Showing posts with label possession. Show all posts
Showing posts with label possession. Show all posts

Friday, November 1, 2024

πŸŽƒπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŽƒ: The Shining by Stephen King



Summary:

#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • Before Doctor Sleep, there was The Shining, a classic of modern American horror. Jack Torrance takes a job as the caretaker of the remote Overlook Hotel. As the brutal winter sets in, the hotel's dark secrets begin to unravel.

“An undisputed master of suspense and terror.” —The Washington Post

Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.



Jack Torrance thought: Officious little prick.

Ullman stood five-five, and when he moved, it was with the prissy speed that seems to be the exclusive domain of all small plump men. The part in his hair was exact, and his dark suit was sober but comforting. I am a man you can bring your problems to, that suit said to the paying customer. To the hired help it spoke more curtly: This had better be good, you. There was a red carnation in the lapel, perhaps so that no one on the street would
mistake Stuart Ullman for the local undertaker.

As he listened to Ullman speak, Jack admitted to himself that he probably could not have liked any man on that side of the desk—under the circumstances.

Ullman had asked a question he hadn’t caught. That was bad; Ullman was the type of man who would file such lapses away in a mental Rolodex for later consideration.

“I’m sorry?”

“I asked if your wife fully understood what you would be taking on here. And there’s your son, of course.” He glanced down at the application in front of him. “Daniel. Your wife isn’t a bit intimidated by the idea?”

“Wendy is an extraordinary woman.”

“And your son is also extraordinary?”

Jack smiled, a big wide PR smile. “We like to think so, I suppose. He’s quite self-reliant for a five-year-old.”

No returning smile from Ullman. He slipped Jack’s application back into a file. The file went into a drawer. The desk top was now completely bare except for a blotter, a telephone, a Tensor lamp, and an in/out basket. Both sides of the in/out were empty, too.

Ullman stood up and went to the file cabinet in the corner. “Step around the desk, if you will, Mr. Torrance. We’ll look at the hotel floor plans.”

He brought back five large sheets and set them down on the glossy walnut plane of the desk. Jack stood by his shoulder, very much aware of the scent of Ullman’s cologne. All my men wear English Leather or they wear nothing at all came into his mind for no reason at all, and he had to clamp his tongue between his teeth to keep in a bray of laughter. Beyond the wall, faintly, came the sounds of the Overlook Hotel’s kitchen, gearing down from lunch.

“Top floor,” Ullman said briskly. “The attic. Absolutely nothing up there now but bric-a-brac. The Overlook has changed hands several times since World War II and it seems that each successive manager has put everything they don’t want up in the attic. I want rattraps and poison bait sowed around in it. Some of the third-floor chambermaids say they have heard rustling noises. I don’t believe it, not for a moment, but there mustn’t even be that one-in-a-hundred chance that a single rat inhabits the Overlook Hotel.”

Jack, who suspected that every hotel in the world had a rat or two, held his tongue.

“Of course you wouldn’t allow your son up in the attic under any circumstances.”

“No,” Jack said, and flashed the big PR smile again. Humiliating situation. Did this officious little prick actually think he would allow his son to goof around in a rattrap attic full of junk furniture and God knew what else?

Ullman whisked away the attic floor plan and put it on the bottom of the pile.

“The Overlook has one hundred and ten guest quarters,” he said in a scholarly voice. “Thirty of them, all suites, are here on the third floor. Ten in the west wing (including the Presidential Suite), ten in the center, ten more in the east wing. All of them command magnificent views.”

Could you at least spare the salestalk?

But he kept quiet. He needed the job.

Ullman put the third floor on the bottom of the pile and they studied the second floor.
“Forty rooms,” Ullman said, “thirty doubles and ten singles. And on the first floor, twenty of each. Plus three linen closets on each floor, and a storeroom which is at the extreme east end of the hotel on the second floor and the extreme west end on the first. Questions?”

Jack shook his head. Ullman whisked the second and first floors away.

“Now. Lobby level. Here in the center is the registration desk. Behind it are the offices. The lobby runs for eighty feet in either direction from the desk. Over here in the west wing is the Overlook Dining Room and the Colorado Lounge. The banquet and ballroom facility is in the east wing. Questions?”

“Only about the basement,” Jack said. “For the winter caretaker, that’s the most important level of all. Where the action is, so to speak.”

“Watson will show you all that. The basement floor plan is on the boiler room wall.” He frowned impressively, perhaps to show that as manager, he did not concern himself with such mundane aspects of the Overlook’s operation as the boiler and the plumbing. “Might not be a bad idea to put some traps down there too. Just a minute...”

He scrawled a note on a pad he took from his inner coat pocket (each sheet bore the legend From the Desk of Stuart Ullman in bold black script), tore it off, and dropped it into the out basket. It sat there looking lonesome. The pad disappeared back into Ullman’s jacket pocket like the conclusion of a magician’s trick. Now you see it, Jacky-boy, now you don’t. This guy is a real heavyweight.

They had resumed their original positions, Ullman behind the desk and Jack in front of it, interviewer and interviewee, supplicant and reluctant patron. Ullman folded his neat little hands on the desk blotter and looked directly at Jack, a small, balding man in a banker’s suit and a quiet gray tie. The flower in his lapel was balanced off by a small lapel pin on the other side. It read simply STAFF  in small gold letters.

“I’ll be perfectly frank with you, Mr. Torrance. Albert Shockley is a powerful man with a large interest in the Overlook, which showed a profit this season for the first time in its history. Mr. Shockley also sits on the Board of Directors, but he is not a hotel man and he would be the first to admit this. But he has made his wishes in this caretaking matter quite obvious. He wants you hired. I will do so. But if I had been given a free hand in this matter, I would not have taken you on.”

Jack’s hands were clenched tightly in his lap, working against each other, sweating. Officious little prick, officious little prick, officious—

“I don’t believe you care much for me, Mr. Torrance. I don’t care. Certainly your feelings toward me play no part in my own belief that you are not right for the job. During the season that runs from May fifteenth to September thirtieth, the Overlook employs one hun- dred and ten people full-time; one for every room in the hotel, you might say. I don’t think many of them like me and I suspect that some of them think I’m a bit of a bastard. They would be correct in their judgment of my character. I have to be a bit of a bastard to run this hotel in the manner it deserves.”

He looked at Jack for comment, and Jack flashed the PR smile again, large and insultingly toothy.

Ullman said: “The Overlook was built in the years 1907 to 1909. The closest town is Sidewinder, forty miles east of here over roads that are closed from sometime in late October or November until sometime in April. A man named Robert Townley Watson built it, the grandfather of our present maintenance man. Vanderbilts have stayed here, and Rockefellers, and Astors, and Du Ponts. Four Presidents have stayed in the Presidential Suite. Wilson, Harding, Roosevelt, and Nixon.”

“I wouldn’t be too proud of Harding and Nixon,” Jack murmured.

Ullman frowned but went on regardless. “It proved too much for Mr. Watson, and he sold the hotel in 1915. It was sold again in 1922, in 1929, in 1936. It stood vacant until the end of World War II, when it was purchased and completely renovated by Horace Derwent, millionaire inventor, pilot, film producer, and entrepreneur.”

“I know the name,” Jack said.

“Yes. Everything he touched seemed to turn to gold... except the Overlook. He funneled over a million dollars into it before the first postwar guest ever stepped through its doors, turning a decrepit relic into a show- place. It was Derwent who added the roque court I saw you admiring when you arrived.”

“Roque? ”

“A British forebear of our croquet, Mr. Torrance. Croquet is bastardized roque. According to legend, Derwent learned the game from his social secretary and fell completely in love with it. Ours may be the finest roque court in America.”

“I wouldn’t doubt it,” Jack said gravely. A roque court, a topiary full of hedge animals out front, what next? A life-sized Uncle Wiggily game behind the equipment shed? He was getting very tired of Mr. Stuart Ullman, but he could see that Ullman wasn’t done. Ullman was going to have his say, every last word of it.

“When he had lost three million, Derwent sold it to a group of California investors. Their experience with the Overlook was equally bad. Just not hotel people.

“In 1970, Mr. Shockley and a group of his associates bought the hotel and turned its management over to me. We have also run in the red for several years, but I’m happy to say that the trust of the present owners in me has never wavered. Last year we broke even. And this year the Overlook’s accounts were written in black ink for the first time in almost seven decades.”

Jack supposed that this fussy little man’s pride was justified, and then his original dislike washed over him again in a wave.

He said: “I see no connection between the Overlook’s admittedly colorful history and your feeling that I’m wrong for the post, Mr. Ullman.”

“One reason that the Overlook has lost so much money lies in the depreciation that occurs each winter. It shortens the profit margin a great deal more than you might believe, Mr. Torrance. The winters are fantastically cruel. In order to cope with the problem, I’ve installed a full-time winter caretaker to run the boiler and to heat different parts of the hotel on a daily rotating basis. To repair breakage as it occurs and to do repairs, so the elements can’t get a foothold. To be constantly alert to any and every contingency. During our first winter I hired a family instead of a single man. There was a tragedy. A horrible tragedy.”

Ullman looked at Jack coolly and appraisingly.

“I made a mistake. I admit it freely. The man was a drunk.”

Jack felt a slow, hot grin—the total antithesis of the toothy PR grin—stretch across his mouth. “Is that it? I’m surprised Al didn’t tell you. I’ve retired.”

“Yes, Mr. Shockley told me you no longer drink. He also told me about your last job... your last position of trust, shall we say? You were teaching English in a Vermont prep school. You lost your temper, I don’t believe I need to be any more specific than that. But I do happen to believe that Grady’s case has a bearing, and that is why I have brought the matter of your... uh, previous history into the conversation. During the winter of 1970–71, after we had refurbished the Overlook but before our first season, I hired this... this unfortunate named Delbert Grady. He moved into the quarters you and your wife and son will be sharing. He had a wife and two daughters. I had reservations, the main ones being the harshness of the winter season and the fact that the Gradys would be cut off from the outside world for five to six months.”

“But that’s not really true, is it? There are telephones here, and probably a citizen’s band radio as well. And the Rocky Mountain National Park is within helicopter range and surely a piece of ground that big must have a chopper or two.”

“I wouldn’t know about that,” Ullman said. “The hotel does have a two-way radio that Mr. Watson will show you, along with a list of the correct frequencies to broadcast on if you need help. The telephone lines between here and Sidewinder are still aboveground, and they go down almost every winter at some point or other and are apt to stay down for three weeks to a month and a half. There is a snowmobile in the equipment shed also.”

“Then the place really isn’t cut off.”

Mr. Ullman looked pained. “Suppose your son or your wife tripped on the stairs and fractured his or her skull, Mr. Torrance. Would you think the place was cut off then?”

Jack saw the point. A snowmobile running at top speed could get you down to Sidewinder in an hour and a half... maybe. A helicopter from the Parks Rescue Service could get up here in three hours... under optimum conditions. In a blizzard it would never even be able to lift off and you couldn’t hope to run a snowmobile at top speed, even if you dared take a seriously injured person out into temperatures that might be twenty-five below—or forty-five below, if you added in the wind chill factor.

“In the case of Grady,” Ullman said, “I reasoned much as Mr. Shockley seems to have done in your case. Solitude can be damaging in itself. Better for the man to have his family with him. If there was trouble, I thought, the odds were very high that it would be something less urgent than a fractured skull or an accident with one of the power tools or some sort of convulsion. A serious case of the flu, pneumonia, a broken arm, even appendicitis. Any of those things would have left enough time.

“I suspect that what happened came as a result of too much cheap whiskey, of which Grady had laid in a generous supply, unbeknownst to me, and a curious condition which the old-timers call cabin fever. Do you know the term?” Ullman offered a patronizing little smile, ready to explain as soon as Jack admitted his ignorance, and Jack was happy to respond quickly and crisply.

“It’s a slang term for the claustrophobic reaction that can occur when people are shut in together over long periods of time. The feeling of claustrophobia is externalized as dislike for the people you happen to be shut in with. In extreme cases it can result in hallucinations and violence—murder has been done over such minor things as a burned meal or an argument about whose turn it is to do the dishes.”

Ullman looked rather nonplussed, which did Jack a world of good. He decided to press a little further, but silently promised Wendy he would stay cool.

“I suspect you did make a mistake at that. Did he hurt them?”

“He killed them, Mr. Torrance, and then committed suicide. He murdered the little girls with a hatchet, his wife with a shotgun, and himself the same way. His leg was broken. Undoubtedly so drunk he fell downstairs.”


Frustrated writer Jack Torrance takes a job as the winter caretaker at the ominous, mountain-locked Overlook Hotel so that he can write in peace. When he arrives there with his wife and son, they learn that the previous caretaker had gone mad. Slowly Jack becomes possessed by the evil, demonic presence in the hotel.

Release Date: May 23, 1980
Release Time: 144 minutes

Director: Stanley Kubrick

Cast:
Jack Nicholson as Jack Torrance
Shelley Duvall as Wendy Torrance
Danny Lloyd as Danny "Doc" Torrance
Scatman Crothers as Dick Hallorann
Barry Nelson as Stuart Ullman
Philip Stone as Delbert Grady
Joe Turkel as Lloyd
Anne Jackson as Doctor
Tony Burton as Larry Durkin
Lia Beldam as young woman in bath
Billie Gibson as old woman in bath
Barry Dennen as Bill Watson
Lisa and Louise Burns as the Grady "twins"

Awards:
AFIs 100 Years . . .
100 Thrills - #29
100 Heroes & Villains - Jack Torrance - #25 Villain
100 Quotes - "Here's Johnny!" - #68



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Stephen King
Stephen King was born in Portland, Maine in 1947, the second son of Donald and Nellie Ruth Pillsbury King. He made his first professional short story sale in 1967 to Startling Mystery Stories. In the fall of 1971, he began teaching high school English classes at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels. In the spring of 1973, Doubleday & Co., accepted the novel Carrie for publication, providing him the means to leave teaching and write full-time. He has since published over 50 books and has become one of the world's most successful writers. King is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to the American Letters and the 2014 National Medal of Arts.

Stephen lives in Maine and Florida with his wife, novelist Tabitha King. They are regular contributors to a number of charities including many libraries and have been honored locally for their philanthropic activities.



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Friday, October 18, 2024

πŸŽƒπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸŽƒ: The Exorcist by William Peter Blatty



Summary:

Originally published in 1971, The Exorcist, one of the most controversial novels ever written, went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child's demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying. Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel's fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS's Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a literary landmark. Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is "just a story." Newly polished and added to by it author and published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.




Prologue
Northern Iraq…
The blaze of sun wrung pops of sweat from the old man’s brow, yet he cupped his hands around the glass of hot sweet tea as if to warm them. He could not shake the premonition. It clung to his back like chill wet leaves.

The dig was over. The tell had been sifted, stratum by stratum, its entrails examined, tagged and shipped: the beads and pendants; glyptics; phalli; ground-stone mortars stained with ocher; burnished pots. Nothing exceptional. An Assyrian ivory toilet box. And man. The bones of man. The brittle remnants of cosmic torment that once made him wonder if matter was Lucifer upward-groping back to his God. And yet now he knew better. The fragrance of licorice plant and tamarisk tugged his gaze to poppied hills; to reeded plains; to the ragged, rock-strewn bolt of road that flung itself headlong into dread. Northwest was Mosul; east, Erbil; south was Baghdad and Kirkuk and the fiery furnace of Nebuchadnezzar. He shifted his legs underneath the table in front of the lonely roadside chaykhana and stared at the grass stains on his boots and khaki pants. He sipped at his tea. The dig was over. What was beginning? He dusted the thought like a clay-fresh find but he could not tag it.

Someone wheezed from within the chaykhana: the withered proprietor shuffling toward him, kicking up dust in Russian-made shoes that he wore like slippers, groaning backs pressed under his heels. The dark of his shadow slipped over the table.

“Kaman chay, chawaga?”

The man in khaki shook his head, staring down at the laceless, crusted shoes caked thick with debris of the pain of living. The stuff of the cosmos, he softly reflected: matter; yet somehow finally spirit. Spirit and the shoes were to him but aspects of a stuff more fundamental, a stuff that was primal and totally other.

The shadow shifted. The Kurd stood waiting like an ancient debt. The old man in khaki looked up into eyes that were damply bleached as if the membrane of an eggshell had been pasted over the irises. Glaucoma. Once he could not have loved this man. He slipped out his wallet and probed for a coin among its tattered, crumpled tenants: a few dinars; an Iraqi driver’s license; a faded plastic Catholic calendar card that was twelve years out of date. It bore an inscription on the reverse: WHAT WE GIVE TO THE POOR IS WHAT WE TAKE WITH US WHEN WE DIE. He paid for his tea and left a tip of fifty fils on a splintered table the color of sadness.

He walked to his jeep. The rippling click of key sliding into ignition was crisp in the silence. For a moment he paused and stared off broodingly. In the distance, shimmering in heat haze that made it look afloat like an island in the sky, loomed the flat-topped, towering mound city of Erbil, its fractured rooftops poised in the clouds like a rubbled, mud-stained benediction.

The leaves clutched tighter at the flesh of his back.

Something was waiting.

“Allah ma’ak, chawaga.”

Rotted teeth. The Kurd was grinning, waving farewell. The man in khaki groped for a warmth in the pit of his being and came up with a wave and a mustered smile. It dimmed as he looked away. He started the engine, turned in a narrow, eccentric U and headed toward Mosul.  The Kurd stood watching, puzzled by a heart-dropping sense of loss as the jeep gathered speed. What was it that was gone? What was it he had felt in the stranger’s presence? Something like safety, he remembered; a sense of protection and deep well-being. Now it dwindled in the distance with the fast-moving jeep. He felt strangely alone.

By ten after six the painstaking inventory was finished. The Mosul curator of antiquities, an Arab with sagging cheeks, was carefully penning a final entry into the ledger on his desk. For a moment he paused, looking up at his friend as he dipped his pen-point into an inkpot. The man in khaki seemed lost in thought. He was standing by a table, hands in his pockets, staring down at some dry, tagged whisper of the past. Curious, unmoving, for moments the curator watched him, then returned to the entry, writing in a firm, very small neat script until at last he sighed, setting down the pen as he noted the time. The train to Baghdad left at eight. He blotted the page and offered tea.

His eyes still fixed upon something on the table, the man in khaki shook his head. The Arab watched him, vaguely troubled. What was in the air? There was something in the air. He stood up and moved closer; then felt a vague prickling at the back of his neck as his friend at last moved, reaching down for an amulet and cradling it pensively in his hand. It was a green stone head of the demon Pazuzu, personification of the southwest wind. Its dominion was sickness and disease. The head was pierced. The amulet’s owner had worn it as a shield.

“Evil against evil,” breathed the curator, languidly fanning himself with a French scientific periodical, an olive-oil thumbprint smudged on its cover.

His friend did not move; he did not comment. The curator tilted his head to the side. “Is something wrong?” he asked.

No answer.

“Father Merrin?”

The man in khaki still appeared not to hear, absorbed in the amulet, the last of his finds. After a moment he set it down, then lifted a questioning look to the Arab. Had he said something?

“No, Father. Nothing.”

They murmured farewells.

At the door, the curator took the old man’s hand with an extra firmness.

“My heart has a wish: that you would not go.”

His friend answered softly in terms of tea; of time; of something to be done.

“No, no, no! I meant home!”

The man in khaki fixed his gaze on a speck of boiled chickpea nestled in a corner of the Arab’s mouth; yet his eyes were distant. “Home,” he repeated.

The word had the sound of an ending.

“The States,” the Arab curator added, instantly wondering why he had.

The man in khaki looked into the dark of the other’s concern. He had never found it difficult to love this man. “Goodbye,” he said quietly; then quickly turned and stepped out into the gathering gloom of the streets and a journey home whose length seemed somehow undetermined.

“I will see you in a year!” the curator called after him from the doorway. But the man in khaki never looked back. The Arab watched his dwindling form as he crossed a narrow street at an angle, almost colliding with a swiftly moving droshky. Its cab bore a corpulent old Arab woman, her face a shadow behind the black lace veil draped loosely over her like a shroud. He guessed she was rushing to some appointment. He soon lost sight of his hurrying friend.

The man in khaki walked, compelled. Shrugging loose of the city, he breached the outskirts, crossing the Tigris with hurrying steps, but nearing the ruins, he slowed his pace, for with every step the inchoate presentiment took firmer, more terrible form.

Yet he had to know. He would have to prepare.

A wooden plank that bridged the Khosr, a muddy stream, creaked under his weight. And then he was there, standing on the mound where once gleamed fifteen-gated Nineveh, feared nest of Assyrian hordes. Now the city lay sprawled in the bloody dust of its predestination. And yet he was here, the air was still thick with him, that Other who ravaged his dreams.

The man in khaki prowled the ruins. The Temple of Nabu. The Temple of Ishtar. He sifted vibrations. At the palace of Ashurbanipal he stopped and looked up at a limestone statue hulking in situ. Ragged wings and taloned feet. A bulbous, jutting, stubby penis and a mouth stretched taut in feral grin. The demon Pazuzu.

Abruptly the man in khaki sagged.

He bowed his head.

He knew.

It was coming.

He stared at the dust and the quickening shadows. The orb of the sun was beginning to slip beneath the rim of the world and he could hear the dim yappings of savage dog packs prowling the fringes of the city. He rolled his shirtsleeves down and buttoned them as a shivering breeze sprang up. Its source was southwest.

He hastened toward Mosul and his train, his heart encased in the icy conviction that soon he would be hunted by an ancient enemy whose face he had never seen.

But he knew his name.


A priest battles to save a young girl possessed by demons.

Release Date: December 26, 1973
Release Time: 122 minutes

Director: William Friedkin

Cast:
Ellen Burstyn as Chris MacNeil
Max von Sydow as Father Lankester Merrin
Jason Miller as Father / Dr. Damien Karras, SJ
Lee J. Cobb as Lieutenant William F. Kinderman
Kitty Winn as Sharon Spencer
Jack MacGowran as Burke Dennings
Linda Blair as Regan MacNeil
Father William O'Malley as Father Joseph Dyer
Barton Heyman as Dr. Samuel Klein
Peter Masterson as Dr. Barringer
Rudolf SchΓΌndler as Karl
Gina Petrushka as Willi Engstrom
Robert Symonds as Dr. Taney
Arthur Storch as the Psychiatrist
Father Thomas Bermingham as Father Tom Kanavan
Vasiliki Maliaros as Mrs. Karras, Damien's mother
Titos Vandis as John, Damien's uncle
John Mahon as Language Lab Director
Wallace Rooney as Bishop Michael
Ron Faber as Chuck and the voice of Pazuzu
Donna Mitchell as Mary Jo Perrin
Dick Callinan as Captain Billy Cutshaw
Roy Cooper as Jesuit Dean
Robert Gerringer as Senator at Party
Mercedes McCambridge as the voice of Pazuzu
William Peter Blatty as Fromme (uncredited)
Paul Bateson as Radiologist's Assistant (uncredited)
Elinore Blair as Nurse (uncredited)
Barton Lane as Angiography Doctor (uncredited)
Eileen Dietz as the face of Pazuzu (uncredited)
Ann Miles as Spiderwalk (uncredited)

Awards:
46th Academy Awards - April 2, 1974
Best Picture - William Peter Blatty - Nominated
Best Director - William Friedkin - Nominated
Best Actress - Ellen Burstyn - Nominated
Best Supporting Actor - Jason Miller - Nominated
Best Supporting Actress - Linda Blair - Nominated
Best Screenplay – Based on Material from Another Medium - William Peter Blatty - Won
Best Art Direction - Art Direction: Bill Malley & Set Decoration: Jerry Wunderlich - Nominated
Best Cinematography - Owen Roizman - Nominated
Best Film Editing - Jordan Leondopoulos, Bud Smith, Evan A. Lottman, and Norman Gay - Nominated
Best Sound - Robert Knudson and Chris Newman - Won

28th BAFTAs - February 25, 1975
Best Sound - Chris Newman, Jean-Louis Ducarme, Robert Knudson, Frederick Brown, Bob Fine, Ross Taylor, Ron Nagle, Doc Siegel, Gonzalo Gavira and Hal Landaker - Nominated

31st Golden Globes - January 26, 1974
Best Motion Picture – Drama - Won
Best Actress in a Motion Picture – Drama - Ellen Burstyn - Nominated
Best Supporting Actor – Motion Picture - Max von Sydow - Nominated
Best Supporting Actress – Motion Picture - Linda Blair - Won
Best Director – Motion Picture - William Friedkin - Won
Best Screenplay – Motion Picture - William Peter Blatty - Won
Most Promising Newcomer – Female - Linda Blair - Nominated

AFIs 100 Years . . .
100 Thrills - #3
100 Heroes & Villains - Regan MacNeil – #9 Villain



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William Peter Blatty
William Peter Blatty is the bestselling author of The Exorcist, which he turned into an Academy Award–winning screenplay. The son of immigrant parents, he was a comic novelist before embarking on a four decade career as a Hollywood writer, penning the screenplays for A Shot in the Dark, What Did You Do in the War, Daddy?, the Julie Andrews romantic comedy Darling Lili, and The Ninth Configuration (which he also directed), among many other films. A graduate of Georgetown University, he lives with his wife, Julie, in Bethesda, Maryland.


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Thursday, June 13, 2019

Release Blitz: Rise of a Nobleman by Valentina C Brin

Title: Rise of a Nobleman
Author: Valentina C Brin
Series: Possession #1
Genre: M/M Romance, Historical, Dark
Release Date: June 10, 2019
Cover Design: Natasha Snow

Summary:
London, 1680. For the young Charles Rochester, Marquess of Bolton and heir to the Duke of Norfolk, desiring another man is unacceptable. His fierce attraction to the new scullery boy must be suffocated at all cost. But it’s not easy to silence your heart when the people who should understand you end up betraying you, and the only one loyal seems to be the one you’re desperately trying to avoid.

But Dorian Pratt knows he’s hopelessly lost the second he first lays eyes on his new master. As a lowly servant, he understands he can never have him, but he can’t stop his body—and heart—from reacting to the dark, handsome nobleman.

When dangerous secrets hidden within the walls of Norfolk Manor come to light, everything collapses. Charles has only one hope for hanging onto Dorian, but to make it work he must be prepared to sacrifice the most valuable gift God has bestowed upon him: his very humanity.

Sins will not be forgiven and there’s always a price to pay when blood is spilled.

πŸ‘€Warning:  Due to some raw content of a violent nature which some may find upsetting, as well as the depiction of graphic sex between men, Rise of a Nobleman is recommended only for consenting adults.πŸ‘€

πŸ’₯Themes: Heartbreak of betrayal, hurt/comfort, possession, falling in love, revenge, trust issues, murderer, ambition, sexual awakening, self-acceptanceπŸ’₯


“If there’s some problem, well, I can—”

“You’re the problem,” he interrupted, looking into those eyes as pure as spring water. Suddenly he found himself unable to hold back. The truth crashed through the barriers Charles had tried to reinforce, taking shape word by word. He spoke with a broken, ravaged voice, his heart on his sleeve for once. “Your presence makes me nervous. You turn me into something I’m not. If you only knew the way I think about you, you’d take off running and never stop instead of hovering around me, robbing me of peace.”

He pulled away from the table, reducing the already minimal distance between them, but the servant stumbled backed in alarm.

“My Lord…”

“May I touch you?”

Stunned, Dorian stared at him. He kept backing up until he bumped into an antique oakwood highboy. He barely suppressed an expletive, but Charles caught the unpronounced word on his lips—lips the boy was biting in an effort to hold back.

God, Charles wanted to bite those lips so badly.

“Say yes. Let me touch you,” he continued, taking advantage of the moment to approach the scullery boy. His enormous limpid eyes filled with panic, but the temptation flickering in them was stronger, making them fluid, honest. Brimming with desire.

A nod of agreement, lips parting as he released a sigh, and there was what Charles had been wanting—his complete surrender. Do what you want.

And he did.

He plunged his fingers into the boy’s thick hair. He took hold of it, running his fingers through it, then grabbed as much as he could in both hands and began slowly pulling to make Dorian look up at him.

He studied everything there was to see: his long lashes, the delicate curve of his nose, his irises behind half-closed lids that couldn’t help but look straight back at him. And those lips that were seemingly designed to drive him mad.

His fingers longed to touch them, but the courage wasn’t there. Instead, he started gradually, from a safe distance—he began stroking his forehead, slowly making his way down, tracing the curve of his cheek until he got to his jaw. He still didn’t have the audacity to actually touch those lips, but he sure as hell looked! His eyes were glued to that half-opened mouth, pink and impertinent, and that tongue hiding behind a row of even teeth.

“My Lord…”

“Quiet,” he mumbled, stomach in knots. “Don’t talk or you’ll spoil everything.”

Mercifully he shut up. He stood there helpless in Charles’s hands as the marquess finally did what he’d been wanting to do ever since that unbearable longing had first reared its ugly head—he brushed his thumb against the boy’s lower lip, then the upper one.

Saliva moistened his fingertip and Charles wiped the excess away on the servant’s skin. But that was only the beginning. His index finger, so close to the target, slipped in between his parted teeth, sliding over his moist tongue, ending up in the torrid embrace of a scorching breath.

And still that wasn’t enough.

His middle and ring fingers slid into Dorian’s mouth. Charles pushed them as deep as he could, imagining he was plunging something entirely different in there.

Dorian accepted his fingers without resistance. Stress and the pain of his hair being pulled were evident on his face, but his eyes… Oh, heaven have mercy—the boy’s eyes were misty with a savage desire, like those of a starving man. Like a man willing and able to do anything.

“If you want me to kiss you, close your eyes,” Charles whispered, choking on the words.

Author Bio:
Valentina C. Brin is a self-published Italian author who lives in Padua with her partner and their four pudgy cats. She enjoys writing both MM and MF books, especially angsty ones. Powerful, dark, sexy stories are sort of her thing, and her psychology degree comes in handy for crafting twisted characters that never fail to surprise her many readers. Rise of a Nobleman is her debut novel and the first in her dark historical MM series.










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