Showing posts with label michael shaara. Show all posts
Showing posts with label michael shaara. Show all posts

Friday, April 5, 2024

⚾️πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜⚾️: For Love of the Game by Michael Shaara



Summary:

Billy Chapel is a baseball legend, after seventeen seasons a sure Hall of Famer. He is a man who has retained the endearing qualities of youth, a man who has devoted his life to the game he loves and plays so well. But because of his unsurpassed skill and innocent faith, he has been betrayed.

It's the final game of the season, and Billy's got one last chance to prove who he is and what he can do, a chance to prove what really matters in this life. 

A taut, compelling story of one man's coming of age, For the Love of the Game is Michael Shaara's final novel, the classic finish to a brilliantly distinguished literary career.

With an introduction by New York Times bestselling author Jeff Shaara.



The Hotel
Chapel checked into the usual hotel just after dark. He was deeply in the mood for an elegant supper in that elegant town with that elegant girl, but she didn’t come. He put some music on the cassette player he always carried with him in the suitcase and lay down to rest and dream and wait, listening to Brahms. She was often late. She sometimes took time to make herself look spectacular and he didn’t mind that at all, no hurry, he could always stand hunger. Music ended. No phone call. He turned on the TV. Nothing much. He thought: hell, let’s have dinner here. Comfy dinner. Cozy dessert. Warm warm warm. You pitch tomorrow anyway. So … so what? Chapel finally looked at his watch. More than half an hour. Unusual. Give her a buzz? No. Not Carol. Don’t prod Carol. Not yet. Not that girl. Patience, lad, patience. He lay back on the bed and shifted to an old cassette of Neil Diamond — “I am, I said, to no one there, and no one heard at all, not even a chair ….” Carol did not come.

By nine o’clock he knew something had gone wrong. Never this late. She would have called. In four years — it was that long! Amazing! — she was sometimes more than a half hour late and then always apologized and damn near went down on her knees — oh, yes, how well do I remember. She got down on her knees once and kissed me from that position, and we laughed, and loved, and laughed all that night. Where the hell? Something wrong. Must call. No. Don’t call office. Chapel called her home phone number. Let it ring. No answer. Well. She got sent off somewhere. She’ll try to call, I know. He called the desk. 

“Yessir, Mr. Chapel, how you doin’?” 

“I’m doin’ fine. Listen, I’m waiting for a call from a woman named Grey, Carol Grey. If it comes, make sure you put that one through. Carol Grey. Got it?” 

It was standard down there for them to keep people away from him, especially as the hours got late, and the phone in his room rarely rang, so he wanted there to be no mistake about Carol. 

“Gotcha. Carol Grey. Will do. Hey, Mr. Chapel, you pitchin’ tomorra?” 

“Yep. Far as I know.” 

“Hey, man, you put em down. Okay? I ain’t no fan of them guys. They snotnoses, and thassafack. Good luck to ya. Well, sir, good night now, sir. I got your lady’s name. Carol Grey. Will put her right on through, soon as she calls. Luck, Mr. Chapel.” 

Chapel hung up and lay down and watched television. 

Christ.

Think she got hurt? 

In this damn town they get mugged. But … she’s been here long enough to take care of herself. Knows what she’s doin’. Girl takes care of herself. Great faith in — not girl. Woman. She’s aware of that. She is … thirty-four. Birthday? Yes. Remember? Last month, August — she’s a Leo, her regal royal highness — boy, did we celebrate. But — she got very drunk. Unusual now for that girl. Always could hold the stuff. He saw the image clearly in his mind for one long moment: that long tall blonde lovely girl kneeling on the bed in a half slip, hair wildly flowing across her face, tangled, eyes glazed, one arm waving vaguely, giving the queen’s speech, and then she fell forward in such a way as to hurt herself if he hadn’t caught her. She passed out that night. Yep. She did. He remembered tenderly fondly drunkenly tucking her in and the way she reached out for him with both arms and hugged him for one long silent moment, so tightly he had to gasp, and then she faded away, and he sat there for a long time in the dark, with the music, hoping she’d be okay and wouldn’t get sick, she never had before, and watching the light flow in from the window across that splendid face — but there was sadness on that face, and she dreamed a bad dream — what the hell about? — groaned, tossed. That night he thought it was only too much drinking. That was birthday number … thirty-four. So. Some birthdays are special. Maybe to her that night there was something … she couldn’t talk about. She doesn’t talk about sad things. But sad birthdays? Chapel was thirty-seven. He sat there sinking into a chair, watching a TV series of lovely girls: Charley’s Angels …. What was the birthday that mattered to you? From … twenty-nine to thirty. Oh, well. From boy to man. In one whole day. 

Where the hell is she? 

She didn’t get hurt in a car. Hell, doesn’t even drive in this town. But could some dumb bastard have hit her cab, some drunken bastard? Possible. In this town they drive like … blink. Let that go. Chapel’s parents had died in a car wreck years ago. Memories of some things … get in the way. Erase that. Clear the mechanism … go on waiting. No phone call. Back to Brahms. Academic Festival Overture. Didn’t fit. He cut to silence. Food? Room service? No. Don’t just sit here. He called the desk, told them he’d be down in the restaurant if Carol called. He put on a jacket, knotted a rare tie, went down and had something. They knew where to seat him and he was off by himself, but the waiter knew him, a man he called Soho, with an English accent which was not fake, and the waiter wanted to know if he was going to pitch tomorrow. 

He went back up to his room and waited, but Carol didn’t come. He was pitching the next day; there were only two days left in the season and two games left and it was his last outing and then he was free. Last time out so … rest. But do you rest … when she doesn’t come. Why didn’t she come? She’ll tell you tomorrow. Very good sensible decent kind honest patient gentle reason. So let it go and think of something sober and industrious and the end of the season and going to ski in New Zealand in the winter and … rest. Have often stayed up all night before a game. Pride yourself on that. So did the Babe. Right? Right-ho. So. He listened to music but felt wounded doing that, alone, and laughed at himself and went back to TV, and what came in on the late show was Arsenic and Old Lace. That was a very funny movie coming back from his childhood and he really began to watch, began to laugh. Cary Grant was, ah, magnificent, and then that deathless line: “Insanity runs in the family. It practically gallops.” He loved that all over again — wish she was here to share the funny moments of this one, this was special, one of the great ones, but — nobody there. She would have really enjoyed this … wouldn’t she? Ole Carol? Now that girl has a sense of humor. She’s first of all a doll, a natural-born doll, she has a marvelous figure, and she … is as funny a girl as I’ve ever known. Right. That time, oh my God, the time she showed up wearing that wig to the hotel, speaking with a magnificent French accent: “Je voudrais something something. Mais oui? May we? EnchantΓ©, mess you, you mess you. EnchantΓ©, the moment he entered her. First time he ever broke up laughing while trying to make love to a lovely girl. That night … was a spectacular night. She certainly never cried. Never have seen her cry. Could she be crying tonight? Christ, is she all right? Call hospitals? 

Dope. 

Too many hospitals in this town. 

She could have called. 

If she could. 

Couldn’t. 

Run off with another … chap.

Possible. 

Definitely possible. 

Carol? 

Would she do that? 

Not without … telling you. 

Well, then. What do you think? 

She’s hurt. 

Christ. 

Nothing to do now. 

Pitch tomorrow. 

He turned off the TV and the music and lay for a long while in the dark. Season ends. We go back to New Zealand, like we did last year. He lay remembering skiing in the white New Zealand snow with Carol, down a glacier once, and the blue lake at Queenstown, and the mountains to the west on the South Island, over where they mined jade rock, and the lakes, the hills, as beautiful a place as there was on this earth. He went back to music, something very soft, and fell asleep. It was at that time past five in the morning. 


Phone rang. Chapel groped, gathered. 

“Hey there, Mr. Chapel. Wake-up call. Nine-thirty, sir.” 

“Um. Right. Thanks.”

“One thing, Mr. Chapel. You remember that little bucket of baseballs you said you’d autograph? How ’bout that? They done? I can have Louie pick ’em up when he brings the coffee.” 

“Oh. Oh, fine. Okay.” 

“Right. Then he’ll be up in a few minutes.” 

“Check.” 

“Hey, Mr. Chapel, you pitchin’ today?” 

“Ah. Think so.” 

“Shucks. Now, please don’t be hard on those boys, Mr. Chapel. They need this one. You know. Listen, today, why don’t you just take a good rest. You sure deserve it.” 

“Well.” 

“Sorry. But I’m behind my boys. Well, sir, have a good day.” 

Chapel hung up, stared across the nightstand at the small bucket of fresh new white baseballs. She never called. Got to sign those. Gee. I don’t sign well. Never can read the blinkin’ name. Why didn’t she call? He reached out for the baseballs, saw underneath the bucket a layer of pictures he’d taken in New Zealand last year and had blown up, Carol on skis — they were together for Gus to see. Gus wants to go to New Zealand. We had plans. Boy oh boy. Calmly. “ ’Tis the early morning,” as Mom used to put it. Coffee and calm. But why in hell … clear the mechanism.

Chapel stood, searched round for a pen, drank a glass of cold water, then sat down on the big chair and started signing the baseballs, about twenty of them, for a club of injured kids. 

His name was William Edward Chapel, but he signed as he was known: Billy Chapel. He been pitching in the major leagues for one team only, had never changed teams in seventeen years. That was very unusual in the major leagues now, but it had not been when he first came up to make his debut at the age of twenty, and he had never wanted to go anywhere else. He was considered by most experts to have been one of the great pitchers in baseball history; his records were already ranked with those of Koufax and Feller and Spahn and Christy Mathewson, and though he was now thirty-seven years old and pitching these days with a last-place team which had gone far downhill in the past few years and so had not at all helped his numbers in the record books, he had begun to be regarded, at the age of thirty-seven, as one of the grand old men of baseball and he knew that well. He loved the game. He had loved it naturally all his life, since his first game as a small boy. He was a tall man, slim, long-armed, dark-haired, with gray hair at the temples, and his face had become widely known across the country because of a series of commercials he’d done on television and wished he hadn’t done, and he had dark eyes, a sharp, pointed nose, and the thing about his face that always seemed to radiate when he was out on the mound was that he had the eyes of a winner. He looked at you and smiled. And won. He did not do much talking to anybody. He liked all kinds of music and all sorts of reading and travel, and he didn’t argue with umpires or get into fights. He was a wandering man who had loved airplanes along with baseball and who had never married, although the next thing he had always loved, after the game, and flying, had always been women. He had known many beautiful girls. He had never been in love with one and had never even used the word. He was in many ways still very young in the mind and he was aware of that. Billy Boy, Billy Boy, you’ll have to grow up someday. He would. He had been … attached to that one woman, Carol Grey, the delightful blonde, for four years, and it was a long time now that he had taken no other woman but her anywhere. She had been married once — badly; the scars there were still rather obvious and she did not want any more of that. She did not want children. If she ever married again it would be to a rich and older man who tired easily and rested a lot and left her alone in a lovely house. She worked in this town for a publisher — now a full-scale editor with a growing reputation — but she traveled often to see him during the season and he came to be with or near her when the season was done, although his home base was the high country out in Colorado, and they had had four very good years, years which admittedly confusingly got better and better. Very well educated, well read, lovely girl with great social grace, spending most of her spare time with a big kid baseball player. They smiled when they saw each other. Had from the beginning. Never anything complex or serious. She came to him to relax and laugh and giggle and play games, and ski and fly airplanes and never fight. Never once. Over anything at all. Disagree: yes. Tactfully, quietly. Over in a moment. Knew little of the mountains, and he’d taken her … many places. Taught her to ski. In two weeks they were scheduled to be heading for New Zealand. And … she didn’t show. 

Chapel signed the last baseball. Looked at his watch. Almost ten. She’d be in her office. If …. He knew the number. Dialed. 

So long to answer. Always. Ring ring ring. Then, at last: 

“Hell-llo. Rogers and Stein Publishing. Can I help you?” 

“Like to speak to Miss Grey, please. Carol Grey. Is she in?” 

“Just a moment.” Pause. “Oh, hey, is this Mr. Chapel? Billy Chapel? Is that whom I’m speaking to?” 

“Right. It’s me. Is Carol there?” 

“Well, hello, Mr. Chapel. How you doin’? Nice to hear from you. Ah. Just a minute. One minute. What? No. Oh. Mr. Chapel, sorry, but she’s not in her office. They don’t know where she is. I’ll have her paged.” Pause. “Well now, are you pitchin’ today, Mr. Chapel?” 

“Guess so.” Waiting. 

“Golly, Mr. C. — you take it easy today on our fellas, you hear? Our boys need that game today, and your fellas don’t. Isn’t that so? Your team is last, so it sure don’t matter to you, but I tell you, here around this office, the way people are excited …. Oh. I see. Ah, Carol’s gone out. She’ll be back in a bit, but nobody knows when. Maybe not this morning. Well. Any message you’d like to leave?”

Pause. She must be … okay. Unhurt. Just there. He said: “No message.” Pause. “Just … tell her I called.” 

“I’ll sure do that. Gee, I’m sorry about that ball-game stuff. But I have to root for my team, you understand that. You, of all people. I mean, I hope you don’t lose, ’cause I sure think the world of you, I mean, who doesn’t? But I hope your team loses. Well. Nice to talk to you.” 

Chapel put down the phone. 

Strange cold morning. Odd weather we’re having. 

She’s gone to work. So. Health … no problem. Well. Something happened last night … with the family. Bad news. Don’t jump up and down, Billy. Never had a problem with that girl. Now finally a problem. So all right. Calmly. Maybe you can help. Maybe she’ll need you. Patience, Billy Boy. 

Knock on the door. Chapel pivoted: the door, unlocked, swung slightly open, the big round bearded face of Gus Osinski, the catcher, peeked round the bend. 

“Hey, man, is she decent?” Gus squinted round, searching for Carol, assumed she was in the bathroom. “I come in?” 

He came into the room, a mass of pictures and brochures tucked against his great chest. He plopped them on the bed. No one but Gus would have opened the door at this time of the morning. He was Chapel’s closest friend. Chapel’s team changed every year, none but Chapel had stayed for long, and Gus had only been around for about four years, yet of all the catchers Chapel had known, he worked best with Gus. A plan had been building to get together after the season and head for New Zealand, where Gus had never been, and Chapel had supplied Gus with a mass of information. The big man patted a mound of pictures, gave that massive grin. 

“Man, these kept me up half the night. I showed ’em to Bobbie and I tell you, she’s hooked. When do we go? Set the date. Glaciers, for Chrissake. I never seen a glacier. Whole damn frozen river. You know I don’t ski? I don’t. Not me. Christ, I’d be the biggest snowball since — but Bobbie can ski. She has two weeks easy, maybe three, from the airline, so set the date. It’s spring there already, right? Here … two days left in September. What time is that in New Zealand? September, October. How do you work that out?” 

“Figure the opposite,” Chapel said. 

“Which?”


It's the last day of baseball season at Yankee Stadium and 56,000 fans are wondering if 40-year-old Detroit Tiger pitcher, Billy Chapel, will complete what has been eight innings of a perfect game. But Billy has more than baseball on his mind today.

Release Date: September 17, 1999
Release Time: 138 minutes

Director: Sam Raimi

Cast:
Kevin Costner as Billy Chapel
Kelly Preston as Jane Aubrey
John C. Reilly as Gus Sinski
Jena Malone as Heather
Brian Cox as Gary Wheeler
J. K. Simmons as Frank Perry
Vin Scully, Steve Lyons, & Bob Sheppard as themselves
Carmine Giovinazzo as Ken Strout
Bill E. Rogers as Davis Birch
Hugh Ross as Mike Udall
Greer Barnes as Mickey Hart
Scott Bream as Brian Whitt
Jose Mota as Jose Garcia
Earl Johnson as Marcus Random
Chris Lemonis as Lee Giordano
Jesse Ibarra as Dennis Skinner
Pedro Swann as Juan Vasquez
Michael Rivera as Jimmy Pena
Dave Eiland as Relief Pitcher
Joe Lisi as Pete
Jim Colborn as 3rd Base Coach
Paul Bradshaw as Tiger Pitching Coach
Gene Kirley as Tiger Bench Coach
Chris Fischer as Detroit Tiger
Jon M. McDonnell as Detroit Tiger
Barry Bradford as Detroit Tiger
Kevin Craig West as Detroit Tiger
Wes Said Drake as Detroit Tiger
Luis Moro as Detroit Tiger
Michael Papajohn as Sam Tuttle
John Darjean Jr. as Jonathan Warble
Donzell McDonald as Lenny Howell
Scott Pose as Matt Crane
Vick Brown as Jesus Cabrillo
Chris Ashby as Nardini
Bill Masse as Mike Robinson
Mike Buddie as Jack Spellman
Eric Knowles as Ted Franklin
Ricky Ledee as Ruiz
Juan Nieves as Francisco Delgado
Augie Garrido as Yankee Manager
Rick Reed as Home Plate Umpire
Rich Garcia as 1st Base Umpire
Jerry Crawford as 2nd Base Umpire
William Newman as Fitch
Daniel Dae Kim as E.R. Doctor



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Michael Shaara
Michael Shaara was born in Jersey City in 1929 and graduated from Rutgers University in 1951. His early science fiction short stories were published in Galaxy magazine in 1952. He later began writing other works of fiction and published more than seventy short stories in many magazines, including The Saturday Evening Post, Cosmopolitan, and Redbook. His first novel, The Broken Place, was published in 1968. But it was a simple family vacation to Gettysburg, Pennsylvania, in 1966 that gave him the inspiration for his greatest achievement, the Pulitzer Prize-winning novel The Killer Angels, published in 1974. Michael Shaara went on to write two more novels, The Noah Conspiracy and For Love of the Game, which was published posthumously after his death in 1988.


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Friday, July 7, 2023

πŸŽ‡πŸ“˜πŸŽ₯Friday's Film Adaptation(Independence Day Edition)πŸŽ₯πŸ“˜πŸŽ‡: The Killer Angels by Michael Shaara



Summary:

Civil War Trilogy #2
“My favorite historical novel . . . a superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant.”—James M. McPherson
 
In the four most bloody and courageous days of our nation’s history, two armies fought for two conflicting dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Bright futures, untested innocence, and pristine beauty were also the casualties of war. Michael Shaara’s Pulitzer Prize–winning masterpiece is unique, sweeping, unforgettable—the dramatic story of the battleground for America’s destiny.

Praise for The Killer Angels
“Remarkable . . . a book that changed my life . . . I had never visited Gettysburg, knew almost nothing about that battle before I read the book, but here it all came alive.”—Ken Burns

“Shaara carries [the reader] swiftly and dramatically to a climax as exciting as if it were being heard for the first time.”—The Seattle Times

“Utterly absorbing.”—Forbes



1. THE SPY
He rode into the dark of the woods and dismounted. He crawled upward on his belly over cool rocks out into the sunlight, and suddenly he was in the open and he could see for miles, and there was the whole vast army below him, filling the valley like a smoking river. It came out of a blue rainstorm in the east and overflowed the narrow valley road, coiling along a stream, narrowing and choking at a white bridge, fading out into the yellowish dust of June but still visible on the farther road beyond the blue hills, spiked with flags and guidons like a great chopped bristly snake, the snake ending headless in a blue wall of summer rain.

The spy tucked himself behind a boulder and began counting flags. Must be twenty thousand men, visible all at once. Two whole Union Corps. He could make out the familiar black hats of the Iron Brigade, troops belonging to John Reynold’s First Corps. He looked at his watch, noted the time. They were coming very fast. The Army of the Potomac had never moved this fast. The day was murderously hot and there was no wind and the dust hung above the army like a yellow veil. He thought: there’ll be some of them die of the heat today. But they are coming faster than they ever came before.

He slipped back down into the cool dark and rode slowly downhill toward the silent empty country to the north. With luck he could make the Southern line before nightfall. After nightfall it would be dangerous. But he must not seem to hurry. The horse was already tired. And yet there was the pressure of that great blue army behind him, building like water behind a cracking dam. He rode out into the open, into the land between the armies.

There were fat Dutch barns, prim German orchards. But there were no cattle in the fields and no horses, and houses everywhere were empty and dark. He was alone in the heat and the silence, and then it began to rain and he rode head down into monstrous lightning. All his life he had been afraid of lightning but he kept riding. He did not know where the Southern headquarters was but he knew it had to be somewhere near Chambersburg. He had smelled out the shape of Lee’s army in all the rumors and bar talk and newspapers and hysteria he had drifted through all over eastern Pennsylvania, and on that day he was perhaps the only man alive who knew the positions of both armies. He carried the knowledge with a hot and lovely pride. Lee would be near Chambersburg, and wherever Lee was Longstreet would not be far away. So finding the headquarters was not the problem. The problem was riding through a picket line in the dark.

The rain grew worse. He could not even move in under a tree because of the lightning. He had to take care not to get lost. He rode quoting Shakespeare from memory, thinking of the picket line ahead somewhere in the dark. The sky opened and poured down on him and he rode on: It will be rain tonight: Let it come down. That was a speech of murderers. He had been an actor once. He had no stature and a small voice and there were no big parts for him until the war came, and now he was the only one who knew how good he was. If only they could see him work, old cold Longstreet and the rest. But everyone hated spies. I come a single spy. Wet single spy. But they come in whole battalions. The rain began to ease off and he spurred the horse to a trot. My kingdom for a horse. Jolly good line. He went on, reciting Henry the Fifth aloud: “Once more into the breech . . .”

Late that afternoon he came to a crossroad and the sign of much cavalry having passed this way a few hours ago. His own way led north to Chambersburg, but he knew that Longstreet would have to know who these people were so close to his line. He debated a moment at the crossroads, knowing there was no time. A delay would cost him daylight. Yet he was a man of pride and the tracks drew him. Perhaps it was only Jeb Stuart. The spy thought hopefully, wistfully: If it’s Stuart I can ask for an armed escort all the way home. He turned and followed the tracks. After a while he saw a farmhouse and a man standing out in a field, in a peach orchard, and he spurred that way. The man was small and bald with huge round arms and spoke very bad English. The spy went into his act: a simple-minded farmer seeking a runaway wife, terrified of soldiers. The bald man regarded him sweatily, disgustedly, told him the soldiers just gone by were “plu” soldiers, Yankees. The spy asked: What town lies yonder? and the farmer told him Gettysburg, but the name meant nothing. The spy turned and spurred back to the crossroads. Yankee cavalry meant John Buford’s column. Moving lickety-split. Where was Stuart? No escort now. He rode back again toward the blue hills. But the horse could not be pushed. He had to dismount and walk.

That was the last sign of Yankees. He was moving up across South Mountain; he was almost home. Beyond South Mountain was Lee and, of course, Longstreet. A strange friendship: grim and gambling Longstreet, formal and pious old Bobby Lee. The spy wondered at it, and then the rain began again, bringing more lightning but at least some cooler air, and he tucked himself in under his hat and went back to Hamlet. Old Jackson was dead. Good night, sweet Prince, and flights of angels sing thee to thy rest . . .

He rode into darkness. No longer any need to hurry. He left the roadway at last and moved out in to a field away from the lightning and the trees and sat in the rain to eat a lonely supper, trying to make up his mind whether it was worth the risk of going on. He was very close; he could begin to feel them up ahead. There was no way of knowing when or where, but suddenly they would be there in the road, stepping phantomlike out of the trees wearing those sick eerie smiles, and other men with guns would suddenly appear all around him, prodding him in the back with hard steel barrels, as you prod an animal, and he would have to be lucky, because few men rode out at night on good and honest business, not now, this night, in this invaded country.

He rode slowly up the road, not really thinking, just moving, reluctant to stop. He was weary. Fragments of Hamlet flickered in his brain: If it be not now, yet it will come. Ripeness is all. Now there’s a good part. A town ahead. A few lights. And then he struck the picket line.

There was a presence in the road, a liquid Southern voice. He saw them outlined in lightning, black ragged figures rising around him. A sudden lantern poured yellow light. He saw one bleak hawkish grinning face; hurriedly he mentioned Longstreet’s name. With some you postured and with some you groveled and with some you were imperious. But you could do that only by daylight, when you could see the faces and gauge the reaction. And now he was too tired and cold. He sat and shuddered: an insignificant man on a pale and muddy horse. He turned out to be lucky. There was a patient sergeant with a long gray beard who put him under guard and sent him along up the dark road to Longstreet’s headquarters.

He was not safe even now, but he could begin to relax. He rode up the long road between picket fires, and he could hear them singing in the rain, chasing each other in the dark of the trees. A fat and happy army, roasting meat and fresh bread, telling stories in the dark. He began to fall asleep on the horse; he was home. But they did not like to see him sleep, and one of them woke him up to remind him, cheerily, that if there was no one up there who knew him, why, then, unfortunately, they’d have to hang him, and the soldier said it just to see the look on his face, and the spy shivered, wondering, Why do there have to be men like that, men who enjoy another man’s dying?

Longstreet was not asleep. He lay on the cot watching the lightning flare in the door of the tent. It was very quiet in the grove and there was the sound of the raindrops continuing to fall from the trees although the rain had ended. When Sorrel touched him on the arm he was glad of it; he was thinking of his dead children.

“Sir? You asked to be awakened if Harrison came back.”

“Yes.” Longstreet got up quickly and put on the old blue robe and the carpet slippers. He was a very big man and he was full-bearded and wild-haired. He thought of the last time he’d seen the spy, back in Virginia, tiny man with a face like a weasel: “And where will your headquarters be, General, up there in Pennsylvania? ’Tis a big state indeed.” Him standing there with cold gold clutched in a dirty hand. And Longstreet had said icily, cheerily, “It will be where it will be. If you cannot find the headquarters of this whole army you cannot be much of a spy.” And the spy had said stiffly, “Scout, sir. I am a scout. And I am a patriot, sir.” Longstreet had grinned. We are all patriots. He stepped out into the light. He did not know what to expect. He had not really expected the spy to come back at all.

The little man was there: a soggy spectacle on a pale and spattered horse. He sat grinning wanly from under the floppy brim of a soaked and dripping hat. Lightning flared behind him; he touched his cap.

“Your servant, General. May I come down?”

Longstreet nodded. The guard backed off. Longstreet told Sorrel to get some coffee. The spy slithered down from the horse and stood grinning foolishly, shivering, mouth slack with fatigue.

“Well, sir”—the spy chuckled, teeth chattering—“you see, I was able to find you after all.”

Longstreet sat at the camp table on a wet seat, extracted a cigar, lighted it. The spy sat floppily, mouth still open, breathing deeply.

“It has been a long day. I’ve ridden hard all this day.”

“What have you got?”

“I came through the pickets at night, you know. That can be very touchy.”

Longstreet nodded. He watched, he waited. Sorrel came with steaming coffee; the cup burned Longstreet’s fingers. Sorrel sat, gazing curiously, distastefully at the spy.

The spy guzzled, then sniffed Longstreet’s fragrant smoke. Wistfully: “I say, General, I don’t suppose you’ve got another of those? Good Southern tobacco?”

“Directly,” Longstreet said. “What have you got?”

“I’ve got the position of the Union Army.”

Longstreet nodded, showing nothing. He had not known the Union Army was on the move, was within two hundred miles, was even this side of the Potomac, but he nodded and said nothing. The spy asked for a map and began pointing out the positions of the corps.

“They’re coming in seven corps. I figure at least eighty thousand men, possibly as much as a hundred thousand. When they’re all together they’ll outnumber you, but they’re not as strong as they were; the two-year enlistments are running out. The First Corps is here. The Eleventh is right behind it. John Reynolds is in command of the lead elements. I saw him at Taneytown this morning.”

“Reynolds,” Longstreet said.

“Yes, sir.”

“You saw him yourself?”

The spy grinned, nodded, rubbed his nose, chuckled. “So close I could touch him. It was Reynolds all right.”

“This morning. At Taneytown.”

“Exactly. You didn’t know any of that, now did you, General?” The spy bobbed his head with delight. “You didn’t even know they was on the move, did ye? I thought not. You wouldn’t be spread out so thin if you knowed they was comin’.”

Longstreet looked at Sorrel. The aide shrugged silently. If this was true, there would have been some word. Longstreet’s mind moved over it slowly. He said: “How did you know we were spread out?”

“I smelled it out.” The spy grinned, foxlike, toothy. “Listen, General, I’m good at this business.”

“Tell me what you know of our position.”

“Well, now I can’t be too exact on this, ’cause I aint scouted you myself, but I gather that you’re spread from York up to Harrisburg and then back to Chambersburg, with the main body around Chambersburg and General Lee just ’round the bend.”

It was exact. Longstreet thought: if this one knows it, they will know it. He said slowly, “We’ve had no word of Union movement.”

The spy bobbed with joy. “I knew it. Thass why I hurried. Came through that picket line in the dark and all. I don’t know if you realize, General—”

Sorrel said coldly, “Sir, don’t you think, if this man’s story was true, that we would have heard something?”


On July 1, 1863, more than 150,000 soldiers were drawn by fate to the defining moment of the Civil War.

Release Date: October 8, 1993
Release Time: 254 minutes
271 minutes (director's cut)

Director: Ronald F. Maxwell

Cast:
Union
Jeff Daniels as Colonel Joshua Chamberlain
Sam Elliott as Brigadier General John Buford
C. Thomas Howell as Lieutenant Thomas Chamberlain
Kevin Conway as Sergeant Buster Kilrain
Brian Mallon as Major General Winfield Scott Hancock
Buck Taylor as Colonel William Gamble
John Diehl as Private Joseph Bucklin
Joshua D. Maurer as Colonel James Clay Rice
John Rothman as Major General John F. Reynolds
Richard Anderson as Major General George Meade
Billy Campbell as Lieutenant Andrew Lewis Pitzer
David Carpenter as Colonel Thomas C. Devin
Maxwell Caulfield as Colonel Strong Vincent
Donal Logue as Captain Ellis Spear
Dwier Brown as Captain Brewer
Herb Mitchell as Sergeant Andrew J. Tozier
Emile O. Schmidt as Brigadier General John Gibbon

Confederate
Tom Berenger as Lieutenant General James Longstreet
Martin Sheen as General Robert E. Lee
Stephen Lang as Major General George Pickett
Richard Jordan as Brigadier General Lewis Armistead
Andrew Prine as Brigadier General Richard B. Garnett
Cooper Huckabee as Henry Thomas Harrison
Patrick Gorman as Major General John Bell Hood
Bo Brinkman as Major Walter H. Taylor
James Lancaster as Lieutenant Colonel Arthur Fremantle
W. Morgan Sheppard as Major General Isaac R. Trimble
Kieran Mulroney as Major Moxley Sorrel
James Patrick Stuart as Colonel Edward Porter Alexander
Tim Ruddy as Major Charles Marshall
Royce D. Applegate as Brigadier General James L. Kemper
Ivan Kane as Captain T. J. Goree
Warren Burton as Major General Henry Heth
MacIntyre Dixon as Major General Jubal Early
Joseph Fuqua as Major General J. E. B. Stuart
Tim Scott as Lieutenant General Richard S. Ewell
George Lazenby as Brigadier General J. Johnston Pettigrew
Graham Winton as Major General Robert E. Rodes





Author Bio:
Michael Shaara was born in Jersey City in 1929 and graduated from Rutgers University in 1951. His early science fiction short stories were published in Galaxy magazine in 1952. He later began writing other works of fiction and published more than seventy short stories in many magazines, including The Saturday Evening Post, Cosmopolitan, and Redbook. His first novel, The Broken Place, was published in 1968. But it was a simple family vacation to Gettysburg, Pennsylvania, in 1966 that gave him the inspiration for his greatest achievement, the Pulitzer Prize-winning novel The Killer Angels, published in 1974. Michael Shaara went on to write two more novels, The Noah Conspiracy and For Love of the Game, which was published posthumously after his death in 1988.


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The Killer Angels #2
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Friday, April 8, 2016

Friday's Film Adaption: The Killer Angels by Michael Shaara


Summary:
In the four most bloody and courageous days of our nation's history, two armies fought for two dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Shattered futures, forgotten innocence, and crippled beauty were also the casualties of war. The Killer Angels is unique, sweeping, unforgettable—a dramatic re-creation of the battleground for America's destiny.



Film
The beleaguered Union Army faces off with the Confederacy in a battle that could change the course of the Civil War.
Release Date: October 8, 1993
Release Time: 254 minutes
271 minutes (director's cut)

Cast:
Tom Berenger as Lieutenant General James Longstreet
Jeff Daniels as Colonel Joshua Chamberlain
Martin Sheen as General Robert E. Lee
Kevin Conway as Sergeant "Buster" Kilrain
C. Thomas Howell as Lieutenant Thomas Chamberlain
Richard Jordan as Brigadier General Lewis A. "Lo" Armistead
Richard Anderson as Major General George Meade
Royce D. Applegate as Brigadier General James L. Kemper
John Diehl as Private Joseph Bucklin
Maxwell Caulfield as Colonel Strong Vincent
Joshua D. Maurer as Colonel James Clay Rice
Patrick Gorman as Major General John Bell Hood
Cooper Huckabee as Henry Thomas Harrison
James Lancaster as Lieutenant Colonel Arthur Fremantle
Brian Mallon as Major General Winfield Scott Hancock
Andrew Prine as Brigadier General Richard B. Garnett
John Rothman as Major General John F. Reynolds
Tim Scott as Lieutenant General Richard S. Ewell
Morgan Sheppard as Major General Isaac R. Trimble and narrator
Stephen Lang as Major General George Pickett
Sam Elliott as Brigadier General John Buford
Joseph Fuqua as Major General J.E.B. Stuart
Bo Brinkman as Major Walter H. Taylor
Kieran Mulroney as Major Moxley Sorrel
James Patrick Stuart as Colonel Edward Porter Alexander
Warren Burton as Major General Henry Heth
Buck Taylor as Colonel William Gamble
David Carpenter as Colonel Thomas C. Devin
Donal Logue as Captain Ellis Spear
Herb Mitchell as Sergeant Andrew J. Tozier
Dwier Brown as Captain Brewer
George Lazenby as Confederate General J. Johnston Pettigrew


Trailer

Clips



Author Bio:
Michael Shaara was born in Jersey City in 1929 and graduated from Rutgers University in 1951. His early science fiction short stories were published in Galaxy magazine in 1952. He later began writing other works of fiction and published more than seventy short stories in many magazines, including The Saturday Evening Post, Cosmopolitan, and Redbook. His first novel, The Broken Place, was published in 1968. But it was a simple family vacation to Gettysburg, Pennsylvania, in 1966 that gave him the inspiration for his greatest achievement, the Pulitzer Prize-winning novel The Killer Angels, published in 1974. Michael Shaara went on to write two more novels, The Noah Conspiracy and For Love of the Game, which was published posthumously after his death in 1988.


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