Showing posts with label stuart palmer. Show all posts
Showing posts with label stuart palmer. Show all posts

Friday, January 30, 2026

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: The Penguin Pool Murders by Stuart Palmer



Summary:

Hildegarde Withers Mystery #1
A dead stockbroker in a penguin tank leads Miss Withers to a shocking mystery

For the third graders at Jefferson School, a field trip is always a treat. But one day at the New York Aquarium, they get much more excitement than they bargained for. A pickpocket sprints past, stolen purse in hand, and is making his way to the exit when their teacher, the prim Hildegarde Withers, knocks him down with her umbrella. By the time the police and the security guards finish arguing about what to do with Chicago Lew, he has escaped, and Miss Withers has found something far more interesting: a murdered stockbroker floating in the penguin tank.

With the help of Detective Oscar Piper, this no-nonsense spinster embarks on her first of many adventures. The mystery is baffling, the killer dangerous, but for a woman who can control a gaggle of noisy third graders, murder isn’t frightening at all.

The Penguin Pool Murder is part of the Hildegarde Withers Mysteries series, which also includes Murder on the Blackboard and Murder on Wheels.




CHAPTER 1
What the Penguins Knew
TWO LITTLE BLACK PENGUINS were the first to know the secret. They became vastly excited, flashing their sleek black bodies through the water, and now and then coming to the surface to shriek Bloody Murder in a Galapagoan squawk. But for a time their intense excitement did not communicate itself to the greater world that lay outside the glass barrier of the tank.

Suddenly a woman's voice, reedy and shrill, rang against the ancient white-washed walls of the Aquarium. Even as its echoes died away, the figure of a frightened, rabbit-like little man scuttled past the dim corner under the stairs where the penguins were trying to blazon their secret. In his hand the fugitive clutched an oblong of black leather which all too evidently proclaimed itself to be a woman's purse.

His objective was a stair which led to the balcony above, but in his path there suddenly appeared the embattled bulk of a gray-clad guard. With a squeak like a cornered rat's, the little man whirled in his tracks and ducked back between the cases of stuffed exhibits, past the gaping and bewildered crowd. As he ran, there came from his bulging pockets a faint musical jingle.

The way to the main exit was clear now, though close behind him still pounded the heavy feet of the guard. The little man made a last frantic burst of speed—freedom was almost within his grasp—only to tumble ingloriously over a black cotton umbrella that dropped like a bar sinister across his path. His skull collided with one of the pillars, and for the time being the little man lay very still.

For a long minute there was a hush, and then Miss Hildegarde Withers, whom the census enumerator had recently listed as "spinster, born Boston, age thirty-nine, occupation school teacher," dusted off her umbrella and restored it to its place under her arm with a certain air of satisfaction.

"Serves you perfectly right," she admonished her silent victim. Then she turned her keen blue eyes on the milling crowd. "Abraham!"

A small sepian lad detached himself from the little group of third grade pupils who stood, awestruck and admiring, behind Miss Withers. "Abraham, pick up that handbag and give it to the lady."

Abraham obeyed with alacrity. The leather bag was eagerly seized by the woman whose shriek had set the echoes ringing but a few moments before, and its contents found intact. "I saw him trying to cut the handle with a razor blade," she was eagerly explaining to whomever would listen, "... and then he jerked it right out of my hand, he did."

The guard, fat and perspiring from his unaccustomed chase, took a firm grip of the prisoner's coat collar and jerked him into a sitting position. As he did so, three gold watches slid from the pocket and clinked musically on the tile floor.

"A pickpocket, huh?" said the guard.

"Quite obvious, even to the most limited intelligence," pointed out Miss Withers. "I guessed it myself."

"Stealing watches, too."

"Do they look like grandfather clocks?"

"We've got him, dead to rights," the guard mused. "Yes, mum. A case for the cops, I shouldn't wonder."

"Or for the ambulance, anyway." Miss Withers shooed her chattering charges toward the door. "Don't stand there like a log, my good man. Do something!"

The guard let go of his prisoner's collar, and the man slumped again to the floor. "I don't just really know what the official procedure ought to be in a case of this kind," he observed doubtfully. "The Director is busy with guests, and I know he doesn't want any publicity of this kind...."

"HEY!" A big bass voice boomed through the building like a husky fog-horn, clearing the crowd from the doorway like chaff before the wind. "Hey, there! What's all this fuss about?"

Six feet three of bone and muscle shoved its way belligerently through the crowd. "One side, one side, will you?" The policeman looked down past the two rows of shining buttons on his front to where the crumpled figure lay on the floor. Then he whirled on the guard, belligerently.

"Well, speak out, Fink! What is it? Alcoholism? Did you send for the ambulance?"

"Not yet, Donovan. And this is no alcoholism, it ain't. It's a pickpocket that I've nabbed." Fink held up the three watches as evidence. Immediately they were engulfed in the policeman's enormous paw. He bent over to survey the bruised face on the floor. Then he started.

Wetting his thumb, he whirled over the pages of a little black book that he took from his hip pocket. Finally he found a certain page, and read aloud with much puzzling over words....

"McGirr, John—alias Chicago Lew—height five feet three, weight one hundred and two pounds, wanted in Des Moines, Detroit and Chicago for petty thievery and picking pockets—" He replaced the black book in his pocket with a flourish. "It's him all right. We've been looking for this guy for two months, we have." He bent over the prisoner.

"Just you hold on there, Mickey Donovan!" Fink, the fat guard, stuttered with eagerness. "What about the reward, I wanta know? Is they a reward for this Chicago Lew? Is they? Because I lay claim to it, here and now. I want these people to witness it, I do. If they is a reward, I'm going to get it."

"Suppose there is?" Donovan put his hands on his hips and stared at the other. "I'm doing the arresting, ain't I? I'm the cop here, ain't I? I got the prisoner, ain't I? I recognized him, didn't I?"

The big policeman moved toward his prisoner again, but Fink thrust his face between.

"That don't make one bit of difference," insisted the guard. "Just because you're the flatfoot on this beat, Mickey Donovan, is no sign that you've got a right to walk in and hog the reward for this prisoner. He's mine, I guess. I leave it to anybody here, I do. Didn't I chase him through the place? Didn't I nab him here in the doorway? Didn't I ..."

"If there is any reward, I don't see why I shouldn't get it." Miss Withers left her little flock and strode forward, her umbrella held menacingly before her. Both Fink and Donovan drew back a step, as did the surrounding crowd.

"I stopped him with this umbrella, you know. He would have escaped if it hadn't been for me, and then this poor woman would have had to lose her handbag, besides the watches that were stolen from somebody...."

Immediately loud voices from the crowd announced that most of the gentlemen present had lost their timepieces, and that they recognized their property among the watches in Donovan's hand. The air became filled with strangely vague descriptions of the property, until Donovan silenced them with a roar.

"You can get your property up at the Police Property Clerk's office, if you can identify it to the Captain's satisfaction. Some of you never saw a watch before except in a pawnshop window. Leave off your jabbering, will you?"

"But I tell you, this man doesn't get taken out of here until we come to some agreement about the reward," insisted Fink. "Half of it, anyway. That I've got to have, Mickey Donovan! Half of it, or he doesn't go to jail. There's nobody here to make a complaint against him anyway...."

"Not a cent, Fink. You didn't know this guy was wanted anywhere."

"Half, I tell you. Why, do you think I'm maybe going to let fifty dollars slip out of my hands like nothing?"

"Not a cent, Fink. I saw him, and I knew him ..."

"Stop quarreling, you two!" The sharp and commanding voice of Miss Withers cut in with unmistakable authority. "Stop it, I say! Don't you realize that this man is hurt? He ought to be on the way to the hospital, and you know it. Suppose he should die while the two of you fight over the reward?" Miss Withers gestured dramatically with her umbrella. "You can't leave him there on the floor—"

Her voice died out in a thin whisper ... for he wasn't on the floor....

The pickpocket had vanished!

The spot where he had lain, so lifeless and inert, was very very bare. The crowd moved uneasily, each man staring into the face of his neighbor, and the surprised eyes of Donovan stared into everyone's ... but Chicago Lew had made himself scarce.

Somehow, while the two of them had wrangled over his body, he must have come to his senses and wormed his way, like the scared rabbit he was, out of these walls which had been his Happy Hunting Ground all morning. But nobody had seen him go.

Donovan reached the door in two great strides, upsetting an onlooker and several of the school children in his dash. But Battery Park stretched empty before him ... empty of Chicago Lew, if not of the usual crowd of idlers.

"He's gone," observed Donovan. "Damned if he isn't gone."

"He's gone, and the reward with him," moaned Fink. He mopped his brow.

Miss Withers marshaled her thrilled and delighted charges into line. "We'll go now, children," she ordered. "Isidore, there's no use trying to make that policeman believe that you own one of the watches in his hand, because both he and I know that you don't. Jimmy Dooley, stop whispering. It's time to go home, and you can't play around here any longer. We came to see fish, not anything so exciting as this. I ..."

Her hand went, out of habit, to arrange the blue beaded hat which rested like the stopper of a bottle on her angular frame. And Miss Withers gasped.

"Children, my hatpin! It's gone!" Her fingers felt feverishly through her hair. "It's the most treasured possession I have, and I wouldn't lose it for the world. My mother gave it to me years ago, and it has a genuine garnet set in it. It's the pickpocket, that's what it is. He took it!"

Donovan, who had been standing disjointedly at the door, shook his head ponderously. "A pickpocket wouldn't go for stealing anything like that, mum. He couldn't hide it, you know, and it wouldn't go in his pocket. They don't bother with such junk as that, just watches and money...."

"And a fine lot you know about it, to let one slip out of your fingers like that," Miss Withers pointed out acidly. "If the pickpocket didn't take it, I'd like to know who did?"

"Teacher!" A plump hand waved wildly above a dark bob. "Teacher ..."

"What is it, Becky?"

"Teacher, I saw your pretty red pin when we were coming in this morning, and it was sticking way out of the hat on one side...." Becky subsided. "Maybe you lost it?"

"Maybe I did," said Miss Withers. "Well, I certainly wouldn't ask either of these gentlemen in uniform to find it for me. Because if they did, they'd lose it again in an argument. Children, you'll have to help me. Use your bright little eyes, and go on back over everywhere we've been here in the Aquarium and try to find it. And the first to spy it gets a prize!"

"What sort of a prize, Teacher?" The question came as a chorus.

Miss Withers thought a moment. "How about a brand-new dictionary?" There was a silence which denoted a certain lack of enthusiasm.

"Well then, if you'd rather, the prize might be a ticket to any play the finder would like to see," amended the wily lady. She knew her children. They scattered with a rush, but she called them back.

"That's not the way to look," she explained. "You must go, all together, starting just where we did when we came in this morning. Then we'll be sure to find the hatpin unless someone has picked it up." She cast a suspicious look at the crowd, which was already melting away. Donovan and Fink still eyed one another hostilely.

"At least you won't have to fight over the reward any more," she gave as a parting shot, and then the search began. The children went eagerly on ahead, while Miss Withers dropped back.

Slowly they moved across the vast circle of the Aquarium, stopping at each tank and showcase just as they had done on the first round of the place, when Miss Withers had given a brief lecture on every point of nature study which she wished to bring out. Past the eels, past the flaming tropical fish, past the tortoises, the crocodiles, and the flashing schools of minnows. Across the great circle of the room, up the stair, along the great half- moon of a balcony, and down again....

Still no hatpin. No bright flash from the garnet stone which had once been given to the middle-aged teacher in the days when she was beginning to be a teacher and not even beginning to be middle-aged. No sign of the old-fashioned, beloved hatpin. A dozen pairs of eager eyes scoured the floor and the corners.

Down the balcony stairs again, with little black Abraham going on his hands and knees. Abraham had been stage struck ever since his mother's cousin played the part of the Lord God in Green Pastures, and he was determined to find the hatpin if it was to be found. It must be somewhere, and he wanted to win the prize.

Eureka! There it was, at the bottom of the steps! The dark-red stone was intact, the shiny steel undimmed. Miss Withers remembered, as she hurried up, that she had put back a wisp of her hair as they passed this way before. She made a mental apology to the absent Mr. Chicago Lew, who certainly hadn't picked her as a victim after all, in spite of appearances.

She graciously accepted the relic from the hand of proud Abraham Lincoln Washington and replaced it carefully in her blue beaded hat.

"Good boy, Abraham. The prize is yours," she announced. "And now we've got to hurry, children. It must be nearly one o'clock, and I'm getting hungry...."

Rapidly she counted noses, and found a considerable lack. "Isidore!"

There was no answer. She heard the hum of voices and movements through the building, and from the main doorway the excited tones of Fink, still explaining to the departing back of Officer Donovan why he was entitled to the reward if there was one and if the prisoner hadn't escaped.

Miss Withers called again. "Isidore! Isidore Marx!"

"Yis, teacher." A piping voice sounded from behind the stair. Miss Withers peered into the corner.

Isidore was staring at the penguins again. "Come along, Isidore. We're half an hour late now. This nature study class isn't supposed to take all day, you know. Hurry!"

But Isidore didn't budge. His nose was pressed tight against the glass of the last tank in the line, the tank hidden in the shadow of the stair down which they had come.

"Teacher, dese ducks act so funny!"

"I told you before, Isidore, that those are not ducks, they are penguins. See, they don't look like ducks! Those are black penguins, from the Galapagos Islands down off the western coast of Central America. Now don't bother about them any more, come along...."

But Isidore didn't move. "Look teacher how dese penguins hop up and down!"

Miss Withers was unusually tolerant, for she had just recovered a treasured keepsake. But she had arrived at the limit of her patience.

"Isidore Marx, you mind me!" she ordered in a voice that would ordinarily have sent any one of her group into tremors. And Miss Withers advanced, her umbrella held ready for action. But even as her hand fell on Isidore's shoulder, something caught her keen eye.

The little black penguins were swimming as they had not done when she pointed them out to the group of children an hour before. They were dashing madly around the tank, now and then leaping high out of the water to squawk and snap their pointed bills in the darkness of the hidden space above them. Miss Withers, peering through the glass, could only sense that something had excited them....

She stared up through the water, into the obscurity of the inner chamber. As she watched, something happened which made her wipe her glasses furiously.

The two little black penguins were fighting something, snapping and biting viciously at something ... something which was beginning to slide down upon them....

A dark and shapeless horror lowered itself with a rush, amid the frightened squawking of the frantic birds ... a dark horror which crashed into the water of the square tank like an awkward diver ... a twisted, nameless horror that made the water boil and the penguins scramble madly up the steep sides of the tank....

The water subsided and became clear again. Miss Withers realized that her lips were very dry, and quick as thought she pushed Isidore behind her. For she realized that she was staring into a human face ... a face in the water....

That face had something wrong with it. Something very wrong with it, she knew. It was the face of a dead man, and it was upside down. From the right ear a blur of blood, like a misty coral earring, was dissolving slowly....



A feisty school teacher sets out to solve a murder in an aquarium.

Release Date: December 9, 1932
Release Time: 70 minutes

Director: George Archainbaud

Cast:
Edna May Oliver as Hildegarde Withers
Robert Armstrong as Barry Costello
James Gleason as Inspector Oscar Piper
Mae Clarke as Gwen Parker
Donald Cook as Philip Seymour
Edgar Kennedy as Policeman Donovan
Clarence Wilson as Bertrand B. Hemingway
James Donlan as Security Guard Fink
Gustav von Seyffertitz as Dr. Von Donnen
Joe Hermano as Chicago Lew
Guy Usher as Gerald Parker
Rochelle Hudson as Telephone Operator
Wilfrid North as The Judge

















Stuart Palmer
Stuart Palmer (1905–1968) was an American author of mysteries. Born in Baraboo, Wisconsin, Palmer worked a number of odd jobs—including apple picking, journalism, and copywriting—before publishing his first novel, the crime drama Ace of Jades, in 1931. It was with his second novel, however, that he established his writing career: The Penguin Pool Murder introduced Hildegarde Withers, a schoolmarm who, on a field trip to the New York Aquarium, discovers a dead body in the pool. Withers was an immensely popular character, and went on to star in thirteen more novels, including Miss Withers Regrets (1947) and Nipped in the Bud (1951). A master of intricate plotting, Palmer found success writing for Hollywood, where several of his books, including The Penguin Pool Murder, were filmed by RKO Pictures Inc.


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The Penguin Pool Murder #1
Hildegarde Withers Series
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Film
πŸ“ΉπŸ’‰πŸ“ΉAmazon & B&N are part of Hildegarde Withers CollectionπŸ“ΉπŸ’‰πŸ“Ή
AMAZON US  /  AMAZON UK  /  B&N
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Friday, January 10, 2020

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: Best of 2019


As the new year moves forward and we say goodbye to the old, we find ourselves looking at our "Best of" lists.  So this week's Friday Film Adaptation post will feature the most viewed of 2019.  Click on the title links to take you to the original posts.  It's possible not all the original purchase links will still work, in those cases be sure to check the author's websites for latest purchasing details.




















Friday, July 19, 2019

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: The Riddle of the Forty Naughty Girls(Hildegarde Withers: Uncollected Riddles) by Stuart Palmer


Summary:
HILDEGARDE IS BACK!

Hildegarde Withers, the creation of Stuart Palmer (1905-1968), is the original schoolmarm detective. After she first appeared in The Penguin Pool Murder in 1931, she was so popular that a series of movies starring Edna Mae Oliver and James Gleason followed, and Palmer wrote short stories about Miss Withers for Mystery, a slick-paper magazine sold only in Woolworth's stores between 1933 and 1935. These stories, filled with the sights and sounds of New York during the depression - museums, flea-circuses, burlesque shows, Latin gigolos - are genuine forgotten classics. The introduction is by Stuart Palmer's widow, Jennifer Venola.

Stories Included:
The Riddle of the Dangling Pearl
The Riddle of the Flea Circus
The Riddle of the Forty Costumes
The Riddle of the Brass Band
The Riddle of the Blueblood Murders
The Riddle of the Forty Naughty Girls
The Riddle of the Hanging Men
The Riddle of the Marble Blade
The Riddle of the Whirling Lights
The Riddle of the Tired Bullet


The staccato roar of sub-machine guns rose to a deafening climax and then broke off short as down the deserted street there sounded the oncoming wail of the sirens. The mobsters turned and fled, the smoke of battle cleared, and Little Augie knelt alone on the sidewalk, clutching his vest.

Squad cars screamed to a stop beside him, pouring forth bluecoats. McKee was foremost. He knocked the empty gat from nerveless fingers. "I always said we'd nab you some day," he rasped triumphantly.

But Little Augie only grinned. “As usual, Copper, you ’re just too late. " And he died.

As the screen went dark, the twelve men who had just crept into the orchestra pit struck up a few bars of “The Stars and Stripes Forever,” and then without pausing broke into “Did You Ever See a Dream Walking?”

Footlights flared on, and the audience roused itself. All through the picture, which filled in between shows at the Diana, they had been drifting in by ones and twos. But the several hundred — mostly masculine — who made up the audience had not left the garish lights of Forty-second Street and paid their half dollars at the box office to see a movie.

It was the first day of a new show at the Diana Burlesque — its title was one of those Rabelaisian affairs designed to catch the masculine eye. Last week it had been something equally raucous, although except for the change in the big electric sign outside, few could tell the difference.  Dapper Max Durkin, who acted as house manager of the Diana, often thought that the long hours he spent working out new gag titles was a waste of time.

He wasn’t wasting his time now, though he lounged in the wings and idly watched the “Forty Naughty Paris Girlies” as they rollicked onto the stage in their opening dance number. He leaned forward and caught a ribbon which formed an essential part of the costume of a handsome, red-haired girl who was waiting for a cue.

It was the ribbon which, if tugged hard enough, would leave Janey Vere de Vere attired in little more than what she had first worn into the world. She whirled suddenly, drawing the ribbon from his fingers, and frowned.

“How about dinner and a little bottle of gin after the show?” he asked.

“Oh — it’s you. Ask me later, will you? I — something’s happened.”

He saw that the big brown eyes were glazed with fear. “What? Spill it, girlie.”

She came closer. “You’ve got to get me a new lock for my dressing-room door, Durkin. I tell you —”

“Lock? Say, what have you got that anybody could steal?”

“If you want to know, somebody got into my dressing room while I was out to dinner and stole a gun I kept in my trunk, and that’s what!”

Still Durkin didn’t see anything in this to upset her. “I’ll buy you a dozen pop guns if that’s all you’re worrying about. Now listen, baby —”

His fingers caught the soft flesh of her upper arm. Then came an inopportune interruption. “Say, boss, what lighting goes with the cafe scene?”

The hulking, ape-like form of Roscoe, stage electrician, came between them. Durkin stared into the little pig-like eyes and wished for the tenth time that he had enough on this gorilla to fire him. “You know damn well it gets amber foots and a pair of baby spots from up above, why come busting —”

But Janey Vere de Vere was going out on the stage, as all twenty-four of the Forty Naughty Paris Girlies kicked their way off. Her hand was on her hip, and her throaty contralto voice picked up her song.

There was a little smattering of applause from the darkened house, for Janey was possessed of charms notable even among strip-artists, and she was a newcomer to the Wheel. She went into a slow hip dance as a purple spotlight struck her, body twisting, wide hips surging back and forth beneath the wispy evening gown of revealing black lace — one of those slashed affairs especially designed for dancing.

As the cash customers agreed later, Janey was at her best that night. Which showed that she was a real trouper, for the people backstage knew that she had something on her mind.

“What’s eating Vere de Vere?" Durkin demanded of Murphy, a slapstick comic who approached in a costume composed of a silk hat and a long flannel nightshirt. “She looks scared of something.”

“Her?” The comic grinned. “Must be she’s scared of you, you sheik. Janey ain’t used to this racket yet. She’s been accustomed to better things, says she.”

“Yeah?”

“Yeah. And she moves with a classy crowd, Maxie old thing. Why last week out in Brooklyn there was a dude in a tuxedo came into a box every night, just to see her act.” The comic peered through the wings, past Janey’s gyrating body on the stage, and squinted. “Say, it looks like the same guy — see him, alone in the right front box? Maybe it’s him that she’s scared of.”

Max Durkin took a long greenish-brown cigar from among the half dozen which graced his vest pocket. Murphy also helped himself. “Thanks,” he said. But the manager wasn’t listening.

“So,” he said. “Vere de Vere has got herself mixed up with the Park Avenue crowd. Somebody ought to do something about that.”

“Maybe somebody will,” agreed the comedian. “Me, I’d do anything short of arson if it would get me to first base with her.”

He stared admiringly out onto the stage. Janey’s song was only four minutes long, and at the first encore, when stage lights flared on, her costume was due to go off.

Durkin turned and went through the door, placed just beside Roscoe’s switchboard, which led to the left side aisle and the front of the house.

At that moment Janey Vere de Vere, without breaking the pagan rhythm of her dance, began to fumble with the ribbon at the rear of her costume. A round knee and thigh began to disclose themselves. She was still singing — “... he may have the manners of a country lout, but who wants politeness when the lights are out? ... he’s my —’’

But that was all anybody was to see of Janey Vere de Vere’s knee that night. Her song was interrupted by a tremendous bang! and a burst of flame which came from the left front box.

A woman screamed somewhere in the audience, and the acrid smell of powder drifted out over the house.

From somewhere came Max Durkin’s voice. “Hit the lights!”

Then the crowd knew that this was not meant to be part of the show. “Roscoe, hit ’em!” shouted Durkin, from the aisle. “Everybody keep their seats!”

Still Roscoe fumbled with his switches, so that instead of casting a flood of brilliance over the auditorium, even the red exit lights went dark. Only the purple spotlight remained, slanting down from the film booth in the balcony. Janey Vere de Vere, her red mouth open wide, stood frozen in the center of the stage. The orchestra died away in a confusion of strings and brass.

Then the spotlight left the girl on the stage, sliding eerily past the white frightened faces of the girls who were crowding into the wings, sliding over the orchestra and the people in the front rows, and finally pouring its soft brilliance into the box from which the shot had come. But it stood empty and bare.

“House lights,” roared Durkin again. This time the house lights came on. The audience straggled into the aisle, staring at each other and muttering questions. There was a long moment of this, and then the forgotten girl on the stage made a throaty, whimpering noise. She pointed — and then suddenly collapsed like a sack. But she had been staring at the right front box — the box in which a little man in a white shirt front was sitting, slumped down in his chair.

He was staring at the stage, but his stare was sightless — for everyone in the audience could see that there was a small round hole in the center of his forehead.


A schoolteacher turns detective to solve a theatrical murder.

Release Date: September 24, 1937
Release Time: 63 minutes

Cast:
ZaSu Pitts as Hildegarde Withers
James Gleason as Inspector Oscar Piper
Marjorie Lord as June Preston
George Shelley as Bert
Joan Woodbury as Rita Marlowe
Frank M. Thomas as Jeff Plummer
Tom Kennedy as Detective Casey
Alan Edwards as Ricky Rickman
Stephen Chase as Tommy Washburn
Eddie Marr as Windy Bennett
Ada Leonard as Lil
Barbara Pepper as Alice



Author Bio:
Stuart Palmer (1905–1968) was an American author of mysteries. Born in Baraboo, Wisconsin, Palmer worked a number of odd jobs—including apple picking, journalism, and copywriting—before publishing his first novel, the crime drama Ace of Jades, in 1931. It was with his second novel, however, that he established his writing career: The Penguin Pool Murder introduced Hildegarde Withers, a schoolmarm who, on a field trip to the New York Aquarium, discovers a dead body in the pool. Withers was an immensely popular character, and went on to star in thirteen more novels, including Miss Withers Regrets (1947) and Nipped in the Bud (1951). A master of intricate plotting, Palmer found success writing for Hollywood, where several of his books, including The Penguin Pool Murder, were filmed by RKO Pictures Inc.


GOOGLE PLAY  /  iTUNES  /  KOBO
AUDIBLE  /  INDIE BOUND  /  B&N  /  IMDB
AMAZON  /  WIKI  /  GOODREADS




Series
B&N  /  KOBO  /  iTUNES  /  WIKI

Film
πŸ“ΉπŸ’‰πŸ“ΉπŸ’‰πŸ“ΉAmazon & B&N are part of Hildegarde Withers CollectionπŸ“ΉπŸ’‰πŸ“ΉπŸ’‰πŸ“Ή
AMAZON US  /  AMAZON UK  /  B&N
AFI  /  ALL MOVIE  /  WIKI  /  IMDB  /  TCM




Friday, March 15, 2019

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: The Riddle of the Dangling Pearl(Hildegarde Withers: Uncollected Riddles) by Stuart Palmer


Summary:
HILDEGARDE IS BACK!

Hildegarde Withers, the creation of Stuart Palmer (1905-1968), is the original schoolmarm detective. After she first appeared in The Penguin Pool Murder in 1931, she was so popular that a series of movies starring Edna Mae Oliver and James Gleason followed, and Palmer wrote short stories about Miss Withers for Mystery, a slick-paper magazine sold only in Woolworth's stores between 1933 and 1935. These stories, filled with the sights and sounds of New York during the depression - museums, flea-circuses, burlesque shows, Latin gigolos - are genuine forgotten classics. The introduction is by Stuart Palmer's widow, Jennifer Venola.

Stories Included:
The Riddle of the Dangling Pearl
The Riddle of the Flea Circus
The Riddle of the Forty Costumes
The Riddle of the Brass Band
The Riddle of the Blueblood Murders
The Riddle of the Forty Naughty Girls
The Riddle of the Hanging Men
The Riddle of the Marble Blade
The Riddle of the Whirling Lights
The Riddle of the Tired Bullet


The Riddle of the Dangling Pearl 
Rushing through the wide doors of the Cosmopolitan Museum of Art came Miss Hildegarde Withers, out of the blinding sunlight of Fifth Avenue in August into a hushed, dim world. Pausing for a moment to sniff the musty odors which cling to the vast treasure house wherein men have gathered together the objects saved from vandal Time, the angular school teacher went on, sailing serenely past the checkroom to be halted by a gray uniformed guard at the turnstile.

“Have to check your umbrella, ma’am.”

“Young man,” she advised him sharply, “can’t you see that I need it?” She leaned on the umbrella heavily, and the guard, with a shrug of his shoulders, let her through. She was not lying, even by implication, for this day she was to need her only weapon as never before in all her assiduous, if amateur, efforts at crime detection.

It had been some months since Miss Withers had last found occasion to visit the museum, and today there seemed to be fewer guards and more visitors, particularly juvenile visitors, than formerly. She threaded her resolute way through the crowd, entering the Hall of Sculpture and pushing on toward the staircase at the rear of the building. In this hall the visitors were fewer, and only a solitary art student here and there was copying a painting, lost to the rest of the world.

“You’ll find Professor Carter somewhere in the Florentine Wing,” the Inspector had told her over the telephone. “You can’t miss him, he’s a tall, dried- up old fossil with a big round head bald as an egg.” But at this moment Miss Withers had no idea how, and where, she was to find Professor Carter, associate curator of the Cosmopolitan. For all her haste, she paused for a moment beside a crouching marble nude labeled “Nymph — by Hebilly West.”Using her dampened handkerchief, Miss Withers frowningly removed a penciled mustache from the classic stone face, shaking her head at the laxity of the guards. Then suddenly she looked up.

From somewhere came the patter of light footsteps — the quick steps of a small man or perhaps a woman — fading away down some distant corridor. As they passed, she heard a hoarse masculine scream, thin with surprise, which set a thousand echoes ringing in the vaulted halls. After the school teacher turned and ran on down the hall, turning toward the stairs, she stopped short.

A man was coming, slowly and horribly, down the hundred marble steps — a man whose hoarse scream had almost become a bellow, and who clutched unavailingly at thin air. His body was bent forward almost parallel with the slope of the steep steps...

Miss Withers was frozen with horror, for at the foot of the stairs loomed a gigantic statuary group upon a granite base. As she watched, powerless to move, the plunging man collided headlong with the base of the statue, and his screaming stopped.

There was no doubt in Miss Withers’ mind as to the identity of this man. Inspector Oscar Piper had told her that Carter, the man she had come to see, was a tall and dried-up “fossil” with a head like an egg. And like an egg the round hairless skull of Professor Carter had cracked against the implacable stone.

Almost instantly the hall was filled with gasping, curious onlookers. Here and there a guard began to push his way through. But Miss Withers turned swiftly away, and moved up the stairs. She was looking for something, and when she reached the top step she found it. Then, and not until then, did she rejoin the murmuring, excited group at the base of the stairs.


Schoolteacher Hildegarde Withers suspects a deadly link between two seemingly unrelated murders.

Release Date: December 11, 1936
Release Time: 69 minutes

Cast:
James Gleason as Oscar Piper
ZaSu Pitts as Hildegarde Withers
Owen Davis, Jr. as Robert 'Bob' Wilkins
Louise Latimer as Alice Stevens
Arthur Aylesworth as Kendall
Paul Fix as Joe
Richard Tucker as John Carter
Barbara Barondess as Marie, the Maid
James Donlan as Jim
Agnes Anderson as Dagmar, the Sculptor
Oscar Apfel as H. G. Robbins



Author Bio:
Stuart Palmer (1905–1968) was an American author of mysteries. Born in Baraboo, Wisconsin, Palmer worked a number of odd jobs—including apple picking, journalism, and copywriting—before publishing his first novel, the crime drama Ace of Jades, in 1931. It was with his second novel, however, that he established his writing career: The Penguin Pool Murder introduced Hildegarde Withers, a schoolmarm who, on a field trip to the New York Aquarium, discovers a dead body in the pool. Withers was an immensely popular character, and went on to star in thirteen more novels, including Miss Withers Regrets (1947) and Nipped in the Bud (1951). A master of intricate plotting, Palmer found success writing for Hollywood, where several of his books, including The Penguin Pool Murder, were filmed by RKO Pictures Inc.


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