Showing posts with label alcott. Show all posts
Showing posts with label alcott. Show all posts

Monday, December 1, 2025

πŸ¦ƒπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸ¦ƒ: An Old-Fashioned Thanksgiving by Louisa May Alcott



Summary:

"You will see what I can do. Ma said I was to use my judgment about things, and I'm going to. All you children have got to do is to keep out of the way, and let Prue and me work. Eph, I wish you'd put a fire in the best room, so the little ones can play in there. We shall want the settin-room for the table, and I won't have them pickin' round when we get things fixed," commanded Tilly, bound to make her short reign a brilliant one.







Sixty years ago, up among the New Hampshire hills, lived Farmer Bassett, with a house full of sturdy sons and daughters growing up about him. They were poor in money, but rich in land and love, for the wide acres of wood, corn, and pasture land fed, warmed, and clothed the flock, while mutual patience, affection, and courage made the old farm-house a very happy home.

November had come; the crops were in, and barn, buttery, and bin were overflowing with the harvest that rewarded the summer's hard work. The big kitchen was a jolly place just now, for in the great fireplace roared a cheerful fire; on the walls hung garlands of dried apples, onions, and corn; up aloft from the beams shone crook-necked squashes, juicy hams, and dried venison—for in those days deer still haunted the deep forests, and hunters flourished. Savory smells were in the air; on the crane hung steaming kettles, and down among the red embers copper sauce-pans simmered, all suggestive of some approaching feast.

A white-headed baby lay in the old blue cradle that had rocked seven other babies, now and then lifting his head to look out, like a round, full moon, then subsided to kick and crow contentedly, and suck the rosy apple he had no teeth to bite. Two small boys sat on the wooden settle shelling corn for popping, and picking out the biggest nuts from the goodly store their own hands had gathered in October. Four young girls stood at the long dresser, busily chopping meat, pounding spice, and slicing apples; and the tongues of Tilly, Prue, Roxy, and Rhody went as fast as their hands. Farmer Bassett, and Eph, the oldest boy, were "chorin' 'round" outside, for Thanksgiving was at hand, and all must be in order for that time-honored day.

To and fro, from table to hearth, bustled buxom Mrs. Bassett, flushed and floury, but busy and blithe as the queen bee of this busy little hive should be.

"I do like to begin seasonable and have things to my mind. Thanksgivin' dinners can't be drove, and it does take a sight of victuals to fill all these hungry stomicks," said the good woman, as she gave a vigorous stir to the great kettle of cider apple-sauce, and cast a glance of housewifely pride at the fine array of pies set forth on the buttery shelves.

"Only one more day and then it will be time to eat. I didn't take but one bowl of hasty pudding this morning, so I shall have plenty of room when the nice things come," confided Seth to Sol, as he cracked a large hazel-nut as easily as a squirrel.

"No need of my starvin' beforehand. I always have room enough, and I'd like to have Thanksgiving every day," answered Solomon, gloating like a young ogre over the little pig that lay near by, ready for roasting.

"Sakes alive, I don't, boys! It's a marcy it don't come but once a year. I should be worn to a thread-paper with all this extra work atop of my winter weavin' and spinnin'," laughed their mother, as she plunged her plump arms into the long bread-trough and began to knead the dough as if a famine was at hand.

Tilly, the oldest girl, a red-cheeked, black-eyed lass of fourteen, was grinding briskly at the mortar, for spices were costly, and not a grain must be wasted. Prue kept time with the chopper, and the twins sliced away at the apples till their little brown arms ached, for all knew how to work, and did so now with a will.

"I think it's real fun to have Thanksgiving at home. I'm sorry Gran'ma is sick, so we can't go there as usual, but I like to mess 'round here, don't you, girls?" asked Tilly, pausing to take a sniff at the spicy pestle.

"It will be kind of lonesome with only our own folks." "I like to see all the cousins and aunts, and have games, and sing," cried the twins, who were regular little romps, and could run, swim, coast and shout as well as their brothers.

"I don't care a mite for all that. It will be so nice to eat dinner together, warm and comfortable at home," said quiet Prue, who loved her own cozy nooks like a cat.

"Come, girls, fly 'round and get your chores done, so we can clear away for dinner jest as soon as I clap my bread into the oven," called Mrs. Bassett presently, as she rounded off the last loaf of brown bread which was to feed the hungry mouths that seldom tasted any other.

"Here's a man comin' up the hill, lively!" "Guess it's Gad Hopkins. Pa told him to bring a dezzen oranges, if they warn't too high!" shouted Sol and Seth, running to the door, while the girls smacked their lips at the thought of this rare treat, and Baby threw his apple overboard, as if getting ready for a new cargo.

But all were doomed to disappointment, for it was not Gad, with the much-desired fruit. It was a stranger, who threw himself off his horse and hurried up to Mr. Bassett in the yard, with some brief message that made the farmer drop his ax and look so sober that his wife guessed at once some bad news had come; and crying, "Mother's wuss! I know she is!" out ran the good woman, forgetful of the flour on her arms and the oven waiting for its most important batch.

The man said old Mr. Chadwick, down to Keene, stopped him as he passed, and told him to tell Mrs. Bassett her mother was failin' fast, and she'd better come to-day. He knew no more, and having delivered his errand he rode away, saying it looked like snow and he must be jogging, or he wouldn't get home till night.

"We must go right off, Eldad. Hitch up, and I'll be ready in less'n no time," said Mrs. Bassett, wasting not a minute in tears and lamentations, but pulling off her apron as she went in, with her mind in a sad jumble of bread, anxiety, turkey, sorrow, haste, and cider apple-sauce.

A few words told the story, and the children left their work to help her get ready, mingling their grief for "Gran'ma" with regrets for the lost dinner.

"I'm dreadful sorry, dears, but it can't be helped. I couldn't cook nor eat no way, now, and if that blessed woman gets better sudden, as she has before, we'll have cause for thanksgivin', and I'll give you a dinner you won't forget in a hurry," said Mrs. Bassett, as she tied on her brown silk pumpkin-hood, with a sob for the good old mother who had made it for her.



In the late 1880's, a widowed mother of three struggles to keep her family intact and to put food on the table.

Release Date: November 22, 2008
Release Time: 90 minutes

Director: Graeme Campbell

Cast:
Jacqueline Bisset as Isabella
Helene Joy as Mary Bassett
Tatiana Maslany as Mathilda "Tilly" Bassett
Kristopher Turner as Gad Hopkins
Gage Munroe as Solomon Bassett
Ted Atherton as Mr. Hopkins
Paula Boudreau as Mrs. Hopkins
Vivien Endicott-Douglas as Prudence







Louisa May Alcott
Louisa May Alcott was both an abolitionist and a feminist. She is best known for Little Women (1868), a semi-autobiographical account of her childhood years with her sisters in Concord, Massachusetts. Alcott, unlike Jo, never married: "... because I have fallen in love with so many pretty girls and never once the least bit with any man." She was an advocate of women's suffrage and was the first woman to register to vote in Concord, Massachusetts.


WEBSITE  /  KOBO  /  iTUNES
AUDIBLE  /  GOOGLE PLAY  /  CHIRP
AUDIOBOOK  /  WIKI  /  BOOKSHOP
B&N  /  AMAZON  /  GOODREADS



AMAZON US  /  AMAZON UK  /  B&N

Film
HALLMARK  /  WIKI  /  IMDB  /  TCM





Friday, April 11, 2025

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: Little Women by Louisa May Alcott



Summary:

Meg is the eldest and on the brink of love. Then there’s tomboy Jo who longs to be a writer. Sweet-natured Beth always puts others first, and finally there’s Amy, the youngest and most precocious. Together they are the March sisters. Even though money is short, times are tough and their father is away at war, their infectious sense of fun sweeps everyone up in their adventures — including Laurie, the boy next door. And through sisterly squabbles, their happy times and sad ones too, the sisters discover that growing up is sometimes very hard to do.

Based on Louisa May Alcott’s childhood, this lively portrait of nineteenth-century family life possesses a lasting vitality that has endeared it to generations of readers.

A wonderful story... As a child, I strongly identified with Jo because she is a writer. —Jacqueline Wilson

The American female myth. —Madelon Bedell

It is an essential American novel, perhaps the essential American novel for girls… Girls come to it on their own. —Jane Smiley

In “Little Women”, Alcott anticipated realism by twenty or thirty years. —G. K. Chesterton





Chapter 1
NO

Playing Pilgrims

"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.

"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.

"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.

"We've got Father and Mother and each other," said Beth contentedly from her corner.

The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was.

Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't." And Meg shook her head, as she thought regretfully of all the pretty things she wanted.

"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from Mother or you, but I do want to buy Undine and Sintram for myself. I've wanted it so long," said Jo, who was a bookworm.

"I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth brush and kettle holder.

"I shall get a nice box of Faber's drawing pencils. I really need them," said Amy decidedly.

"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun. I'm sure we work hard enough to earn it," cried Jo, examining the heels of her shoes in a gentlemanly manner.

"I know I do-teaching those tiresome children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.

"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out of the window or cry?"

"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross, and my hands get so stiff, I can't practice well at all." And Beth looked at her rough hands with a sigh that any one could hear that time.

"I don't believe any of you suffer as I do," cried Amy, "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."

"If you mean libel, I'd say so, and not talk about labels, as if Papa was a pickle bottle," advised Jo, laughing.

"I know what I mean, and you needn't be statirical about it. It's proper to use good words, and improve your vocabilary," returned Amy, with dignity.

"Don't peck at one another, children. Don't you wish we had the money Papa lost when we were little, Jo? Dear me! how happy and good we'd be, if we had no worries!" said Meg, who could remember better times.

"You said the other day you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money."

"So I did, Beth. Well, I think we are; for, though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say."

"Jo does use such slang words!" observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her pockets, and began to whistle.

"Don't, Jo, it's so boyish!"

"That's why I do it."

"I detest rude, unladylike girls!"

"I hate affected, niminy-piminy chits!"

" 'Birds in their little nests agree,' " sang Beth, the peacemaker, with such a funny face that both sharp voices softened to a laugh, and the "pecking" ended for that time.

"Really, girls, you are both to blame," said Meg, beginning to lecture in her elder-sisterly fashion. "You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn't matter so much when you were a little girl; but now you are so tall, and turn up your hair, you should remember that you are a young lady."

"I'm not! And if turning up my hair makes me one, I'll wear it in two tails till I'm twenty," cried Jo, pulling off her net, and shaking down a chestnut mane. "I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl, anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman!" And Jo shook the blue army sock till the needles rattled like castanets, and her ball bounded across the room.

"Poor Jo! It's too bad, but it can't be helped. So you must try to be contented with making your name boyish, and playing brother to us girls," said Beth, stroking the rough head at her knee with a hand that all the dishwashing and dusting in the world could not make ungentle in its touch.

"As for you, Amy," continued Meg, "you are altogether too particular and prim. Your airs are funny now, but you'll grow up an affected little goose, if you don't take care. I like your nice manners and refined ways of speaking, when you don't try to be elegant. But your absurd words are as bad as Jo's slang."

"If Jo is a tomboy and Amy a goose, what am I, please?" asked Beth, ready to share the lecture.

"You're a dear, and nothing else," answered Meg warmly; and no one contradicted her, for the "Mouse" was the pet of the family.

As young readers like to know "how people look," we will take this moment to give them a little sketch of the four sisters, who sat knitting away in the twilight, while the December snow fell quietly without, and the fire crackled cheerfully within. It was a comfortable old room, though the carpet was faded and the furniture very plain; for a good picture or two hung on the walls, books filled the recesses, chrysanthemums and Christmas roses bloomed in the windows, and a pleasant atmosphere of home peace pervaded it.

Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft, brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth-or Beth, as everyone called her-was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her "Little Tranquillity," and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person-in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.

The clock struck six and, having swept up the hearth, Beth put a pair of slippers down to warm. Somehow the sight of the old shoes had a good effect upon the girls, for Mother was coming, and everyone brightened to welcome her. Meg stopped lecturing, and lighted the lamp, Amy got out of the easy chair without being asked, and Jo forgot how tired she was as she sat up to hold the slippers nearer to the blaze.

"They are quite worn out. Marmee must have a new pair."

"I thought I'd get her some with my dollar," said Beth.

"No, I shall!" cried Amy.

"I'm the oldest," began Meg, but Jo cut in with a decided-

"I'm the man of the family now Papa is away, and I shall provide the slippers, for he told me to take special care of Mother while he was gone."

"I'll tell you what we'll do," said Beth, "let's each get her something for Christmas, and not get anything for ourselves."

"That's like you, dear! What will we get?" exclaimed Jo.

Everyone thought soberly for a minute, then Meg announced, as if the idea was suggested by the sight of her own pretty hands, "I shall give her a nice pair of gloves."

"Army shoes, best to be had," cried Jo.

"Some handkerchiefs, all hemmed," said Beth.

"I'll get a little bottle of cologne. She likes it, and it won't cost much, so I'll have some left to buy my pencils," added Amy.

"How will we give the things?" asked Meg.

"Put them on the table, and bring her in and see her open the bundles. Don't you remember how we used to do on our birthdays?" answered Jo.

"I used to be so frightened when it was my turn to sit in the big chair with the crown on, and see you all come marching round to give the presents, with a kiss. I liked the things and the kisses, but it was dreadful to have you sit looking at me while I opened the bundles," said Beth, who was toasting her face and the bread for tea at the same time.

"Let Marmee think we are getting things for ourselves, and then surprise her. We must go shopping tomorrow afternoon, Meg. There is so much to do about the play for Christmas night," said Jo, marching up and down, with her hands behind her back and her nose in the air.

"I don't mean to act any more after this time. I'm getting too old for such things," observed Meg, who was as much a child as ever about "dressing-up" frolics.

"You won't stop, I know, as long as you can trail round in a white gown with your hair down, and wear gold-paper jewelry. You are the best actress we've got, and there'll be an end of everything if you quit the boards," said Jo. "We ought to rehearse tonight. Come here, Amy, and do the fainting scene, for you are as stiff as a poker in that."

"I can't help it; I never saw anyone faint, and I don't choose to make myself all black and blue, tumbling flat as you do. If I can go down easily, I'll drop; if I can't, I shall fall into a chair and be graceful. I don't care if Hugo does come at me with a pistol," returned Amy, who was not gifted with dramatic power, but was chosen because she was small enough to be borne out shrieking by the villain of the piece.

"Do it this way: clasp your hands so, and stagger across the room, crying frantically, 'Roderigo! save me! save me!' " and away went Jo, with a melodramatic scream which was truly thrilling.

Amy followed, but she poked her hands out stiffly before her, and jerked herself along as if she went by machinery, and her "Ow!" was more suggestive of pins being run into her than of fear and anguish. Jo gave a despairing groan, and Meg laughed outright, while Beth let her bread burn as she watched the fun with interest.

"It's no use! Do the best you can when the time comes, and if the audience laughs, don't blame me. Come on, Meg."

Then things went smoothly, for Don Pedro defied the world in a speech of two pages without a single break; Hagar, the witch, chanted an awful incantation over her kettleful of simmering toads, with weird effect; Roderigo rent his chains asunder manfully, and Hugo died in agonies of remorse and arsenic, with a wild "Ha! ha!"

"It's the best we've had yet," said Meg, as the dead villain sat up and rubbed his elbows.

"I don't see how you can write and act such splendid things, Jo. You're a regular Shakespeare!" exclaimed Beth, who firmly believed that her sisters were gifted with wonderful genius in all things.

"Not quite," replied Jo modestly. "I do think The Witch's Curse, an Operatic Tragedy is rather a nice thing, but I'd like to try Macbeth, if we only had a trapdoor for Banquo. I always wanted to do the killing part. 'Is that a dagger that I see before me?' " muttered Jo, rolling her eyes and clutching at the air, as she had seen a famous tragedian do.

"No, it's the toasting fork, with Mother's shoe on it instead of the bread. Beth's stage-struck!" cried Meg, and the rehearsal ended in a general burst of laughter.

"Glad to find you so merry, my girls," said a cheery voice at the door, and actors and audience turned to welcome a tall, motherly lady with a "can-I-help-you" look about her which was truly delightful. She was not elegantly dressed, but a noble-looking woman, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid mother in the world.

"Well, dearies, how have you got on today? There was so much to do, getting the boxes ready to go tomorrow, that I didn't come home to dinner. Has anyone called, Beth? How is your cold, Meg? Jo, you look tired to death. Come and kiss me, baby."



The four daughters of a New England family fight for happiness during and after the Civil War.

Release Date: March 10, 1949
Release Time: 121 minutes

Director: Mervyn LeRoy

Cast:
June Allyson as Josephine "Jo" March
Peter Lawford as Theodore "Laurie" Laurence
Margaret O'Brien as Elizabeth "Beth" March
Elizabeth Taylor as Amy March
Janet Leigh as Margaret "Meg" March
Rossano Brazzi as Professor Friedrich Bhaer
Mary Astor as Margaret "Marmee" March
Lucile Watson as Aunt Josephine March
Sir C. Aubrey Smith as James Laurence
Elizabeth Patterson as Hannah Mullet
Leon Ames as Robert March
Harry Davenport as Dr. Barnes
Richard Stapley as John Brooke
Connie Gilchrist as Mrs. Kirke
Ellen Corby as Sophie

Uncredited
Harlan Briggs as Old Crony at Grace's store
Frank Darien as Crony at Grace's store
Lisa Golm as Mrs. Hummel
Olin Howland as Mr. Davis
Isabel Randolph as Mrs. Gardiner
Will Wright as Mr. Grace

Awards:
22nd Academy Awards - March 23, 1950
Best Art Direction-Set Decoration–Color - Cedric Gibbons, Paul Groesse, Edwin B. Willis and Jack D. Moore - Won
Best Cinematography–Color - Robert H. Planck and Charles Schoenbaum - Nominated






1933  /  1949



Louisa May Alcott
Louisa May Alcott was both an abolitionist and a feminist. She is best known for Little Women (1868), a semi-autobiographical account of her childhood years with her sisters in Concord, Massachusetts. Alcott, unlike Jo, never married: "... because I have fallen in love with so many pretty girls and never once the least bit with any man." She was an advocate of women's suffrage and was the first woman to register to vote in Concord, Massachusetts.




B&N  /  iTUNES  /  iTUNES AUDIO
AUDIOBOOK  /  CHIRP  /  WIKI

Film
B&N  /  AFI  /  WIKI
ALL MOVIE  /  IMDB  /  TCM






Friday, March 10, 2023

πŸŽ¬πŸŽ­πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŽ­πŸŽ¬: Little Women by Louisa May Alcott



Summary:

Meg is the eldest and on the brink of love. Then there’s tomboy Jo who longs to be a writer. Sweet-natured Beth always puts others first, and finally there’s Amy, the youngest and most precocious. Together they are the March sisters. Even though money is short, times are tough and their father is away at war, their infectious sense of fun sweeps everyone up in their adventures — including Laurie, the boy next door. And through sisterly squabbles, their happy times and sad ones too, the sisters discover that growing up is sometimes very hard to do.

Based on Louisa May Alcott’s childhood, this lively portrait of nineteenth-century family life possesses a lasting vitality that has endeared it to generations of readers.

A wonderful story... As a child, I strongly identified with Jo because she is a writer. —Jacqueline Wilson

The American female myth. —Madelon Bedell

It is an essential American novel, perhaps the essential American novel for girls… Girls come to it on their own. —Jane Smiley

In “Little Women”, Alcott anticipated realism by twenty or thirty years. —G. K. Chesterton




Chapter 1
NO

Playing Pilgrims

"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.

"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.

"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.

"We've got Father and Mother and each other," said Beth contentedly from her corner.

The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was.

Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't." And Meg shook her head, as she thought regretfully of all the pretty things she wanted.

"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from Mother or you, but I do want to buy Undine and Sintram for myself. I've wanted it so long," said Jo, who was a bookworm.

"I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth brush and kettle holder.

"I shall get a nice box of Faber's drawing pencils. I really need them," said Amy decidedly.

"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun. I'm sure we work hard enough to earn it," cried Jo, examining the heels of her shoes in a gentlemanly manner.

"I know I do-teaching those tiresome children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.

"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out of the window or cry?"

"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross, and my hands get so stiff, I can't practice well at all." And Beth looked at her rough hands with a sigh that any one could hear that time.

"I don't believe any of you suffer as I do," cried Amy, "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."

"If you mean libel, I'd say so, and not talk about labels, as if Papa was a pickle bottle," advised Jo, laughing.

"I know what I mean, and you needn't be statirical about it. It's proper to use good words, and improve your vocabilary," returned Amy, with dignity.

"Don't peck at one another, children. Don't you wish we had the money Papa lost when we were little, Jo? Dear me! how happy and good we'd be, if we had no worries!" said Meg, who could remember better times.

"You said the other day you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money."

"So I did, Beth. Well, I think we are; for, though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say."

"Jo does use such slang words!" observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her pockets, and began to whistle.

"Don't, Jo, it's so boyish!"

"That's why I do it."

"I detest rude, unladylike girls!"

"I hate affected, niminy-piminy chits!"

" 'Birds in their little nests agree,' " sang Beth, the peacemaker, with such a funny face that both sharp voices softened to a laugh, and the "pecking" ended for that time.

"Really, girls, you are both to blame," said Meg, beginning to lecture in her elder-sisterly fashion. "You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn't matter so much when you were a little girl; but now you are so tall, and turn up your hair, you should remember that you are a young lady."

"I'm not! And if turning up my hair makes me one, I'll wear it in two tails till I'm twenty," cried Jo, pulling off her net, and shaking down a chestnut mane. "I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl, anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman!" And Jo shook the blue army sock till the needles rattled like castanets, and her ball bounded across the room.

"Poor Jo! It's too bad, but it can't be helped. So you must try to be contented with making your name boyish, and playing brother to us girls," said Beth, stroking the rough head at her knee with a hand that all the dishwashing and dusting in the world could not make ungentle in its touch.

"As for you, Amy," continued Meg, "you are altogether too particular and prim. Your airs are funny now, but you'll grow up an affected little goose, if you don't take care. I like your nice manners and refined ways of speaking, when you don't try to be elegant. But your absurd words are as bad as Jo's slang."

"If Jo is a tomboy and Amy a goose, what am I, please?" asked Beth, ready to share the lecture.

"You're a dear, and nothing else," answered Meg warmly; and no one contradicted her, for the "Mouse" was the pet of the family.

As young readers like to know "how people look," we will take this moment to give them a little sketch of the four sisters, who sat knitting away in the twilight, while the December snow fell quietly without, and the fire crackled cheerfully within. It was a comfortable old room, though the carpet was faded and the furniture very plain; for a good picture or two hung on the walls, books filled the recesses, chrysanthemums and Christmas roses bloomed in the windows, and a pleasant atmosphere of home peace pervaded it.

Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft, brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth-or Beth, as everyone called her-was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her "Little Tranquillity," and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person-in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.

The clock struck six and, having swept up the hearth, Beth put a pair of slippers down to warm. Somehow the sight of the old shoes had a good effect upon the girls, for Mother was coming, and everyone brightened to welcome her. Meg stopped lecturing, and lighted the lamp, Amy got out of the easy chair without being asked, and Jo forgot how tired she was as she sat up to hold the slippers nearer to the blaze.

"They are quite worn out. Marmee must have a new pair."

"I thought I'd get her some with my dollar," said Beth.

"No, I shall!" cried Amy.

"I'm the oldest," began Meg, but Jo cut in with a decided-

"I'm the man of the family now Papa is away, and I shall provide the slippers, for he told me to take special care of Mother while he was gone."

"I'll tell you what we'll do," said Beth, "let's each get her something for Christmas, and not get anything for ourselves."

"That's like you, dear! What will we get?" exclaimed Jo.

Everyone thought soberly for a minute, then Meg announced, as if the idea was suggested by the sight of her own pretty hands, "I shall give her a nice pair of gloves."

"Army shoes, best to be had," cried Jo.

"Some handkerchiefs, all hemmed," said Beth.

"I'll get a little bottle of cologne. She likes it, and it won't cost much, so I'll have some left to buy my pencils," added Amy.

"How will we give the things?" asked Meg.

"Put them on the table, and bring her in and see her open the bundles. Don't you remember how we used to do on our birthdays?" answered Jo.

"I used to be so frightened when it was my turn to sit in the big chair with the crown on, and see you all come marching round to give the presents, with a kiss. I liked the things and the kisses, but it was dreadful to have you sit looking at me while I opened the bundles," said Beth, who was toasting her face and the bread for tea at the same time.

"Let Marmee think we are getting things for ourselves, and then surprise her. We must go shopping tomorrow afternoon, Meg. There is so much to do about the play for Christmas night," said Jo, marching up and down, with her hands behind her back and her nose in the air.

"I don't mean to act any more after this time. I'm getting too old for such things," observed Meg, who was as much a child as ever about "dressing-up" frolics.

"You won't stop, I know, as long as you can trail round in a white gown with your hair down, and wear gold-paper jewelry. You are the best actress we've got, and there'll be an end of everything if you quit the boards," said Jo. "We ought to rehearse tonight. Come here, Amy, and do the fainting scene, for you are as stiff as a poker in that."

"I can't help it; I never saw anyone faint, and I don't choose to make myself all black and blue, tumbling flat as you do. If I can go down easily, I'll drop; if I can't, I shall fall into a chair and be graceful. I don't care if Hugo does come at me with a pistol," returned Amy, who was not gifted with dramatic power, but was chosen because she was small enough to be borne out shrieking by the villain of the piece.

"Do it this way: clasp your hands so, and stagger across the room, crying frantically, 'Roderigo! save me! save me!' " and away went Jo, with a melodramatic scream which was truly thrilling.

Amy followed, but she poked her hands out stiffly before her, and jerked herself along as if she went by machinery, and her "Ow!" was more suggestive of pins being run into her than of fear and anguish. Jo gave a despairing groan, and Meg laughed outright, while Beth let her bread burn as she watched the fun with interest.

"It's no use! Do the best you can when the time comes, and if the audience laughs, don't blame me. Come on, Meg."

Then things went smoothly, for Don Pedro defied the world in a speech of two pages without a single break; Hagar, the witch, chanted an awful incantation over her kettleful of simmering toads, with weird effect; Roderigo rent his chains asunder manfully, and Hugo died in agonies of remorse and arsenic, with a wild "Ha! ha!"

"It's the best we've had yet," said Meg, as the dead villain sat up and rubbed his elbows.

"I don't see how you can write and act such splendid things, Jo. You're a regular Shakespeare!" exclaimed Beth, who firmly believed that her sisters were gifted with wonderful genius in all things.

"Not quite," replied Jo modestly. "I do think The Witch's Curse, an Operatic Tragedy is rather a nice thing, but I'd like to try Macbeth, if we only had a trapdoor for Banquo. I always wanted to do the killing part. 'Is that a dagger that I see before me?' " muttered Jo, rolling her eyes and clutching at the air, as she had seen a famous tragedian do.

"No, it's the toasting fork, with Mother's shoe on it instead of the bread. Beth's stage-struck!" cried Meg, and the rehearsal ended in a general burst of laughter.

"Glad to find you so merry, my girls," said a cheery voice at the door, and actors and audience turned to welcome a tall, motherly lady with a "can-I-help-you" look about her which was truly delightful. She was not elegantly dressed, but a noble-looking woman, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid mother in the world.

"Well, dearies, how have you got on today? There was so much to do, getting the boxes ready to go tomorrow, that I didn't come home to dinner. Has anyone called, Beth? How is your cold, Meg? Jo, you look tired to death. Come and kiss me, baby."


The four March sisters fight to keep their family together and find love while their father is off fighting the Civil War.

Release Date: November 16, 1933
Release Time: 115 minutes

Director: George Cukor

Cast:
Katharine Hepburn as Josephine "Jo" March
Joan Bennett as Amy March
Frances Dee as Margaret "Meg" March
Jean Parker as Elizabeth "Beth" March
Spring Byington as Marmee March
Douglass Montgomery as Theodore "Laurie" Laurence
Paul Lukas as Professor Bhaer
Edna May Oliver as Aunt March
Henry Stephenson as Mr. Laurence
John Davis Lodge as Brooke
Samuel S. Hinds as Mr. March
Nydia Westman as Mamie
Harry Beresford as Doctor Bangs
Mabel Colcord as Hannah
Marion Ballou as Mrs. Kirke
Olin Howland as Mr. Davis (uncredited)

Awards:
6th Academy Awards
Best Directing - George Cukor - Nominated
Best Writing (Adaptation) - Victor Heerman and Sarah Y. Mason - Won
Outstanding Production - Merian C. Cooper and Kenneth Macgowan - Nominated






1933  /  1949



Author Bio:
Louisa May Alcott was both an abolitionist and a feminist. She is best known for Little Women (1868), a semi-autobiographical account of her childhood years with her sisters in Concord, Massachusetts. Alcott, unlike Jo, never married: "... because I have fallen in love with so many pretty girls and never once the least bit with any man." She was an advocate of women's suffrage and was the first woman to register to vote in Concord, Massachusetts.




B&N  /  iTUNES  /  iTUNES AUDIO
GOOGLE PLAY  /  AUDIBLE  /  WIKI

Film
B&N  /  AFI  /  WIKI
ALL MOVIE  /  IMDB  /  TCM