Sunday, April 24, 2022

Sunday's Steampunk Spinner: The Engineer by CS Poe



Summary:

Magic & Steam #1
1881—Special Agent Gillian Hamilton is a magic caster with the Federal Bureau of Magic and Steam. He’s sent to Shallow Grave, Arizona, to arrest a madman engineer known as Tinkerer, who’s responsible for blowing up half of Baltimore. Gillian has handled some of the worst criminals in the Bureau’s history, so this assignment shouldn’t be a problem. But even he’s taken aback by a run-in with the country’s most infamous outlaw, Gunner the Deadly.

Gunner is also stalking Shallow Grave in search of Tinkerer, who will stop at nothing to take control of the town’s silver mines. Neither Gillian nor Gunner are willing to let Tinkerer hurt more innocent people, so they agree to a very temporary partnership.

If facing illegal magic, Gatling gun contraptions, and a wild engineer in America’s frontier wasn’t enough trouble for a city boy, Gillian must also come to terms with the reality that he’s rather fond of his partner. But even if they live through this adventure, Gillian fears there’s no chance for love between a special agent and outlaw.

Based on the short story, "Gunner the Deadly." Entirely revised, newly expanded, and Book One in the exciting new steampunk series, Magic & Steam.



October 10, 1881
The trch, trch, trch of Gatling gun rotating cylinders had been my only warning before the gunfire began. Bullets pierced the sun-bleached faΓ§ade of the gambling hall behind me, and splintered wood rained down like an unexpected desert shower. I held on to my bowler, dove behind a nearby wagon, and scrambled up against the wheel. By way of defense, it offered little, but I desperately needed half a second to gather my bearings. I’d just entered Shallow Grave, Arizona, hadn’t even flashed my badge yet, and already I was being shot at.

I yanked my traveling goggles over my head and accidentally dropped them as another round of shooting began. Windows shattered, a woman’s scream echoed from a few storefronts to my right, and the scorched red earth around me billowed up in miniature dust storms where bullets became embedded in the packed clay.

I lifted the headband and over-ear receivers of my Personal Discussion Device from my neck and fitted them into place. I raised the handheld transducer, punched in a code on the brass buttons that would connect me to my director back in New York City, and waited for Loren Moore’s smooth tenor voice to answer.

But nothing happened.

I tried again.

Not even static.

“Send Gillian out West,” I said in a self-mocking tone. I attempted contact a final time, but it was in vain. “Milo Ferguson won’t stand a chance against him. Of course not. But the utter lack of basic amenities and technology?” More gunfire, and I winced before sliding down farther and trying to make myself as small a target as possible. “Gillian will love it.” I wrenched the band down to rest around my neck again, then rolled onto my belly to peer under the wagon.

There was a sudden crackle in the atmosphere—the snap of aether magic being activated. The sensation raised gooseflesh on my arms, and I recognized the spell for what it was.

Manufactured.

Illegal.

Not magic invoked by a caster like me, but by a physical weapon and someone with the wealth in which to afford its use.

And then three near-simultaneous shots fractured the air like seven years’ bad luck. No doubt that had come from a triple-barrel Waterbury pistol. But it didn’t line up with the intelligence the Bureau had on Milo Ferguson. Yes, he was wanted for his improper use of steam energy to power unregistered innovations, as well as his amassing of aether ammunition, but he hadn’t once owned a Waterbury pistol or Jordan rifle, the only two weapons capable of firing magic-laden bullets.

Ferguson was an engineer. And mad though he might be, he was gifted at any sort of construction that had a lethal edge to it. His inventions were what had recently taken out half of Baltimore. His self-designed, magic-compatible monstrosities of brass and copper and iron were why I had been directed by the Bureau and the President of the United States to haul ass to Arizona territory.

So the shots in retaliation to the Gatling gun hadn’t come from Ferguson. They’d come from yet another individual hell-bent on breaking the law. And me with only one pair of handcuffs and no idea where the town jail was located….

I watched from underneath the wagon as a pair of black-clad legs—presumably the Waterbury owner—ran by like the hounds from Hell were giving chase. The man skidded to an abrupt stop in the middle of the dirt road, turned, and another shiver of manufactured magic creeped along my arms seconds before the Waterbury shot another triple round at a target somewhere out of sight to my left.

I scrambled to my hands and knees and moved into a crouch. Peering around the edge of the wagon, I raised a hand to shield my eyes from the setting sun and saw, standing against a fiery desert backdrop, a cowboy straight out of a dime novel. He was tall, like he could steal the stars from the sky at night. Not a big man—lithe was the word—but imposing nonetheless in head-to-toe black attire, including a Stetson hat hanging from his neck. He remained in a shooting pose and cocked the hammer on his Waterbury. But as the ammunition came to life for a third time, gunfire erupted from my left again and sent the cowboy running for cover.

Specifically, my wagon.


New York City, 1880s—the epicenter of steam technology, magic, and murder. Special Agent Gillian Hamilton and infamous outlaw Gunner the Deadly exist on opposite sides of the law, but a series of misadventures involving the country’s worst criminals brings the two into an unlikely partnership.

And in an alternate universe fraught with peril, with escalating danger, with baggage lingering from the Great Rebellion, and personal turmoil cutting all the way to the bone, Gillian and Gunner can trust their safety and their hearts to no one but each other.

Sunday's Steampunk Spinner



Author Bio:

C.S. Poe is a Lambda Literary and two-time EPIC award finalist, and a FAPA award-winning author of gay mystery, romance, and speculative fiction.

She resides in New York City, but has also called Key West and Ibaraki, Japan, home in the past. She has an affinity for all things cute and colorful and a major weakness for toys. C.S. is an avid fan of coffee, reading, and cats. She’s rescued two cats—Milo and Kasper do their best to distract her from work on a daily basis.

C.S. is an alumna of the School of Visual Arts.

Her debut novel, The Mystery of Nevermore, was published 2016.


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Saturday, April 23, 2022

Saturday's Series Spotlight: A Novel of the Civil War by Jeff Mann



Purgatory #1

Summary:
During the Civil War, two young soldiers on opposite sides find themselves drawn together. One is a war-weary but scholarly Southerner who has seen too much bloodshed, especially the tortures inflicted upon the enemy by his vicious commanding officer, his uncle. The other is a Herculean Yankee captured by the rag-tag Confederate band and forced to become a martyr for all the sins of General Sheridan's fires. When these two find themselves admiring more than one another's spirit and demeanor, when passions erupt between captor and captive, will this new romance survive the arduous trek to Purgatory Mountain?

One of Lethe Press's best-selling novels is be re-released with a novella "Camp Allegheny."



Salvation #2
Summary:
In the sequel to Purgatory, Pvt. Ian Campbell, a deserter from the Confederate army, has abandoning family and cause, to rescue his Yankee lover, Drew Conrad, from the cruel abuses he endured as a prisoner of war. During the chaotic spring of 1865, the mismatched comrades make the arduous trek to the presumed safety of Ian's home. But the territory they must cross is not only hostile to recreants and Northerners but to those few men who understood what Walt Whitman meant by "And your very flesh shall be a great poem."

Winner of the Lambda Literary Award for Best Gay Romance! Also the Pauline Reage Novel Award winner for 2015! This new edition includes an original short story of Mann's beloved Civil War characters.

**According to Lethe Press, Salvation is Re-releasing in September of 2022**



Purgatory #1
CHAPTER ONE
Amid the whizzing of Yankee bullets, there’s a sharp gasp at my elbow. “Ian, I’m hit,” Sam groans. Our black-haired color bearer is bent at the waist, as if bowing to some spirit the rest of us can’t see. Then he straightens, clutches his chest, stares over at me, and grimaces. Before I can do anything, Sam staggers, gets caught in the ragged folds of the flag he’s carrying, spins, and falls, the Stars and Bars wrapped around him like a huge red-and-blue bandage. 

“Ian. The flag,” Sam moans, blood spilling from his lips. The flag’s red is brighter now, as his wound wells. Inside the blue stripes, the white stars flush scarlet. “You got to save the flag.” He heaves himself onto one elbow and starts tugging at the fabric swathing him. 

“No! I don’t want to move you,” I say, easing him back against the muddy wall of our rifle pit. “You’re tangled in it. Easy, Sam! Lie back.” 

I’m about to examine his wound when a roar fills my ears. I rise long enough to look over the breastworks. Across the field the Yanks are pouring toward us through gray sheets of falling sleet, unloading their rifles into our thin line. My God, there are so, so many of them. It’s like a damned deep-blue tidal wave. Despite the brim of my cap, my spectacles are spattered with wet, making it hard to see. Still, I swallow hard, aim at the Federals, and fire. The rifle-butt slams my shoulder; the smoke fills my nose. Far in front of me, to my pleasure, a foe screams and falls. 

“Damn you,” I sigh, less in anger than weariness, “why can’t y’all just go home?” Tearing open a cartridge with my teeth, I load up again. I’m about to aim when a Union ball chunks into the mud to my right. I duck, falling to my knees. When I look down, Sam’s eyes are dull.

“He’s dead, Ian. Leave him! Leave the flag.” Sarge’s voice is even, his hand heavy on my shoulder. “It’s over. The Valley’s fallen. If we don’t move fast, we’ll be captured.” 

My uncle’s face is set, his gray eyes bright over the silvery flare of his moustache. He points to our left. He’s right. Mounted Yanks are breaking through the trees, about to flank us. “And Early’s leaving.” Now Sarge points behind us. There, atop a low hill, wild-bearded General Jubal Early and his staff are mounting up to flee. 

“Rockfish Gap! Retreat!” Sarge shouts to the remains of our little company, all huddled here together in icy water behind the breastworks. “Let’s go, boys! We’ve got to get over the bridge or we’ll be cut off!” 

We sprint west, through the town of Waynesboro. Around us Yankee balls are flying. Behind us are booms and shouts. Here are our horses, in a little stable owned by an old friend of Sarge’s. We have few mounts, this late in the war, so we double up, as usual in times of crisis. Sarge’s helping me up behind him when a young black woman appears beside us. She’s shivering, a shawl over her shoulders, a dirty bonnet on her head. Her face is a shiny brown, her cheeks hollow. 

“Here, sirs,” she says. “Missus said you could do with these.” She proffers a poke. I grab it. “Said you soldiers needed it more’n we.” 

“Thank y’all kindly,” I gasp. Now get inside.” As if to highlight my words, a bullet sings through the air between us. The servant gives a little shriek, turns, and disappears into the stable. 

“Git!” Sarge goads his horse, and we’re off, through the gray town, over the bridge, through a fresh fall of sleet, and onto the road up into the Blue Ridge Mountains. It’s a sad rout, our little band fleeing as fast as we can. I almost lose my cap in the rush. One arm around Sarge, one clasping my hat on my head, I look around as the wintry landscape rushes by, grim fields turn to forest, and we ascend the steeps toward the gap. Sam, damn it. Poor boy fallen in the folds of the flag he’s carried so proudly for so long, the Stars and Bars become his winding sheet. But the rest of us Rogue Riders, yes, there’s that shabby George, grimacing as usual, with one of the twins mounted behind him. And Jeremiah, my handsome buddy from back home, black shaggy hair flying in the wind, with scruffy Rufus clinging to his waist. 

Behind us, the report of rifles continues. By the time we’ve reached the mountaintop, however, there are no sounds but horse hooves, men panting, and wind whistling through the gap. We’re atop the narrow ridge now, winter-gray mountains rolling out around us as far as the eye can see. 

“The boys without mounts are prisoners by now,” Sarge says, and spits. There’s General Early, on a rocky ledge, staring down into the valley with his spyglass. He curses, cocks back a flask, and curses more. Sarge dismounts, hands me the bridle, says, “Check on the boys,” and strides over to Early. They begin to confer, Sarge’s voice low and even, Early’s occasionally rising into sharp profanity. God knows what’s next for us. Months of trying to defend this valley, but there are just too few of us now. We’re whipped. I’m feeling what most of us are feeling, I suspect: part of me wants to fight on defiantly to the end, and part of me wants to throw down my gun and head home to my family. 

I’ve just dismounted and am about to check the contents of the poke the slave-girl gave me—I sure as hell hope it’s food, because we soldiers are always starving—when a hand grips my shoulder. “Hey, Ian.” It’s Jeremiah, brushing the hair out of his eyes. His face is thin, his features sharp. He’s lost his cap. “Sam?” 

I shake my head. “He’s gone, Jeremiah. Fell with the flag.” 

Jeremiah sighs. “Oh, no.” He looks down the mountain toward the town. He hugs me, quick and hard, then steps back. “And are you sound? Were you wounded? Me, I almost caught a ball in—”

Rifles below. Closer. “Boys! Yanks!” Sarge shouts and points. I look down the road, and there’s a little group of damned bluecoats heading up the hill. 

“Shit!” Jeremiah mutters. We load fast, what’s left of our little band. “Fire!” Sarge and Early shout simultaneously. Shoulder to shoulder, we pour fire down the mountain. A few answering guns, and the Yanks retreat. I guess they figure we’re not much of a threat anymore, no longer worth their bother, and I guess they’re right. Maybe they’ve had enough of a sweeping victory for one day. If Stonewall Jackson were still alive, or my hero, that magnificently bearded Turner Ashby, leading his wild horde of cavalry, we’d tear their Yankee asses up, but those days are long gone. It’s March 1865. Jackson’s been dead nearly two years, Ashby nearly three. 

Day’s about done, but we wait, arms at the ready, lined up along the wooded ridge, waiting for further attack. When, a few hours after dark, it seems clear that the Feds are probably settling into their luxurious meals by the fire—those lucky bastards and their long supply trains—we Rebs settle in, starting our own campfires and preparing what pissant rations we have remaining. 

Sarge, striding around to check on things, counts us. Twenty-three left. Five missing, fallen, or captured back in Waynesboro. He shakes his head and chews his lower lip. “No need to pitch tents. We’re moving on tomorrow,” he announces before returning to General Early’s campfire. 

I sit on a log beside the fire and count them, my remaining messmates. Jeremiah, with his kind eyes and patchy black beard, has somehow, miraculously, retained his banjo in the rout and is tuning it up. He grew up just a valley over from me along the Greenbrier River back in West Virginia. We got to be pretty good friends at community events like corn-shuckings and molasses stir-offs, even working some fields and garden plots together in between trips to our favorite swimming hole. For a moment I feel some of that old desire for him I knew back home. I always feel a flicker of it in the mornings, when I see him bare to the waist and bathing, splashing water on his face, his lean chest and belly coated with black hair. Ever since my first youthful infatuation with him, I’ve always loved hairy men. One of the reasons I so doted on Thom, God help me. Not that I’ve shared that fact with any of my fellow soldiers, of course. 

Here’s George, a mousy little man from the Valley who’s always smelling of tobacco. Behind his back, I call him Weasel-Teeth, not only because of his ugly maw but his vindictive nature. George is spitting into the fire, jaw working his customary plug. He broods, no doubt over today’s rout, his lip curling every now and then to flash sharp teeth. There’s a Bible in his hand, but he doesn’t seem to be reading it. Instead, he stares into the flames or into the dark forest. We used to be civil. He used to look at me, I think, the way I used to look at Jeremiah, but the combination of his perpetually sour moods and his Bible rants have made his presence increasingly obnoxious. More and more, he spends time with those redheaded New Market twins. I think he enjoys bossing them around. 

And here’s Rufus, our ever hungry cook, auburn chin whiskers looking red-golden in the firelight as he simmers beans with what’s likely to be the last of the bacon. As good hearted a man as I’ve ever known, with a wonderfully foul mouth when he’s in his cups, which is as often as Sarge can procure us strong drink. I think Rufus has handled a gun only six or seven times in these four long years of war. His genius isn’t slaughter; it’s keeping warriors alive. Bless him, he can start up a fire and make a good meal out of next to nothing faster than anyone I’ve ever known, and that includes my mother and that slew of aunts back home. 

Beans, cornmeal, hardtack. That’s all we’ve eaten for weeks, ever since we left winter quarters near Staunton. We’re all lean as split rails. Little left ration-wise, plus we’ve been on the move the last week and have been in no position to receive packages from home. God, I remember the war’s first years…the boxes of cookies and fried chicken and canned milk and fruit pies my parents sent me. Damn, I just want to be home by the fire, smelling the wood charring on the hearth and one of my mother’s pies baking. 

“What y’got there?” Rufus nudges my elbow, sniffing at the mysterious poke I have yet to examine. 

“Don’t know yet,” I say, fumbling it open. “Here,” I say, knowing how much Rufus loves to handle food. “While don’t you tell me? A slave girl back in Waynesboro gave it to me. Said it was from her mistress. The way she looked, poor haggard thing, I doubt that household could much afford it, but here it is nonetheless.” 

“Ah, Virginia! Her citizens take care of their brave defenders, as Sarge would say.” Smacking his lips, Rufus rummages. “Let’s see… Ummm… Well, lookee! Dried apples! Ain’t that nice? And these funny thangs? Lil’ red beads? Ain’t those—” 

“Yep. Rose hips,” I say, peering over his shoulder. “My Aunt Alicia says they keep off the scurvy. She used to send them to me back when we got packages from home. Remember? You’ve made me tea with them.” 

“Yeah, right. Ruby-red and sour as hell, in need of about four cups of cane sugar! Helps keep off scurvy? Hell, ain’t she half-Indian?” 

“Cherokee, yes.” 

“Well, I question her judgment, if you don’t mind me—” 

“I do mind you saying so. Keep in mind that I’ve got some of that Indian blood too. What else we got there?” 

Rufus can be a little backward. God knows what he’d say if he knew about my desires for men. Fortunately, he’s also easily distracted by anything edible. “Oh, well, now…a loaf of bread!” he gasps. “Praise the Lord! Any sweetenin’? Yep, here’s some honey. And, ummm, a slice of ham! That, hmm, well, that’s it.” He releases an exaggerated sigh. “I sure could have done with a…” 

“Chicken pot pie? Beef roast? Half a hog?” 

Rufus grins, swatting my shoulder. “Yeah, yeah. Any of that. Here, now. Y’hold onto that,” he whispers, handing me the poke. “And don’t let George have any. The bastard called me a hell-bound mooncalf and a heathen, just ’cause I took me a little nip last Sunday. I’m not feeling especially charitable toward him lately, Lord forgive me.” Rufus spits onto the frozen ground and returns to his pot of beans. 

The sleet clouds have dispersed. A few stars wink overhead. We sit in silence around the fire while Rufus cooks. Jeremiah fiddles with his banjo, plays a bar of one melody, then shifts to another, then stops. Normally, this is the time a few of us would sing, and I might even tell a bawdy story, but after today’s defeat, no one’s in the mood for anything but a meal and a bedroll. God knows where we’ll be marching tomorrow. 

“How’d Sam die?” George asks. He’s put away his Bible; now he’s whittling a stick with jerky movements. 

“Ball in the chest,” I say. “Just before Custer’s men came in from our left. He faded fast, was dead by the time we retreated. Poor boy fell with the flag wrapped around him. Eighteen years old. Crazy kid,” I shake my head and smile, wiping some wet out of one eye. ”The boy sure could dance a jig. Don’t think any of us ever beat him at cards. And that spasmodic pet squirrel of his…” 

“Damned fine eating, that critter was, especially with the peanut sauce Rufus made.” Jeremiah laughs. “We told Sam that miserable thing would bite him to the bone sooner or later.”

“Custer,” snarls George. “Sheridan and Custer. God damn them. May those names live in infamy. May they end in agony.” He shakes his head and spits tobacco juice into the fire. “Too damned many of them. Our left was hanging in the air. What did General Early expect us to do?” 

“He’s done the best he could with what he has,” I say. “We only have a thousand or so men left.” 

“Had a thousand men. Most of that number never made it out of Waynesboro.” George releases another arc of brown spit. “Look around you. We’re the end of it, boys, the end of it. All that’s left of the grand Army of the Valley. If Sarge hadn’t gotten us out of there… Damn. All those prisoners. Poor bastards’ll end up in prisons up north. Elmira. Camp Chase. You think we’re starving now, boys, imagine being in one of those hellholes.” 

“They got all the flags too,” says Jeremiah, giving his banjo a mournful pluck before putting it back in its battered case. “And the wagons. And our artillery. Even got General Early’s headquarters wagon. “ 

“Caught Dr. McGuire too, dammit. Of course they beat us. Those bluecoat bastards had thousands, as usual. Thousands. Thick as fleas. As lice.” George claws his crotch meaningfully. “Legion. The Bible says it. ‘Their name is Legion, for they are many.’ Damn them. I hope the Lord has a special space in hell for every one of them. Especially after the Burning last fall. I know the Bible says to forgive, but, Lord, how can you forgive men who torch your home and barn and shoot your livestock?” 

We’ve all heard this rant before, and none of us blames George for it. He lost everything when the Yanks under Sheridan burned the Valley. So did Sarge. Seems like justified hatred to me. Still, it’s safe to say that we don’t want to hear such words tonight. It only makes us feel more like failures. Instead of exacting grand and brutal revenge on the invaders, we’re huddling atop the Blue Ridge, a broken little crew.

“Where do you think we’ll march tomorrow?” I say, trying to change the subject. 

“Petersburg, maybe? To join General Lee in the siege?” Jeremiah says, scratching his armpit. As hairy as he is, the lice we all suffer from must be building little villages all over him. As much as I love a furry chest, it’s a handicap when the graybacks come to call. I should know, possessing some slight body hair myself. Sometimes I think I can feel the goddamn things crawling over me at night, looking for new nooks to invade. Sometimes I think about shaving off my beard to get rid of them, but as small-built as I am, my beard’s one of the few things that make me look like a man. 

“Petersburg, then!” George runs his hands through his hair and coughs. “Damned hair’s falling out,” he says, shaking strands off his fingers. “Petersburg. Lots of Yanks to kill there.” 

Supper spares us more of George’s vitriol. “It’s ready, boys,” says Rufus, circling the fire, ladling beans into our tin cups. I take a bite; the beans are tender albeit few, not nearly enough to satisfy, and the bacon’s tough, its taste edging toward rancid. Still, it’s a better meal than I’ve had for days, so I eat eagerly. 

After dinner, we roll out our oilcloths by the fire. I’m still hungry, and I’m exhausted and sad, thinking of Sam. Before bedding down, I slip into the darkness to piss. Here, in ceaseless wind, is a flat ledge overlooking the valley. Those flickering lights, miles down the Blue Ridge, are the lamps of Waynesboro, and, just beyond, the campfires of the enemy, a huge lake of pinprick fire. Who knew an ideal as vague as Union would bring them down here and keep them down here for so many years? Why can’t they just leave us be? If we Rebs had known there were so, so many of them, would we have ever volunteered for this war? 

Well, yes. I would have, though I’m bone weary of it by now. I want it over—God help me, even if it means losing. I just want to get home. I want my own little farm in the mountains where I grew up, even if I have no one to share it with. Men like me, I don’t know if we’re ever lucky enough to find mates. Lord knows Thom couldn’t leave me fast enough. 

I relieve myself over the ledge, and then I head back to the welcome warmth of the fire. There, exhausted as I am, still I do what I usually do before sleep: reread letters from home. I lie on the hard, sleet-scattered ground, wrap myself in my oilcloth, pull the packet of letters from my haversack, and study a random few by firelight.



Salvation #2
CHAPTER ONE 
I’m a man of great good fortune, waking up to the warmth of Drew Conrad. Beneath our rough blanket, his big body’s nestled against me, his bandaged back pressed against my bare chest. What would my fellow Rebel soldiers say were they to see me now, with a Union soldier curled up in my arms? 

Both Drew and I are mighty lucky to have survived this war so far, and the love we’ve found together has been godsent. He’s my Achilles, and I’m his Patroclus, though neither of us feels like a Greek hero after all we’ve been through. We’re worn down to the bone, as if running from both the invading Union and my own beloved Confederacy has aged us by decades. 

In war, as in life, nothing is simple. I can’t hate all Yankees, for Drew is one. I can’t admire all Southerners, for I well remember the cruelties my company mates inflicted on Drew during his time as a prisoner of war. And I can’t rest like an old man in this barn loft any longer, because I must lead Drew home to safety. 

I rub my eyes. Gray light. It’s barely dawn. My wounds ache; my belly growls. I’m desperately in need of a few more hours’ rest. What disturbed my sleep? Are foes near? 

Careful not to disturb my Yank, I roll onto my back, grab my jacket, pull spectacles from the pocket, and slip them on. Loft hay’s heaped about us; above are webby rafters, the roof sounding under a mid-March shower. Yesterday, we’d hoped to get to Eagle Rock by nightfall, but the deluge drove us to take shelter inside this abandoned barn. Last night we fell asleep to rain’s soothing sound; this morning it continues, a steady drizzle. Another cold wet day in the Virginia mountains. Another day closer to home. Another day closer, God willing, to this terrible war’s end. 

I’m groggy, ready to slip back into sleep, when there’s a sudden rustling, very close. I start, now wide awake. Soldiers? Bluecoats or graycoats, they’re all potential enemies. I ease my pistol from my hip holster, push the blanket off, and sit up. My bare-chested Yank is snoring softly. I crawl over to the loft’s edge, where I have a good view of the barn’s floor. Nothing but straw, empty stalls, and old horse dung. I stagger to my feet, thighs shaky after the steep climb up Purgatory Mountain day before yesterday and yesterday’s rough walk along the James River. I make a circuit of the loft, peering through gaps between the boards. Nothing outside but a foggy, weed-choked barnyard. 

That rustling again, and a soft whir. Behind me. I turn, pointing my pistol, only to see, in the rafters, a pair of mourning doves. One’s preening the other. 

Chuckling with relief, I holster my pistol and return to my snoring lover. He grunts and sighs as I slip back under the blanket. Beneath the bandana knotted around his neck, he’s still wearing the slave collar I locked on him the day he was captured. Once it signified his status as a prisoner of war; now it signifies our mutual bond. 

For long moments, nestled against him, I stroke his shaggy golden hair and study his broad bandaged back. Three times my uncle beat him, with belt or bullwhip, during those miserable weeks that Drew was the captive of our ragtag Rebel band. And George, that ferret-faced bastard, stealing Drew’s trousers and boots, cutting an X into his back, blacking his eyes, gleefully administering that fourth and final whipping. He hated Drew because he wanted him, I think. But we escaped. And none of our wounds have festered. Thank God for herbal salve and isinglass plaster.

I slip an arm around Drew and pull him closer. My sweet Yank shifts and yawns. My hand ranges over his muscled breast, stroking the thick hair there. I finger a soft nipple. Drew yawns again, then sneezes, then coughs. He presses his chest against my hand, clearly grateful for the attentions. 

“Yeah,” he growls, hoarse with sleep, barn dust, and March-damp air. “That’s mighty nice, Ian.” 

We lie there, warm and close for a long moment. Then there’s a distant clopping. We both freeze with fear as the sound moves closer. Horses’ hooves, and now men’s voices. 

“Get dressed, and then keep real still,” I hiss in Drew’s ear. We button up fast. I pull my pistol. Drew grabs his rifle, the one he wrested from the Yankee sharpshooter who nearabout ended me on Purgatory Mountain. We lie there, face to face, in dusty hay, as prepared as we can be. “And don’t sneeze, for God’s sake.” 

I’ve prayed a lot since this damnable war started, and it’s definitely time to pray again. I’m a Rebel deserter, and my lover’s a Yankee soldier, until day before yesterday a prisoner of war. That’s a very inconvenient combination for March of 1865. If the bluecoats find us, I’ll be sent off to some miserable prison camp up North to starve, freeze, and die. If my fellow Confederates find us, he’ll be a prisoner again, perhaps even mistaken for a spy and hanged, and I’ll be court-martialed and probably shot for desertion. 

I take in the beauty of Drew’s bruised face: his pale, high forehead, frightened blue eyes blackened with blows, shoulder-length yellow hair, honey-gold beard, white teeth chewing his full lower lip. I grip his bare shoulder, bump his brow with mine, and silently pray. Please, God, we’ve come this far. We’re both so young, so far from home, trapped inside this terrible war. But You’ve brought us together, given us leave to fall in love. You’ve helped Drew survive long marches nigh naked and barefoot, and bloody beatings, and the torture of being bucked and gagged in the snow. You’ve helped us escape cruelty and Drew’s captivity through the well-timed gift of that Yankee bombardment. Please don’t let us get caught now. Please help us get on up the James, Craig Creek, the New, and back to my family in the western mountains. Please don’t let us be parted. 

The riders pause beside the barn. It sounds like there are four or five of them. They confer. One asks another for a cigar. One slurps, from a flask or a canteen. Then they move off, slowly, voices and horse hooves fading into the distance, leaving us with the tapping of the rain on the barn roof and our own anxious breathing. 

I try to ignore the shaking in my hands. 

Drew lays the rifle in the hay and rests an arm athwart my hip. “Glad they’re gone, whoever they were. Damn, I needed that sleep. I slept like the dead.” 

“Me too.” I sheathe my pistol and bury my face in Drew’s chest hair. “I dreamed that the war was done. That the South won. It was a beautiful summer day. The trees were full of fruit and the fields were thick with grain. And all the bluecoats stacked their arms and marched home.” 

“Even me?” 

“No. Not you.” Wrapping an arm around his neck, I pluck straw from his golden beard. “You’re staying with me.” 

Drew smiles. “Fine with me.” He returns the favor, brushing chaff from my black-whiskered chin. “Let your crazy Confederates have their independence. As long as we’re together. I might have to pass as Confederate for a while. Till your kin get used to me. Till I convince them how handy I can be around a farm.” Drew sits up and stretches. He gives his mat of blond belly hair a vigorous scratching. “Damn lice.” 

I claw my unkempt head in sympathy. “One more curse we’ve shared. All right, let’s get on the road.”

Author Bio:

Jeff Mann grew up in Covington, Virginia, and Hinton, West Virginia, receiving degrees in English and forestry from West Virginia University. His poetry, fiction, and essays have appeared in many publications, including The Spoon River Poetry Review, Prairie Schooner, Shenandoah, The Gay and Lesbian Review Worldwide, Crab Orchard Review, Appalachian Heritage, Best Gay Poetry, Best Gay Erotica, and Best Gay Stories. He has published three award-winning poetry chapbooks, Bliss, Mountain Fireflies, and Flint Shards from Sussex; five full-length books of poetry, Bones Washed with Wine, On the Tongue, Ash: Poems from Norse Mythology, A Romantic Mann, and Rebels; two collections of personal essays, Edge: Travels of an Appalachian Leather Bear and Binding the God: Ursine Essays from the Mountain South; six novels, Insatiable, Country, Cub, Fog: A Novel of Desire and Reprisal, which won the Pauline Reage Novel Award, Purgatory: A Novel of the Civil War, which won a Rainbow Award, and Salvation: A Novel of the Civil War, which won a Lambda Literary Award and the Pauline Reage Novel Award; three novellas, Devoured, included in Masters of Midnight: Erotic Tales of the Vampire, Camp Allegheny, included in History's Passion: Stories of Sex Before Stonewall, and The Saga of Einar and Gisli, included in On the Run: Tales of Gay Pursuit and Passion; a book of poetry and memoir, Loving Mountains, Loving Men; and three volumes of short fiction, Consent: Bondage Tales, Desire and Devour: Stories of Blood and Sweat and A History of Barbed Wire, which won a Lambda Literary Award. In May 2013, he was inducted into the Saints and Sinners Literary Festival Hall of Fame. He teaches creative writing at Virginia Tech in Blacksburg, Virginia.




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Friday, April 22, 2022

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: April Morning by Howard Fast



Summary:

Howard Fast’s bestselling coming-of-age novel about one boy’s introduction to the horrors of war amid the brutal first battle of the American Revolution.

On April 19, 1775, musket shots ring out over Lexington, Massachusetts. As the sun rises over the battlefield, fifteen-year-old Adam Cooper stands among the outmatched patriots, facing a line of British troops.
 
Determined to defend his home and prove his worth to his disapproving father, Cooper is about to embark on the most significant day of his life. The Battle of Lexington and Concord will be the starting point of the American Revolution—and when Cooper becomes a man.
 
Sweeping in scope and masterful in execution, April Morning is a classic of American literature and an unforgettable story of one community’s fateful struggle for freedom.



CHAPTER 1
The Afternoon
When I turned back to the house, my father called after me and asked me did I figure that I was finished. "I figure so," I said, and then my father said, in that way he has of saying something that cuts you down to half of your size or less:

"Slow to start and quick to finish."

He said it plain and quiet, but it was of a piece and it reminded me that I couldn't think of a time when he had said something pleasing or gentle with love or concern; and I replied to him, but not aloud—for which I didn't have the guts at all—"If just once in all my born days you'd say a good thing to me, then maybe I'd show good to you, and be able to do what you want me to do, and maybe read your mind or your soul." But aloud I said nothing, just began to walk toward the house, and his voice coiled after me like a whip around my ankle:

"Adam!"

"Yes, sir."

"I'll have you talk to me face to face, not into the air with your back to me."

"Yes, sir," I said, turning around.

"Draw your mother's evening water and bring it to her. Wasted steps are like wasted thoughts, just as empty and just as ignorant."

"Yes, Father," I said, and I went to the house and picked up the yoke and walked with it to the well. The sun was cutting. That's the time of the day when the sun touches the trees for evening time. That's the time of the day when the wind stops, and the air is so sweet you can taste it and suck it.

But that afternoon, the time of the day made me think about death, and I saw a chicken hawk in flight and waited for someone somewhere to send a load of bird shot after it; but no one did. I thought of death and was full of fear, and I just wanted to sit down somewhere and put my face in my hands and give in to the terrible frightened feeling I had; but I didn't. I have all kinds of strange thoughts and feelings of that sort, and I guess I never talked to anyone about them, except perhaps a little to Granny, because I didn't really believe that anyone in the world ever had just the same kind of thoughts.

When I drew the water from the well, I said the spell to take the curse off water, "Holy ghost and holy hell, get thee out of the mossy well." My father once heard me say that spell, and he took me into the barn and gave me seven with the birch rod. He hated spells and said they were worse than an instrument of the devil; they were an instrument of ignorance. And I was foolish enough to answer back that if he was so sure about all kinds of superstition, why did he birch me seven times, not eight or six? That was the way it was in the whole town. When you got the rod taken to you, you got it seven times.

I should have known enough to keep my mouth shut, because he replied that he was gratified to be enlightened and laid onto me ten times more, and then wanted to know whether I deemed seventeen to be a superstitious number?

So now I said the spell quietly, just moving my lips; a spell has no meaning if you only think it to yourself and never voice it. But quiet or not, my brother Levi, who is eleven years old, has cat's eyes. He popped up and demanded a drink from the bucket.

"Draw your own water," I told him.

"Don't be high and mighty. I seen you saying the spell. How would you like for me to tell Father that I seen you saying the spell?"

"You're a little bastard," I told him.

"Sure, and what did you just call your mother?"

"All right. Take your drink and leave me be. Why don't you stay out of my sight. I'd be happy to God if only you'd stay out of my sight."

I took a drink too. The water is always best, cold and crackling, when you first draw it.


When I came into the house, Mother was frying donkers, and the kitchen was full of the smell. You save a week's meat leftovers to make donkers, and then it's chopped together with bread and apples and raisins and savory spices, and fried and served up with boiled pudding. I don't know of anything better. When my mother saw me come in with the yoke, she took the water off and smiled her gratitude.

"You're a good boy, Adam," she said.

I didn't tell her that it wasn't my idea. I needed for someone to think something good about me, and I didn't want to disturb her thinking. When I ate some of the raw meatstuff, she slapped my hand. When I sat down, she said:

"Are you going to stay here and fill my head with your nonsense?"

"What nonsense? I haven't said a word."

"That's just it, Adam. You sit there with that look in your eyes, and just as plain as daylight I can see what kind of silly dream you're contemplating. When I was your age, if a boy had an hour between the chores and mealtime, he spent it with profit reading the Holy Writ. Granny told me how your father—just about your age it was—set himself a disciplined period to memorize three verses of Lamentations every evening."

"Lamentations?"

"And he did."

"Well, good heavens, what on earth did he want to memorize the verses of Lamentations every evening for?"

"To profit himself. And let me tell you this, Adam," she said. "I don't hold with the narrow views of some, but it seems to me that an expression like good heavens is precious close to swearing. It seems to me that the King's English is abundant enough to express every necessary shade of feeling and impatience without resorting to words that have sincere meaning when used properly. Have you been fighting with your brother again?"

"Now what gave you that idea?" I didn't wait for her to tell me, but got up and began to stalk out the way I had come. She had to know where I was going.

"Just to find Granny."

"She's upstairs."

I went upstairs, and Granny was in her room making thread. When I entered, she blinked at me and said, "I see less and less. Old age is pity enough, but when the eyesight goes, the good Lord is laying a heavy burden on my poor shoulders."

"Well, Granny," I replied, "I don't think your eyesight is going. It's just getting dark in here because the twilight has come down."

"Is that so, Adam?"

"Sure enough."

"Well, then, I've spun sufficiently," she declared. "Sit down, Adam. Do you want some sweets?"

I sat down on her old milking stool, which she had decorated with paint and turned into one of the prettiest things in the house, and reminded her that there was a widely held opinion to the effect that sweets before mealtime spoil an appetite.

"Oh?" she said. "I'm sure we'd all be rich if I could devise something to spoil your appetite, Adam." Then she went to the cupboard and got out the cotton kerchief that she always wrapped the maple sugar in, and she broke off a piece for each of us. I ate it slowly and appreciatively, and asked her whether it was true about my father and Lamentations.

"It's true."

"Well, what for? I mean, what was his purpose?"

"To profit himself."

"That's what Mother said, but I'll be damned if I can see the profit in it."

"You will be damned, Adam, if you go on with such talk." I shrugged. "And don't act as if you don't care."

"I think we keep saying things that we don't really mean at all, Granny."

"Do we? And what sort of things, Adam?"

"Like being damned. Do you believe in God, Granny?"

"What a question!" She snorted with great indignation. "In all my born days, Adam Cooper, I have never seen a boy like yourself for asking questions!"

"Well, do you?"

"Of course I do."

"Well, I don't know—"

"Adam Cooper, you are not going to start in again with all that silly nonsense of yours, are you?"

"Just one thing—just answer me one thing, Granny, that's all I'm asking. I just want you to answer me one thing. Why is it that they're always taking it out on me for whatever I say, like there's nothing in the world I can do right and everything I do is all wrong?"

"My goodness, the things you say, Adam!"

"Well, look at it this way, Granny. You believe in God, don't you?"

"Enough of that."

"If you believe in God, then God gave a person brains, didn't he?"

"Of course."

"But just as soon as you begin to use the brains God gave you, you're being sinful."

"That's just the sort of foolish thing you say, Adam, that's so provoking."

"Well, just take Isaiah Peterkin, for example."

"Oh, no," she said, her eyes narrowing, "I am not going to be trapped into that Isaiah Peterkin thing. It just happens that I was gathering blueberries the other day, and there you were down in the gully with Ruth Simmons, instructing her about Isaiah Peterkin, and I overheard enough—"

"Did you see us, Granny?"

"I didn't have to see you. As if I wouldn't know that Cooper voice of yours anywhere!"

I sighed with relief, and told her that even if I had gone into it a little with Ruth Simmons, that didn't make it any less a fact.

"It just seems to me, Adam," Granny said, "that shaking a body loose from her faith is about the most sinful thing you could do."

"Granny, I wasn't shaking anybody loose from anybody's faith. I'd like you to tell me how old Isaiah can be as mean and wicked and two-faced as he is, and be a deacon in the church and be looked up to as a real fine God-fearing man. I mean, he can get away with anything, just so long as he says the right words about religion."

"It's not for you to judge Isaiah Peterkin."

"I wasn't judging him," I protested. "Everyone knows how rich and mean he is. So how could I be judging him? Anyway, in Boston when we were there a fortnight past, there was a man talking right on the Common, and he said that the highest good was to doubt. Just like that, in those very words."

"I never heard such nonsense. If he said that, he was nobody worth quoting."

"He was a Committeeman, Granny."

"I don't believe a word of it"

"Cross my heart, Granny."

"Don't you dare cross your heart to me," she snapped, "just like you was Roman or some other heathen sect, and don't think that because I'm old and rheumatic and grateful for foolish company that you can say anything you please in front of me. You can't cozen me with a pretense at stupidity, not in one thousand years. You're a spiteful boy, and that's why your father loses patience with you."

"He doesn't lose patience, Granny. He doesn't have any patience to begin with."

"There!"

"And this was a Committeeman," I said.

"So. Well, just tell me this—was he a Sam Adams Committeeman?"

I admitted that he was most likely a Sam Adams Committeeman, and she shrugged her shoulders and said there wasn't anything else a body could expect, seeing that Sam Adams was an atheist and so were all of his cronies. Granny had a good mind, and I guess that was one of the reasons why I enjoyed provoking her. The other reason was that she would stand for being provoked, and practically no one else would. "Now if he had said, Adam," she went on, "that one of the paths to good was a certain amount of doubt and common sense, there might be some reason to his thoughts. Then he would have been sensible. But doubt is a negative thing and good is a positive thing, and anyone who says that both are the same thing is simply a fool, and there you are."

"That's it exactly, Granny. When you disagree with someone, you straight out and call them a fool. But when I disagree, I get my ears pinned back."

"I'm older than you, Adam, by a year or two."

"You said yourself that age doesn't teach most folks a blessed thing."

"Don't tell me what I said. If you propose to remain as narrow and opinionated as you are now all the years of your life—well, that's your choice. Most folks are one thing. I should hope that my grandson would be something else."

At that moment, Mother called from below that supper was ready, and I gave Granny my arm and helped her down the stairs. Her rheumatism was getting worse and worse. As we went down the staircase, myself a little in front of her because the staircase was so narrow, she said to me:

"Don't ever talk most to me, Adam. Most folks are not Coopers, and most folks do not live in this village or in this county either. Most folks are not dissenters, and most folks would just as soon find a chain to put around their necks, considering one wasn't there already. Coopers have been teachers and pastors and free yeomen farmers and ship captains and merchants for a hundred and fifty years on this soil, and I don't recall one of them who couldn't write a sermon and deliver it too, if the need ever arose."

"Well, maybe you're leaning on the first one, Granny," I said.


On weekdays, we ate our meals in the kitchen. On the Sabbath, we ate dinner in the dining room, and Mother set the table with china and silver. We weren't rich, but Granny's mother had been rich enough for china and silver. On weekdays, we ate with plainware.

Although there were only five of us in the immediate family, our table was always set with places for six, Mother at one end, Father at the other, Granny facing the two boys. The empty chair was next to Granny. My father claimed that the empty chair was, as he put it, a manifesto of hospitality, an invitation to anyone who crossed our threshold at mealtime; and I must admit that many a guest sat there, knowing that the welcome was ready at the Coopers', the food good and the cooking beyond compare. But my father's real purpose was an audience, and if possible an argument. There wasn't anyone in his own family whom he considered really worth arguing with, and as far as plain discourse was concerned, although we were a disciplined and trained audience, he could never be wholly sure that we were listening, and if listening, comprehending.

My own opinion was that Granny could win hands down in any argument, but she would not argue with her son in front of his own children. She also felt that one of her sex tended to be unladylike and pushy when she ventured on the finer points of the divine, ordinary, and inherent rights of man—which was mainly the subject.

Tonight, however, we had no guest at the beginning of the meal, and the five of us sat down and four of us bent our heads while Father said grace. He didn't hold with bending his head, at grace or any other time, and when Granny once raised this point with him, he replied that one of the many differences between ourselves and Papists and High Church people—who were a shade worse than Papists—was that whereas the latter two sects cringed and groveled before the clay and plaster images they worshiped, we stood face to face with our God, as befitting what He had created in His own image. Granny said that there was possibly some difference between cringing and groveling and a polite bending of the head from the neck, but Father wasn't moved. The difference was quantitative not qualitative, and therefore only a matter of degree. To him it was a principle. In two minutes, my father could lead any argument or discussion around to being a principle.

So he said grace glaring across the table at the imaginary point where he placed God, and I always felt that God had the worst of it. My father couldn't just begin a meal with something direct and ordinary, like "Thank Thee, O Lord, for Thy daily bread and the fruit of the harvest." Oh, no—no, he had to embellish it. If there was no guest at the meal, God was always present, and tonight my father said sternly:

"We thank thee, O Lord, for the bread we eat, but we are also conscious of seed we have planted, of the hands that guided the plow and the back bent in toil. The ground is dry as dust, and I will take the liberty of asking for a little rain. I know that Thou givest with one hand and Thou takest away with the other, but sometimes it seems to me to go beyond the bounds of reason. Amen!"

Then he turned to his soup. Granny lifted her head and stared at him, and finally said, "Moses?"

"Yes, Mother?"

She sighed, and we all began to eat.

"Yes, Mother?"

"Nothing," Granny said. "Nothing at all."

"Whatever is on your mind, Mother, I would appreciate your coming out with it and saying it."

"Eat your soup, Moses," she sighed.

He was inordinately fond of soup, and during the soup he left conversation to the women and children. I did not have much to say to Levi, being occupied with my own thoughts, some of them about Ruth Simmons and also some thoughts about going to sea. If you had respectable kin in Boston, it was generally understood that one of the younger sons would go to sea and learn the trade, since there was no better way to end up with a fine house and a wife in silks and laces, and good, imported furniture as well as some standing in the community. I was not a younger son, but one day in Boston, Captain Ishmael Jamison, my uncle on my mother's side, had felt my muscles, asked me a number of questions, and finished by wondering how I would like to sign on with him as bottom junior on a voyage to the Indies. I was remembering this, contemplating it, and speculating on whether there weren't more interesting girls in the world than Ruth Simmons, whom I had seen at least every day of my life. I also kept in back of my mind a picture of my father's rage if I came out with so much as a hint about going to sea.


The bloody confrontation at the Massachusetts towns of Lexington and Concord that precipitated the American Revolution, as seen through the experiences of one family.

Release Date: April 24, 1988
Release Time: 100 minutes

Director: Delbert Mann

Cast:
Tommy Lee Jones as Moses Cooper
Susan Blakely as Sarah Cooper
Chad Lowe as Adam Cooper
Robert Urich as Joseph Simmons
Meredith Salenger as Ruth Simmons
Rip Torn as Solomon Chandler
Joan Heney as Granny Cooper
Nicholas Kilbertus as John Parker
Griffith Brewer as Samuel Hadley
Thor Bishopric as Jonathan Harrington
Joel Miller as The Reverend
Brian Furlong as Joash Smith
Anthony Ulc as Simon Casper (as Tony Ulc)
Philip Spensley as John Buckman
Peter Colvey as Major John Pitcairn
Alan Mozes as Young British Soldier
Jeannie Walker as Mrs. Simmons
Gary Plaxton as Lt. Col. Francis Smith
Jon Baggaley as Metcalf (as John Baggaley)
Vlasta Vrana as Paul Revere
Burke Lawrence as Rider on Concord Road
Paul Rutledge as Lt. Sutherland
Ken Siegel as Enseign de Berniere
David Gow as Men at Akins Farm
Tedd Dillon as Men at Akins Farm (as Teddy Lee Dillon)
James Coull as Captain Parson
Timothy Hine as British Soldier
Vincent Glorioso as Lt. Baker

Awards:
1988 Emmys
Outstanding Achievement in Music Composition for a Miniseries or Special (Dramatic Underscore) - Allyn Ferguson - Nominated




Author Bio:
Howard Fast (1914–2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style.


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