Friday, August 28, 2020

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: The Egg & I by Betty MacDonald


Summary:
A work of real comic genius. . . . A wonderful, funny, warm, honest book, and, to use a much overused word, a classic.–Michael Korda, author of Country Matters

When Betty MacDonald married a marine and moved to a small chicken farm on the Olympic Peninsula in Washington State, she was largely unprepared for the rigors of life in the wild. With no running water, no electricity, a house in need of constant repair, and days that ran from four in the morning to nine at night, the MacDonalds had barely a moment to put their feet up and relax. And then came the children. Yet through every trial and pitfall—through chaos and catastrophe—this indomitable family somehow, mercifully, never lost its sense of humor.

A beloved literary treasure for more than half a century, Betty MacDonald's The Egg and I is a heartwarming and uproarious account of adventure and survival on an American frontier.


PART ONE
Such Duty

Such duty as the subject owes the prince, Even such a woman oweth to her husband. --SHAKESPEARE

1
And I’ll Be Happy

ALONG with teaching us that lamb must be cooked with garlic and that a lady never scratches her head or spits, my mother taught my sisters and me that it is a wife’s bounden duty to see that her husband is happy in his work. “First make sure that your husband is doing the kind of work he enjoys and is best fitted for and then cheerfully accept whatever it entails. If you marry a doctor, don’t whine because he doesn’t keep the hours of a shoe clerk, and by the same token if you marry a shoe clerk, don’t complain because he doesn’t make as much money as a doctor. Be satisfied that he works regular hours,” Mother told us.

According to Mother, if your husband wants to give up the banking business and polish agates for a living, let him. Help him with his agate polishing. Learn to know and to love agates (and incidentally to eat them).

“It is depressing enough for a man to know that he has to work the rest of his life without the added burden of knowing that it will be work he hates. Too many potentially great men are eating their hearts out in dull jobs because of selfish wives.” And Mother had examples too. There was the Fuller Brush man who came to our house once a month and told Mother how deliriously happy he used to be raising Siberian wolves and playing the violin with a symphony orchestra until he ran afoul of and married Myrtle. The man in the A & P vegetable department who was lilting through life as a veterinary surgeon until he married a woman who hated animals but loved vegetables. And the numerous mining men Mother and Daddy knew who were held down to uninspiring company jobs by wives who wouldn’t face the financial insecurity of their husbands going into business for themselves.

“Boy,” we said, “when we get married, our husbands will do exactly as they please,” and they have.

This I’ll-go-where-you-go-do-what-you-do-be-what-you-are-and-I’ll-be-happy philosophy worked out splendidly for Mother for she followed my mining engineer father all over the United States and led a fascinating life; but not so well for me, because although I did what she told me and let Bob choose the work in which he felt he would be happiest and then plunged wholeheartedly in with him, I wound up on the Pacific Coast in the most untamed corner of the United States, with a ten-gallon keg of good whiskey, some very dirty Indians, and hundreds and hundreds of most uninteresting chickens.

Something was wrong. Either Mother skipped a chapter or there was some great lack in me, because Bob was happy in his work but I was not. I couldn’t learn to love or to know chickens or Indians and, instead of enjoying living in that vast wilderness, I kept thinking: Who am I against two and a half million acres of mountains and trees? Perhaps Mother with her flair for pioneering would have enjoyed it. Perhaps.

Where Mother got this pioneer spirit, how she came by it, I do not know, for a thorough search of the family records reveals no Daniel Boones, no wagon trains heading West with brave women slapping at Indians with their sunbonnets. In fact, our family tree appears rife with lethargy, which no doubt accounts for our all living to be eighty-seven or ninety-three.

Mother’s ancestors were Dutch. Ten Eyck was their name and they settled in New York in 1613. One of my father’s family names was Campbell. The Campbells came to Virginia from Scotland. They were all nice well-bred people but not daring or adventuresome except for “Gammy,” my father’s mother, who wore her corsets upside down and her shoes on the wrong feet and married a gambler with yellow eyes. The gambler, James Bard of Bardstown, Kentucky, took his wife out West, played Faro with his money, his wife’s money and even some of his company’s money and then tactfully disappeared and was always spoken of as dead.

We never saw this grandfather but he influenced our lives whether he knew it or not, because Gammy was a strong believer in heredity, particularly the inheritance of bad traits, and she watched us like hawks when we were children to see if the “taint” was coming out in any of us. She hammered on my father to such an extent about his gambling blood that he would not allow us children to play cards in any form, not even Slap Jack or Old Maid, and though Mother finally forced him to learn to play double Canfield, he died without ever having played a hand of bridge, a feat which I envy heartily.

The monotony of Mother’s family was not relieved in any way until she married Darsie Bard who was her brother’s tutor and a Westerner working his way through Harvard. This was a very shocking incident as Mother’s family believed that the confines of civilization ended with the boundaries of New York State and that Westerners were a lot of very vulgar people who pronounced their r’s and thought they were as good as anybody. Mother’s mother, whom later we were forced to call Deargrandmother, had fainting fits, spells and tantrums but to no avail. Mother went flipping off without a backward glance, to live, for Heaven’s sake, in Butte, Montana.

This was Butte in the early 1900’s. The time of the Copper Kings, when everyone made a million dollars, there were thirty-five thousand miners working underground and a saloon every other doorway. Irish scrubwomen became the wives of millionaires and had interior decorators come from France to “do” their houses. Lawns were imported blade by blade and given the care of orchids in order to make them grow in that sulphur-laden air. Oriental rugs were a sign of wealth and grandeur and were put on the floors three deep and piled in heaps in attics. Southern mansions, French chateaus, Welsh stone cottages, timbered English houses, Swiss chalets and American bungalows were built to house the rich Irish. Everyone was cordial, bluff and gay and entertained lavishly and all the time. A party was given at the Silver Bow Club to welcome Mother to Butte and she was amazed to find that the ladies of the town wore Paris gowns but painted their faces like prostitutes. Mother had been reared to believe that if you were unfortunate enough to be born with a pale green face, you, if you were a lady, would not for a moment entertain the thought of rouge, but would accept your color as your cross and do nice things for poor people. Mother had been reared this way but she didn’t endorse such nonsense. Fortunately she had natural colors so she wasn’t put to any test, but she was certainly pleased to find that the ladies of Butte, and there were many ladies in the strictest sense of the word, had kicked over the traces from Boston to Atlanta and were improving on nature with everything they could lay hand to. Mother loved the West and she loved Westerners.

My sister Mary was born in Butte. She had red hair and to appease Mother’s family was given the middle name of Ten Eyck which necessitated her fighting her way through grammar school to the taunts of Mary Tin Neck.

When Mary was less than a year old my father was sent down to the Nevada desert to examine gold property. Mother joyfully went with him and lived in a shack and rode horseback with the baby on the saddle in front of her. Both Mother and Daddy were happy in his work.

I was born in Boulder, Colorado. Gammy was with us then and the night I was born, when Mother began having pains, she called to Gammy (Daddy was away on a mining trip) and told her to phone for the doctor and nurse. But Gammy, prompted by the same inner urge which made her wear her corsets upside down, rushed across the street and pounded on the door of a veterinary and when he appeared, she dragged him bewildered and in his long underwear to Mother’s bedside. Mother, very calm, sent the poor man home, but because of the delay and confusion I was born before the doctor could get there and it was necessary for Gammy to tie and cut the umbilical cord. This was very unfortunate, as Gammy, a Southern girl, had been “delicately reared” and her knowledge of rudimentary anatomy could have been put in the eye of a needle. She thought the cord had to be tied into a knot and so grabbing me like the frayed end of a rope, she began looping me through and under as she attempted the knot. The upshot was that Mother sat up and tied and cut the cord herself and I was named for Gammy and became another in a long line of Anne Elizabeth Campbells. My hair was snow white but later turned red.

When I was a few months old Mother received the following wire from Daddy: “Leaving for Mexico City for two years Thursday—be ready if you want to come along.” This was Monday. Mother wired: “Will be ready” and she was; and Thursday morning, we all, including Gammy, left for Mexico.

DΓ­az was serving his last term as president of Mexico then, and Mexico City was a delightful place of Mexicans, flowers and beautiful horses. My sister, Mary, because of her brilliant red hair, was much admired by the Mexicans and learned to speak fluent Spanish, but I, an outstanding dullard, didn’t even begin to speak anything until almost three. There was a series of violent earthquakes while we were in Mexico but Mother, never one to become hysterical, inquired as to earthquake procedure, and when the lamps began to describe arcs in the air, the mirrors to sway and the walls to buckle, Mother sensibly herded Mary, Gammy and me into the doorway of the apartment, where the building structure was supposed to be strongest and, though the apartment building was cracked from top to bottom, we were all unharmed. A woman in the next apartment became very excited and rushed into the street in her nightgown, where, I am happy to relate, a water main burst directly under her.

From Mexico we moved to Placerville, Idaho, a mining camp in the mountains near Boise, where the snow was fifteen feet deep on the level in winter and Mother bought a year’s supply of food at a time. Our closest neighbor was a kind woman who had been a very successful prostitute in Alaska and wore a chain of large gold nuggets which reached below her knees. She was very fond of me, Mother says, and told everyone, to Gammy’s intense annoyance, that I was the “spitting image” of her when she was three years old. In Placerville, Mrs. Wooster (I believe that this was her name) had become a respectable married woman but evidently this palled, for Mother says she talked constantly of the “good old days.” I can feel for her because, although I have never been an Alaskan prostitute dancing on the bar in a spangled dress, I still got very bored with washing and ironing and dishwashing and cooking day after relentless day. Of course Mrs. Wooster had an extra hurdle in her path of boredom, that of the same old husband jumping into bed every night.

In Placerville, my father supervised his first large placer mining project and as the work was both dangerous and hard, Mother tore the partitions out of the crackerbox house, built a fireplace and bore my brother Sydney Cleveland, all by herself. Cleveland had red hair. All this red hair caused a lot of comment in Placerville, as Mother was a blonde with brown eyes and Daddy had jet black hair and gray eyes. What no one knew was that Daddy had a bright red beard if he let it grow. When Cleve was born Mother’s father wired her, “I trust you won’t feel called upon to have a child in every state in the Union.”

Our next jaunt was East to visit Mother’s mother or Deargrandmother. The moment we arrived, we children were stuffed into a nursery with an adenoidal nurse named Phyllis, and at my five-year-old birthday party the children were instructed by Deargrandmother not to bring presents. My, how we longed for Gammy with her shoes on the wrong feet and her easy friendly ways. Deargrandmother was noted for her beautiful figure and proud carriage but she toed out and had trouble with her arches. She taught Mary and me to turn our toes out when we walked, say “Very well, thank you” instead of “Fine” when people inquired of our health, and to curtsy when we said “How do you do?” She tried hard to scrape the West off these little nuggets, but as soon as we returned home Daddy made us walk like Indians again, feet pointed straight ahead. I would like to remark here and now, that this walking with feet pointed straight ahead is the only thing about an Indian which I would care to imitate.

When we returned from Auburn, we moved to Butte and lived there for the next four years.

Of Butte I remember long underwear which Gammy called “chimaloons” for some strange reason of her own. We folded our “chimaloons” carefully at the ankles so as not to wrinkle our white stockings. I remember my new Lightning Glider sled and coasting fourteen blocks downhill on Montana Street and hitching a ride all the way back. I remember icicles as big as our legs hanging outside the windows, and bobsledding at night with Daddy, who invariably tipped the sled over and took us home bawling. Creamed codfish and baked potatoes for breakfast and hot soup with grease bubbles which Gammy called “eyes” in it for lunch. Walking to the post office with Daddy on Sunday night and holding bags of popcorn in our clumsy mittened hands and drinking the hot buttery popcorn out of the bag. The Christmas when we had scarlet fever and the thermometer went down and stuck in the bulb and we got wonderful presents which had to be burned. Creaking down the street through the dry snow to dancing school, our black patent leather slippers in a flowered bag, our breath white in front of us. A frozen cheek that Mother thawed with snow. A wonderful sleighride into the mountains at night with the bells sounding like tinkling glass, the runners hissing softly and our eyes peering from heaps of robes.

When Cleve and I used to “rassle” to see who would get the biggest apple, the most candy, or any of the other senseless things children quarrel about, Gammy would stand over us and shout, “Get the hatchet, Cleve, and kill her now. You’ll do it some day, so why not now.” This infuriated us so that we would cease pounding each other and become bosom friends just to “show” Gammy. Perhaps this was her underlying motive but it used to seem to me that she was far too anxious to get rid of her little namesake.

My sister Darsie was born when I was in the second grade. She was small and had dark hair. Also in the second grade a little boy named Waldo wet his panties while we were standing in the front of the class for reading and I got so red in the face that the teacher, a horrid creature who said “wite” for white and “tred” for thread, blamed me and felt my panties, to see if they were dry, in front of the whole class.

Mary and I wore white stockings to school every day and shoes with patent leather bottoms and white kid tops. Mary turned her stockings wrong side out and wore them two days which would have been all right but she told everybody and I was ashamed. Gammy made us wear aprons which she called “aperns” over our dresses while we were playing after school. She would greet us at the door with the “aperns” but if we managed to sneak out without them she would stand on the porch and call in a high mournful wail, “Giiiiiiiiirls, come get your ‘aperns’” (this last a high banshee shriek). After school, if the weather was nice, we played on the Montana School of Mines dump and found lots of the little clay retort cups in which gold had been assayed.

When we said bad words, which we did as fast as we learned them, and Gammy or Mother learned of it, we were given “heart medicine.” This was a dark vile-tasting liquid which while shriveling our tongues was supposed to be purifying our hearts. I learned later that it was bitter cascara and no doubt served a double purpose. We could not understand why our “hired girls,” who said God and Jesus all the time, were never given “heart medicine” while we innocent little children used up about a bottle a week.

Our “hired girls” were hot tempered Irish girls who hated children, especially children with red hair, and smacked us and threatened to quit if we came into the kitchen. They showed surprising weaknesses, however, like the Mary whom Mother found one frosty morning weeping into the hotcake batter. “What is the matter?” Mother asked, thinking it was probably a man. “Jesus-God, Mrs. Bard, I can’t get the damned things round,” and she tearfully pointed out a heap of oblong and oval hotcakes she had thrown into the sink.

Butte had no budding trees, no spring flowers and no green grass, but we knew when spring came by the raging torrents that ran in the gutters. In one such torrent I found a five-dollar bill. I thought it was a shoe coupon—I was collecting them—and carefully scooped it out with the toe of my rubber and took it home to Gammy, who ironed it dry and told me that it was five dollars. This was the first paper money I had ever seen, as silver and gold were used exclusively in Butte, and I didn’t really feel that I had found five dollars until Daddy exchanged it for a gold piece which I put in my copper bank with the picture of the Anaconda Smelter on the front of it. Later Cleve and I hacked this little bank open with a mining pick and spent the five-dollar gold piece on penny candy.

In the spring Gammy took us for walks in the hills and we were careful not to fall in “prospect holes” which suddenly appeared at our feet, black, scary and bottomless. Gammy told us stories of heedless children who scampered off into the hills to play but never came back and years and years later their little white skeletons were found in “prospect holes.” We gathered bluebells and bitterroot daisies and wild garlic. The bluebells were a deep clear blue like fallen sky against the bare black rocks. The bitterroot daisies, the Montana State flower, had little foliage and no stems and lay flat and pink and exquisite on the brown hard earth. We painstakingly dug them up, careful of the roots, carried them home and planted them and they immediately died as all the topsoil of Butte was washed away years before in the placer mining days, and our yard was nothing but decomposed granite. We had one patch of grass in our front yard about the size of a pocket handkerchief. I played there with my dolls, but was very careful not to sit on the grass or injure it in any way, (What would a life-long resident of Butte think if he could have seen the country surrounding our chicken ranch—where fenceposts sprouted, vines crept into the house and everything was so green, green, green, it made me feel bilious?)

One winter in Butte, we were taken to see a play at the Broadway Theatre. The play was The Bird of Paradise and we all clung to Gammy’s hands and bawled when the beautiful heroine threw herself into the erupting volcano. The next spring we climbed Big Butte, a bare, brown mountain, a thousand feet high and almost in our backyard and were horrified on reaching the top to find a large crater and to have Gammy explain casually that this mountain, the very one on which we lay panting, was a volcano. We ran every inch of the way home, peering back over our shoulders expecting to see the top of poor old Big Butte a fiery furnace with white hot lava oozing down its sides. We never would go up there again and when the sulphur smoke hung low over the city, veiling the top of Big Butte, we were sure it was erupting.

The sulphur smoke smelled awful but Gammy made us breathe deep and suck it down inside of us. She said it disinfected our insides. She also made us drink gallons of vile-tasting water at White Sulphur Springs. Between the “heart medicine” and the sulphur water and smoke we should have been as pure as angels, but unfortunately this was not the case, for we worked diligently to find out where babies came from, until one fateful day when my sister, Mary, proclaimed to the assembled neighborhood children, from a little platform we had erected in the backyard, “Ladies and Gentlemen, babies are born out of people’s stomach holes.” I can still taste the heart medicine.

Gammy used to walk us downtown but as she made us close our eyes every time we passed a saloon the walks were valuable to us more for the fresh air than for the sights we saw. Once she had us open our eyes to see a hat in Hennessy’s store window which cost $105. We could not get over it. One hundred and five dollars for a hat! We made three trips to see that hat but I haven’t the faintest recollection of what it looked like, no doubt because I kept my eyes glued to the price mark. We had heard from Mother that Hennessy’s, the company store, also sold Paris gowns but they didn’t put these in the window so we never saw one.

Often cowboys in chaps and ten-gallon hats rode cayuses down Main Street and several times Indian braves on ponies, followed by squaws on foot with papooses on their backs, filed slowly past the one-hundred-and-five-dollar hat window. These were the Blackfeet Indians and they wore beautifully beaded dresses and chaps and terrific feather headdresses, and had long noses and cold Indian eyes. As Gammy had read us the stories of Hiawatha, Pocahontas and Sitting Bull and told us many hair-raising tales of massacres, scalpings and running the gantlet, we thought these Indians were simply wonderful, so strong and brave, and would run for blocks to see them. I still harbored these romantic notions about Indians when I moved to the chicken ranch, and it was a bitter blow when I learned that today’s little red brother, or at least the Pacific Coast variety which I saw, is not a tall copper-colored brave, who, clad only in beads and feathers and brandishing a bow and arrow, bounds around in the deep woods. Instead, our Indian, squat and mud-colored, was more apt to be found slouched in a Model T, a toothpick clenched between his yellow teeth, a drunken leer on his flat face. On the reservation he was orderly and well behaved and, we were told, used to engage in dangerous pursuits like whaling and seal hunting; but in appearance, at any rate, he resembled the story-book variety and my childhood Blackfeet Indian, about as much as a mud shark resembles a Beardsley trout.

Our summers were spent camping in the mountains. Usually we had a camp man and slept in tents and followed Daddy about while he examined mines, but other times we had cabins on a lake and stayed with Gammy while Mother and Daddy did the travelling. My still-smoldering hatred for and distrust of wild animals were implanted on these camping trips. Once we almost fell on a large bear, placidly eating huckleberries on the other side of a log. Another time Daddy pointed out a mountain lion lying in the sun on a ledge above our heads. Bears were always knocking down our tents and eating our supplies and at night the coyotes and timber wolves howled dismally.

Mother and Daddy fished incessantly and we had Rainbow trout, which we children loathed, three times a day. Sometimes Gammy came camping with us but only when we had cabins and didn’t spend our days “traipsing” through the mountains. Gammy stayed with us while Mother and Daddy took trips and fished and although they were considerate and always asked if we cared to come along, we always refused because Mother and Daddy loved danger and were always walking logs over deep terrible ravines; walking into black dangerous mine tunnels; wading into swift turbulent streams and doing other scary things. Gammy, on the other hand, carefully avoided danger and was constantly on the alert for it.

Summer days with Gammy were spent in her cabin with the doors and windows shut tight against the dangers of mountain air. We would all crouch around her rocking chair while she read to us out of Pilgrim’s Progress and fed us licorice drops out of her black bag. This routine was varied occasionally by a thunderstorm, whose first clap of thunder sent us hurtling under the bed clutching feather pillows and praying, or by very short walks during which Gammy called us all to a halt every few feet to listen for rattlesnakes. She had us whipped into a state where the rattle of a leaf would turn us white and sweatyand send us scurrying home to the safety of the cabin. Gammy impressed us with all of the dangers of outdoor living. She warned us against eagles, hawks, bees, flies—horseflies which bit—mosquitoes and gnats which might attack from the air; ticks, snakes, leeches, and bugs which might spring snarling from the ground; and she had us convinced that the trees along the edge of the clearing where our cabins were, were like the bars of the cages at the zoo and just behind them prowled hundreds of timber wolves, grizzly bears and mountain lions fighting for a chance to eat us.

From the summers we spent with Mother and Daddy camping in tents, we returned to town brown and healthy, but from the summers spent with Gammy, we came back as jumpy as fleas and pale and scraggly from the hours of lying on feather pillows under the beds praying during the thunderstorms and the days crowded in the close cabins out of the reach of groping fangs. We, of course, never told brave, fearless Mother and Daddy about Gammy and the dangers of outdoor life, and they probably wondered why they, so strong and daring, should have produced this group of high-tensioned rabbits.

When Mother and Daddy went away from home on long trips, which they did frequently, we stayed at home with Gammy. She had us all sleep in her room on army cots and folding beds which she hastily and carelessly erected and which were always collapsing and giving us skinned noses and black eyes. Gammy kept a pair of Daddy’s shoes beside her bed and when she heard any noise in the house she leaned out of bed and stamped the shoes on the floor so that the robber or killer, whichever one happened to be downstairs, would think that there was a man in the house instead of “a lone helpless woman and several small children” all huddled upstairs waiting to be killed.

Our “hired girls” often came in late and I’ve wondered since if this stamping of manly feet upstairs in the dead of night, when they knew that Mother and Daddy were in New York or Alaska, didn’t lead them to believe that Gammy had a secret love life. To the casual eyes of a maid this idea might have been plausible, as Gammy was a very pretty woman, small with large blue eyes, delicate regular features and tinselly curly hair. But to those of us who knew her there were several good reasons why this wouldn’t, couldn’t be. In the first place Gammy hated men—all men, except Daddy. “Just like some big stinkin’ Man,” she would sneer as she lapped up the account of a rape or murder in the paper. Or, “The whole world’s run for Men and don’t you forget it,” she would warn us as she inspected us to see if our eyes were shut before marching us past the Silver Dollar Saloon. Or, when we were having mining men, friends of Daddy’s, to dinner, which we did six nights a week, Gammy would caution the hired girl, “Don’t make it so awful good. Men’ll eat anything. The pigs!”

In the second place, any lover of Gammy’s would have had to equip himself with enduring desire and a bowie knife, for Gammy was well covered. She thought nakedness was a sin and warned us, “Don’t let me catch you running around in your naked strip!” and for her own part, she merely added or removed layers of clothing as the weather demanded. On top she always had a clean, ruffly white “apern”—during the day this was covered by a large checked “apern.” Under the aprons were a black silk dress, a black wool skirt, a white batiste blouse with a high collar, any number of flannel petticoats, a corset cover, the upside-down corset with the bust part fitting snugly over the hips, and at long last the “chimaloons.”

In the third place, a lover of Gammy’s certainly would have had a lumpy couch with her nightgowns, bed jackets and several extra suits of “chimaloons” folded under the pillow, her Bible tucked under the sheet at the top right-hand side, any book she happened to be reading tucked under the sheet on the other side, little bags of candy, an apple or two, current magazines, numerous sachets and her bottle of camphor just tucked under the blankets or scattered under the pillows within easy reach. We children thought this an ideal arrangement, for when we were lonely or frightened Gammy’s bed was as comforting as a crowded country store.

Gammy was an inexhaustible reader-aloud and took us through the Bible, Pilgrim’s Progress, Dickens, Thackeray, Lewis Carroll, Kipling, The Little Colonel, The Wizard of Oz, The Five Little Peppers, and all of Zane Grey, which we adored, before we left Butte. She changed long words to ones we could understand without faltering, but after an hour or two with The Little Colonel or The Five Little Peppers she would begin to doze and we would be dispatched to the kitchen to ask Mary the Cook for some black coffee. Usually this revived her completely and she would continue until lunch or supper or bedtime, but sometimes, especially during the nauseous antics of the Little Colonel or the continual bawling of the Five Little Peppers who cried when they were happy, Gammy would drink cup after cup of black coffee but would still fall asleep and when she awoke would read the same paragraph over and over. We would make several futile trys to wake her and then would give up and go out to play.

Gammy was patient, impatient, kind, caustic, witty, sad, wise, foolish, superstitious, religious, prejudiced and dear. She was, in short, a grandmother who is, after all, a woman whose inconsistencies have sharpened with use. I have no patience with women who complain because their mothers or their husbands’ mothers have to live with them. To my prejudiced eye, a child’s life without a grandparent en residence would be a barren thing.


Newlywed city slickers decide to give country life a try as chicken farmers.

Release Date: March 21, 1947
Release Time: 108 minutes

Cast:
Claudette Colbert as Betty MacDonald
Fred MacMurray as Bob MacDonald
Marjorie Main as Ma Kettle
Louise Allbritton as Harriet Putnam
Percy Kilbride as Pa Kettle
Richard Long as Tom Kettle
Billy House as Billy Reed
Ida Moore as Emily
Donald MacBride as Mr. Henty
Samuel S. Hinds as Sheriff
Esther Dale as Birdie Hicks
Elisabeth Risdon as Betty's Mother
John Berkes as Geoduck
Victor Potel as Crowbar
Fuzzy Knight as Cab Driver
Isabel O'Madigan as Mrs. Hicks' Mother
Dorothy Vaughan as Maid
Banjo the Dog as Sport
Uncredited players include William Bailey, Hank Bell, William Desmond, Teddy Infuhr, George Lloyd, Sam McDaniel, Howard M. Mitchell, Eugene Persson, Beatrice Roberts, Hector Sarno and Dorothy Vernon

Awards:
1947 Academy Awards
Marjorie Main - Best Actress in Supporting Role - Nominated



Author Bio:
A longtime resident of Washington State, Betty MacDonald (1908-1958) authored four humorous, autobiographical bestsellers and several children's books, including the popular Mrs. Piggle-Wiggle books.


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Thursday, August 27, 2020

Blog Tour: Wood by AE Via

Title: Wood
Author: AE Via
Series: True Lover's Story #2
Genre: M/M Romance
Release Date: August 8, 2020

Summary:
It’s been a long seventeen years but Herschel Wood Jr. is finally a free man and he’s looking forward to reconnecting with his old cellmate, Bishop Stockley, who promised him a place to stay and some help getting back on his feet. Wood had a good life once upon time when he’d owned one of the most successful tattoo shops on the Virginia Beach Oceanfront – until a fatal accident that was his fault cost him everything.

Now at forty-six years old, all Wood wants is to work in another shop on the beach and find a mature, easygoing man to settle down with. But when he gets to his new place and finds he has to share the small trailer with Bishop’s childhood friend, he wasn’t expecting a sexy, smart-mouthed brat that enjoys pushing a man to his limits.

Wood pressed in tight until there was only misunderstanding between them, his mouth mere inches from Trent’s parted lips. “You wanted to get a reaction out of me you annoying, immature little shit… now you’ve got one.”

Trent Armstrong has never been considered a catch. He’s a twenty-nine year old laborer, an ex-con, and not the easiest person to get along with. He’s used to being the one people cast to the side when they're done with him. Everyone he’s ever cared about has walked out of his life without a backward glance, so he’s used to the loneliness. His foul mouth and quick temper are a great defense mechanism and an easy way to hide his hurt.

From the moment the tattooed, silver-haired man walked into the house there had been nothing but tension, side-eyeing, and sparks between them. Trent has always held back a side of himself that he’s terrified to e huxplore, and without warning Wood’s voice, his maturity, that maddening scent, and even his damaged past all trigger feelings that Trent thought he’d buried deep long ago.

Trent went completely still when Wood dragged his nose over his forehead and down the side of his face. His voice was shaky, and his breaths were hot and swift along Wood’s throat. “What the hell are you doing?”

“I’m doing what you want me to do.” Wood whispered. “I’m playing your bullshit game, Trent.”

The True Lover's Stories are connected standalones. Each title features a different couple but will contain previously mentioned characters.

No multiple pairings. No cliffhanger. Ends with a HEA.

Note: This is a steaming angsty, age gap, new-to-love romance.


“Are you fucking crazy?”Trent hissed through clenched teeth, but the nerve he’d had behind his earlier words were gone, now replaced with caution…and lust.

“I asked you politely not to call me that. Now, I’m telling you. Don’t. Do it. My name is Herschel Wood, Jr. No middle name. You can call me Herschel, or Wood, that’s it. I would’ve told you that if you’d bothered to ask.” Wood fumed. He had his forearm across Trent’s chest, pushing his back into the closet door at the end of the dark hallway. He couldn’t believe what he was doing, but how dare Trent drive him to the edge like this? Wood pressed in so tight until there was only air and misunderstanding between them, his mouth mere inches from Trent’s parted lips. “You wanted to get a reaction out of me, you annoying, immature little shit…now you’ve got one.”

Trent’s eyes blazed as he tried to shove off the door, but Wood held him in check with his mass. “Fuck you.”Trent grunted, his hot gaze lasered on Wood’s lips.

Wood gave him a smirk and enjoyed as Trent squirmed even more against him. “You think I don’t know the game you’re playing? Maybe no one else does—even though I taught Bishop better—but I can see right through your transparent ass, Trent. So damn clearly.”

Trent’s masked desires were obvious—Wood had seen it the moment he’d laid eyes on him. He knew he hadn’t been wrong. But he’d wanted to leave Trent off-limits. Bishop just wanted them to be friends, but Wood was afraid he was finally going to have to tell his buddy that it wasn’t going to happen. The four of them wouldn’t be hanging out together all the time. There was too much screwed-up shit going on with Trent, and Wood deserved some peaceful days. He didn’t have the patience to put up with crap from hesitant men anymore. He had no doubt that Trent was pushing his buttons…because he wanted Wood to push his in return.

“Wood,” Trent snarled, as he clutched tightly to his shoulders with both hands.

Wood’s answer was another cunning smile. Did Trent even realize that he wasn’t pushing Wood away, he was holding him close? Wood wouldn’t point that out just yet. If Trent wanted to have some fun with him, then fine. He’d entertain himself until it was time for him to leave. He should’ve known this setup was too good to be true. What Trent pulled on him was exactly the kind of typical mess Wood was used to. People judging and condemning him for no reason.

Trent went completely still when Wood dragged his nose over his forehead and down the side of his face. His voice was shaky, and his breaths were hot and swift along Wood’s throat. “The fuck are you doing?”

“I’m doing what you want me to do.” Wood clenched his teeth. “I’m playing your bullshit game, Trent.”

“I’m not playing anything,”he breathed.

“Oh yeah you are.” Wood released Trent suddenly, but he didn’t pull away. He leaned in until his mouth was against Trent’s ear. “But I’m about to show you I’m much better at this game than you are.” Wood slowly eased away, then cocked his head to the side, motioning to Trent’s punishing grip he still had on his shoulders. “Now let me go.”



Author Bio:
A.E. Via has been a best-selling author in the beautiful gay romance genre for six years now, but she’s no stranger to MM. She’s been an avid reader of gay literature for over twenty years before she picked up her laptop to place her own kiss on this genre. She’s also the founder and owner of Via Star Wings Books, having published a couple great, new up and coming MM authors.

A.E. has a Bachelor of Arts in Criminal Justice from Virginia Wesleyan College that she used to start her own paralegal firm after she graduated in 2008. She spent five years preparing and filing bankruptcy petitions for struggling blue collar workers who couldn’t afford to file with a lawyer. It was a rewarding and satisfying career… but another path called to her.

Writing.

A.E.’s novels embodies everything from hopelessly romantic to adventure, to scandalous. Her stories often include intriguing edges and twists that take readers to new, thought-provoking depths.

She’s recently celebrated her 20th book anniversary, and is well-known for her hardcore, love hard, bad boy, alphas. However, she does like to push herself to step out of her comfort zone, exploring different tropes. She’s head over heels for gay romance and she has tons of more hot stories to tell.

Be sure to visit Adrienne on her social media pages and subscribe to her newsletter to never miss another release date! Go to A.E. Via’s official website for more detailed information on how to contact her, follow her, or a sneak peek at upcoming work, free reads, VSWB submissions, and where she’ll appear next.


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Wood #2

Bishop #1





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Wednesday, August 26, 2020

Blog Tour: Acsquidentally in Love by KL Hiers

Title: Acsquidentally in Love
Author: KL Hiers
Series: Sucker for Love #1
Genre: M/M Romance, Paranormal
Release Date: August 25, 2020
Publisher: Dreamspinner
Cover Design: Tiferet Design

Summary:
Nothing brings two men—or one man and an ancient god—together like revenge.

Private investigator Sloane sacrificed his career in law enforcement in pursuit of his parents’ murderer. Like them, he is a follower of long-forgotten gods, practicing their magic and offering them his prayers… not that he’s ever gotten a response.

Until now.

Azaethoth the Lesser might be the patron of thieves and tricksters, but he takes care of his followers. He’s come to earth to avenge the killing of one of his favorites, and maybe charm the pants off the cute detective Fate has placed in his path. If he has his way, they’ll do much more than bring a killer to justice. In fact, he’s sure he’s found the man he’ll spend his immortal life with.

Sloane’s resolve is crumbling under Azaethoth’s surprising sweetness, and the tentacles he sometimes glimpses escaping the god’s mortal form set his imagination alight. But their investigation gets stranger and deadlier with every turn. To survive, they’ll need a little faith… and a lot of mystical firepower.


“I’m sorry,” Loch said suddenly, his attention stolen away from the television and focusing intently on Sloane.

“What?” Sloane turned his head, staring in shock. He didn’t think gods were much on apologies.

“I obviously caused you great discomfort with my actions earlier today,” Loch explained, his hand reaching for Sloane’s, “and yes, while I am a trickster… I don’t aim to always be a complete bastard.”

“Loch,” Sloane murmured softly, surprised by how genuinely sorry he sounded.

“I got this for you,” Loch said, a tentacle reaching over to present Sloane with an incense bowl. “It upset you, but… it also brought you joy. I thought you might like to have it.”

“This is from the museum!” Sloane gasped, recognizing it immediately as the one that had reminded him of his mother’s. “You stole this? Loch! How did you, it, it was in a glass case! We need to take it back!”

“Technically, the museum stole it from my family,” Loch said smugly. “It was an offering for my aunt, and I was merely making an effort to return it to its rightful owner. Since she’s asleep, it’s my responsibility to liberate it on her behalf. I am now giving it to you.”

“I can’t… I can’t accept this!”

“Don’t you like it?”

“Yes, but—”

“Then please take it,” Loch urged, “with my most sincere apologies.”

“Thank you.” Sloane was touched and looked over the bowl with a helpless smile. It was as good of an apology as he would likely ever get from an immortal being, with or without the well meaning theft. Suspicious, he added quickly, “I’m still not going to have sex with you.”

“We’ll see.” Loch laughed, giving Sloane’s hand a playful tug.

“No, we won’t,” Sloane said despite a big grin creeping onto his face. He didn’t pull his hand away, letting their fingers tangle together even after he put the incense bowl aside. It felt nice.

A few more sips from his drink and Sloane ended up cuddling against Loch’s side with his arm around his shoulders. That was nice too.

“Do you… uhm… do you want something to eat?” Sloane asked quietly as the hour grew late, and he realized that sandwich was the only thing either of them had had all day.

“I don’t require sustenance,” Loch replied, smirking fondly down at Sloane. “Immortal, remember?”

“Right. Uhm….”

“Would you like… something?” Loch asked innocently, his tongue swiping slowly over his lips to indicate he was definitely not talking about food.

Sloane’s cheeks flushed immediately, his attention drawn to Loch’s mouth as he stammered, “N-no, I’m actually pretty good right now.”

Loch shifted, using his arm around Sloane’s shoulders to pull him closer. He cradled Sloane’s face, fingers running into his hair as he purred, “Are you absolutely sure?”

No one had ever looked at Sloane the way Loch was right now, with such heat, such adoration and raw desire. It made his blood pump excitedly and his breath catch in his mouth before he could properly inhale.

“Not really,” Sloane replied weakly.

Loch nosed along Sloane’s cheek, sighing, “Why are you so afraid to let yourself experience pleasure with me?”

“I don’t just go around ‘experiencing pleasure’ with people!” Sloane protested even as his voice cracked when he felt Loch’s tongue slide along the edge of his ear. “Fuck….”

“Why not?” Loch asked, his breath hot and husky in Sloane’s ear.

“Because… because….” Sloane couldn’t think straight, stammering to think of an answer. It was impossible to gather his thoughts with Loch’s tongue at his ear and his fingers curling so sweetly through his hair.

“Because?” Loch pressed, calm and perfectly innocent.

“When I’m with someone, I want it to mean something,” Sloane said finally, his head foggy and trying to remain firm. “I want something that will last.”

“It can last all night,” Loch promised, his lips lightly pressing against Sloane’s jaw. “And the night after that… and the night after that….”

“Fuck it,” Sloane hissed, dragging Loch into a hot kiss, shoving his tongue into his mouth with a loud moan.


What is the biggest influence/interest that brought you to this genre?
Being queer. When I first started writing, it was all fantasies with unicorns and monsters, things like that. The princess always ended up with the handsome hero because that’s just how things were. It didn’t matter how I really felt about it inside since everything around me at that early age was telling me that what I feeling was wrong. I kept all those thoughts to myself for years. It wasn’t until I discovered slash fiction back in the AOL days that I realized it was okay to feel this way – it was okay to be different. People could love someone else who was the same sex, they could feel like they were trapped in the wrong body. The princess could marry another princess or the hero could marry the dragon instead of having to slay it. I’ve always loved writing gay and queer stories because this is where I feel the most at home.

When writing a book, what is your favorite part of the creative process(outline, plot, character names, editing, etc)?
Outlining is probably my favorite. I usually have the ending and a few other specific scenes in mind first, and then I have to figure out how to get there. That’s the most fun for me because it’s setting up all the highs and lows, where to put those special scenes, and how it’s all going to come together for that fantastic ending. It’s like putting a puzzle together, and I surprise myself sometimes with what I come up with to make it all work.

When reading a book, what genre do you find most interesting/intriguing?
I always loved suspense and horror the most. I don’t read much now, but when I was a kid, I ate up everything that I could get my hands on. When I got bored of my Goosebumps and Fear Street, I started sneaking all of my parents’ books to read. Stephen King, Anne Rice, Dean Koontz, and all that good adult stuff. I can still remember reading with a dictionary next to me so I could look up all the words I didn’t know!

If you could co-author with any author, past or present, who would you choose?
If I was going to write a mystery, I would want to write something with Edgar Allan Poe. If I was going to write any kind of romance or love story, I would want to write it with Amanda Meuwissen. She’s my freakin’ hero, and I respect her talent so much.

Have you always wanted to write or did it come to you "later in life"?
Always. I love telling this little story about how I wrote my first book when I was eight years old. It was a very ridiculous fantasy that I scribbled down in a Hello Kitty notebook, and I just kept on writing until I ran out of pages. After that, I was hooked. Any and all journals and notebooks were reserved for writing, and I wrote whatever crazy little story came into my head. I still have some of those early books from my childhood – sadly, I lost the Hello Kitty one – and while they’re quite terrible, ha, it reminds me of how far I’ve come. 

Author Bio:
K.L. “Kat” Hiers is an embalmer, restorative artist, and queer writer. Licensed in both funeral directing and funeral service, she’s been working in the death industry for nearly a decade. Her first love was always telling stories, and she has been writing for over twenty years, penning her very first book at just eight years old. Publishers generally do not accept manuscripts in Hello Kitty notebooks, however, but she never gave up.

Following the success of her first novel, Cold Hard Cash, she now enjoys writing professionally, focusing on spinning tales of sultry passion, exotic worlds, and emotional journeys. She loves attending horror movie conventions and indulging in cosplay of her favorite characters. She lives in Zebulon, NC, with her husband and their six children, three of whom have paws and one who sometimes thinks he does.


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Tuesday, August 25, 2020

Release Blitz: Not Used to Cute by Becca Seymour

Title: Not Used to Cute
Author: Becca Seymour
Genre: M/M Romance
Release Date: August 22, 2020
Publisher: Rainbow Tree Publishing
Cover Design: BookSmith Design

Summary:
A bar owner who’s not looking for a relationship. A lost soul who’s afraid to trust. When Elijah and Seb meet, sparks fly. But will either of them find the courage to take what they want?

Pouring his all into his business, Elijah is perfectly content running his bar. With its prime location and its infamous drag shows, Bar QK is the place to be. Elijah is used to meeting new and sometimes interesting people, but it’s rare anyone catches his interest for anything longer than a five-minute conversation.

It takes a wandering, unfiltered surfer, who’s tired of the chase and dog-tired of people taking advantage of him, to spark long-buried interest in Elijah.

While kindness runs through his veins, Seb doesn’t believe in fairy tales. He has a past he’d rather forget and has no real expectations for his future. He believes it’s safer to not make assumptions about anything or anyone; that way, he’ll remain safe.

It takes his elusive, aloof boss, whose mixed messages are more confusing than Ikea furniture instructions, to show Seb that opening his heart can be worth the risk.

When Elijah and Seb find themselves working on a common goal, the high stakes may be just the nudge they need.


“What happened?”

His words registered though made no sense.

“Just,” he clarified, “everything was fine. You smiled, then it all changed. I lost it.”

“Lost it?” I was convinced I’d been dropped into a conversation midpoint as I floundered to catch up. Elijah was direct, as I was, or usually was. I liked that about him. A lot. But he also had a habit of using clipped questions, or short sentences that took me a while to work out what he meant.

“I lost your smile.”

“Oh.” Oh! What the heck was a guy to say to that? Yeah, he’d asked a question that he wanted answered, but hot damn, that he’d lost my smile? I really hoped to God that that meant what I thought it meant. But far out, I wasn’t sure my heart could handle a man like Elijah.

From the moment we’d met at his bar, there’d been a connection. It was undeniable, but still, at work he kept his distance. Admittedly, he took time out to make sure I was coping and settling in okay, but he was the boss. And he occasionally brought me treats. And maybe we chatted about a few things other than work sometimes. It was his job. Right? Right? Okay, so perhaps he didn’t quite keep his distance at work.

And then when I’d told him about what had happened with the paint, he’d seemed to have lost his guard for a few seconds and had mentioned an “us.” At the time, a flurry of activity had burst free in my gut, pretty similar to the havoc currently taking place there. The thought that it was more, the possibility that he could actually like me like me and that Harriet was right…. Then there was the mention of that kiss, which I was sure had happened and hadn’t been a figment of my imagination brought on by shock.

Heat crept through my body. I had no idea where it travelled from or was heading to, but my senses flared to life. The subtle shift of his fingers as they still made contact with my cheek, the fresh masculine scent of his aftershave hovering between the two of us, the controlled sound of his breathing, which actually deepened a little… all caught up with me and, honest to God, weakened my knees.

I wobbled a little, and he reached out his other hand, not realising I’d been leaning into him. He placed his hand on my hip to steady me.

Not quite flush with him, it didn’t seem to matter as his body heat pushed against me. Warmth that was welcome and comforting pulled me in and made unbidden words spill forth. “You like my smile?” When his lips moved and it looked like he was about to speak, my filter vanished, was whisked away into the abyss and I was powerless to stop it.

“So does this mean you like me”—please stop—“because if you do, which is great, but are you sure? It’s just that you said I was, well you know, small and stuff, and I don’t know, everyone at work says you’re into big guys, or at least bigger than me.” Please, make it stop. I didn’t listen to myself, despite my last comment causing his brows to lift. “You just don’t seem like the kind of guy that would go for someone like me. It’s just, I’m not saying I’ve been bashed with the ugly stick or anything”—a nervous, awful laugh escaped my lips, carrying my words—“I know some people think I’m good-looking. Not that I’m vain or anything. Nothing like that. But I saw some of the men at the bar who I know you’ve hooked up with, and they’re nothing like me. They have a good few inches on me—in height,” I quickly added. “I’m packing, and”—for the love of all that is holy, make it stop. I prayed for a hole, a tsunami, a vortex—“anyway, I just, well, I like it when you smile, too.” I finally ran out of steam with no clue what I was talking about or even if I had a point or answered his damn question.

Author Bio:
Becca Seymour lives and breathes all things book related. Usually with at least three books being read and two WiPs being written at the same time, life is merrily hectic. She tends to do nothing by halves so happily seeks the craziness and busyness life offers.

Living on her small property in Queensland with her human family as well as her animal family of cows, chooks, and dogs, Becca appreciates the beauty of the world around her and is a believer that love truly is love.


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Monday, August 24, 2020

Monday's Musical Melody: Ex-Bandmates by Zoe Lee

Title: Ex-Bandmates
Author: Zoe Lee
Series: Local Beats #1
Genre: M/M Romance
Release Date: August 6, 2020
Cover Design: Emilie DeMun Designs

Summary:
Asher
From the second Lucas Carlson shows up in my garage for band practice, I’m drawn in by his eyes, his awkward rambling, and his incredible musical talents. But we share a best friend, and he’s only our temporary drummer while he’s in Chicago for a summer internship. It should be easy to ignore the way he brings something out in me that no one has before.

Lucas
Asher Bernthal is a grumpy stockbroker whose band, Signal Fire, is vital to my best friend’s happiness. I don’t want to mess it up for her, so all I have to do is drum and keep my head down. It should be easy not to crush on a man so beyond my grasp, who writes lyrics that pierce straight through me.

Despite all of the reasons to stay away, we’re drawn together and bring something new out in each other. Every song pulls us closer together, but we won’t be bandmates forever.

This is the first book in the Local Beats Series, an 80,000 word MM romance featuring musicians with day jobs, a night club, and lots of songs, with a guaranteed HEA and no cliffhanger.


ASHER
“Hey hey,” Amy said once we were up there, shimmying a bit. “It’s about to get soulful up here!”

Dan pushed Lucas so that it was Dan, Lucas, and me ranged just behind and stage right from the girls. “I hope you know how to shake it, Lucas,” he said with a giant, happy beaming smile.

Before Lucas could seem to decide if he was going to puke or shake it, the song started.

I grinned, immediately putting one hand on my hip and bopping my hip and shoulder, recognizing the opening bars of Aretha Franklin’s ‘Chain of Fools’ right away.

Lucas hissed when the girls started belting it out.

I looked over and found him doing the exact same classic soul back-up singers’ moves that Dan and I were executing, while Dan and I also chimed in with our part of the song. Lucas’s mouth shaped the words perfectly, but I knew he wasn’t actually singing because I was too close to miss it if he were.

Leslie moved to dance right up in Lucas’s face, her hips swiveling and her finger crooked, making the audience whistle and cheer, and I heard Tilda yelling loud and clear from our table.

Lucas’s chest started rising and falling like it had when we’d shared my shower, but it wasn’t lust… not exactly. When Leslie took a step back towards the mic, it was as though Lucas was hooked to her and had no choice but to take a step forward, even though I could see him gulp, paling.

Leslie kept her eyes on Lucas in challenge and then, with a flourish, invited him up to the mic.

Lucas’s eyes closed for a beat and then…

He sang.

Sang.

Oh fuck. I swear my cock turned to fucking steel—titanium—whatever the hardest metal in the known universe was—within one measure of him fucking singing. It was more than hitting all the right notes, the little trills and gentle vibrato of Aretha’s voice, more than the way his voice filled up the space like it was coming from everywhere at once, more than the way he was working his hips from side to side like was in Dreamgirls. It was the way that he utterly understood what he was singing, as if he had written the song himself, experienced this himself and knew every nuance of it, as if it was happening to him at that very moment, without it being melodramatic at all.

The audience had to be going wild, but I wasn’t paying attention to anything but the fraction of his face I could see, and Leslie’s full profile, the visible eye full of tears.

The song ended and Lucas bolted off the stage, pushing through the people complimenting him, and made for the bar as if his ass were on fire—or under fire.

“Oh fuck,” I whimpered.

Amy grabbed my arm and hauled me back to our table and I went along like a zombie, letting her shove me into one of the chairs when we got there. Dan patted my shoulder as if he pitied me.

“Oh fuck,” I whimpered again, slumping until my too-hot forehead settled on the rim of a water glass. “It’s not just the voice, it’s—”

“Damn, Asher,” Tilda whispered, “you are so fucked.”

“Leslie, you evil witch,” Lucas shouted from behind me, but I didn’t move, and he probably didn’t notice because he was ranting now, his shouts lowering in volume to whisper-yells, “I cannot believe you did that to me, that was a fucking cheap shot, and to drag Amy into your scheme!”

“You’re a fucking evil witch,” Amy cried. “How could you hide that voice from us!”

“Dude,” Dan said in his heartbroken, guilt-inducing tone. “Not cool. Penalty box.”

“No, he can’t sing if he’s in the penalty box,” Amy argued, fucking up Dan’s sports metaphor without noticing. “You’re an amazing drummer, but like… why…”

“How about a round of shots?” Leslie interjected as if that would derail things for long.

“You’re not off the hook!” Lucas grumbled, but he seemed like he was already losing steam. Leslie clicked off towards the bar to get the shots, and then he asked, “What’s with Asher?”

Tilda, Amy, and Dan snickered and I gave them the finger without moving otherwise, not even knowing if Lucas could see it or not since my eyes were still squarely aimed at the table.

Tilda took a little bit of pity on me and said, “Just brooding like usual. Ignore him.”

Lucas’s hand appeared in my field of vision, his pinkie tapping a quick beat. “Asher?” he checked in very quietly, as the heat of his body sizzled my arm and neck and ear nearest to him. “Are you okay? You’re just kind of… looking defeated over there.”

“Shots!” Leslie exclaimed, saving me from having to come up with a response.

They shot the shots, while I didn’t move, staring at Lucas’s hand now. In the grand scheme of things, it was an ordinary looking hand. Maybe the fingers were a little more graceful, the veins a little more prominent, the freckles a little less common, but it was still just a hand. At the same time my brain knew that, other parts of me, less intelligent and more fucking unrealistic, head-in-the-clouds, knew that Lucas’s hand was extraordinary, magical. It was one tool that he used to express himself, to display his talent and his skill, to punctuate his words, and to show desire and care.

If I was this obsessed with his hand, then how obsessed was I with the rest of him?


What is the biggest influence/interest that brought you to this genre?
Well, I’m LGBT, so the easy answer is that I’m interested in the genre because the stories are filled with me and my friends… or much hotter, flirtier, more interesting versions of us anyway. But as far as deciding to start writing it myself, it was because my last m/f romance has a bi male main character (Seth Riveau from Hidden Tracks). While I was working on it, I kept opening up old rough drafts and story notes for other LGBT romances and I just felt so invigorated and crazy inspired, so I happily moved on over here!

When writing a book, what is your favorite part of the creative process(outline, plot, character names, editing, etc)?
I love that you include character names as an example - that is definitely one of my favorite things! Zoe is my real first name and it means life in Greek, and since I’m not Greek, people always ask, What does it mean and how did you wind up with that name? So I’ve always loved the power of names and I very carefully pick names with deliberate meanings and origins.

When reading a book, what genre do you find most interesting/intriguing?
I’ve almost exclusively read romance since I was in junior high. If I cheat on romance, it’s with fantasy or historical fiction.But I go through phases of being super into specific types of romance though - like six months where all I do is read historical romances or devour a dozen books that all have the same trope.

If you could co-author with any author, past or present, who would you choose?
I couldn’t even begin to pick one!

Have you always wanted to write or did it come to you "later in life"?
I’ve written since I was probably twelve or so and finished my first rough draft when I was about nineteen, but it wasn’t until my early thirties that the stars aligned and I was plunged into the publishing part. 

Author Bio:
Zoe writes contemporary romances and believed everyone will get extraordinary love stories since before she ever fell in love. She lives with her family near the mountains in Colorado, where she writes while listening to music, never drinks coffee, reads books in one sitting, and watches too many movies and tv shows. She’s been writing since she was a kid, but luckily she knows how grown-ups work now. Mostly.


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