Showing posts with label 1890s. Show all posts
Showing posts with label 1890s. Show all posts

Friday, October 4, 2024

πŸŽƒπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŽƒ: The War of the Worlds by HG Wells



Summary:

The War of the Worlds is a science fiction novel by English author H. G. Wells. It was written between 1895 and 1897, and serialised in Pearson's Magazine in the UK and Cosmopolitan magazine in the US in 1897. The full novel was first published in hardcover in 1898 by William Heinemann. The War of the Worlds is one of the earliest stories to detail a conflict between humankind and an extraterrestrial race. The novel is the first-person narrative of an unnamed protagonist in Surrey and his younger brother in London as southern England is invaded by Martians and is one of the most commented-on works in the science fiction canon.

The plot is similar to other works of invasion literature from the same period, and has been variously interpreted as a commentary on the theory of evolution, British colonialism, and Victorian-era fears, superstitions and prejudices. Wells later noted that inspiration for the plot was the catastrophic effect of European colonisation on the Aboriginal Tasmanians.

Some historians have argued that Wells wrote the book to encourage his readership to question the morality of imperialism. At the time of publication, it was classified as a scientific romance, like Wells's earlier novel, The Time Machine.



Book One:
The Coming of the Martians
Chapter 1
The Eve of the War 
No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.

The planet Mars, I scarcely need remind the reader, revolves about the sun at a mean distance of 140,000,000 miles, and the light and heat it receives from the sun is barely half of that received by this world. It must be, if the nebular hypothesis has any truth, older than our world; and long before this earth ceased to be molten, life upon its surface must have begun its course. The fact that it is scarcely one seventh of the volume of the earth must have accelerated its cooling to the temperature at which life could begin. It has air and water and all that is necessary for the support of animated existence.

Yet so vain is man and so blinded by his vanity, that no writer up to the very end of the nineteenth century expressed any idea that intelligent life might have developed there far, or indeed at all, beyond its earthly level. Nor was it generally understood that since Mars is older than our earth, with scarcely a quarter of the superficial area and remoter from the sun, it necessarily follows that Mars is not only more distant from life’s beginning but also nearer its end.The secular cooling that must someday overtake our planet has already gone far indeed with our neighbor. Its physical condition is still largely a mystery, but we know now that even in its equatorial region the midday temperature barely approaches that of our coldest winter. Its air is much more attenuated than ours, its oceans have shrunk until they cover but a third of its surface, and as its slow seasons change huge snowcaps gather and melt about either pole and periodically inundate its temperate zones. That last stage of exhaustion, which to us is still incredibly remote, has become a present-day problem for the inhabitants of Mars. The immediate pressure of necessity has brightened their intellects, enlarged their powers, and hardened their hearts. And looking across space with instruments, and with intelligences such as we have scarcely dreamed of they see, at its nearest distance only 35,000,000 of miles sunward of them, a morning star of hope—our own warmer planet, green with vegetation and gray with water, with a cloudy atmosphere eloquent of fertility, with glimpses through drifting cloud-wisps of broad stretches of populous country and narrow navy-crowded seas.

And we men, the creatures who inhabit this earth, must be to them at least as alien and lowly as are the monkeys and lemurs to us. The intellectual side of man already admits that life is an incessant struggle for existence, and it would seem that this too is the belief of the minds upon Mars. Their world is far gone in its cooling and this world is still crowded with life, but crowded only with what they regard as inferior animals. To carry warfare sunward is indeed their only escape from the destruction that generation after generation creeps upon them.

And before we judge of them too harshly we must remember what ruthless and utter destruction our own species has wrought, not only upon animals such as the vanished bison and the dodo, but upon its own inferior races. The Tasmanians, in spite of their human likeness, were entirely swept out of existence in a war of extermination waged by European immigrants in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?

The Martians seem to have calculated their descent with amazing subtlety—their mathematical learning is evidently far in excess of ours—and to have carried out their preparations with a well-nigh perfect unanimity. Had our instruments permitted it, we might have seen the gathering trouble far back in the nineteenth century. Men like Schiaparelli watched the red planet—it is odd, by the way, that for countless centuries Mars has been the star of war—but failed to interpret the fluctuating appearances of the markings they mapped so well. All that time the Martians must have been getting ready.

During the opposition of 1894 a great light was seen on the illuminated part of the disk, first at the Lick Observatory, then by Perrotin of Nice, and then by other observers. English readers heard of it first in the issue of Nature dated August 2nd. I am inclined to think that this blaze may have been the casting of the huge gun, in the vast pit sunk into their planet, from which their shots were fired at us. Peculiar markings as yet unexplained were seen near the site of that outbreak during the next two oppositions.

The storm burst upon us six years ago now. As Mars approached opposition Lavelle of Java set the wires of the astronomical exchange palpitating with the amazing intelligence of a huge outbreak of incandescent gas upon the planet. It had occurred toward midnight of the 12th; and the spectroscope to which he had at once resorted indicated a mass of flaming gas, chiefly hydrogen, moving with an enormous velocity toward this earth. This jet of fire had become invisible about a quarter past twelve. He compared it to a colossal puff of flame suddenly and violently squirted out of the planet, “as flaming gases rushed out of a gun.”

A singularly appropriate phrase it proved. Yet the next day there was nothing of this in the papers except a little note in the Daily Telegraph, and the world went in ignorance of one of the gravest dangers that ever threatened the human race. I might not have heard of the eruption at all had I not met Ogilvy, the well-known astronomer, at Ottershaw. He was immensely excited at the news, and in the excess of his feelings invited me up to take a turn with him that night in a scrutiny of the red planet.

In spite of all that has happened since I still remember that vigil very distinctly: the black and silent observatory, the shadowed lantern throwing a feeble glow upon the floor in the corner, the steady ticking of the clockwork of the telescope, the little slit in the roof—an oblong profundity with the star dust streaked across it. Ogilvy moved about, invisible but audible. Looking through the telescope one saw a circle of deep blue and the little round planet swimming in the field. It seemed such a little thing, so bright and small and still, faintly marked with transverse stripes and slightly flattened from the perfect round. But so little it was, so silvery warm—a pin’s head of light! It was as if it quivered, but really this was the telescope vibrating with the activity of the clockwork that kept the planet in view.

As I watched, the planet seemed to grow larger and smaller and to advance and recede, but that was simply that my eye was tired. Forty millions of miles it was from us—more than forty million miles of void. Few people realize the immensity of vacancy in which the dust of the material universe swims.

Near it in the field, I remember, were three faint points of light, three telescopic stars infinitely remote, and all around it was the unfathomable darkness of empty space. You know how that blackness looks on a frosty starlight night. In a telescope it seems far profounder. And invisible to me because it was so remote and small, flying swiftly and steadily toward me across that incredible distance, drawing nearer every minute by so many thousands of miles, came the Thing they were sending us, the Thing that was to bring so much struggle and calamity and death to the earth. I never dreamed of it then as I watched; no one on earth dreamed of that unerring missile.

That night, too, there was another jetting out of gas from the distant planet. I saw it. A reddish flash at the edge, the slightest projection of the outline just as the chronometer struck midnight; and at that I told Ogilvy and he took my place. The night was warm and I was thirsty, and I went, stretching my legs clumsily and feeling my way in the darkness, to the little table where the siphon stood, while Ogilvy exclaimed at the streamer of gas that came out toward us.

That night another invisible missile started on its way to the earth from Mars just a second or so under twenty-four hours after the first one. I remember how I sat on the table there in the blackness with patches of green and crimson swimming before my eyes. I wished I had a light to smoke by, little suspecting the meaning of the minute gleam I had seen and all that it would presently bring me. Ogilvy watched till one, and then gave it up, and we lit the lantern and walked over to his house. Down below in the darkness were Ottershaw and Chertsey and all their hundreds of people, sleeping in peace.

He was full of speculation that night about the condition of Mars, and scoffed at the vulgar idea of its having inhabitants who were signaling us. His idea was that meteorites might be falling in a heavy shower upon the planet, or that a huge volcanic explosion was in progress. He pointed out to me how unlikely it was that organic evolution had taken the same direction in the two adjacent planets.

“The chances against anything manlike on Mars are a million to one,” he said.

Hundreds of observers saw the flame that night and the night after about midnight, and again the night after; and so for ten nights, a flame each night. Why the shots ceased after the tenth no one on earth has attempted to explain. It may be the gases of the firing caused the Martians inconvenience. Dense clouds of smoke or dust, visible through a powerful telescope on earth as little gray fluctuating patches, spread through the clearness of the planet’s atmosphere and obscured its more familiar features.

Even the daily papers woke up to the disturbances at last, and popular notes appeared here, there and everywhere concerning the volcanoes upon Mars. The seriocomic periodical Punch, I remember, made a happy use of it in the political cartoon. And all unsuspected, those missiles the Martians had fired at us drew earthward, rushing now at a pace of many miles a second through the empty gulf of space, hour by hour and day by day, nearer and nearer. It seems to me now almost incredibly wonderful that, with that swift fate hanging over us, men could go about their petty concerns as they did. I remember how jubilant Markham was at securing a new photograph of the planet for the illustrated paper he edited in those days. People in these latter times scarcely realize the abundance and enterprise of our nineteenth-century papers. For my own part, I was much occupied in learning to ride a bicycle, and busy upon a series of papers discussing the probable developments of moral ideas as civilization progressed.

One night (the first missile then could scarcely have been 10,000,000 miles away) I went for a walk with my wife. It was starlight, and I explained the signs of the zodiac to her and pointed out Mars, a bright dot of light creeping zenithward, toward which so many telescopes were pointed. It was a warm night. Coming home, a party of excursionists from Chertsey or Isleworth passed us singing and playing music. There were lights in the upper windows of the houses as the people went to bed. From the railway station in the distance came the sound of shunting trains, ringing and rumbling, softened almost into melody by the distance. My wife pointed out to me the brightness of the red, green, and yellow signal lights hanging in a framework against the sky. It seemed so safe and tranquil.


A scientist on vacation stumbles upon a Martian invasion.

Release Date: August 13, 1953
Release Time: 85 minutes

Director: Byron Haskin

Cast:
Gene Barry as Doctor Clayton Forrester
Ann Robinson as Sylvia Van Buren
Les Tremayne as Major General Mann
Bob Cornthwaite as Doctor Pryor
Sandro Giglio as Doctor Bilderbeck
Lewis Martin as The Reverend Doctor Matthew Collins
Housely Stevenson Jr. as General Mann's aide
Paul Frees as Radio reporter/pre-titles narrator
Bill Phipps as Wash Perry
Vernon Rich as Colonel Ralph Heffner
Henry Brandon as Cop at crash
Jack Kruschen as Salvatore
Sir Cedric Hardwicke as post-titles narrator

Awards:
26th Academy Awards - March 25, 1954
Best Visual Effects - Paramount - Won(Special Achievement Award due to no other nominees)
Best Film Editing - Everett Douglas - Nominated
Best Sound, Recording - Loren L. Ryder - Nominated

AFI's 100 Years . . . - June 2003
100 Heroes and Villains - the aliens(Villains) - 27th




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HG Wells
The son of a professional cricketer and a lady's maid, H. G. Wells (1866-1946) served apprenticeships as a draper and a chemist's assistant before winning a scholarship to the prestigious Normal School of Science in London. While he is best remembered for his groundbreaking science fiction novels, including The Time Machine, The War of the Worlds, The Invisible Man, and The Island of Doctor Moreau, Wells also wrote extensively on politics and social matters and was one of the foremost public intellectuals of his day.





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Friday, October 15, 2021

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: Dracula by Bram Stoker



Summary:

“There was one great tomb more lordly than all the rest; huge it was, and nobly proportioned. On it was but one word, DRACULA.” ― Bram Stoker, Dracula

The greatest and most famous vampire novel of all time DRACULA has inspired countless adaptations —none with the same power to quicken the pulse as the original. Bram Stoker’s novel is both a Gothic reflection of the Victorian era and a timeless tale of sinister lust. First published in 1897, Dracula established the ground rules for virtually all vampire fiction written in its wake.

Acting on behalf of his firm of solicitors, Jonathan Harker travels to the Carpathian Mountains to finalize the sale of England's Carfax Abbey to Transylvanian noble Count Dracula. Little does he realize that, in doing so, he endangers all that he loves. For Dracula is one of the Un-Dead--a centuries-old vampire who sleeps by day and stalks by night, feasting on the blood of his helpless victims. Once on English soil, the count sets his sights on Jonathan's circle of associates, among them his beloved wife Mina. To thwart Dracula's evil designs, Jonathan and his friends will have to accept as truth the most preposterous superstitions concerning vampires, and in the company of legendary vampire hunter Abraham Van Helsing, embark on an unholy adventure for which even their worst nightmares have not prepared them.



Chapter I
Jonathan Harker’s Journal
(Kept in shorthand.)
3 May. Bistritz.1–Left Munich at 8:35 p. m., on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we arrived late and would start as near the correct time as possible. The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube,2 which is here of noble width and depth, took us among the traditions of Turkish rule.

We left in pretty good time, and came after nightfall to Klausenburgh.3 Here I stopped for the night at the Hotel Royale. I had for dinner, or rather supper, a chicken done up some way with red pepper, which was very good but thirsty. (Mem., get recipe for Mina.) I asked the waiter, and he said it was called “paprika hendl,” and that, as it was a national dish, I should be able to get it anywhere along the Carpathians.4 I found my smattering of German very useful here; indeed, I don’t know how I should be able to get on without it.

Having had some time at my disposal when in London, I had visited the British Museum,5 and made search among the books and maps in the library regarding Transylvania: it had struck me that some foreknowledge of the country could hardly fail to have some importance in dealing with a nobleman of that country. I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia andBukovina,6 in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe. I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey maps;7 but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina.

In the population of Transylvania there are four distinct nationalities: Saxons in the South, and mixed with them the Wallachs, who are the descendants of the Dacians; Magyars in the West, and Szekelys8 in the East and North. I am going among the latter, who claim to be descended from Attila and the Huns. This may be so, for when the Magyars conquered the country in the eleventh century they found the Huns settled in it. I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting. (Mem., I must ask the Count all about them.)

I did not sleep well, though my bed was comfortable enough, for I had all sorts of queer dreams. There was a dog howling all night under my window, which may have had something to do with it; or it may have been the paprika, for I had to drink up all the water in my carafe, and was still thirsty. Towards morning I slept and was wakened by the continuous knocking at my door, so I guess I must have been sleeping soundly then. I had for breakfast more paprika, and a sort of porridge of maize flour which they said was “mamaliga,” and egg-plant stuffed with forcemeat, a very excellent dish, which they call “impletata.” (Mem., get recipe for this also.) I had to hurry breakfast, for the train started a little before eight, or rather it ought to have done so, for after rushing to the station at 7:30 I had to sit in the carriage for more than an hour before we began to move. It seems to me that the further east you go the more unpunctual are the trains. What ought they to be in China?

All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject to great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear. At every station there were groups of people, sometimes crowds, and in all sorts of attire. Some of them were just like the peasants at home or those I saw coming through France and Germany, with short jackets and round hats and home-made trousers; but others were very picturesque. The women looked pretty, except when you got near them, but they were very clumsy about the waist. They had all full white sleeves of some kind or other, and the most of them had big belts with a lot of strips of something fluttering from them like the dresses in a ballet, but of course there were petticoats under them. The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.

It was on the dark side of twilight when we got to Bistritz, which is a very interesting old place. Being practically on the frontier–for the Borgo Pass leads from it into Bukovina–it has had a very stormy existence, and it certainly shows marks of it. Fifty years ago a series of great fires took place, which made terrible havoc on five separate occasions. At the very beginning of the seventeenth century it underwent a siege of three weeks and lost 13,000 people, the casualties of war proper being assisted by famine and disease.

Count Dracula had directed me to go to the Golden Krone Hotel, which I found, to my great delight, to be thoroughly old-fashioned, for of course I wanted to see all I could of the ways of the country. I was evidently expected, for when I got near the door I faced a cheery-looking elderly woman in the usual peasant dress–white undergarment with long double apron, front, and back, of coloured stuff fitting almost too tight for modesty. When I came close she bowed and said, “The Herr Englishman?” “Yes,” I said, “Jonathan Harker.” She smiled, and gave some message to an elderly man in white shirtsleeves, who had followed her to the door. He went, but immediately returned with a letter:–

“My Friend.–Welcome to the Carpathians. I am anxiously expecting you. Sleep well to-night. At three tomorrow the diligence9 will start for Bukovina; a place on it is kept for you. At the Borgo Pass my carriage will await you and will bring you to me. I trust that your journey from London has been a happy one, and that you will enjoy your stay in my beautiful land.

“Your friend,
“Dracula.”


The vampire Dracula, who is on a quest to be eternally reunited with the one woman he ever loved travels from Transylvania to London to find the young woman who is the double image of the love he lost centuries earlier.

Release Date: November 13, 1992
Release Time: 128 minutes

Director: Francis Ford Coppola

Cast:
Gary Oldman as Count Dracula / Vlad the Impaler
Winona Ryder as Mina Harker/ Elisabeta
Anthony Hopkins as Professor Abraham Van Helsing / Priest / Principal Narrator
Keanu Reeves as Jonathan Harker
Richard E. Grant as Dr. Jack Seward
Cary Elwes as Lord Arthur Holmwood
Billy Campbell as Quincey P. Morris
Sadie Frost as Lucy Westenra
Tom Waits as R. M. Renfield
Monica Bellucci as Dracula's Bride
Michaela Bercu as Dracula's Bride
Florina Kendrick as Dracula's Bride
Jay Robinson as Mr. Hawkins

Awards:
1992 Academy Awards
Best Costume Design - Eiko Ishioka - Won
Best Sound Effects Editing - Tom McCarthy, David Stone - Won
Best Makeup - Greg Cannom, Michèle Burke, Matthew W. Mungle - Won
Best Art Direction - Thomas E. Sanders, Garrett Lewis - Nominated

1994 BAFTA Awards
Best Special Visual Effects - Roman Coppola, Gary Gutierrez, Michael Lantieri, Gene Warren Jr. - Nominated
Best Costume Design - Eiko Ishioka - Nominated
Best Makeup and Hair - Greg Cannom, Michèle Burke, Matthew W. Mungle - Nominated
Best Production Design - Thomas E. Sanders - Nominated



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1931  /  1958


Author Bio:
Abraham (Bram) Stoker was an Irish writer, best known for his Gothic classic Dracula, which continues to influence horror writers and fans more than 100 years after it was first published. Educated at Trinity College, Dublin, in science, mathematics, oratory, history, and composition, Stoker' s writing was greatly influenced by his father' s interest in theatre and his mother' s gruesome stories about her childhood during the cholera epidemic in 1832. Although a published author of the novels Dracula, The Lady of the Shroud, and The Lair of the White Worm, and his work as part of the literary staff of The London Daily Telegraph, Stoker made his living as the personal assistant of actor Henry Irving and the business manager of the Lyceum Theatre in London. Stoker died in 1912, leaving behind one of the most memorable horror characters ever created.


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Saturday, July 17, 2021

Saturday's Series Spotlight: John Billings Mysteries by Olivier Bosman Part 1



A Glimpse of Heaven #1
Summary:

The year is 1895.

A disgruntled detective is looking for meaning in his life.

A psychotic young man wants to make his darkest fantasies come true.

A secretive society searches for hidden wisdom in ancient manuscripts.

When these three meet, a series of events is set in motion which leads to a horrific crime.

A Glimpse of Heaven is a thrilling, page-turning mystery about spiritualism, the occult... and the quest for magic. 



A Little Morbid #2
Summary:
The year is 1895.
An ancient manuscript claiming to hold the secrets of God’s creation;

A cunning old woman trying to make sense of it;

A deluded psychopath intent on stealing it away from her.

Private detective John Billings and his assistant Bartholomew Trotter have been tasked with finding a mysterious ancient manuscript known as the "Codex of Solomon" – a book of magical spells much desired by secretive esoteric societies.

They're not the only ones hunting for this artifact. A deluded young psychopath has already committed murder to find it. And a stubborn old woman thinks that this manuscript will give her the respect she so craves.

This is the latest in a series of Victorian mysteries exploring the dark side of the late Victorian era. It follows on from the events described in A Glimpse of Heaven.

A Glimpse of Heaven #1
Original Review August 2020:
Once again we return to Victorian England but this time DS Billings is just John Billings, private investigator.  This is such a great series and so full of suspense, tension, and all around mayhem.  What I love best about this series is the mystery is truly the main focus but that doesn't mean we don't get to see inside the mind of the detective, John Billings.  Despite the time frame being wrong for noir, there is still something very reminiscent of the genre within the pages of this Victorian world.

As I said the mystery is the main bulk of the story but we get to see a little more of Billings' mind toward accepting who he is, his sexuality is brought in a little more each time.  Personally I think he explored that side of himself more in the last entry of the DS Billings Victorian Mystery series, Anarchy, and yet we see him accept himself a bit more in A Glimpse of Heaven.  With his new employee, intern, partner, whichever term you like, Trotter is just as enjoyable as Billings himself.  I can't wait to watch Trotter grow just as we have seen Billings do throughout his journey.  The potential to be a Victorian-non-superhero Batman and Robin is definitely there and I look forward to their working/friendship evolve.

John's friendship with his former partner, Sergeant Clarkson, is carried over into this spin-off series, which I loved.  If you've been reading Billings' exploits from the beginning you know where his feelings tend to go when Clarkson is involved and now we get to see Clarkson's thoughts on Billings' inclinations.  I won't go into more detail there because I feel like I've already said too much for those who have yet to start these stories but it's a wonderful and realistic progression.

As for the mystery itself, there is so many interesting and intriguing moments that I don't want to touch on because it truly is something you have to experience for yourself and as so often, every little detail is another twisted corner you have to wrap your mind around. Trust me, it will keep you on the edge of your seat from beginning to end.

I don't know if the author thinks of John Billings Mystery as a "spin-off" of the DS Billings Victorian Mysteries or just the next leg in the main character's journey but I call it a spin-off as it's just simplerπŸ˜‰. Do you need to read DS Billings first? Probably not but I know I wouldn't want to start with A Glimpse of Heaven, I'd want to see how and where John's story began and grew.  I have a feeling that John Billings Mystery is more of an ongoing series than DS Billings, those mysteries all have a beginning and end but again I recommend reading from the beginning, if for no other reason than to see his evolution towards accepting himself as well as the friendship with Clarkson.  However you read it, they are brilliant tales of murder, menace, and mayhem.

A Little Morbid #2
Once again Olivier Bosman has created an intriguing blend of mystery, friendship, realizations, humor, danger, mayhem, and this time around wonderful travel to distant lands.  John Billings just gets better and better with each book.  They mysteries are always brilliant and though I may have seen a couple of points coming I was always left with the feeling of "wellllll, maybe not, maybe it's this" because the author always keeps his readers on the edge of their seats.

As for John, well he just continues to grow and accept who he is and though there isn't anything real "big" on the personal front, he continues to move forward, perhaps a bit slower at times than you want him to but always onward.  As to his trusty sidekick/assistant, Trotter, we see a few new peaks into who he is as well and I have a feeling, like John, he will continue to grow as the series and their caseload progress.  Together their friendship may seem only work related but I think they both realize, perhaps not admit, it goes beyond the office and caseload.  Whatever it is and however you see it, it definitely adds an extra layer of fresh fun to the series.

Now I won't go into the mystery part too much, I will say that though it is probably more gruesome at times than any of the other cases in John Billings workload, be it as private investigator or Scotland Yard detective, but I also think there is a bit more humor than any of the others mostly due to Billings and Trotters' dry wit.  I may have had more moments of "ewww" but also more laughs.  I think the combination of gruesome and humor is what really made this my favorite one yet.  A Little Morbid is simply put: interesting and attention-grabbing making for a flat-out wonderful reading experience.

One last note, some might say this can be read as a standalone since the case he is hired to solve has a start and finish but the truth is there are elements that carry over from A Glimpse of Heaven, I won't say more to that so I don't spoil anything but for me I'm glad I read book one first.  Truth is, I'm glad I read DS Billings Victorian Mysteries series first.  John Billings has grown as a character both on a personal level of accepting who he is but also as a detective and investigator.  There are friendships that carried over into his journey as a private investigator that also made me glad I read from the very beginning.  Having said that, you won't be lost if you don't read DS Billings first but personally I'm glad I did.

RATING:



A Glimpse of Heaven by Olivier Bosman
Prelude
Extract from Alick Lourie’s diary, February 20th, 1895 
Well, I’ve gone and done it now. I got kicked out of the house today. First Cambridge, now my own home. Although, in reality, Cambridge was not my fault. The trollop gave me syphilis, not the other way round. She’s the one who should’ve been kicked out of town. 

But now I’m on the streets. Homeless. Destitute, with just an allowance of five thousand pounds a year to live on. How will I ever survive? 

My mother called me the Beast. Not a beast, but the beast. The one from Revelations. I like that. When it comes to writing my memoir, I think I’ll call it Life of the Beast. 

So, how did all this come about? How did I end up sitting in a hotel room in London, chewing on a dried peyote button, scribbling in this journal? 

Well, I shall tell you. It all started with the aforementioned drug. The dried peyote which I brought back with me from Mexico. It opened my mind and allowed me to hear the voice of the spirits (I can’t remember exactly which one it was that spoke to me last night. Was it the angel Enoch? Or was it Baphomet? Or Beelzebub?) Anyway, it was the spirit which made me do it. It was the spirit which compelled me to commit this preposterous act, which was both shocking and beautifully poignant at the same time. 

Perversion was its goal. To turn things upside down. To shock this dead, stale home back into life. To free myself and the rest of the household from the morals and conventions which have stifled us for so many years. 

My mother had gone to church as usual, and Lucy was upstairs, sweeping the hallway. I was drawn by the spirit to go into my mother’s bedroom. This was the place in which I was conceived and born. The place where my pitiful life started. A suitable place, therefore, to witness my rebirth. 

I opened the windows wide and let in the cold winter air. The draft seeped through my shirt and stiffened my nipples. 

I could hear the ticking of the clock on the dresser. My mother would be back in thirty minutes, and Lucy would come in to tidy up in five. I remained by the window and took off all my clothes. The cool air caressed my body. Goosebumps rose on my skin. I caught my reflection in the mirror. Smooth white skin wrapped tightly over slim, rippling muscles. 

The door handle turned. Lucy, punctual as ever, came in to make my mother’s bed. I turned around just as she opened the door. She gasped and put her hands to her mouth. But she didn’t run away. Nor did she stop staring. Lucy had been besotted with me for months. I’d noticed her blushes and coy glances every time I stepped into the kitchen or walked past her in the corridor. 

I walked slowly towards her, grabbed her hand and pulled it away from her mouth.

“Oh, Master Alick,” was all that she could say. 

I pressed her hand to my chest. Then I pushed it slowly towards my stomach, round my back and onto my arse. I squeezed her fingers around my buttock. 

Her face blushed crimson. Her nostrils flared. Her heart pounded beneath her apron. 

That’s it, girl, I thought. Let your will be free. Let your passions run loose. There is nothing more damaging to the body than restraint. 

I glanced at the clock. Ten more minutes before my mother came home. I pushed her onto the bed. 

“Oh, no, Master Alick,” she called. “Not here.” 

But it had to be here. On my mother’s unmade bed. On top of the very sheets she slept on. This was a deathbed. This mattress had known no love, no intimacy, no life ever since my father died. I climbed on top of her and pulled up her skirts. 

“Oh no, no, no,” Lucy protested, but she didn’t put up any resistance. Her eyes were closed, her breasts heaving. 

She moaned as I thrust my cock inside her. 

The headboard banged against the wall, shaking the crucifix on the wall above it. I looked up. Jesus’ woeful face stared back at me. 

The front door opened. Lucy was too engrossed in her ecstasy to notice, but I listened carefully to my mother’s footsteps. Down the hallway, up the wooden steps and along the creaking floorboards.

I turned my face just as the door handle turned. She stepped into the room, and our eyes met. 

She gasped but did not say anything. 

I continued to stare at her while I pounded the moaning maid. 

Lucy turned her head and saw my mother standing over us. She shrieked. She pushed and scratched and begged me to get off her. But I continued thrusting my pelvis against her, all the while staring into my mother’s eyes. 

She remained rooted to the spot. Shocked into paralysis. 

Only when I came inside Lucy did I stop. Only after the elixir of my new life had been released did I relent. 

Alick Lourie was now officially dead, and in his place had risen the Beast.


A Little Morbid #2
Prologue 
Extract from Alick Lourie’s Diary, June1895 
A Woman of My Ilk 
She stood on the foredeck, her hands on the railings, the sea breeze blowing through her thin white hair. She looked perfectly ordinary. She wore an ill-fitting lime green skirt, frayed around the ankles, a blue-and-white blouse that didn’t quite seem to fit, and a motheaten black shawl draped around her shoulders. Just a poor, common, middle-aged woman who wouldn’t normally arouse my curiosity, were it not for her countenance. There was something about her posture. The way she stood rigidly upright against the wind, as if she were in command of the ship, guiding us all to our destination. This was a woman who knew where she was going. A woman in charge of her own fate. 

It’s easy for us magicians to recognise each other. The hidden wisdom we carry inside us elevates us from the common man, and this is reflected in our posture. There is a certain aura about us, invisible to everyone else, which acts like a beacon, signalling to other magicians that we are of their ilk. It was this aura which drew my attention.

I stood on the starboard side, looking at her back, watching her shawl dance in the wind. She must have felt my stare poking her in the back (we magicians can do that), because after a minute or so she turned around and looked at me. I held my stare. I looked straight into her eyes for a couple of beats, then, unbuttoning my jacket, turned my back on her and strolled back into the cabin. Contact had been made. It wouldn’t be long before she approached and inquired about my identity. 

I knew who she was, of course. There is only one magician that fits her description: Ruth Grenfell, the keeper of Solomon’s Sephardic secrets. She was fleeing to France. Just like I was. Except I was running away from the police. She was running away from people like me who are after her manuscript. 

My heart pounded as I made my way to the ship’s lounge. There is no such thing as coincidence in a magician’s life. There is only fate and providence. So, Mrs Grenfell was on this steamer. That meant that her manuscript, the Codex of Solomon, the text which revealed the secrets of God’s creation, the very thing I’d been yearning to get my hands on, was somewhere onthis ship too! I was still reeling as I took my glass of port from the waiter and sat on the leather settee by the window. 

It wasn’t long before I saw her stumble into the bar, scanning the customers in search of me. A waiter approached her and asked to see her ticket – the poor ragged creature was quite clearly not a first-class passenger. But having located me at my table, she elbowed him away and marched straight towards me. 

“Do I know you, sir?”

I looked up at her, towering over me. Her tanned, leathery face was aged and wrinkled well before its time, and there was a frantic look in those brown eyes. 

“You were staring at me!” she continued. “Outside, on the deck. Why were you staring at me?” 

The waiter approached us. “Is this woman bothering you, sir?” He grabbed her arm. She quickly pulled it away. 

“Not at all,” I said to the waiter. “Please leave us alone.” 

The waiter nodded and walked away. I smiled at her. “I’m sorry to have dismayed you. I didn’t mean to stare. I must’ve been daydreaming. I have a habit of doing that.” 

“So we don’t know each other?” 

“No. But I’ll happily introduce myself.” I held out my hand. “The name is Simeon. Faust de Simeon.” 

“Madam de Martos,” she mumbled, shaking my hand. 

Aha, I thought. Travelling under a pseudonym. Just like me. Madam M. How suitably mysterious. “I’m sorry to have bothered you,” she said, embarrassed. “I clearly made a mistake.” She was about to walk away, but I detained her. 

“Please stay. Sit down. Let me buy you a drink.” 

She stopped and looked at me. “I’m not supposed to be in here. I have a second-class ticket.” 

“You can stay as my guest. I insist.” 

She hesitated, but she eventually sat down. 

“What will it be? Port?”

“I wouldn’t mind a glass of absinthe.” 

I clicked my fingers for the waiter and ordered the drink. 

“You’re very kind,” she said. She was blushing. “You must think me quite mad. But I’ve had some bad experiences in England, with men following me. I think I may have become a little paranoid.” 

“Please don’t explain. It was rude of me to stare, even if I did so inadvertently. It is I who should apologise to you.” 

The waiter came back with the green beverage and placed it on the table. She picked up her glass and held it out to me. 

“Cheers,” she said. She took a sip and replaced the glass on the table. “I won’t be any bother. I’ll just sit here quietly and do some work.” She took some embroidery out of an old-fashioned white linen reticule wrapped around her wrist, sat back in her chair and began to sew. This was a bit rude, I thought. I had rather been hoping for conversation. But eccentric people are seldom well-mannered, and I knew of something which might spark her interest in me. I took something out of my pocket. My little book. Barrett’s Magus, which has served wonderfully as a calling card on previous occasions. Taking great care to leave the cover visible, I stretched my arms over the table, opened the book and began to read. It wasn’t long before her eyes were drawn to the book’s title. 

“What are you reading?” she asked, her face flushed with astonishment. 

“What, this?” I turned the book around and looked at the cover. “Oh, it’s just a book about magic.”

“Magic? You’re interested in magic?” 

“I am rather, yes. It’s an odd hobby, I know, but I’ve been making it my speciality these last few years.” 

“You’ve been studying it?” 

“Well, I studied divinities and ancient languages at Cambridge, and I was a member of an esoteric society in London.” 

“Which one?” 

“The Golden Dawn,” I lied. 

“I’m interested in magic too!” 

I raised my eyebrows. “You don’t say! Well, what are the chances!” 

“I’ve been studying it for many years. Well, I ain’t been to college like you, of course, but I’ve been taught by some very knowledgeable men. There was my husband, Phineas de Martos. You’ll have heard of him.” 

I wrinkled my brow. “No, I don’t believe I have.” 

“Then, after he died, I studied with Frater Sapienti from the Sons of Cain and Daughters of Lilith.” 

“Oh, I’ve heard of them.” 

“Do you speak Hebrew?” 

I pretended not to know what she was leading up to, but inside me, my heart was pounding. “Hebrew? Yes, I do a bit.” 

“Because I have a book, you see.”

“A book?” My heart almost leapt out of my chest. I had to button up my jacket lest she should see it pound beneath my shirt. 

“I don’t have it on me. It’s hidden somewhere safe on the mainland. It’s a very valuable book. But it’s all in Hebrew, and I don’t speak Hebrew. I don’t suppose you could...” 

“Well, certainly, I could. Will you be staying in Paris?” 

“I’ll be staying at Madeleine’s Hotel for Women in Montmartre. Oh, I would be so grateful if you could help me decipher the texts.” 

She reached her arm across the table and grabbed and squeezed my hand. 

“Well, my dear madam,” I said, smiling at her, “I’d be delighted to.”



The four books in the D.S Billings Victorian Mysteries
are a prequel to A Glimpse of Heaven,
depicting the life and adventures of John Billings
when he was still a Scotland Yard detective.

Saturday's Series Spotlight
Part 1  /  Part 2  /  Part 3

Monday Mysterious Mayhem: Anarchy

Author Bio:
Born to Dutch parents and raised in Colombia and England, I am a rootless wanderer with itchy feet. I've spent the last few years living and working in The Netherlands, Czech Republic, Sudan and Bulgaria, but I have every confidence that I will now finally be able to settle down among the olive groves of Andalucia.

I'm an avid reader and film fan and I have an MA in creative writing for film and television.


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