Jane Austen’s Sense and Sensibility is the story of two sisters, Elinor and Marianne Dashwood, who struggle to achieve respectability, each in their own way in the face of the strict social conventions of early eighteenth-century England.
The carefree childhood of the two young sisters comes to an abrupt end upon their father’s death which leaves the family penniless and pushed out of the estate upon which they grew up. They move to a modest cottage on the property owned by a distant relative and there they experience love, romance, and heartbreak as they each attend to the serious business of achieving material security through marriage.
Through their romantic relationships, we are able to see the difference in their approaches to life. While Elinor, the somewhat reserved eldest daughter embodies good sense, fine judgment and discretion. She has a keen sense of responsibility to her family and friends and she places their welfare and interests above her own. Marianne, the romantically inclined and eagerly expressive second daughter, follows her heart while totally disregarding what society thinks. Marianne falls in love much too quickly while the more intellectual Elinor sees her chances for a happy marriage fade when she discovers the man for whom she’s fallen for is already engaged.
This delightful comedy of manners remains as fresh a cautionary tale today as it ever was. The novel has been in continuous publication since 1811, and has many times been illustrated, excerpted, abridged, and adapted for stage, film, and television.
Chapter 1
The family of Dashwood had been long settled in Sussex. Their estate was large, and their residence was at Norland Park, in the centre of their property, where for many generations, they had lived in so respectable a manner as to engage the general good opinion of their surrounding acquaintance. The late owner of this estate was a single man, who lived to a very advanced age, and who for many years of his life had a constant companion and housekeeper in his sister. But her death, which happened ten years before his own, produced a great alteration in his home; for to supply her loss, he invited and received into his house the family of his nephew, Mr. Henry Dashwood, the legal inheritor of the Norland estate, and the person to whom he intended to bequeath it. In the society of his nephew and niece, and their children, the old gentleman's days were comfortably spent. His attachment to them all increased. The constant attention of Mr. and Mrs. Henry Dashwood to his wishes, which proceeded not merely from interest, but from goodness of heart, gave him every degree of solid comfort which his age could receive; and the cheerfulness of the children added a relish to his existence.
By a former marriage, Mr. Henry Dashwood had one son; by his present lady, three daughters. The son, a steady, respectable young man, was amply provided for by the fortune of his mother, which had been large, and half of which devolved on him on his coming of age. By his own marriage, likewise, which happened soon afterwards, he added to his wealth. To him therefore the succession to the Norland estate was not so really important as to his sisters; for their fortune, independent of what might arise to them from their father's inheriting that property, could be but small. Their mother had nothing, and their father only seven thousand pounds in his own disposal; for the remaining moiety of his first wife's fortune was also secured to her child, and he had only a life interest in it.
The old Gentleman died; his will was read, and like almost every other will, gave as much disappointment as pleasure. He was neither so unjust, nor so ungrateful, as to leave his estate from his nephew; but he left it to him on such terms as destroyed half the value of the bequest. Mr. Dashwood had wished for it more for the sake of his wife and daughters than for himself or his son; but to his son, and his son's son, a child of four years old, it was secured, in such a way, as to leave to himself no power of providing for those who were most dear to him, and who most needed a provision, by any charge on the estate, or by any sale of its valuable woods. The whole was tied up for the benefit of this child, who, in occasional visits with his father and mother at Norland, had so far gained on the affections of his uncle, by such attractions as are by no means unusual in children of two or three years old: and imperfect articulation, an earnest desire of having his own way, many cunning tricks, and a great deal of noise, as to outweigh all the value of all the attention which, for years, he had received from his niece and her daughters. He meant not to be unkind however, and, as a mark of his affection for the three girls, he left them a thousand pounds a-piece.
Mr. Dashwood's disappointment was at first severe; but his temper was cheerful and sanguine, and he might reasonably hope to live many years, and by living economically, lay by a considerable sum from the produce of an estate already large, and capable of almost immediate improvement. But the fortune, which had been so tardy in coming, was his only one twelvemonth. He survived his uncle no longer; and ten thousand pounds, including the late legacies, was all that remained for his widow and daughters.
His son was sent for, as soon as his danger was known, and to him Mr. Dashwood recommended, with all the strength and urgency which illness could command, the interest of his mother-in-law and sisters.
Mr. John Dashwood had not the strong feelings of the rest of the family; but he was affected by a recommendation of such a nature at such a time, and he promised to do everything in his power to make them comfortable. His father was rendered easy by such an assurance, and Mr. John Dashwood had then leisure to consider how much there might prudently be in his power to do for them.
He was not an ill-disposed young man, unless to be rather cold hearted, and rather selfish, is to be ill-disposed: but he was, in general, well respected; for he conducted himself with propriety in the discharge of his ordinary duties. Had he married a more amiable woman, he might have been made still more respectable than he was; he might even have been made amiable himself; for he was very young when he married, and very fond of his wife. But Mrs. John Dashwood was a strong caricature of himself; more narrow-minded and selfish.
When he gave his promise to his father, he meditated within himself to increase the fortunes of his sisters by the present of a thousand pounds a-piece. He then really thought himself equal to it. The prospect of four thousand a-year, in addition to his present income, besides the remaining half of his own mother's fortune, warmed his heart and made him feel capable of generosity. 'Yes, he would give them three thousand pounds: it would be liberal and handsome! It would be enough to make them completely easy. Three thousand pounds! he could spare so considerable a sum with little inconvenience.' He thought of it all day long, and for many days successively, and he did not repent.
No sooner was his father's funeral over, than Mrs. John Dashwood, without sending any notice of her intention to her mother-in-law, arrived with her child and their attendants. No one could dispute her right to come; the house was her husband's from the moment of his father's decease; but the indelicacy of her conduct was so much the greater, and to a woman in Mrs. Dashwood's situation, with only common feelings, must have been highly unpleasing; but in her mind there was a sense of honour so keen, a generosity so romantic, that any offence of the kind, by whomsoever given or received, was to her a source of immoveable disgust. Mrs. John Dashwood had never been a favourite with any of her husband's family: but she had had no opportunity, till the present, of shewing them with how little attention to the comfort of other people she could act when occasion required it.
So acutely did Mrs. Dashwood feel this ungracious behaviour, and so earnestly did she despise her daughter-in-law for it, that, on the arrival of the latter, she would have quitted the house for ever, had not the entreaty of her eldest girl induced her first to reflect on the propriety of going, and her own tender love for all her three children determined her afterwards to stay, and for their sakes avoid a breach with their brother.
Elinor, this eldest daughter whose advice was so effectual, possessed a strength of understanding, and coolness of judgment, which qualified her, though only nineteen, to be the counsellor of her mother, and enabled her frequently to counteract, to the advantage of them all, that eagerness of mind in Mrs. Dashwood which must generally have led to imprudence. She had an excellent heart; her disposition was affectionate, and her feelings were strong: but she knew how to govern them: it was a knowledge which her mother had yet to learn, and which one of her sisters had resolved never to be taught.
Marianne's abilities were, in many respects, quite equal to Elinor's. She was sensible and clever; but eager in everything; her sorrows, her joys, could have no moderation. She was generous, amiable, interesting: she was everything but prudent. The resemblance between her and her mother was strikingly great.
Elinor saw, with concern, the excess of her sister's sensibility; but by Mrs. Dashwood it was valued and cherished. They encouraged each other now in the violence of their affliction. The agony of grief which overpowered them at first, was voluntarily renewed, was sought for, was created again and again. They gave themselves up wholly to their sorrow, seeking increase of wretchedness in every reflection that could afford it, and resolved against ever admitting consolation in future. Elinor, too, was deeply afflicted; but still she could struggle, she could exert herself. She could consult with her brother, could receive her sister-in-law on her arrival, and treat her with proper attention; and could strive to rouse her mother to similar exertion, and encourage her to similar forbearance.
Margaret, the other sister, was a good-humoured, well-disposed girl; but as she had already imbibed a good deal of Marianne's romance, without having much of her sense; she did not, at thirteen, bid fair to equal her sisters at a more advanced period of life.
Release Date: December 13, 1995
Release Time: 136 minutes
Director: Ang Lee
Cast:
Emma Thompson as Elinor Dashwood
Hugh Grant as Edward Ferrars
Kate Winslet as Marianne Dashwood
Alan Rickman as Colonel Brandon
Imogen Stubbs as Lucy Steele
Greg Wise as John Willoughby
Gemma Jones as Mrs. Dashwood
Harriet Walter as Fanny Dashwood
James Fleet as John Dashwood
Hugh Laurie as Mr. Palmer
Imelda Staunton as Charlotte Palmer
Robert Hardy as Sir John Middleton
Elizabeth Spriggs as Mrs. Jennings
Tom Wilkinson as Mr. Dashwood
Emilie François as Margaret Dashwood
Richard Lumsden as Robert Ferrars
Awards:
68th Academy Awards - March 25, 1996
Best Picture - Lindsay Doran - Nominated
Best Actress - Emma Thompson - Nominated
Best Supporting Actress - Kate Winslet - Nominated
Best Writing (Adapted Screenplay) - Emma Thompson - Won
Best Cinematography - Michael Coulter - Nominated
Best Costume Design - Jenny Beavan and John Bright - Nominated
Best Original Dramatic Score - Patrick Doyle - Nominated
AFI's 100 Years... - June 11, 2002
100 Passions - #70
49th BAFTAs - April 23, 1996
Best Film - Sense and Sensibility - Won
Best Direction - Ang Lee - Nominated
Best Actress in a Leading Role - Emma Thompson - Won
Best Actor in a Supporting Role - Alan Rickman - Nominated
Best Actress in a Supporting Role - Kate Winslet - Won
Best Actress in a Supporting Role - Elizabeth Spriggs - Nominated
Best Adapted Screenplay - Emma Thompson - Nominated
Best Cinematography - Michael Coulter - Nominated
Best Costume Design - Jenny Beavan and John Bright - Nominated
Best Film Music - Patrick Doyle - Nominated
Best Makeup and Hair - Morag Ross, Jan Archibald - Nominated
Best Production Design - Luciana Arrighi - Nominated
53rd Golden Globes - January 21, 1996
Best Motion Picture–Drama - Sense and Sensibility - Won
Best Director - Ang Lee - Nominated
Best Actress–Motion Picture Drama - Emma Thompson - Nominated
Best Supporting Actress–Motion Picture - Kate Winslet - Nominated
Best Screenplay - Emma Thompson - Won
Best Original Score - Patrick Doyle - Nominated
Jane Austen
Jane Austen was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature, her realism and biting social commentary cementing her historical importance among scholars and critics.
Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer. Her artistic apprenticeship lasted from her teenage years until she was about 35 years old. During this period, she experimented with various literary forms, including the epistolary novel which she tried then abandoned, and wrote and extensively revised three major novels and began a fourth. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it.
Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture.
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