Showing posts with label fair film. Show all posts
Showing posts with label fair film. Show all posts

Friday, August 16, 2024

πŸŽ‘πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŽ‘: Love on the Lido Deck by Barbara Oliverio



Summary:

Sharp-witted, always-organized Keira Graham has traded in her high tech career as a systems analyst for the whirlwind world of event planning. As she builds up her fledging business, she learns that her widowed mother has news of her own -- a serious gentleman caller! Is Keira ready for mom’s new romance?

When she gets a game-changing opportunity to organize a major event on a luxury Caribbean cruise, Keira turns to best pal chef Alexandria D'Agostino to help recruit famous chefs who will offer classes for foodies looking for fun in the sun as they gain cooking know-how. The cruise becomes a rollicking adventure for Keira, her sassy assistant Juliet, the entire D'Agostino clan, Keira's mother and other surprise guests. And has Keira meet her match in charismatic Cruise Director Brennan McCallister, who could have something more than keeping everything shipshape on his mind?

Filled with wit, charm, and a few recipes along the way, Love on the Lido Deck brings characters to life with laugh-out-loud situations, crisp dialog and sweet romance on the high seas.



You have got to be kidding me.

This guy was—what?—10 years younger than my mother! I was expecting polo and khakis, and he was in designer jeans. Gray hair with a receding hairline? Oh no, he was years away from gray. His full head of light-brown locks were shorn in a super trendy cut. And those shoes? Definitely not Naturalizers!

I caught my mother’s stern look in the corner of my eye and pulled my debutante self together.

“Sorry.” I gave myself a mental shake of the head. “Pleased to meet you. Would you join us for brownies and tea?”

I ushered him to the counter.

“Thank you, Keira.” He sat down, but I didn’t need to worry about serving him. My mother fluttered around with a sparkle in her eye and a skip in her step.

“Russ, do you want to forego tea and have coffee in your usual cup?” she asked.

His usual cup? He’d been around long enough to have a USUAL CUP?

“Thanks, May-May.”

Whoa! May-May? What was she, all of a sudden? A character in a Rodgers and Hammerstein musical?

I pulled my phone conspicuously from my pocket.

“Yikes! Would you look at that? I have a client meeting I forgot about!” I lied. “I gotta go.”

I kissed my mother’s cheek and stuck my hand out stiffly to Russell.

“Very pleased to meet you. I’m looking forward to getting to know you.” I blurted out in what I hoped was a polite tone.

“Bye, Mother.”

“Keira—” Her disappointed voice trailed after me as I dashed through the house, took the steps on the porch two at a time, jumped into my car, and tore down the driveway.


Event-planner Olivia organizes a culinary cruise and has everything set to the last detail--until she learns that she's dealing with a rookie cruise director who has his own way of doing things.

Release Date: August 11, 2018
Release Time: 84 minutes

Director: Mel Damski

Cast:
Alexa PenaVega as Olivia Grayham
Carlos PenaVega as Tony Rieves
William R. Moses as Wes Jameson
Audrey Landers as Maeve Grayham
Melissa Carcache as Alexandra Urbinati
Edward Finlay as Miles Webster
Meghan Colleen Moroney as Paula Anderson
Justin Miles as Stuart
Michael A. Cook as Preston Smith (as Michael Cook)
Peyton Lee as Ben Roberts





Barbara Oliverio
Award-winning author Barbara Oliverio creates upbeat women’s fiction that features young Catholic women in a positive light. Readers of all backgrounds have fallen in love with her sassy characters who come from close-knit families who live out their faith. She has written five novels (and counting), one of which has been adapted into a Hallmark Channel feature film. Settings are as diverse as a cozy ski village, an island-hopping cruise ship, or even an exotic world tour, and are filled with wit and charm

The daughter of Italian immigrants, Barbara grew up in West Virginia with a love of reading and a passion for learning. Her career path has taken her around the world, allowing her to exercise her diverse language skills. A passion for the written word not only has culminated in her fiction, but she is also a professional book critic, and, in addition, mentors blossoming writers on their own career paths. Barbara also creates resume portfolio packages to assist job seekers in job interviews.

Barbara lives with her biggest fan - her husband- and they share a love of travel, music, and good food, and they occasionally squabble over the AFC versus NFC divisions of the NFL. She is an accomplished cook and if you visit, she will gladly treat you to dinner featuring her beloved mother’s lasagna.


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Friday, August 19, 2022

πŸŽ‘πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŽ‘: Summer in Napa by Marina Adair



Summary:

St. Helena Vineyard #2
When Alexis “Lexi” Moreau caught her husband, Jeff, sampling the sous-chef’s more intimate wares in their New York restaurant, she ran—all the way back to her hometown of St. Helena, California. Six months later, Lexi has no husband and no restaurant. But she does have a three-step plan: First, convert her grandmother’s bakery into her dream bistro. Second, ignore Grandma’s matchmaking attempts. And third, avoid Marco DeLuca, her ex’s commitment-phobic, distractingly sexy best friend.

In school Lexi was off-limits for Marco. After all, she was his buddy’s girl. But she’s still as smart and as gorgeous—and apparently as immune to his charms—as she used to be. Yet the simple fake romance they agree upon to dodge Lexi’s grandmother’s matchmaking plans soon turns deliciously complicated. And the sultry summer might bring together all the right ingredients for Marco to win the only woman he’s ever wanted.

Now a Hallmark Channel original movie.



CHAPTER 1 
If there was one thing Alexis Moreau knew, it was how to make an entrance. Timing, posture, and that enchanting smile that had been passed down from Moreau mother to Moreau daughter for over five generations were key to a lasting—and impeccable—first impression. 

Which was why, after driving three and a half days across the country, Lexi planned a middle-of-the-night arrival and snuck into the vacant apartment above her grandmother’s bakery. She needed a good cry, a hot shower, one of Pricilla’s famous Γ©clairs, and at least ten hours of solid sleep before she could face the residents of St. Helena. 

Unfortunately, she found a bottle of her grandmother’s Angelica stashed behind a rack of day-old pastries in the bakery kitchen, which was the only way to explain how she woke up on the bathroom floor, eyes swollen shut, wearing yesterday’s clothes and half of an Γ©clair.

She stumbled into the bedroom to grab her things and shower, then remembered that her dress—the outrageously expensive sundress from Neiman Marcus that she’d charged on Jeffery’s account, the same one she intended to wear when she walked out onto Main Street to announce that Alexis Moreau, former prom queen and current five-star chef, was back—was sitting in the trunk of her car. 

Maybe they would be so dazzled by her Moreau smile and culinary prowess that they wouldn’t notice her bare ring finger? 

Yeah, right. They would take one look at her custard-stained sweats and realize that Lexi had gone from overachieving to barely surviving. And for a girl who, until recently, had received a gold star in the game of life, that didn’t sit well with her current, and rapidly depleting, average. 

Lexi looked down at herself, picked a curl of chocolate from her cleavage, and groaned. “Crap.” 

Her return home, much like the past six months, was turning out far differently than she’d envisioned. 

Most people only got one shot at their dream. Lexi was about to get her second chance at running an acclaimed eatery, and she wasn’t going to blow it. Making the right impression felt like the first step toward her new life. 

She looked at the dozen or so boxes piled in the corner of her childhood room and forced herself to breathe. The last thing she wanted to do right then was unpack what was left of her marriage to find an outfit that didn’t have melted ganache on the rear. 

So, tossing her pants in the hamper and her custard-smeared tank top in the trash, she riffled through her grandmother’s closet, coming up with a handful of old concert T-shirts, an aqua pantsuit in size twenty, Lexi’s favorite pair of cutoffs from senior year, and her prom dress.

She grabbed the shorts and her grandmother’s shirt, which said Hoff This under a smiling David Hasselhoff giving the finger, and tugged them on. The shirt came down to her thighs and her shorts came up to her butt, the last in a long list of things she wished she could reverse. 

Lexi looked at the clock and her heart went heavy, because erasing the past ten years wasn’t going to happen. Neither was ignoring the fact that her grandmother was expecting her in less than an hour, or that she would have to face her family and friends eventually. But when she did, it was going be on her terms. And in that damn sundress. Which meant she needed to get to her car. 

Lexi grabbed her car keys and headed down the rear stairs. Cracking the door open, she glanced around, her shoulders relaxing slightly when she saw that the alley next to the bakery and the back parking lot where she’d parked her car was reassuringly empty. 

She had snuck in and out of this apartment so many times as a teenager there was no reason that her heart should be pounding out of her chest right now. It was like riding a bike, right? The only difference was that back in high school, she had snuck around so that no one would know she was having sex with Jeffery, and now she was going stealth because she didn’t want people to know that Jeffery had stopped having sex with her a long time ago. 

“A quick grab and dash. That’s all.” 

Coast clear, Lexi took a single step toward her car, then stiffened at the sound of feet pounding the pavement, followed by the instant clang of jangling metal. Both sounds were wild and hurried. And both sounds were moving. 

Toward her. 

“Shit!” Lexi reached back for the doorknob, twisted—nothing. 

Shit. Shit. Shit!

It was locked. In her grandmother’s mission to protect Lexi’s teenage virtue, Pricilla had installed safety measures: a doorknob that was extremely loud to open, with a lock that was always engaged. 

Lexi patted down the sides of her shorts, as though expecting to find magical pockets containing a set of apartment keys. Sadly, she found neither. 

“Come here, boy,” a distinctly male, and distinctly familiar, voice called out. Followed by a playful bark that sounded much closer. 

Lexi froze, and last night’s pastry dinner declared war on her stomach. 

“That’s it, come on. Good boy.” Claws clicked excitedly on the pavement. A dog tore around the corner. He was some kind of mastiff-Thoroughbred mix with paws the size of a polar bear’s and covered head to tail in mud. And he was headed directly toward her. “Damn it, Wingman, I said come!” 

This could not be happening. 

Fear had her feet moving—and fast. Lexi would rather explain to her grandmother that she had snuck into the apartment than face him. She shot around the corner of the building and, deciding that running didn’t make her a coward, made a beeline down the alley next to the bakery, hoping to slip in the delivery door without being noticed. 

She got to the corner of Main Street and stopped, her stomach plummeting to her toes. 

The one-lane road was backed up with a line of cars that went past the Paws and Claws Day Spa, made its way beyond Bottles and Bottles—the local pharmacy and wine retailer—and continued toward the highway and the bright-green sign that read: 

WELCOME TO ST. HELENA, CALIFORNIA
POPULATION 5,814 
BLENDING POETRY IN A BOTTLE SINCE 1858 

The sidewalks were even worse. The brick-and-awning storefronts and lamp-lined streets were filled with tourists, tourists, and more tourists, who were admiring the rows of old wine barrels filled with seasonal flowers and taking in the large banner advertising the St. Helena Summer Wine Showdown. Wine-tasting season was in full swing, and people were out in masses, which meant that Pricilla’s Patisserie would be overflowing with locals, weekend warriors, and Sunday shoppers. 

The second she walked into the bakery, she would run into a dozen people she knew, all with a dozen inappropriate questions that would lead to a dozen or more rumors about how Lexi had come crawling home—a divorced failure. 

A gentle breeze blew past her, carrying with it the smell of freshly baked choux pastry. Lexi followed the scent and found that both of the windows her grandmother used to ventilate the rear kitchen were opened a crack. 

She pried the first window open, her body turning on adolescent autopilot as she hoisted herself through. She got that same old high school thrill until she realized she didn’t have the same old high school hips and found herself ass up, wedged between the window casing. 

“Oh God, no.” Lexi rocked, trying to gain enough momentum to tumble to the other side of the windowsill. “Please, no.” 

Seconds ticked by, and sweat beaded on her forehead. She clawed at the sill and kicked at the planter box she stood on, mentally willing her hips back to prom night—but she didn’t move, or lose, an inch. No matter how hard she tried, she just couldn’t squeeze herself through the window.

Refusing to give up, she looked around the kitchen, hoping to find something, anything that might help. But nothing useful was in reach—except for a fresh tray of Γ©clairs, which sat just to her right. 

Her body sank, dangling like raw dough over the windowsill. It was no use. She was stuck. Trying to move forward while dodging your past was clearly impossible. So she did what any reasonable woman would do under the circumstances: she reached across the table, plucked a petit-Γ©clair from the tray, and shoved the entire thing in her mouth, making sure to lick her fingers clean in the process. 

She was reaching for her second pastry when something cold and wet poked her in the butt. She yelped. There was a bark, a sniff, and the wet again. 

“Shoo,” Lexi hissed, waving her free hand even though the dog couldn’t see. “Go away.” 

“He was just saying good morning.” 

Lexi froze, considering her options. When she realized she had none, she snapped, “Well, you should teach him some manners.” 

“Says the woman mooning half of St. Helena,” the silky smooth and way-too-amused voice behind her said, as though she wasn’t aware that her fanny was flapping in the wind. “Plus, as far as Wingman is concerned, you were offering him up a doggie high five.” 

Closing her eyes, Lexi composed herself and went for enchanting—something she’d once excelled in. Hell, she’d been cheer captain and valedictorian. 

But that was all before. Before the end of her marriage. Before she lost her restaurant. Before she found her husband trussed up like a Thanksgiving turkey in nothing but her award-winning noix de coco brΓ»lΓ©e and a hard-on, while her sous chef Sara used a basting brush and caramelizing torch in ways that were illegal in thirty-seven of the fifty states. 

And before she turned her head, looked up through the window, and found herself staring at the one person in town who had never found Alexis Moreau enchanting. In fact, Marco DeLuca, entitled playboy and total meathead, had gone out of his way over the years to let her know just how annoying he’d believed her to be. 

Ignoring Marc’s smart-ass grin and Wingman’s breath on her thighs, Lexi realized that with her new diet of cynicism and foolishness, enchanting was no longer her. So she did the next best thing. She grabbed another Γ©clair and— 

“No, he doesn’t do well with—” 

—chucked it out the window. Barking and jumping ensued, accompanied by a lot of scrambling, mainly on Marc’s part. 

“No, boy. Drop it. That’s right, custard’s—” 

Wingman went wild at the word, barking and panting with excitement. Lexi knew how the dog felt; she felt a bond forming between her and the canine. 

“Get the custard,” Lexi cooed. 

“Don’t say that word.” 

“What, custard?” Claws tapped the concrete as though Wingman was jumping up and down. 

“Stop it,” Marc directed at her, and then, “No, very bad. Let go, it gives you…Aw, Wingman!” 

The window next to her squeaked open. By the time she turned her head, Marc was leaning in, his forearms leisurely resting on the windowsill, earbuds dangling around his neck, and his alpha-male swagger stinking up the kitchen.

“Heard you were coming home.” 

The way he said it, with an added little wink for extra sting, made her wonder just what else he had heard. Damn it. This was supposed to be a covert homecoming. 

She grabbed the last Γ©clair off the table and took a bite. 

“I hope you brought enough to share with the class.” 

She could have told him that there was another tray on the far wall, but Marc had been a permanent pain in her butt ever since she moved to St. Helena with her mom freshman year. He’d either teased her mercilessly or ignored her completely, a hard accomplishment, since Marc loved everything with boobs. 

She looked down at her breasts and paused. They weren’t huge, but even in her grandmother’s baggy T-shirt, they filled out the top nicely. Jeffery had never complained. 

Then again, he had also left her for a loafer-wearing vegan who—although she had a bizarre food fetish—looked more like a librarian than the “other woman.” 

She took another bite and pondered. Whatever she and Marc used to have, confusing as it was, was just that—history. After she’d filed for a divorce, Lexi had gone from “pest-like friend” to “easily forgotten” in Marc’s eyes. And it had hurt. 

Even worse—for Lexi—Marc was not only loved by women, respected by men, adored by the elderly, a real hometown freaking hero, but he was also her ex-husband’s best friend. Had been since preschool. 

With a shrug she shoved almost the entire Γ©clair in her mouth. Mumbling around the bits of flaky pastry and heavenly filling, she said, “Sorry, last one.” 

Marc reached through the window, snatched the remaining bite—the last and best bite.

“Give it back.” Lexi’s arms shot out to stop him. Only Marc was faster, and meaner. Palming her head with his free hand, he held her down while he savored the last piece. 

Lexi swatted him away. “Does everyone get such a warm welcome?” 

Reaching through the opened window, he wiped a glob of filling off the side of her mouth. Licking it clean, he smiled. “Only the ones who wear their breakfast, cream puff.” 

“I’ll be sure to pack a napkin next time. And it’s an Γ©clair.” 

When Marc’s hand made its way back toward her lips, she quickly wiped her mouth on her right shoulder. The white cotton came away with custard and chocolate smears. 

“As great as it is to see you again, I’m kind of busy.” 

All traces of humor faded, and his eyes went soft. “I can see that. Need some help?” 

Yes, she was about to beg. The offer seemed genuine enough, the last seventy-two hours had left her on the brink of tears, and for some bizarre reason Lexi wanted to give in to Marc’s charm and gallantry. 

Then Marc came up behind her and, pressing his body against hers, leaned over and reached around her to scrape some leftover filling off the tray. Never one to disappoint, he stepped back and ran a cream-coated finger down the back of her thigh before whistling, “Come here, boy.” 

Not caring if she kicked Marc, Lexi started pumping her limbs like a teeter-totter. She might not be the most athletic girl on the planet, but she could still inflict some damage. 

“Hold up, you’re going to hurt yourself.” Warm, strong, and incredibly unsettling hands rested on her upper thigh, stopping her movements and sending her heart into overdrive. Not to mention making everything below her belly button tingle.

Oh, so not good. Over the years she’d seen many a girl rendered downright stupid by just a single flick of his panty-melting smile. Lexi was not, and never would be, one of those girls. 

His hands drifted higher so that his fingertips brushed the bottom edge of her shorts. “Now push back against me, and I will slide you out of there.” 

“Nope. I’ve got it.” 

“You sure, cream puff?” 

Oh yeah. The last thing she needed was his help. 

Marc pressed forward, close enough that she could smell his soap. “It’ll only take a minute. Then we never have to talk about it again.” 

“I’ll manage.” 

“Yeah, while I’d love to sit back and watch you try, it’s nearly ten, which means the Wine Train is about to disembark and its passengers will soon make their way down this alley, and your grandmother’s expecting you any minute. So stop swinging those legs at me, and I’ll help your stubborn ass out.” 

When she didn’t budge, except to swing harder while aiming lower for more satisfying results, he said, “Or I can just shove you through to the other side. Either way, cream puff, I’m getting you out.” 

Running into Marc with her hair in a messy knot, last night’s makeup on her face, and the unsettling feeling that he knew the truth behind her recent divorce was bad enough. Having him rescue her so he could call Jeffery later to laugh about her humiliating homecoming made her want to throw up.

But just like she’d known six months ago that she couldn’t hold together her marriage, Lexi now knew Marc was right. She couldn’t get out of the window by herself, and the Wine Train whistle was sounding closer by the minute, so she lowered her legs and reached back for his hands. 

*******

Alexis Moreau was a never-ending pain in Marc’s ass—always had been. She was smart, stubborn, and sexy as hell, exactly how Marc liked ’em. She was also his best friend’s girl, or ex-girl, which in man speak translated into hands off, something his brain had always known, but his dick had a hard time accepting. 

If she hadn’t seemed close to tears a moment ago—or seemed as though she would rather ram him in the nuts than accept his help—he would have kept walking. And that was exactly what he was going to do, right after he got her out of the window, made sure she wasn’t hurt, and found the spare key to Pricilla’s apartment, which he was certain was hidden under the garden gnome. 

That was his plan, anyway, until he placed his hands on her waist, gently slid her from the window, and registered what she was wearing. The usually coiffed and primped prom queen was in a pair of butt-hugging cutoffs—which he assumed at one time had been jeans—a thin white shirt, and not much else. She was a big, rumpled, blonde mess, and by the hollowness he heard in her mumbled “thanks” when he set her on her feet, he’d bet it wasn’t just a physical thing. Odd, since she’d been the one to walk away from her marriage and Pairing, the upscale New York restaurant that she and Jeff had opened a few years back.

Then Lexi bent over and reached sideways through the window to grab an Γ©clair off another table inside, angling her body just right so that he got a near-perfect view of her pairing, pink bra and all, and her failed marriage was the last thing on his mind. 

He stood back and smiled, not even bothering to pretend he wasn’t staring when she twisted farther to reach the treat, the movement tugging her shirt up and her shorts down low enough to prove she liked her lace matching. God, she was killing him. 

“I’m guessing you’re okay then?” 

“What?” She turned her head to look at him, those big green eyes wide in question. He merely dropped his gaze to her ass sticking up out of the window. “Oh, um, I’m fine. Just hungry.” She extracted herself from the window, sans the Γ©clair, and straightened, pulling her too-long tee down. 

Sad to lose his view but desperate to get out of such close proximity, Marc told her about the key under the gnome and turned. He was about to leave when her hands settled on his arm and—goddamned son of a bitch—her touch sent a hot sexual zing shooting through his entire body. 

Marc liked women. All kinds of women. He liked the way they smelled, the way they felt, the way they sounded calling out his name. He especially liked the last part. 

He just couldn’t like this woman, not in that way. Not in any way other than as a friend. 

Ever. 

Yeah, good luck with that, he told himself, remembering how he’d said those same exact words on graduation night, when he’d found her crying under the bleachers because Jeff, wanting to start college a free agent with open possibilities, had broken up with her. A week and some lame advice later, Lexi had left, following Jeff to New York with hopes of saving their relationship.

Lexi must have felt something too, because she jerked her hand back and eyed him cautiously. “You promised me earlier that we’d never talk about this again. Did you mean to anyone?” 

Marc looked down the alley at Mrs. Lambert of Grapevine Prune and Clip and her partner in crime, Mrs. Kincaid—who, from the looks on their faces, had been watching the entire event unfold—and wondered how Lexi intended to keep her window fiasco a secret. St. Helena was a small town located in the heart of the Napa Valley, with two blocks of downtown, two gas stations, and only two commodities: wine and gossip. Now that two pairs of the loosest lips in the county were firsthand witnesses, those who hadn’t been there were bound to get a stellar reenactment by lunch. 

Lexi ignored the women and stared up at him, pleading—and with one look at the anxious way she worried her lower lip, he understood. She wasn’t talking about the town; she was afraid this would get back to Jeff. Which made no sense at all. 

Last he’d heard Lexi hadn’t given a rat’s ass about Jeff’s opinion, which was one of the reasons their restaurant had been foundering in the year or so leading up to the divorce. But if she wanted her morning kept a secret, who was he to ruin her day? 

“Deal.” 

“Thanks,” Lexi whispered. 

Marc’s phone chirped. He didn’t move to answer it. 

“I’ll let you get that and”—she paused and offered up a pathetic smile—“thanks.” 

Marc should have taken the opportunity to get the hell out of there. Instead, he found himself sending the call to voice mail without even looking at the screen. “Look, when the rest of your stuff gets here, let me know and I can help you unload.”

He should be putting space between them, not offering to get all hot and sweaty in her room. Even if it was just from moving her boxes. 

“Except for my dress, I already unloaded everything.” Marc looked at her gnat-sized car and frowned. As if reading his mind, she continued, “I got a really fair offer for the house as is, with the furniture, which worked for me. I bought everything to fit that house, and it meant less for me to move.” 

“You sold your place in New York?” That surprised him. Every time he went back east to visit, Lexi was remodeling or decorating or refinishing some part of that house. It was a cozy little brownstone with a tiny backyard in one of the more family-centric boroughs. And Lexi had loved it. Jeff, on the other hand, had been pulling for a plush loft uptown near their restaurant. 

“Hard to start over when you’re dragging the past with you. Plus—” 

Marc’s phone rang. Again. 

“You should probably get that,” she said, already backing away. 

Marc looked down at the screen and groaned. Wingman growled. It read “Natasha Duval.” It also said that he’d missed three calls from the very same. 

Shit. 

He’d been playing phone tag with Natasha all week. Okay, maybe he was avoiding her calls. He hadn’t spoken to her since, well, the week before Valentine’s Day, when they’d run into each other at a party she was catering. Natasha had been wearing a tight red dress held together by a single scrap of ribbon that she made clear she wanted him to untie, so he brought her back to his suite at the hotel and diligently unwrapped her. At the time it had seemed like the perfect arrangement.

She wasn’t looking for serious, a good thing, since he didn’t do serious. Ever. He’d made that clear. 

Apparently not clear enough, because the phone rang again and Wingman instinctively curled up on Marc’s feet and whimpered. Another reason to send her to voice mail: Natasha didn’t do dogs. 

“When are you going to learn?” Lexi lectured from beside him. “You can’t just keep ignoring women and hope they’ll go away.” 

“You know what? You’re absolutely right.” He handed her the phone. “Here.” 

She shook her head while backing away. “What are we, in high school? No way. I stopped being your winggirl when Bethany Jones called me crying about how you were her soul mate and I had to tell her that you were gay.” 

“I still can’t believe you said that.” Or that Bethany had bought it. Marc rested his palm on the brick wall, sending a flirty wink at a brunette wearing a push-up bra who passed by the alley. Push-up flushed and looked away. 

Gay, my ass. 

“Come on. One last call,” Marc heard himself beg. “Then we’ll be even.” 

“Even? You said we wouldn’t ever talk about this.” She gestured vaguely to the window. 

The phone rang, louder and more obnoxious than the last time. Marc felt his left eye twitch. 

“Doesn’t mean that we both won’t know you still owe me one.” Marc hated pulling that. He had no intention of holding Lexi’s inability to climb through a window over her head. But he also had no intention of dealing with Natasha right now. 

Not before his morning coffee and chocolate croissant. Not when Marc was trying to prove to himself—and his brothers—that bowing out of the family wine business and dumping every cent he had into renovating an old hotel, which was becoming a serious money pit, was a smart move. And not when the most prestigious blind wine tasting in the country, the St. Helena Summer Wine Showdown, was just six weeks away and being held in his hotel. He couldn’t afford any distractions. 

He couldn’t afford to fuck this up. 

The phone gave one final ring and went silent. Marc exhaled and, after making sure the phone hadn’t somehow connected, sagged against the brick wall, relieved. 

It immediately rang again. 

Marc rolled his head so he was looking at Lexi, making sure to turn on the charm. “Come on, cream puff.” 

“Don’t aim that at me.” She pointed to his face. “I’m immune.” Didn’t he know it. The one woman who couldn’t be charmed was the only one who mattered. 

Forcing an unaffected smile, one that he’d mastered after fifteen years of watching Lexi and Jeff together, he played his winning card. It was a crappy card to play, but suddenly this wasn’t about avoiding Natasha as much as it was about getting back to where he and Lexi used to be. 

“You don’t have thirty seconds to help an old friend out?” 

Something painful flickered in Lexi’s expression. Marc didn’t know why he suddenly felt like shit, but his gut got that squirrelly feeling he hated. The one that came when he knew he’d screwed up. Before he could figure out what he’d done, Lexi held out her hand. 

“Fine. I’ll do it. But then we’re even. Agreed?” 

“Agreed.” 

He handed her the phone. She didn’t take it. “But I’m not pretending to be your spiritual life coach.”

“All right.” 

“Or your nonna, sister, stalker, or any other woman who has possession issues.” Marc nodded. “You have fifteen seconds to explain the logistics of this latest conquest. Go.” 

“Fine. We spent a few nights together. She wanted more. I said no, too busy focusing on my hotel and the Summer Wine Showdown. We parted friends. Now she’s calling again.” 

“That’s all of the story.” 

“Yup.” 

She reached over and, instead of taking the phone like he’d expected, hit speakerphone. “Marco DeLuca’s office, how may I help you?” 

The phone remained silent. 

“Hello?” Lexi prompted. 

“Um…yes.” Natasha’s voice sounded through the phone. It was pinched and pissed and, unless Marc was mistaken, jealous. It also was nasal and annoying, something he’d never noticed before today. “I’m calling for Marco.” 

Lexi gave Marc a where-do-you-find-these-women roll of the eyes. “Unfortunately, he’s in a meeting right now. Can I take a message?” 

“A meeting?” Natasha’s tone all but said liar, liar. “Well, when he’s done with his meeting, make sure he closes the window. I would hate for someone to sneak into the bakery and steal your secret recipes.” 

The phone went silent. 

Lexi blinked at the phone and then him. “Why do I get the feeling that there is so much more to the story than you are letting on?”

“When have I ever lied to you?” Well, besides the time you asked me if following Jeff to New York was a good idea and I said yes. 

“Never.” She frowned. “But I still don’t believe that this woman spent just a few nights with you and now she’s all stalker.” 

“Believe it.” Marc smiled. “I’m that good.” 

“She’s watching you. She threatened to steal my grandmother’s recipes! What kind of women are you dating?” She stopped, raising a hand. “You know what, never mind. I don’t care. I am so over men and their choices in women.” 

Someone cleared her throat—loudly. Lexi jumped at the sound and let out a yelp when she turned and saw Natasha smiling at her from the end of the alley. 

Lexi slowly turned back to face him, her mouth gaping open, her eyes forming two pissed-off slits. “You. Slept. With. Natasha. Duval?” 

Marc shrugged, feeling way more anxious that he was letting on. “I was clear with her, nothing serious.” 

“She’s been trying to corner you into serious since sophomore year.” Oh yeah, he’d forgotten that. “When you made me break up with her for you. Twice.” Lexi looked down the alley and gave a little wiggle of her fingers and shouted, “Hey, Natasha. Long time no see.” 

Natasha gave an eat-shit smile in return. No wave. 

Lexi turned back to Marc. “Make that three times. And she’s still here. Like that freaky cat off Pet Sematary.” 

“I can hear you,” Natasha said, pointing to her wireless earpiece with her long red nails. They looked like claws. Sharp, red claws made for sinking into a man and never letting go. Marc shivered.

Natasha pocketed her phone and swished her way toward them, her hips working double time, then plastered herself to Marc in a hug when she got close enough. 

“Hey, Marc,” she said too sweetly, finally pulling back from the hug. 

“Hey, Natasha,” he began, stepping away from her. To avoid saying something stupid, like agreeing to another date, he focused on her eyes and away from her cleavage. She subtly shifted, crossing her arms and smashing her breasts together, and “Sorry about not getting back to you” came sputtering out of his mouth. 

“That’s okay, I get it. The Showdown is next month, and I know you’ve been swamped with trying to get your celebrity judge and a new caterer”—her eyes flickered to Lexi, and Marc felt his heart literally slam into his chest—“which is why I was trying to set up a time to chat. There’s a guy I cater for sometimes, anyway he’s an editor at Martha Stewart Living. I told him he should do a spread on your hotel for their summer-getaway issue.” 

Natasha was positioning herself and trying to use their history and her connections to lock down the Showdown catering gig, which pissed him off even further, but he was willing to agree to anything if it meant getting rid of her before she said something that would make Lexi’s homecoming even worse. 

“That’s great. How about dinner?” 

“Really?” Natasha sounded way too happy for a no-strings former fuck buddy. “I can’t wait. Plus, I want to hear all about your trip to New York.” She emphasized the last words with a pointed glare. At Lexi. Whose lower lip trembled. Ah, shit! “That is, if you’re done with your meeting.” 

“Oh, we’re done,” Lexi said.


The co-owners of a vineyard deal with the challenges of hosting a festival in addition to their own personal relationship.

Release Date: August 12, 2017
Release Time: 82 minutes

Director: Martin Wood

Cast:
Rachael Leigh Cook as Frankie Baldwin
Brendan Penny as Nate DeLuca
Marcus Rosner as Marco DeLuca
Tegan Moss as Lexi Moreau
Michael Kopsa as Charles Baldwin
Laura Soltis as Carla DeLuca
Jeremy Guilbaut as Jonah Baldwin
Jessica Heafey as Emma Nolan
Anne Openshaw as Chef Jane
Alistair Abell as Wine Critic #1
Linda Ko as Wine Critic #2





Author Bio:
Marina Adair is a #1 National best-selling author with over a million books sold. She holds a Master of Fine arts in creative writing and her St. Helena Vineyard series was the inspiration behind the original Hallmark Channel movies, Autumn in the Vineyard and Summer in the Vineyard. Along with the St. Helena Vineyard series, she is also the author of the Heroes of St Helena series, the Eastons, and the Sequoia Lake series. She currently lives with her husband, daughter, and two neurotic cats in Northern California.

As a writer, Marina is devoted to giving her readers contemporary romance where the towns are small, the personalities large, and the romance explosive. She also loves to interact with readers and you can catch her on Twitter or visit her website. Keep up with Marina by signing up for her newsletter.


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Summer in Napa #2

Series

Film
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Friday, September 3, 2021

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: State Fair by Phil Stong



Summary:
Once a year, a tent city springs up overnight around the exhibition halls in Des Moines as farmers and their families pour in from across Iowa to attend the State Fair. After months of hard and often lonely work, farm families are given the chance to step out of their rural routines — picnic and gossip, sing and dance, take a chance at the hoopla stands, and strut their stuff in stiff competition for ribbons and prizes.

When the close-knit Frake family set out from Brunswick, Iowa, Abel's hog, Blue Boy rode proudly in the back of the truck — manicured, curried and rubbed to enameled perfection — ready to compete and win the sweepstakes, the highest honor which any hog could attain. Melissa, Abel's wife, had her hopes set on beating the competition with the prize-winning quality of her pickles. Their teenage children, Wayne and Margy, found themselves faced with a pickle of another kind. Although committed to sweethearts in their hometown, brother and sister are each seized by a new love that sweeps them along, secretly and illicitly, somewhere between the sweet taste of cotton candy and the breathtaking plunge of a roller coaster ride.

State fairs were a subject that Phil Stong knew well. For several years his grandfather had been superintendent of the swine division at the Iowa State Fair and, as a reporter for the Des Moines Register, Stong was assigned to cover the evening stock shows at the fair. Iowa held its first state fair in 1854, and for some time fairs were held at various locations around the state before permanently settling in Des Moines. State Fair is very much an Iowa book, filled with incidents and details from the author's own life.

Although State Fair suggests a deep satisfaction and fondness for rural life, it shocked some readers in 1932 and was banned in the city library of Keosauqua, Iowa (Stong's hometown) for twenty-five years after it was published. However, judging from the success of the book and the enthusiasm shown for the movies that followed, most readers were captivated by the Frakes' down-home talk and whimsical humor and commended the author's portrayal of rural America.


Chapter 1
Saturday Evening
Abel Frake solemnly appraised the cigar which the Storekeeper laid before him. It was a thing of beautiful curves and a rich brown coat; its wrapper was limp and silky, and though, for all his air of connoisseurship, Abel knew no more about a cigar than any other smoker in Brunswick, he felt instinctively that this was good. For, finally, it was not a nickel cigar, but a three-for-a-quarter cigar — practically a ten-cent cigar.

With a consenting gesture he signaled for two more. "It's not reasonable a man should burn up the price of eight eggs — ten good days' work for a fair hen — in a Saturday evening and Sunday," he said, "but a man shouldn't stint himself all the time — it's only once a week."

The Storekeeper, only a little more than middle-aged despite the grey at his temples and the bald spot running up his high forehead, noted the purchase on a paper bag, at the end of a long line of figures. "You'd buy three nickel cigars anyway, Abel; you're just out ten cents. Next week you just work each one of your hens a little harder and you'll have that dime made up in no time."

Abel laughed. "You ever try to push extra work out of a hen? A hen ain't the kind you can push. Anyway, I guess it wouldn't do me much good to drive 'em. Mamma gets all the money from the hens for Fair Week and Christmas presents."

The Storekeeper smiled at Melissa Frake ironically. "You ever see any of that money, Mrs. Frake?"

Melissa's plump, agreeable face assumed a mock severity. "You can bet I do! I'm not saying it isn't a fight sometimes to keep it away from a man like Abel Frake, but I'm a match for him!"

The circle of loafers against the counters laughed softly with an effect almost choral. Years of laughing together at the proper moments had taught each of them to submerge his laughter in the group's. It was the unconscious response of men of uncertain social instincts.

"You sure you've got everything?" the Storekeeper asked.

Mrs. Frake slipped into a mild trance, checking off items in the air with her finger. While this thaumaturgy progressed, the loafers were respectfully silent. "Everything," she said, at last.

The Storekeeper, fully conscious of what was to ensue, began to arrange the heap of packages so that they could be easily divided. Mrs. Frake took a few steps this way, a few steps that way, and stared about at the great roomful of goods. Thirty feet of shelves, stretching from floor to ceiling, carried dry goods. There were cases containing harmonicas, air rifles, hairpins, patent medicines, and school books. At the back of the store was the tiny office with its safe, which said, "Please don't blow up this safe, it is just in case of fire. If you turn the knob it will open. Probably it will open if you just kick it."

Before the office was a rack of overalls, coats, and ready-made clothing. The Storekeeper stood behind a counter on the side of the store devoted to groceries and shoes. The hardware stock was in an adjoining room, unlighted. The main room was filled with the greenish-white glare of a gasoline-pressure lighting system.

"I think I might take a little sackful of candy," said Mrs. Frake. "Maybe a package of chewing gum for after dinner tomorrow."

The Storekeeper took two doubtful steps, as if the proposition were much too dubitable to justify his actually going to the candy counter.

"There it is," said Abel Frake, with unconvincing bitterness, "just because you work me into a little bit of extravagance she thinks she has to throw away the whole family fortune."

"I'm just as much entitled to my candy as you are to your cigars, Abel Frake," said Melissa with an attempt at fierceness, pouting lips which were still red and firm. "I guess I will have some candy," she added defiantly, to the Storekeeper, for the five-hundred-and-twentieth time in ten years of fifty-two Saturdays each. "Maybe she could make those hens work harder, Abel," said one of the loafers. "You say they're her hens." But this was said for only the onehundred-

and-fourth time, for it had been invented only two years before. Again the sympathetic moan of laughter filled the bright, shadowy room.

Abel uttered a low groan. "What kind of candy will it be, Mrs. Frake?" asked the Storekeeper triumphantly, as though he had just accomplished a miracle of salesmanship.

Her eyes glowed over the assortment of cheap nougats, gum-drops, hard sugar candies with colored flowers on their ends, pasty candy bananas, chocolate creams of an early vintage. The Storekeeper waited as though a decision were being made — as though she would not finally take ten cents' worth of chocolate caramels "with just a few lemon drops and a few pink peppermints — Margy likes them".

"I think," she said finally, "I'll take ten cents' worth of hard chocolates with just a few lemon drops and a few pink peppermints — Margy likes them." The Storekeeper weighed out twelve cents' worth of candy.

"And a package of Bloodmint Gum." Hastily. It was the five-hundred-and- twentieth afterthought of the ten years.

"How's Blue Boy looking, Abel?" The Storekeeper looked up over his scales, which showed that he was about to make one-fourth of a cent on a fifteen-cent transaction.

"Going to take him out of stud pretty soon. If he doesn't take sweepstakes at the Fair this year it's just about going to break up the whole Frake family — including Eph." Eph was the Hired Man. "Looks better than he looked last year — when he should've had it. They're going to have to raise some powerful hogs if they keep him out of the grand award this year."

The store door protested and opened, and two women entered. There was a babel of "Why, Melissa!" — "Why, Martha!" — "Alice, did you get that hat over in Pittsville?" and the three ladies withdrew to the show window — which was full of sacks of chickenfeed — disposed themselves comfortably on the sacks and began to talk in low but animated voices.

The loafers, with the Storekeeper and Abel Frake, on the other hand moved to the darker portion of the store near the ready-made suits. It was the Brunswick equivalent of the ladies' retirement to the drawing-room. A mild but hearty spirit of celebration filled the place. It was Saturday — eight-thirty, the very height of the evening.

The Storekeeper dropped his professional manner — very superficial at best — without any perceptible effort. The experiences of twenty years of country storekeeping had lined the Storekeeper's face with amiable, ironic lines. He believed, with Jack London's Sea Wolf, that Heaven ordains all things for the worst — but more mischievously than tragically. He thought of God as a slightly perverse, omnipotent small child, breaking His jam jars all over the Storekeeper's life. He gathered up the pieces and shook his finger at God.

"There's just one thing you want to watch out for, Abel," he said seriously. "Don't let your hog get too good."

Abel grinned as he awaited the resolution of this statement, for all Brunswick knew that the Storekeeper was slightly and amusingly mad. They respected his madness, for when the World War started he had crammed his store with stock, explaining that it was beyond belief that our Senators and Representatives in Congress should show the slight intelligence necessary to keep us out of it, and that prices would be higher. As a result he was now almost as well-to-do as Abel Frake.

"Because if he's the best hog, Abel, he'll never win the sweepstakes. If a hog, or a man, ever got what he was entitled to once, the eternal stars would quit making melody in their spheres, and all that. You have him about third or fourth best, Abel, and you'll do better, mark my words."

The loafers looked at each other and grinned. Abel smiled his thoughtful, almost wistful, smile and slapped the Storekeeper gently on the shoulder. "I'm going to have that hog in the finest shape I can possibly get him into, and never fear but what if he's the best he'll get the prize. Those men from Ames know their hogs."

"All right," said the Storekeeper, with humorous gloom, "but did you ever hear about automobile wrecks? Did you ever hear about lightning? Did you ever hear about earthquakes or hog cholera or acts of God? Suppose — as you're supposing, I don't suppose it — the judges should be good judges and suppose, even, they should be honest. What about hurricanes? Don't you get that hog too good."

Abel Frake laughed and took a cigar, which he had been fingering gently for some minutes, out of his coat pocket. "Guess I better smoke this," he said. "I've been looking forward to smoking these cigars, and now you've got me into the idea that probably they won't be much good. If they ain't you've got to take the other two back."

"Cigars," said the Storekeeper, "are something else. Providence has to keep its hands off cigars. If that cigar isn't a comfort and an inspiration, it'll only be because a tidal wave fell on it between Havana and here." The Storekeeper thought only in major catastrophes.

Abel split the tip of the cigar with an expert squeeze — the Storekeeper had shown him that trick — and lit it from the match which the Storekeeper held. He let the smoke curl up under his nose and smiled. He sighed with contentment.

"All right," he said, "you've taught me ways of prodigality and waste. You're the kind of a man that would lead a poor farmer to his ruin with your three-for-a-quarter cigars."

"Just as well be ruined one way as another," said the Storekeeper calmly. "If you didn't spend it on cigars you'd probably spend it on Bible tracts to annoy heathens, or for orphanages to soothe the consciences of people who don't want to be bothered looking out for orphans. You might even spend it on slop for that hog of yours. Aren't you going to permit yourself a little indulgence now and then? Are you going to spend your life seeing that that animated lard can astonishes civilization with the world's largest sausage-casings?"

Abel frowned at the Storekeeper. "Call me all the names you want to, but don't say anything against that hog. I've got faith in my hog. I believe in my hog."

"Yes," said the Storekeeper, "if there was anything lacking to beat your But-for-the-grace-of-God-shoat I suppose what you've just said would do it. I suppose he's so fat and mean-natured now that nothing could possibly keep him from being the best hog at the show. Well, that's Item One. Item Two, you're all set on him, so he's just as good as beat this very minute."

Abel Frake laughed deep in his throat, but quietly. "Blue Boy is the best Hampshire boar that ever breathed, right now. And, what's more, the judges will say so."

The Storekeeper looked at him thoughtfully. "They don't always work any way you could see Them. Your pig might win the prize, but your house would burn down or you'd catch rheumatism. You can't get away from Them."

Everyone within miles of Brunswick understood "Them" so well that there was no question. Abel Frake grinned at the Storekeeper.

"I'll make you a little bet. I'll bet you I go to the State Fair, and I'll bet you that Blue Boy wins sweepstakes, and I'll bet you my house doesn't burn down and that we all have a good time and are better off for it when the whole Fair is over."

"Abel," said the Storekeeper solemnly, "if you'd asked me I'd have given you ten to one. But you didn't ask me. I'm one to profit from a fellow-man's misfortunes; so I'll bet you. And I bet you that if I lose, something will've happened that we don't know about but that will be worse than anything you can think of. They're tricky."

Abel laughed. "But that way you can't lose. If we don't know of anything that happened, then you can just say that something happened we don't know about. How do I win?"

"If we don't learn about it by a couple of months after Fair time, I'll pay. I don't think They'll bother so much with you."

"It's a bet, then."

"It's a bet," said the Storekeeper, gravely and confidently, as though he had just bet on the rising of the sun. "I started me a little Fool Fund Wednesday. I got five dollars in it already and this will make ten."

"Fool Fund! What's that?"

"People think I'm a fool because I've got a notion of what things are all about. So I've begun to capitalize on that opinion. I took the Kellogg- Birge man from Keobuk for five dollars — the first five."

The loafers all laughed expectantly, for a story which they had already heard several times and liked, and Abel asked, "How did you do that?"

"Well, he came in here, and I said something about Hoover was going to be re-elected because there was no one in the country more markedly and pre-eminently unfitted for public office, and so he was a safe bet. This traveling-man said I was crazy about Hoover being re-elected and I was also crazy in general because there is a destiny that shapes our ends. So I made him a little bet and won five dollars."

"What was the bet?"

The Storekeeper looked mildly bored. "I said if you was driving nails in a board and reaching behind you for the nails, it would be arranged so that you would pick up more of the nails by the point, and have to turn them over, than you would pick up by the head end so that you could drive them without any trouble. Out of a hundred nails."

"Tell him how it come out," said one of the loafers who had heard a dozen times at least.

"It came out seventy-three to twenty-seven, so I took the money."

Abel laughed. "I'm glad you won five dollars so easy, because it will make me feel better about taking your money after the Fair. Your Fool Fund is going to wind up with no assets and no liabilities just two months after Fair Week."

The Storekeeper shook his head. "Except for the five dollars, which anyone in the general merchandising business can use, I sure hope so." There was a faint flurry at the front of the store. "Abel! Do you suppose we ought to be getting back? The Hired Man went over to Pittsville and there isn't a soul on the place."

"Took his wife and kids over to the moving pictures," Abel explained to the loafers — even such simple things were worthy of explanation. "I think it's worth while for him to get out occasionally."

He moved up to the front of the store and the Storekeeper followed him. The loafers settled down to another hour of conversation before the Storekeeper's closing time.

"Good night!"

"Good night, Mrs. Frake. You got your sack of candy?" "Never fear I'd forget that." She went out, laughing.


The children of Iowa farmers find love, with mixed results, at the state fair.

Release Date: February 10, 1933
Release Time: 97 minutes

Director: Henry King

Cast:
Janet Gaynor as Margy Frake
Will Rogers as Abel Frake
Lew Ayres as Pat Gilbert
Sally Eilers as Emily Joyce
Norman Foster as Wayne Frake
Louise Dresser as Melissa Frake
Frank Craven as Storekeeper
Victor Jory as Hoop Toss Barker
Frank Melton as Harry Ware
Erville Alderson as Martin(uncredited)
Hobart Cavanaugh as Professor Fred Coin(uncredited)
Harry Holman as Professor Tyler Cramp(uncredited)

Awards:
1933 Academy Awards
Paul Green, Sonya Levien - Best Writing (Adaptation) - Nominated
Outstanding Production - Nominated



1945  /  1962



Author Bio:
Philip Duffield Stong (January 27, 1899 – April 26, 1957) was an American author, journalist and Hollywood scenarist. He is best known for writing the novel State Fair, on which three films (1933, 1945, and 1962) and the hit Rodgers and Hammerstein musical were based. Phil Stong's children's classic, Honk the Moose, illustrated by Kurt Wiese, was placed on Cattermole's 100 Best Children's Books of the 20th Century list and was 1936 Newbery Honor Book. Honk the Moose also won the Lewis Carroll Shelf Award in 1970.

Stong was born in Pittsburg, Iowa, a village no longer found on maps. Pittsburg was on the west side of the Des Moines River in southeast Iowa's Van Buren county. Young Phil was the son of Benjamin and Ada Evesta Duffield Stong. Father Ben ran a general store in Pittsburg and then later a variety store in Keosauqua, the county seat of Van Buren County, where he was also postmaster.

Phil Stong attended both elementary school and high school in Keosauqua and then went to Drake University in Des Moines, Iowa.

As a boy, Stong loved to read, especially works by Mark Twain, and decided to be a writer in his teens when he sold his first magazine story for $1. After graduation in 1919 he taught in the high school at Biwabik, Minnesota, a town on the Mesabi Iron Range north of Duluth. The young man found life in Biwabik fascinating because of the many different ethnic groups living in the area. Later, Stong set a novel, The Iron Mountain, and a children's book, Honk the Moose, in the Iron Range. Honk the Moose is recognized as a children’s classic and the people in the book were based on real folks and many of the buildings in the book are still standing. In the year 2000, Biwabik finally ordered and installed a big fiberglass moose in the town square, commemorating Honk.

Although Phil Stong enjoyed working as a teacher, he continued to strive to become a creative writer and eventually turned from teaching to the practice of journalism. When the opportunity arose, he went to work as a reporter and editorial writer for the Des Moines Register. In 1925, at age 26, Stong returned to New York, where he worked first as a wire editor for the Associated Press and then as a copy editor and feature writer for the North American Newspaper Alliance. In 1927 he went to Boston to interview Nicola Sacco and Bartolomeo Vanzetti just before their execution, an experience he considered one of the most important in his life. Later, he was with the magazines Liberty and Editor and Publisher, and then Sunday feature editor of the newspaper the New York World, and finally an advertising writer for Young and Rubicam Advertising Agency.

On November 8, 1925, at the time he moved to New York, Phil Stong married Virginia Maude Swain, a reporter on the Register's sister newspaper, the Tribune.

Stong credited his wife with encouraging him in his writing. When reminiscing about the beginnings of his most famous novel, State Fair, Stong later said, "I was working in the publicity department of one of the few good advertising firms in the world when Mrs. Stong suggested that I do something about my native State's great harvest festival, the Fair.” This happened in the summer of 1931. On July 28, he wrote to family back in Iowa: "I've finally got a novel coming in fine shape. I've done 10,000 words on it in three days and I get more enthusiastic every day. . . . I hope I can hold up this time. I always write 10,000 swell words and then go to pieces.”

State fairs were a subject that Phil Stong knew well. For several years his grandfather had been superintendent of the swine division at the Iowa State Fair. Stong attended his first Iowa State Fair in 1908 and got lost trying to find his parents' tent on the campgrounds.

He never got lost at the fair again. Then, while a reporter with the Des Moines Register, Stong was assigned to cover the evening stock shows at the fair. American agricultural fairs were and still are a combination of education and festivity, and State Fair is very much an Iowa book, filled with incidents and details from the author's own life. While the setting of a state fair in the early part of the twentieth century is accurately portrayed, Stong was of course writing as a novelist and not as a historian. The author was creating an artistic representation of the fair, not presenting the literal truth, and his novel bubbles with whimsy and humor.

State Fair was Stong's thirteenth novel and first book to be published. After its success, Phil Stong went on to write more than forty books, many of them set in the Keosauqua area. When not writing adult fiction, he tried his hand at children's books. "I use the pieces to clear my throat between books to remind myself that direction, simplicity, and suspense are the sine qua non of all narrative writing." His favorite among his own books was Buckskin Breeches (1937), a historical novel based on his grandfather Duffield's memories of frontier Iowa.

With the income he earned from State Fair and selling the film rights, Stong was able to buy his pride and joy, the 400-acre Linwood Farm that had once belonged to his mother's family just north of the ghost town of Pittsburg on the west side of the Des Moines River.

In addition to his novels, his short stories were published in most of the leading national magazines of the time, and he wrote several screenplays. Stong's The Other Worlds: 25 Modern Stories of Mystery and Imagination, was considered by Robert Silverberg (in the foreword to Best of the Best: 20 Years of the Year's Best Science Fiction) to be the first anthology of science fiction. Compiling stories from 1930s pulp magazines, along with what Stong called "Scientifiction", The Other Worlds also contained works of horror and fantasy.

Phil Stong died at his home in Washington, Connecticut, in 1957, and was buried at Oak Lawn Cemetery in Keosauqua.

About his writing career, he once said, "Fell while trying to clamber out of a low bathtub at the age of two. Became a writer. No other possible career."


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