christmas by RJ Scott
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Love Happens Anyway by RJ Scott
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The Christmas Throwaway by RJ Scott
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Snowball in Hell by Josh Lanyon
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Cards on the Table by Josh Lanyon
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Murder Takes the High Road by Josh Lanyon
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Wednesday, November 6, 2019

Release Blitz: Taking Shield - The Complete Series by Anna Butler

Title: Taking Shield - The Complete Series
Author: Anna Butler
Series: Taking Shield #1-5
Genre: M/M Romance, Science Fiction
Release Date: November 5, 2019
Cover Design: Adrian Nicholas

Summary:
Hate buying books in a series until the whole thing is done? Then check out the Rainbow Award-winning Taking Shield series, just released as an e-book boxed set. Not only do you get the entire series, there’s a very nice saving on the cost of the individual books! Anna’s dropped in today to tell us more.

About Taking Shield
Earth’s a dead planet, dark for thousands of years; lost for so long no one even knows where the solar system is. Her last known colony, Albion, has grown to be regional galactic power in its own right. But its drive to expand and found colonies of its own has threatened an alien race, the Maess, against whom Albion is now fighting a last-ditch battle for survival in a war that’s dragged on for generations.

Taking Shield charts the missions and adventures of Shield Captain Bennet, scion of a prominent military family. Bennet, also an analyst with the Military Strategy Unit, uncovers crucial data about the Maess to help with the war effort. Against the demands of his family's 'triple goddess' of Duty, Honour and Service, is set Bennet’s relationships with lovers and family—his difficult relationship with his long term partner, Joss; his estrangement from his father, Caeden, the commander of Fleet's First Flotilla; and Fleet Lieutenant Flynn, who, over the course of the series, develops into Bennet’s main love interest.

Over the Taking Shield arc, Bennet will see the extremes to which humanity’s enemies, and his own people, will go to win the war. Some days he isn’t able to tell friend from foe. Some days he doubts everything, including himself, as he strives to ensure Albion’s victory. And some days he isn’t sure, any longer, what victory looks like.




Author Bio:
Anna was a communications specialist for many years, working in various UK government departments on everything from marketing employment schemes to organizing conferences for 10,000 civil servants to running an internal TV service. These days, though, she is writing full time. She lives with her husband in a quiet village tucked deep in the Nottinghamshire countryside. She’s supported there by the Deputy Editor, aka Molly the cockerpoo, who is assisted by the lovely Mavis, a Yorkie-Bichon cross with a bark several sizes larger than she is but no opinion whatsoever on the placement of semi-colons.


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Tuesday, November 5, 2019

Cover Reveal: The Christmas Oaks by VL Locey

Title: The Christmas Oaks
Author: VL Locey
Series: Laurel Holidays #1
Genre: M/M Romance
Expected Release Date: December 4, 2019
Cover Design: Designs by Sloan

Summary:
Can the magic of Christmas, and the soft voice of a man who has seen too much, show Bryan a future where anything is possible?

Bryan Graham is shocked to find he’s inherited a hunting cabin in north-central Pennsylvania. From his grandfather of all people; a stubborn man who went out of his way to make Bryan’s childhood miserable. He’d vowed never to go back to the small, rural community of Kutter’s Summit, not that he didn’t have fond memories of the place. It’s just that he’d rather be celebrating a quiet Christmas back in Nashville with his cat and his contracts.

A couple of weeks of hunting, cleaning, and handyman work, and he can hopefully put the place up for sale and move on with his life. He never expected to find his childhood friend Parson Greer living in the cabin. Parson is no longer a boy, but a handsome, wary man consumed by the demons of a faraway desert war. When a rekindled friendship shifts into something deeper, Bryan finds himself lost in emotions that a workaholic like him has never made time to experience before.

Author Bio:
USA Today Bestselling Author V.L. Locey – Penning LGBT hockey romance that skates into sinful pleasures.

V.L. Locey loves worn jeans, yoga, belly laughs, walking, reading and writing lusty tales, Greek mythology, Torchwood and Dr. Who, the New York Rangers, comic books, and coffee. (Not necessarily in that order.) She shares her life with her husband, her daughter, one dog, two cats, a pair of geese, far too many chickens, and two steers.

When not writing spicy romances, she enjoys spending her day with her menagerie in the rolling hills of Pennsylvania with a cup of fresh java in one hand and a steamy romance novel in the other.


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