Showing posts with label 1880s. Show all posts
Showing posts with label 1880s. Show all posts

Tuesday, January 6, 2026

πŸŽ…πŸŽ„12th Day of Christmas Author SpotlightπŸŽ„πŸŽ…: Kim Fielding



Kim Fielding
Kim Fielding is the bestselling, award-winning author of over 60 novels and novellas. Like Kim herself, her work is eclectic, spanning genres such as contemporary, fantasy, paranormal, horror, and historical. Her stories are set in alternate worlds, in 15th century Bosnia, in modern-day Oregon. Her heroes are hipster architect werewolves, housekeepers, maimed giants, and conflicted graduate students. They’re usually flawed, they often encounter terrible obstacles, but they always find love.

Having migrated back and forth across the western two-thirds of the United States, Kim calls California home. She lives there with her family, her cat, and her day job as a university professor, but escapes as often as possible via car, train, plane, or boat. This may explain why her characters often seem to be in transit as well. She dreams of traveling and writing full-time.



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EMAIL: kim@kfieldingwrites.com
dephalqu@yahoo.com



The Tin Box
Summary:
William Lyon's past forced him to become someone he isn't. Conflicted and unable to maintain the charade, he separates from his wife and takes a job as caretaker at a former mental hospital. Jelley’s Valley State Insane Asylum was the largest mental hospital in California for well over a century, but it now stands empty. William thinks the decrepit institution is the perfect place to finish his dissertation and wait for his divorce to become final. In town, William meets Colby Anderson, who minds the local store and post office. Unlike William, Colby is cute, upbeat, and flamboyantly out. Although initially put off by Colby’s mannerisms, William comes to value their new friendship, and even accepts Colby's offer to ease him into the world of gay sex.

William’s self-image begins to change when he discovers a tin box, hidden in an asylum wall since the 1940s. It contains letters secretly written by Bill, a patient who was sent to the asylum for being homosexual. The letters hit close to home, and William comes to care about Bill and his fate. With Colby’s help, he hopes the words written seventy years ago will give him courage to be his true self.








Peppermint Bark
Summary:
It’s almost Christmas, and Trevor Lowell’s love life has gone to the dogs. What's more, his finances are strained, completion of his college degree feels interminable, and his favorite little kink is no longer making his tail wag. But when his boss—an unusual woman with some tricks up her sleeve—gives him a special gift, Trevor’s life changes in an instant. Enter Dewey Goode: teacher, animal rescuer, and cuddly hero. This touch of holiday magic may make Trevor a very lucky dog.






















A Very Genre Christmas
Summary:
Very little is merry in a private dick’s world.

Private detective Nick Bozic works the mean streets of 1950s Portland, Oregon, shadowing unfaithful spouses and nabbing thieving employees. He may be lonely, but at least he’s not crooked. Despite the festive season, Christmas simply means less dough in his pocket.

With the holiday only a few days away, a regular client drops a new case on him: yet another being has come through the Rift and needs help finding his way home. Maybe Evindal the elf will help Nick find something too—a bit of cheer and magic amid the usual brew of corruption and betrayal.













Ash Believes the Impossible
Summary:
Asher Kaufman could use a miracle. But first he’ll have to believe they exist.

Ash is single, strapped for cash, and burned out from his work at a nonprofit. Everyone else’s holiday spirit leaves him feeling like he’s in the wrong movie.

Then strange, thoughtful gifts begin appearing outside his door: a rustic basket filled with pinecones and acorns, and a beautiful handmade scarf in Hannukah colors. But the most wonderful gift of all comes when he meets Clay, his secret admirer, a beautiful young man who happens to be a fairy who lives in the wooded wonderland behind the duplex where Ash lives.

Clay brings warmth and magic into Ash’s dreary life–but when the realities of the human world threaten the bridge to fairyland, it will take all Ash’s faith to bring about a happy-ever-after that will work for everyone.








Summerfield's Angel
Summary:
The Christmas Angel #2
After the hard winter of 1888 ended Alby Boyle’s work as a Nebraska ranch hand, he returned to New York City in search of his long-lost family. His mother and brothers are nowhere to be found, however, and after Alby’s years of absence, Five Corners no longer feels like home. His prospects seem as dim as the nighttime alleys.

When Alby pauses to admire an angel ornament in a department store window’s Christmas display, he meets Xeno Varnham-Summerfield. Wealthy, handsome, and enthusiastic, Xeno brings Alby some temporary cheer. But for Alby to achieve his dreams of love and a real home, well, that may take a bit of holiday magic.








The Tin Box
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Peppermint Bark
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A Very Genre Christmas

Ash Belives the Impossible
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Summerfield's Angel


Monday, December 1, 2025

πŸ¦ƒπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸ¦ƒ: An Old-Fashioned Thanksgiving by Louisa May Alcott



Summary:

"You will see what I can do. Ma said I was to use my judgment about things, and I'm going to. All you children have got to do is to keep out of the way, and let Prue and me work. Eph, I wish you'd put a fire in the best room, so the little ones can play in there. We shall want the settin-room for the table, and I won't have them pickin' round when we get things fixed," commanded Tilly, bound to make her short reign a brilliant one.







Sixty years ago, up among the New Hampshire hills, lived Farmer Bassett, with a house full of sturdy sons and daughters growing up about him. They were poor in money, but rich in land and love, for the wide acres of wood, corn, and pasture land fed, warmed, and clothed the flock, while mutual patience, affection, and courage made the old farm-house a very happy home.

November had come; the crops were in, and barn, buttery, and bin were overflowing with the harvest that rewarded the summer's hard work. The big kitchen was a jolly place just now, for in the great fireplace roared a cheerful fire; on the walls hung garlands of dried apples, onions, and corn; up aloft from the beams shone crook-necked squashes, juicy hams, and dried venison—for in those days deer still haunted the deep forests, and hunters flourished. Savory smells were in the air; on the crane hung steaming kettles, and down among the red embers copper sauce-pans simmered, all suggestive of some approaching feast.

A white-headed baby lay in the old blue cradle that had rocked seven other babies, now and then lifting his head to look out, like a round, full moon, then subsided to kick and crow contentedly, and suck the rosy apple he had no teeth to bite. Two small boys sat on the wooden settle shelling corn for popping, and picking out the biggest nuts from the goodly store their own hands had gathered in October. Four young girls stood at the long dresser, busily chopping meat, pounding spice, and slicing apples; and the tongues of Tilly, Prue, Roxy, and Rhody went as fast as their hands. Farmer Bassett, and Eph, the oldest boy, were "chorin' 'round" outside, for Thanksgiving was at hand, and all must be in order for that time-honored day.

To and fro, from table to hearth, bustled buxom Mrs. Bassett, flushed and floury, but busy and blithe as the queen bee of this busy little hive should be.

"I do like to begin seasonable and have things to my mind. Thanksgivin' dinners can't be drove, and it does take a sight of victuals to fill all these hungry stomicks," said the good woman, as she gave a vigorous stir to the great kettle of cider apple-sauce, and cast a glance of housewifely pride at the fine array of pies set forth on the buttery shelves.

"Only one more day and then it will be time to eat. I didn't take but one bowl of hasty pudding this morning, so I shall have plenty of room when the nice things come," confided Seth to Sol, as he cracked a large hazel-nut as easily as a squirrel.

"No need of my starvin' beforehand. I always have room enough, and I'd like to have Thanksgiving every day," answered Solomon, gloating like a young ogre over the little pig that lay near by, ready for roasting.

"Sakes alive, I don't, boys! It's a marcy it don't come but once a year. I should be worn to a thread-paper with all this extra work atop of my winter weavin' and spinnin'," laughed their mother, as she plunged her plump arms into the long bread-trough and began to knead the dough as if a famine was at hand.

Tilly, the oldest girl, a red-cheeked, black-eyed lass of fourteen, was grinding briskly at the mortar, for spices were costly, and not a grain must be wasted. Prue kept time with the chopper, and the twins sliced away at the apples till their little brown arms ached, for all knew how to work, and did so now with a will.

"I think it's real fun to have Thanksgiving at home. I'm sorry Gran'ma is sick, so we can't go there as usual, but I like to mess 'round here, don't you, girls?" asked Tilly, pausing to take a sniff at the spicy pestle.

"It will be kind of lonesome with only our own folks." "I like to see all the cousins and aunts, and have games, and sing," cried the twins, who were regular little romps, and could run, swim, coast and shout as well as their brothers.

"I don't care a mite for all that. It will be so nice to eat dinner together, warm and comfortable at home," said quiet Prue, who loved her own cozy nooks like a cat.

"Come, girls, fly 'round and get your chores done, so we can clear away for dinner jest as soon as I clap my bread into the oven," called Mrs. Bassett presently, as she rounded off the last loaf of brown bread which was to feed the hungry mouths that seldom tasted any other.

"Here's a man comin' up the hill, lively!" "Guess it's Gad Hopkins. Pa told him to bring a dezzen oranges, if they warn't too high!" shouted Sol and Seth, running to the door, while the girls smacked their lips at the thought of this rare treat, and Baby threw his apple overboard, as if getting ready for a new cargo.

But all were doomed to disappointment, for it was not Gad, with the much-desired fruit. It was a stranger, who threw himself off his horse and hurried up to Mr. Bassett in the yard, with some brief message that made the farmer drop his ax and look so sober that his wife guessed at once some bad news had come; and crying, "Mother's wuss! I know she is!" out ran the good woman, forgetful of the flour on her arms and the oven waiting for its most important batch.

The man said old Mr. Chadwick, down to Keene, stopped him as he passed, and told him to tell Mrs. Bassett her mother was failin' fast, and she'd better come to-day. He knew no more, and having delivered his errand he rode away, saying it looked like snow and he must be jogging, or he wouldn't get home till night.

"We must go right off, Eldad. Hitch up, and I'll be ready in less'n no time," said Mrs. Bassett, wasting not a minute in tears and lamentations, but pulling off her apron as she went in, with her mind in a sad jumble of bread, anxiety, turkey, sorrow, haste, and cider apple-sauce.

A few words told the story, and the children left their work to help her get ready, mingling their grief for "Gran'ma" with regrets for the lost dinner.

"I'm dreadful sorry, dears, but it can't be helped. I couldn't cook nor eat no way, now, and if that blessed woman gets better sudden, as she has before, we'll have cause for thanksgivin', and I'll give you a dinner you won't forget in a hurry," said Mrs. Bassett, as she tied on her brown silk pumpkin-hood, with a sob for the good old mother who had made it for her.



In the late 1880's, a widowed mother of three struggles to keep her family intact and to put food on the table.

Release Date: November 22, 2008
Release Time: 90 minutes

Director: Graeme Campbell

Cast:
Jacqueline Bisset as Isabella
Helene Joy as Mary Bassett
Tatiana Maslany as Mathilda "Tilly" Bassett
Kristopher Turner as Gad Hopkins
Gage Munroe as Solomon Bassett
Ted Atherton as Mr. Hopkins
Paula Boudreau as Mrs. Hopkins
Vivien Endicott-Douglas as Prudence







Louisa May Alcott
Louisa May Alcott was both an abolitionist and a feminist. She is best known for Little Women (1868), a semi-autobiographical account of her childhood years with her sisters in Concord, Massachusetts. Alcott, unlike Jo, never married: "... because I have fallen in love with so many pretty girls and never once the least bit with any man." She was an advocate of women's suffrage and was the first woman to register to vote in Concord, Massachusetts.


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Saturday, April 12, 2025

Saturday's Series Spotlight: Magic & Steam by CS Poe Part 1



The Engineer #1
Summary:

1881—Special Agent Gillian Hamilton is a magic caster with the Federal Bureau of Magic and Steam. He’s sent to Shallow Grave, Arizona, to arrest a madman engineer known as Tinkerer, who’s responsible for blowing up half of Baltimore. Gillian has handled some of the worst criminals in the Bureau’s history, so this assignment shouldn’t be a problem. But even he’s taken aback by a run-in with the country’s most infamous outlaw, Gunner the Deadly.

Gunner is also stalking Shallow Grave in search of Tinkerer, who will stop at nothing to take control of the town’s silver mines. Neither Gillian nor Gunner are willing to let Tinkerer hurt more innocent people, so they agree to a very temporary partnership.

If facing illegal magic, Gatling gun contraptions, and a wild engineer in America’s frontier wasn’t enough trouble for a city boy, Gillian must also come to terms with the reality that he’s rather fond of his partner. But even if they live through this adventure, Gillian fears there’s no chance for love between a special agent and outlaw.

Based on the short story, "Gunner the Deadly." Entirely revised, newly expanded, and Book One in the exciting new steampunk series, Magic & Steam.






The Gangster #2
Summary:
1881—Special Agent Gillian Hamilton, magic caster for the Federal Bureau of Magic and Steam, has recovered from injuries obtained while in Shallow Grave, Arizona. Now back in New York City, Gillian makes an arrest on New Year’s Eve that leads to information on a gangster, known only as Tick Tock, who’s perfected utilizing elemental magic ammunition. This report complicates Gillian’s holiday plans, specifically those with infamous outlaw, Gunner the Deadly, who promised they’d ring in 1882 together.

The two men stand on the cusp of a romance that needs to be explored intimately and privately. But when Gillian’s residence is broken into by a magical mechanical man who tries to murder him on behalf of Tick Tock, he and Gunner must immediately investigate the city’s ruthless street gangs before the illegal magic becomes a threat that cannot be contained.

This might be their most wild adventure yet, but criminal undergrounds can’t compare to the dangers of the heart. Gillian must balance his career in law enforcement with his love for a vigilante, or lose both entirely.

The novel-length follow-up to The Engineer, in the exciting new steampunk series, Magic & Steam.




The Engineer #1
October 10, 1881
The trch, trch, trch of Gatling gun rotating cylinders had been my only warning before the gunfire began. Bullets pierced the sun-bleached faΓ§ade of the gambling hall behind me, and splintered wood rained down like an unexpected desert shower. I held on to my bowler, dove behind a nearby wagon, and scrambled up against the wheel. By way of defense, it offered little, but I desperately needed half a second to gather my bearings. I’d just entered Shallow Grave, Arizona, hadn’t even flashed my badge yet, and already I was being shot at.

I yanked my traveling goggles over my head and accidentally dropped them as another round of shooting began. Windows shattered, a woman’s scream echoed from a few storefronts to my right, and the scorched red earth around me billowed up in miniature dust storms where bullets became embedded in the packed clay.

I lifted the headband and over-ear receivers of my Personal Discussion Device from my neck and fitted them into place. I raised the handheld transducer, punched in a code on the brass buttons that would connect me to my director back in New York City, and waited for Loren Moore’s smooth tenor voice to answer.

But nothing happened.

I tried again.

Not even static.

“Send Gillian out West,” I said in a self-mocking tone. I attempted contact a final time, but it was in vain. “Milo Ferguson won’t stand a chance against him. Of course not. But the utter lack of basic amenities and technology?” More gunfire, and I winced before sliding down farther and trying to make myself as small a target as possible. “Gillian will love it.” I wrenched the band down to rest around my neck again, then rolled onto my belly to peer under the wagon.

There was a sudden crackle in the atmosphere—the snap of aether magic being activated. The sensation raised gooseflesh on my arms, and I recognized the spell for what it was.

Manufactured.

Illegal.

Not magic invoked by a caster like me, but by a physical weapon and someone with the wealth in which to afford its use.

And then three near-simultaneous shots fractured the air like seven years’ bad luck. No doubt that had come from a triple-barrel Waterbury pistol. But it didn’t line up with the intelligence the Bureau had on Milo Ferguson. Yes, he was wanted for his improper use of steam energy to power unregistered innovations, as well as his amassing of aether ammunition, but he hadn’t once owned a Waterbury pistol or Jordan rifle, the only two weapons capable of firing magic-laden bullets.

Ferguson was an engineer. And mad though he might be, he was gifted at any sort of construction that had a lethal edge to it. His inventions were what had recently taken out half of Baltimore. His self-designed, magic-compatible monstrosities of brass and copper and iron were why I had been directed by the Bureau and the President of the United States to haul ass to Arizona territory.

So the shots in retaliation to the Gatling gun hadn’t come from Ferguson. They’d come from yet another individual hell-bent on breaking the law. And me with only one pair of handcuffs and no idea where the town jail was located….

I watched from underneath the wagon as a pair of black-clad legs—presumably the Waterbury owner—ran by like the hounds from Hell were giving chase. The man skidded to an abrupt stop in the middle of the dirt road, turned, and another shiver of manufactured magic creeped along my arms seconds before the Waterbury shot another triple round at a target somewhere out of sight to my left.

I scrambled to my hands and knees and moved into a crouch. Peering around the edge of the wagon, I raised a hand to shield my eyes from the setting sun and saw, standing against a fiery desert backdrop, a cowboy straight out of a dime novel. He was tall, like he could steal the stars from the sky at night. Not a big man—lithe was the word—but imposing nonetheless in head-to-toe black attire, including a Stetson hat hanging from his neck. He remained in a shooting pose and cocked the hammer on his Waterbury. But as the ammunition came to life for a third time, gunfire erupted from my left again and sent the cowboy running for cover.

Specifically, my wagon.





The Gangster #2
December 31, 1881
“Stop!” I shouted as I gave chase to Fat Frank Fishback through the chaotic fray of Manhattan’s Lower East Side.

Fishback—who was, in actuality, all arms and legs—skidded and slipped on the frozen cobblestones, righted himself, and made a sharp left toward a dilapidated tenement listing hard to one side. He shoved a big-boned woman from the open doorway and disappeared into the unsound structure.

“Sonofa—” I raced in the same direction, moved past the startled woman, and called a curt apology over my shoulder as I barged unwelcomed and unannounced through someone else’s home.

The interior was dark, and despite the night of winter already upon us, no lamps had been powered on. Steam piping had been installed throughout the Five Points earlier in the year, but it was obvious these people were too poor even for steam energy to light their home. The odds of finding an illegal syphon installed somewhere on the property in order to suck the teat of the city’s steam grid were quite good. The installation in the slums had created a point of serious contention with government officials and the Old Money of New York City. Strongly worded letters had been published in the newspapers proclaiming it a waste of taxpayer dollars to light the streets of the wretched. As if these folks chose to live in squalor.

But despite the opposition, City Hall went forward with the investment. Funding had passed in January, and it became a matter of New York wishing to assert its dominance over other major metropolitans in the United States. The desire to proclaim itself superior to the likes of Boston or D.C. was a hell of a driving force. The mayor had used Grand Central Depot as his selling point—if tourists felt like they’d entered the city through the doors of a palace, then even the most unfortunate among us must have access to the latest advances in steam technology.

Access and means being two entirely different points, of course.

But I digress.

I wasn’t here to chastise a too-full tenement of occupants barely earning enough to keep bread on the dinner table. I was here for Fishback. Nothing more.

I dodged the shadow of a resident coming out of a room, his curses now joining with the woman’s—a symphony of fury and protests left unanswered in my wake. I raced along an extended narrow hall, shoved off the far wall in order to make the tight turn down a second dark passage, shot up a short flight of stairs, and finally caught sight of Fishback when he opened a door exiting onto a side alley, his rail-thin body briefly illuminated by the kaleidoscope of urban nightlights.

“Stop right now!” I hollered.

Fishback gave me a triumphant expression, stepped outside, and slammed the door shut.

I didn’t slow my run, merely held an arm out, palm forward, and dipped into the ever-present elemental magic that encompassed Earth. The stream of raw energy churned and whipped at my request for its power, filled my body, and then erupted in a gale of wind. The whoosh of bitterly cold air blew the door off one rusted hinge and left it sagging like a broken wing. I ran outside, onto a set of rickety wooden stairs, hoisted myself over the banister, and jumped to the alley below.

I landed on the balls of my feet, shoes barely scratching a whisper from the cobblestones as magic aided me safely to the ground. But the door’s now-unfortunate state had been what startled Fishback. He straightened from the bent-over position he’d been in and spun around to face me. His chest heaved as he fought for breath the winter air had stolen. Fishback’s gaze flicked to the door and staircase behind me, and then his face blanched. His eyes grew wide. Panicked. Like a cornered animal ready to bite and scratch and claw until one of us was dead.

I had no illusions about my person. A man just shy of thirty, brown hair mottled with gray, a height and build hardly bigger than most women’s, and no weapon on hand. So no, it wasn’t my appearance that scared Fishback, a gangster known for squeezing the life out of coppers with his bare hands.

It was the technicality that I was not a copper. Special Agent Gillian Hamilton, active caster with the Federal Bureau of Magic and Steam, thank you very much. And it was my magic that had put the fear of God into Fishback.

“Fishback—” I started.

He turned on one heel and ran for the mouth of the alley.

“I said stop,” I yelled. I tugged the brim of my bowler down and started running again. “Federal Bureau of Magic and Steam, Fishback. You’re under—”

A glass bottle whizzed in front of me from the tenement on the left. I stumbled back a step to avoid being knocked out and turned my face away as it shattered against the outer wall of the building I’d just exited. Above me, the thrower shouted from an open window in a gravelly voice, “Magic pig in the alley!”

I broke into another sprint before a second bottle could hit its mark and slammed into the congested traffic of Baxter Street. All around me were unsupervised packs of children, stray dogs, wagons coming and going in either direction, and pushcarts everywhere, laws be damned, hawking the last of their oysters, knishes, and pickles before crowds dispersed for the evening. There were steam pipes crisscrossing building facades, rattling and pinging as residents powered on lamps and radiators. More metal tubing ran along the gutters of the streets, supplying steam energy to the yellow, red, and green streetlamps.

The voice from the window was still crying, “Magic pig! Right there.”

There’d been such volatile magic employed throughout the Great Rebellion that by the end of the war, Congress had enacted the Caster Regulation Act of 1865. On the surface, it aimed to bring the magic community out of hiding and make our intrinsic abilities legal to perform without fear of violence or jail time. But the finer details of the law required that every scholar—those who studied raw magic and documented the manmade spells—architect—the ones who fabricated the spells—and caster—those who performed the magic, such as myself—undergo mandatory documentation with the federal government. Keen and critical oversight of magic usage would protect soldiers and civilians alike from what happened during the war.

That’s how the Federal Bureau of Magic and Steam was founded.

I’d come forward when I was eighteen and applied to the regulation, but due to my atypical caster level, the Bureau jumped to offer me a job, a badge, and perhaps most importantly, respect. For the last decade, I had been doing my damnedest to represent the magic community, to educate citizens and eradicate detrimental old wives’ tales, all while upholding law and order in the city.

It was, to say the least, an ongoing campaign.

I dodged between two pushcarts and stepped onto the road, only to be abruptly cut off as three men moved to stand in front of me. Fishback disappeared into the throng of people.

“Step aside,” I ordered, pulling back the open lapels of my coats to show my badge.

They were all taller than me. Bulkier than me. With the sort of wicked smiles seen on men who used their fists to demand respect. The one on the left had his arms crossed over his barrel chest, with the stub of a smoking cigar clenched between his teeth. On the right was a man with a handlebar mustache and a badly set nose from a long-ago fight. In the middle was Tommy McCarthy, a known member of the Whyo gang that ran this neighborhood. He wore mechanical fighting gloves, the cogs spinning and pressure gauges releasing steam as he flexed his fingers.

“Look what we got here, boys,” McCarthy said. He smiled widely, showing off a broken canine. “A copper on our streets.”

“I’m not here for you, McCarthy.”

“Know who I am, do you?” The steam whistled as he made a fist with one glove. “Scared, ain’t ya?”

“No.”

McCarthy blinked almost comically, glanced at Cigar Stub and Broken Nose, then tried to regain his footing by saying, “You ought to be.”

“You’re interfering with official matters pertaining to the Federal Bureau of Magic and Steam, and I will arrest you if you don’t—”

“Arrest me?” McCarthy echoed with a bark of a laugh. “You ain’t even tall enough to suck my cock,” he replied, reaching down with one mechanical hand to cup himself through his trousers.

“I have no tolerance for your crude behavior. Step aside.”

Broken Nose pushed back the folds of his coat and unholstered a Waterbury pistol. He pointed the three-barreled weapon at my head and cocked the hammer. “How about I put a few bullets through your brain instead?”

As the aether was galvanized, manufactured magic snapped and crackled in the air around me. A strong jolt shot up my spine and I shook it off. It was merely a physical response to the illegal spell reaching out to interact with my own magic. But seeing that Waterbury—

An unkillable, deadeye marksman.

His finger pulling the trigger.

And blowing Milo Ferguson’s head off.

Those same fingers had held my chin just hours before while he whispered words that were seared into my bones like a cattle brand: It’ll remind me of you—

No.

Thunder rumbled from overhead.



New York City, 1880s—the epicenter of steam technology, magic, and murder. Special Agent Gillian Hamilton and infamous outlaw Gunner the Deadly exist on opposite sides of the law, but a series of misadventures involving the country’s worst criminals brings the two into an unlikely partnership.

And in an alternate universe fraught with peril, with escalating danger, with baggage lingering from the Great Rebellion, and personal turmoil cutting all the way to the bone, Gillian and Gunner can trust their safety and their hearts to no one but each other.

Saturday Series Spotlight

Sunday Steampunk Spinner



CS Poe

C.S. Poe is a Lambda Literary and two-time EPIC award finalist, and a FAPA award-winning author of gay mystery, romance, and speculative fiction.

She resides in New York City, but has also called Key West and Ibaraki, Japan, home in the past. She has an affinity for all things cute and colorful and a major weakness for toys. C.S. is an avid fan of coffee, reading, and cats. She’s rescued two cats—Milo and Kasper do their best to distract her from work on a daily basis.

C.S. is an alumna of the School of Visual Arts.

Her debut novel, The Mystery of Nevermore, was published 2016.


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The Engineer #1
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The Gangster #2
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Sunday, April 14, 2024

Sunday's Steampunk Spinner: The Doctor by CS Poe



Summary:

Magic & Steam #3
1882—Gillian Hamilton, magic caster and Special Agent with the Federal Bureau of Magic and Steam, has been stripped of his title, badge, and freedom. Gillian’s true name and powers have been exposed, so now he’s kept under lock and key. To make a tragedy worse, Gunner the Deadly has returned to his life out in the Wild West and has not been heard from since.

Rumors of a doctor, known only as Sawbones, with access to illegal magic have persisted into the new year. Gillian believes that violence, chaos, and certain death will befall New York City if this criminal isn’t apprehended. And despite having lost his sense of purpose, Gillian knows he’s the only one capable of confronting this new madman—with or without the backing of the FBMS.

But such dangers should never be undertaken alone. Gillian will need both Gunner’s deadeye marksmanship, as well as his love, if he’s to detain Sawbones before irreparable damage is done to the magic of his world.



I
February 15, 1882
In the middle of the East River, between Manhattan and Long Island City, was a two-mile-long island called Blackwell’s. This unescapable, disease-ridden plot of filth was where New York sent undesirables—its poor, its criminal, its incurable, and its disturbed. On the northernmost end, isolated from the workhouse, penitentiary, almshouse, and hospital, stood the Asylum for the Magically Insane, a three-story, two-winged structure of agony and despair and my Hell on Earth.

“Fitzgerald is loose!” a matronly nurse shouted, her voice ringing off the stone walls. “Wake Dr. Ashland at once. No, no—it’s Simon Fitzgerald!”

I raced down a dark corridor on my slippered feet, the freezing winter air leaching what little warmth remained in my body, causing my toes to go numb and feel as if I were running across a bed of sharp rocks. Between the city’s budget perpetually underfunding even the most basic necessities in which to keep innocents in their care alive, and the tender mercies shown by abusive and cruel staff, the asylum wasn’t lit or even warmed by steam during the nighttime hours, save for the nurses’ station. Violent patients bullied the meek for ownership of threadbare blankets lousy with fleas and lice, and nurses—many of whom were actually criminals serving sentences at the penitentiary and working at the asylum as a means of saving every single penny—mocked, beat, and starved the helpless who begged for warmth to see them through the night. It was like owing money to a gang-run gambling hall. You were most certainly going to die; it was simply a matter of how that would make the experience one of interest.

Thrusting a hand forward, I conjured a wind spell and blew the lock plate from a door, tore hinges from the wall, and sent the heavy wood crashing deeper into the unlit east wing. I ran through the opening, the shouts of staff growing in volume as they stormed the second floor after me. The wails of the insane echoed from within the dozens of locked rooms I passed. A sudden uptick in the bitterly cold draft that clawed through my ill-fitting institutional clothing informed me I’d reached the activity room. In theory, doctors and nurses were supposed to supply a number of stimulating mental exercises for patients, in either an attempt to rehabilitate or at least settle the worst of disruptive behaviors, but like the rest of this madhouse, there was no funding. Instead, the large room was empty, save for several long and uncomfortable benches where patients were left to sit all day with nothing but their delusions. A well-meaning man of the cloth had managed to set up a meager library for patients, but between the Irish who couldn’t read and the Germans who begged for titles in their mother tongue, the books saw little use.

I skidded to a stop in front of the nearest window, wiped frost from the warped glass, and studied the black water that separated me from hope, from freedom, from the life I’d lost. The twinkling skyline of New York was so close—and yet word among those locked away and left to rot behind these walls was that no one had ever survived the crossing.

I’d been dismayed upon learning that security had been the one sound investment the city took to heart when the residence opened in 1841. After all, magic had been illegal then—was illegal for over another twenty years, in fact—and this hadn’t been an asylum but a prison. Upstanding citizens, criminals, and lunatics alike had been locked up together if they were found to be magic-wielders. City officials had to be certain our kind couldn’t escape, couldn’t return to the streets of Manhattan, couldn’t pose a threat to the society that didn’t want nor care to understand us. And it didn’t matter that now this space was used only to house the insane outcasts of the magic community—every window was still reinforced with bronze on the second floor and iron on the third, with the patients separated into groups whose magics were inherently weak against these metals.

But Dr. Ashland hadn’t heeded the warnings of the Federal Bureau of Magic and Steam when officials from D.C. dumped me here—warnings that I was more dangerous than any patient he’d dealt with thus far. Because without being magically inclined himself, Dr. Ashland hadn’t understood the severity of what it meant to be a caster whose abilities broke the scale that’d been used in the oversight and regulation of an entire population. He hadn’t comprehended that simply because lightning was my default elemental skill, it didn’t mean I wasn’t gifted in every other known spell, even illegal magics like gravity.

And why should anyone consider me a threat? I was freshly thirty years of age and had the stature of most women, with brown hair mottled with gray that was at odds with the youth of my face. I was not an intimidating man, and my survival had depended for years on being respected, but in the end, entirely forgettable.

But I suppose that had really just been one more lie.

Dr. Ashland had housed me on the second floor because the bronze reinforcements weren’t conductive to my lightning spells.

Not an issue.

I took a few steps back from the window, raised my hands, and flames erupted from my palms. The fire painted the benches and walls and windowpanes of the room with a radiant red to orange to yellow glow as the spell intensified. If only I could feel the effects of my own magic… I was so goddamn cold. But it was a cold that went beyond the bitter February night. It harkened back to Fort Donelson, Tennessee—submerged in the icy waters of the Cumberland River, cries of dying men, so chilling that I had expected to see psychopomps with my own two eyes, haunting the snow-covered and blood-spattered battlefield, severing the souls of soldiers from their ruined bodies.

My nightmares hadn’t begun in 1862, only amplified into something more, something worse, but those days and nights of frozen waters and frozen terrors at the fort had put me on the trajectory to Antietam—to becoming the monster I was today.

“Fitzgerald!”

I looked toward the ruined door on my left as the open threshold filled with women in white aprons and burly men on loan from the penitentiary. I shifted my vision to the magic plane and watched tendrils of raw power blossom and unfurl around two men. Great. Criminals with casting abilities. I turned back to the window, and without a moment’s more delay, released a massive fireball. The flames shattered the glass, melted the bronze reinforcements, and cracked the stone wall.

One of the men cast a water spell, and the deluge barreled toward me. Still focused on my escape route, I sent a powerful gust of wind through the opening, blowing the flames outward and removing debris so I could climb out. Without meeting the caster’s gaze, I invoked lightning in my other hand and let my magic find him. My storm of electricity slammed into his magic, enveloped the water entirely, and then he was screaming and his flesh was cooking and I was completely numb to another murder being heaped onto my shoulders.

That same matronly nurse—Louise, that was her name—was screaming another warning, perhaps to the arriving Dr. Ashland, that I was casting multiple spells at once.

It was a cautioning well worth the air in her lungs, because I could count on one hand the number of casters with such skill and control. The problem with this particular ace up my sleeve was that the energy required to harness two distinct elements pushed my body’s threshold to the maximum quite quickly, even when I wasn’t already exhausted, starving, and half-frozen. Another minute of this and I’d overtax, pass out, and wake up with another streak of gray in my hair.

I dropped my hands and both spells ceased immediately.

A second nurse crouched beside the criminal caster on the floor, but when she touched him, electricity sparked from his steaming body and she yelped in surprise before falling onto her backside.

I stepped toward the gaping hole and leaned my head out. Winter winds whipped my short hair. Snow cut at my exposed skin like thousands of tiny razors. I gripped the scorched walls on either side, leaned back for momentum, and prepared to thrust myself into—

A sudden wind spell, like cannon fire, slammed into me from the second caster. As I was flung across the room like a ragdoll, I heard the snap of my fingers breaking, the blood-curdling cries of the dying, and embalmers—the vultures of the army—swearing: he’s a goddamn butcher!

I crashed into one of the benches, splintering the wood, then fell to the floor with a thud, the air knocked from my chest.

“Sometimes I can’t breathe. I—I hear sounds from memories, and they repeat over and over and it makes me sick.”

I began to sob—pathetic, breathless little gasps—as the staff loomed over me. The second caster yanked my arms up and behind my head in a lock. Louise held a long-sleeved, blue-and-white garment that could be mistaken for nothing but the horror that it was. And Dr. Ashland, a clean-shaven, dignified man with neatly parted silver hair, pressed a sodden rag, sweet with the scent of chloroform, over my mouth and nose.

I wanted to die.



New York City, 1880s—the epicenter of steam technology, magic, and murder. Special Agent Gillian Hamilton and infamous outlaw Gunner the Deadly exist on opposite sides of the law, but a series of misadventures involving the country’s worst criminals brings the two into an unlikely partnership.

And in an alternate universe fraught with peril, with escalating danger, with baggage lingering from the Great Rebellion, and personal turmoil cutting all the way to the bone, Gillian and Gunner can trust their safety and their hearts to no one but each other.

Sunday's Steampunk Spinner



CS Poe

C.S. Poe is a Lambda Literary and two-time EPIC award finalist, and a FAPA award-winning author of gay mystery, romance, and speculative fiction.

She resides in New York City, but has also called Key West and Ibaraki, Japan, home in the past. She has an affinity for all things cute and colorful and a major weakness for toys. C.S. is an avid fan of coffee, reading, and cats. She’s rescued two cats—Milo and Kasper do their best to distract her from work on a daily basis.

C.S. is an alumna of the School of Visual Arts.

Her debut novel, The Mystery of Nevermore, was published 2016.


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