Saturday, November 11, 2023

Saturday's Series Spotlight: Nick & Carter Holidays(Patriotic Holidays Edition) by Frank W Butterfield



Veteran's Day, 2006 #19
Summary:
Saturday, November 11, 2006

It's a misty, rainy Veterans Day in San Francisco.

Nick Williams (83, almost 84) and Carter Jones (86) are getting ready for their annual shindig at the Top of the Mark.

For the past few years, they've invited LGBT veterans to join them for lunch while the usual parade is happening on Market Street.

It's a special event that honors the men and women who've done their duty under fire even when their country hasn't fully honored their service.

This year will turn out to be even more special than the ones before, however.

A retired Navy corpsman stops by for a quick chat and Nick realizes this kid might be very special, indeed.

Uncle Paul said there would be five.

Four are in place...

Could this be the last of the guys Nick and Carter have been waiting for?

Welcome to a year of holidays with Nick Williams and Carter Jones!

This is the nineteenth in a series of short stories and novellas all centered around specific holidays.

Each story is a vignette that stands on its own and takes place from the 1920s to 2008.




Decoration Day, 1933 #11
Summary:
Tuesday, May 30, 1933
It's Decoration Day and Nick has decided to skip school because he doesn't want to take his history test.

With a fistful of money, he tries to convince his sister, Janet, to head out for a day at Chutes-by-the-Beach where they can ride the Big Dipper and visit the Fun House.

She finally agrees since she never gets to eat the hot dogs with mustard that she likes so much!

Will they have the time of their lives or will someone snitch and turn them over to the police for truancy?

Either way, it's quite likely going to be a day both children will remember for many years to come.

Welcome to a year of holidays with Nick Williams and Carter Jones!

This is the eleventh in a series of short stories all centered around specific holidays.

Each story is a vignette that stands on its own and takes place from the 1920s to 2008.




Independence Day, 1976 #14
Summary:
Sunday, July 4, 1976

It's America's Bicentennial! And it's a day the whole country has been anticipating for a while.

The original plan was for Nick and Carter to take some of the old gang out for a cruise around the bay and watch the day's fireworks up close once the sun sets.

Unfortunately, it's July in San Francisco and the forecast is for fog to settle in and not budge.

Fortunately, Nick comes up with a new plan and moves the festivities to a vacant apartment in a building he owns on Russian Hill that's above the fog line so that everyone can see the big, bright explosions celebrating the nation's independence!

Problem solved!

So, the 4th of July should be a walk in the park, right?

Well... between breakfast with a famous French director and actress, a Soviet defector who really doesn't like Nick, and a completely unexpected visitor from the past...

There might be a few metaphorical fireworks before the sun finally sets on the Golden Gate.

Still, at the end of the day, it's America's Bicentennial! Don't miss out on what promises to be great fun!




Pearl Harbor Day, 1991 #22
Summary:
Saturday, December 7, 1991

It's the fiftieth anniversary of the attack on Pearl Harbor, an event that propelled the United States into the Second World War.

Mike Robertson has decided he wants to take Nick and Carter out for dinner to clear the air about something that happened way back then.

But then some other friends get involved and they end up in the last apartment that Nick and Mike shared before the war.

And Mike is cooking his famous pot roast, the only thing he really knows how to make.

Over dinner, Nick begins to tell his version of the events that happened fifty years ago in that very same apartment.

Needless to say, it's definitely going to be a night to remember!

Welcome to a year of holidays with Nick Williams and Carter Jones!

This is the twenty-second in a series of short stories all centered around specific holidays.

Each story is a vignette that stands on its own and takes place from the 1920s to 2008.


Veteran's Day, 2006 #22
Original Review November 2023:
What can I say that hasn't already been said in my reviews of this deliciously fun Nick & Carter Holiday short story series? Not much but I'll give a tryπŸ˜‰.

I wasn't sure just what to expect in this entry with the 2006 year setting.  Nick and Carter would definitely be older than the rest of the series which on one hand you'd expect the MCs to be in a limited capacity as to their activity level but on the other hand it's Nick and Carter, I can't imagine there ever being a down time before their last breath.  It was that "other hand" that had me a bit worried going in and that worry hung on a bit when I realized Nick was once again seeing his deceased loved ones in his dreams.  Was that a sign of the end?  For that answer you'll have to read Veteran's Day, 2006 yourself.

Between the time they have yet together looming, the visits by past cherished friends, and the Veteran's Day setting I think I can safely say 2006 is my favorite holiday adventure yet(I only have one to go so I'm thinking it'll retain that moniker).  War time and/or patriotic holiday settings have always tugged at my heart more and left many a tear fall more so than "typical" dramas.  Perhaps it's the heartache that follows loss, separation, friendships forged under fire, or maybe it's because I was Baptised on Veteran's Day that left an unofficial connection to my soul.  Whatever the reason I'm always prepared to be left teary eyed going in to stories like Veteran's Day, 2006 and a few tears were shed during this leg of Nick and Carter's journey. Don't get me wrong there were many of the happy, quirky feels that go hand-in-hand with a Nick & Carter adventure that make this an all around grand gem.

One last mention: a brief bit of convo reveals that Carter didn't feel like he completely fulfilled his wartime effort as a firefighter left to protect the homefront versus serving on the frontlines as Nick did.  Nick of course tells him how untrue that is and that it's a disagreement they've had many a time over the years.  My grandfather did not serve partially for health reasons but also, he and his youngest brother-in-law were told their services were best needed here as farmers to feed the homefront.  Too often this aspect can be overlooked and so I want to make a special shout out of Thanks! to Frank W Butterfield for those few lines of dialogue helping people understand that not everyone served on the battlefield but still provided a much needed service to their country.


Decoration Day, 1933 #11
Original Review May 2022:
Decoration Day, 1933 is a delightful glimpse into the life of a young Nick years before he and Carter meet.  I have yet to read anything but these holiday shorts in Nick and Carter's journey and as this is Nick's childhood there is no need to read any other entry first.  Having said that, I think what Decoration Day does do is show yet another event that helps make Nick into the man he becomes.  So I'll just say this as to not give anything away: once again Frank W Butterfield has created a little window into the younger life of one half of his famed couple that delights, entertains, and makes the reader smile.


Independence Day, 1976 #14
Original Review July 2022:
Another great short in the holiday journey of Nick and Carter, though this is probably a tad longer than the previous ones I've read.  In 1976, I turned 3(though only 2 1/2 at the time of this short) so the events of the time don't really stand out for me but Frank W Butterfield tells Nick and Carter's Bicentennial celebration in a way that you can't help but feel you lived it with the pair.

I really won't say too much to the story itself but I will say I felt like had I read their original adventures I might know a few ins and outs when it comes to one of their surprise guests for the holiday.  Having said that, I wasn't lost by any means, enough is revealed to the readers that details fall into place.

We meet old and new characters(well new to me not having read the originals yet) and together they all find a place to celebrate our country's bicentennial and as always, Nick and Carter have each other and they have yet again bumped up a notch on my TBR list.


Pearl Harbor Day, 1991 #22
Original Review December 2022:
I think so far this has been my favorite in this series of holiday windows into the lives of Nick and Carter and their friends.  Maybe it's the history buff in me, maybe it's the inclusion of friends, maybe it's the set-up of flashback/memory recall, or most likely it's a combination of all three.

We all have at least one thing happen in our lives that we'll never forget, no matter how old we get so seeing Nick and company recall the days of that fateful day 50 years later is not only realistic and believable, but also heartbreaking and heartwarming.  Heartwarming because you feel the emotions behind their story, heartbreaking because, yes they obviously survived the war but hindsight lets us know what lies ahead of them.

Pearl Harbor, 1991 gives us a look at the characters of the author's Nick and Carter universe(Nick more than the rest) both in the historical and contemporary setting, not always easy to do in a short story but Frank W Butterfield accomplishes it wonderfully.  Once again his original tales of Nick and Carter creep up higher on my TBR list.

On a personal note, the author mentions in his notes that he referred to a list of broadcasts on the NBC Red and Blue networks for complete details of the news on December 7, 1941 and I've mentioned before how I collect old radio shows.  When 9/11 occurred I was home helping my mom recover from surgery and they sold vegetables off the farm so there was always too many tomatoes left and I was cooking up some of the extras.  When doing kitchen work is when I often listen to OTR shows, one of the episodes I remember listening to that September was an episode of Fibber McGee & Molly from December 9, 1941.  The announcer, Harlow Wilcox, said they are keeping the show on to keep morale up and that the sponsor, Johnson's Wax, agreed to let NBC cut in with any war news if it became available.  I never forgot that episode(anyone who is interested in looking it up for a listen the episode title is 40 Percent Off).

RATING:




Veteran's Day, 2006 #19
1198 Sacramento Street
San Francisco, CA 94108
Saturday, November 11, 2006
6:15 a.m. 
Nick opened his eyes and sat up a little. The clock on the table—Carter's table—said it was a quarter past 6. 

The fire on the hearth was burning brightly which meant that Carter had been by at some point in the last hour or so. Nick figured his husband had gotten up and stopped by to stoke the fire before going to the gym behind the pool. 

As much as he missed sleeping with his husband, Nick had to agree with their doctor who'd said it was better if they slept in separate beds. Nick's bones weren't in the best shape. And Carter was still as muscled as ever. He'd already broken Nick's wrist a few months earlier by rolling over on it while they were fooling around. The funny thing was that it hadn't really hurt and neither of them had noticed until Nick realized his hand wasn't working right. 

Pushing the covers off, Nick slowly stood and then made his way into the bathroom. For all the other problems he was having at the age of 83—almost 84—an enlarged prostate was not one of them. Their doctor had jokingly suggested it was because of their healthy sex life. Nick and Carter had both agreed. They still did something or another at least twice a week, if not more. 

As he relieved himself over the toilet, Nick grinned when he thought about how he could still take what Carter had to give and that happened at least once a week. Of course, they didn't bounce around on the bed like they once had. The two of them would stretch out on their sides. Carter would gently wrap his big arms around Nick's chest and slowly do his thing. That had been an unexpected change for the better. They used to really go at it—pushing, shoving, pulling, wrestling—lots of sweat and noise—a real workout. Now, it was more leisurely and, to be honest, much more pleasurable. 

Nick closed the lid to let it mellow and then walked over to the sink to wash his hands. Since the room was dark except for a small nightlight, Nick couldn't check the mirror to see if his dimple was still there, so he ran his finger over his chin. It was. His mother's threat about it disappearing if he misbehaved had yet to come true. And Nick had misbehaved a lot over the years. 

With a sigh, he dried his hands and then walked back into the bedroom. Instead of crawling back into his grandfather's bed, he grabbed a pillow, walked over to the Chesterfield, and made a nest for himself with his favorite blanket so that he was propped up and staring into the fire as his eyes drowsily closed.





Decoration Day, 1933 #11
1198 Sacramento Street
San Francisco, Cal.
Tuesday, May 30, 1933
After breakfast 
"Come over here and quick!" hissed Nick across the hall to his sister who was just walking out of her room with her brown leather satchel in one hand and blue coat in the other. 

Turning a quizzical face in his direction, Janet asked, "What?" 

Nick motioned. "Come on. And don't dawdle." 

Janet rolled her eyes but walked across the hall and into her brother's room. She sat down on his bed, threw her coat to one side, and let her satchel drop to the floor. 

Nick softly closed the door and then, with his back against the knob, looked at his sister, as he whispered, "Wanna play hooky, today?" 

Janet thought for a moment and then shook her head. "Today's the day they're bringing flowers to school and we're going to the cemetery." Looking exasperated, she said, "It's Decoration Day, you know." 

Ignoring Janet's usual way of being bossy, Nick glanced over at his desk. "But I've got a buncha dough." 

Janet's eyes widened a little. "Oh, yeah? Wheredja get it from?"

"Never you mind," said Nick, wondering if maybe his idea wasn't as good as he thought it would be. "I got the dough and now I wanna spend it." 

"Nick!" hissed his sister. "We're gonna be late for school! Both of us!" 

Crossing his arms, Nick shrugged. "I don't care. I gotta test today and I don't feel like takin' no test and that dough's burnin' a whole in my pocket." He grinned. He'd heard someone talkin' just like that on the radio a few weeks ago. 

"How much?" 

Nick's eyes widened as he quietly said, "Fifty bucks!" 

Janet leaned forward and almost fell off the bed. "Fifty dollars! Wheredja get money like that?" 

"Never you mind." Nick tilted his head. "You wanna go to Chutes-at-the-Beach and ride the rides?" 

Before Janet could answer, they both heard Zelda clap twice and call up from the bottom of the stairs. "Children! Time for school!" 

Janet jumped off the bed and grabbed her satchel. "I'm not gonna be late. Allie would be so mad." 

Nick shrugged. "Suit yourself. If you change your mind, you'll find me at the usual place in the park." He reached into his front pocket and pulled out five dollars. Waving the small wad of bills in his fist in front of his sister's nose, he said, "Here's car fare from that snooty school of yours to our place in the park." 

Janet blinked twice, looked at the money, and then looked at her brother. 

"Children!" 

Shaking her head, Janet dashed around Nick, opened his bedroom door with her satchel in hand, and then ran down the hallway towards the stairs.

"Janet!" exclaimed Zelda. "How many times must I tell you not to run down the stairs? Do you want to break your neck and end up in the hospital for six months like that poor child I told you about in Salt Lake City?" 

Seeing that his sister had left her coat behind, Nick shoved the dough in one of its pockets, and then, running into the hallway, said, "Janet! You forgot your coat!"





Independence Day, 1976 #14
1198 Sacramento Street
San Francisco, CA 94108
Sunday, July 4, 1976
6:05 a.m. PDT 
"Nick?" 

I stretched and opened my eyes. Carter Jones, my tall ex-fireman of a husband, was looking down at me. Somehow, in the muted light of the foggy dawn, the blend of white, red, and blond hair was highlighted all over his beautiful body. 

And, from where I lay in bed, he appeared to be wearing nothing but a pair of red shorts with a white racing stripe down the side. It was a tight pair and showed everything. 

I figured he was also wearing his usual pair of white Adidas sneakers (with matching red stripes) and white athletic socks with a red trim. I leaned over to look and confirmed that I was right. 

"This is the red workout set," he announced. 

"Is the jock red?" I asked. During the previous couple of years, Carter had started wearing a jock strap when he worked out. That was a new thing for him. 

He pulled the band of his shorts out a little with his thumb and showed me that it was white. "I'm not completely nuts, Nick." 

I put my hands behind my back and grinned. "You coulda fooled me."

He rolled his eyes. 

"The only reason you're dressing this way is because of the Russian kid you and Ferdinand are parenting." 

Carter frowned. "Parenting?" 

I rubbed some sleep out of one eye as I nodded. "Yeah. I'm convinced he defected because he saw a photograph of you back in..." I paused. "Where's he from?" 

"Kiev. And he'd be the first to tell you that he's Ukrainian, not Russian." 

I shrugged. "It's all Soviet to me." 

Carter leaned over and kissed me on the lips. Brushing his lips over my cheeks, he asked, "Did Doris tell you what she's making?" 

"Poached eggs served on a mushroom and rice pilaf. Waffles. Bacon. Ham and cheddar quiche." 

"Sounds good. Anton is coming over in a minute. We're working out and then it'll be time to get ready for company." 

I kissed him back. "I'm going back to sleep then." 

. . .

"Parisians?" asked Uncle Paul as his ridiculous monocle glittered in the sunlight. "In my brother's house?" 

I snorted. "Yes," I said, not bothering to hide my irritation. "There've been Parisians in that house before. Whole gangs of them, in fact." I looked out at the ocean. We were standing on the deck of our house up in Sonoma County. 

Uncle Paul turned to look out at the ocean. "And, yet, you could be here instead." 

"Ben asked us to host a brunch," I replied, "so we are." 

"I find the entire idea of brunch to be one plainly devised by the bourgeoisie. Don't you agree, Nicholas?"

I didn't reply. There was nothing to say. 

"The weather will be quite nice up here while you entertain your new friends in the dampness of the fog." 

He was right. Even though he was dead, he was right. Even though he was annoying, he was right. The weather in the City was predicted to be miserably cold and damp and the bay would be socked in. So much for the Bicentennial fireworks. 

I turned to look at him. I wondered how, with all the wind, his top hat stayed perfectly perched on his head. "Did you come all the way from the other side just to give me a weather report?" 

He smiled. His mustache (which came and went, depending on his mood) was out in full force and twirling on its own like it sometimes did. "No, my dear Nicholas, I brought you here to remind you of the tale of Jacob and Esau." 

I frowned. "That's from the Bible, right?" 

His eyes danced with amusement as he replied, "Ask Carter all about it." 

. . .

"Nick?" 

I sat up. 

Carter was sitting on his side of the bed, his back covered in sweat. He was peeling off his athletic socks. Without turning, he said, "Time to get up." 

"Jacob and Esau..." Feeling like an idiot, I suddenly remembered who they were. 

He stopped moving. "What about them?" 

Jacob, the older of the two, had shot me on the front steps of The Ritz Hotel in Nice in July of 1957. After trying to kill me, Jacob had shot himself.

Thinking about that day made the spot in my shoulder where the bullet went in begin to throb a little. According to Carter, there was barely a scar there. And I rarely ever thought about what happened that day anymore. It had been 19 years, after all. 

Although the bullet didn't do much damage, I lost a lot of blood, went into a coma, and had a weird dream where Uncle Paul took me to see myself at some point in the future. The future me had looked old, wrinkled, and shrunken. 

I'd come through the experience with nothing more than a small scar on my back, but Jacob's father, Jean-Louis Auguste Tremont, half-brother of my own father, had a kind of mental breakdown afterwards. However, last I'd heard, he was still going strong and still as much of an asshole as he'd been in '57. 

Turning to look at me, Carter asked, "Why'd you ask me about them?" 

"I had a dream. Uncle Paul mentioned their names." 

Carter looked at me for a long moment, his emerald green eyes searching my face. "What do you think it means?" 

I shrugged and then reached over my shoulder to try to scratch the scar, which was beginning to itch. "Dunno. What do you think?" 

He watched me struggle for a moment and then stretched out on the bed and patted his belly. I lay across it, feeling how sweaty it still was. Carter began to scratch the skin and rub the scar at the same time. 

I purred a little. "I forgot how you used to do that, fireman. That feels good." 

"I wonder whatever happened to Γ‰saΓΌ?" He pronounced the name like the French did. 

"I don't have a clue."

He continued to rub and scratch. After half a minute, or so, of doing that, he said, "Actually, Nick, I think I know what happened to him." 

I was too relaxed to care enough to ask. 

. . .

After we'd showered, shaved, and dressed, I was leading Carter down the hallway to the stairs, when the doorbell rang. 

"That should be Ben and Carlo," said Carter. 

"Yeah," I replied. 

By the time we got to the bottom of the stairs, Gustav, our butler and valet, had opened the door and let them in. Ben was looking pensive while Carlo was grinning. 

We said our hellos and exchanged hugs. Gustav asked about drinks. We all put in for coffee. With that, he disappeared into the kitchen and I led everyone into the great room. 

"How was the penthouse at the Mark Hopkins?" I asked. 

"Nice as always," replied Ben. "We really could have stayed here, but we didn't make it into town until almost midnight." 

"And we didn't need to stay in the penthouse," added Carlo. 

I shrugged and got a good look at both of them. 

Carlo, who was a little taller than me, never seemed to age. He had classic Italian features, including beautiful black eyes. His wavy hair was still black. I knew we were around the same age—53—so I figured he'd found someone in Beverly Hills or West Hollywood to make sure his hair stayed black. He also, somehow, had no wrinkles, other than little lines around his eyes when he smiled. I wondered if he'd had work done. They lived and worked in Hollywood. It wouldn't have surprised me one bit.

Ben, who was a little shorter than me, had visibly aged over the years since we'd met back in '53. His wispy blond hair had long ago turned white. And his face was full of wrinkles. In fact, he looked older than the rest of us even though we were all about the same age. I was probably to blame for that since he worked for me, managing Monumental, the movie and TV production company I owned. 

"So," said Ben as we all stood around the fireplace, "I see nothing really changes around here." 

I asked, "What do you mean?" 

He pointed to the roaring fire. "It's the 4th of July." 

I laughed as Carter pointed to the open doors which led out into the garden. "That's why." 

"Never see anything like that at home," said Carlo. 

Carter grabbed the poker. As he pushed a log back and let some sparks fly, he asked, "So Hollywood is home now?" 

"We've lived there for 20-odd years, so yeah," replied Carlo. 

Gustav arrived right then with coffee. 

. . .

Once we all had our cups, Gustav retreated to the kitchen. Carlo and Ben sat next to each other on the sofa. I took the chair facing the front door. Carter put his cup on the coffee table and walked behind me, squeezing my shoulder as he passed by. "Music," was his only comment. 

"Did you make a new tape?" I asked. 

"Yep." 

Carlo looked up at the ceiling. "Did you install those speakers we were talkin' about in April?" 

"Yep," replied Carter as he knelt in front of the reel-to-reel tape deck he kept in a cabinet next to the bar in the dining room. "The whole house is wired now."

"Nice," said Carlo as he glanced at Ben over his cup of coffee. 

"No, Carlo Martinelli," said Ben in a sour tone of voice, "you may not install speakers all over our house. I don't want to see a mess like that." 

I looked at Ben, trying not to grin, and said, "All the wires are hidden." 

"I don't care," said Ben as "Philadelphia Freedom" by Elton John began to play. 

Carter walked over, grooving a little as he did. When Elton started singing, Carter began to lip synch. 

Carlo put down his coffee cup, hopped up, and, in front of the fireplace, held his hand over his belly and made a sliding move. 

Carter met him and the two did the bump a couple of times as Ben and I laughed. 

"Can you follow?" asked my husband. 

Carlo nodded and took Carter's offered hands. "Sure." 

The two of them began to do a kind of modified boogie fox trot. Carter led him to the other side of the fireplace. Once they had the room to make the move, he dipped Carlo, quickly brought him back up, and then spun him around once. 

It was an impressive thing to watch. Ben and I got up and both applauded. I tried to whistle. It didn't come out right. But no one seemed to notice. 

Carter led Carlo to the other side of the room. He spun him around twice and then pulled Carlo in close. The two held tight and boogied in place. 

Out of nowhere, Anton, dressed in his waiter's uniform, appeared and began to dance like he was on Soul Train. I knew he'd been watching the show religiously so he could figure out how to dance like all the kids his age did. I had to admit he knew his moves.

As all this went down, Ben and I were both dancing (neither of us were very good, to be honest) and clapping along with the rhythm of the song (or trying to). 

Right then, Carter glanced over at me and let Carlo go. Carter said something I couldn't hear because of the music. But Carlo and Anton both nodded and then the three of them formed a line and began to do a synchronized move that reminded me of seeing The Spinners on TV a couple of years earlier. It was amazing and gave me a nice, warm feeling to watch my husband do another one of the thousand things he was naturally good at. 

Then the song was over. Ben and I both applauded as Carter, Carlo, and Anton held hands and bowed. That was when I heard other people applauding. Turning, I saw Gustav, Ferdinand (his husband and our gardener and ersatz chauffeur), Doris (our cook), and Rachel (her latest girlfriend) all applauding. Doris whistled and then said, "Y'all should take that act on the road!" 

We all laughed at that.





Pearl Harbor Day, 1991 #22
579 Eddy Street, Apartment 5-C
San Francisco, CA 94109
Saturday, December 7, 1991
6:55 p.m. PST 
Carter pulled the Cougar into a garage on Eddy Street, between Larkin and Hyde, as Nick asked, "Now, tell me again what we're doing?" 

"Hold your horses, son, and you'll find out." 

Once they'd handed the car over to the attendant, Carter took Nick by the elbow and led him towards Larkin. 

"Are we going to dinner? Around here?" 

"Yes, as a matter of fact." 

Nick frowned as they walked. The area wasn't the safest part of town, not that Nick ever cared much about things like that. Usually. 

He wondered if maybe Carter had found some new restaurant and, if that was the case, whether it was Thai or Vietnamese. Carter was on a real kick, lately, trying any out-of-the-way Asian restaurant he could find in the Bay Area. What he most wanted, he'd said, was to find places owned and run by immigrants from places like Cambodia, Thailand, Vietnam, etc. Nick liked that idea, on principle, but didn't always enjoy driving to Hayward or San Pablo to try out the newest spot. 

Before they got to the corner, Carter jaywalked across the street, still holding Nick by the elbow. 

Suddenly, Nick realized where they were. "Did you know—?" 

"Yes, I did," said Carter as they walked up the steps. He looked for a button and then pressed it. 

"5-C?" asked Nick. 

Carter grinned at him as the buzzer sounded and the door clicked open. 

. . . 

At the end of the hall, Carter rapped on the door. Nick could hear music playing and voices talking and laughing. He could also smell something cooking. He wondered if maybe it was pot roast. That made him grin. 

The door opened and, with an apron wrapped around his waist, Greg Holland stood there with a big smile on his face. "Come on in. You're the last to get here." 

Carter stepped back to let Nick go in first. He hugged Greg and asked, "What is this?" 

"I'll let Mike explain," replied Greg. "Let me have your coat." 

Nick removed his jacket and handed it to Greg who opened a door in the hallway revealing a closet with other coats hanging inside. 

"Wow," said Nick as he looked inside the closet and then down at the floor. "It hasn't changed much." 

Greg said, "Mike's in the kitchen. I think you know the way." 

Nick chuckled and walked into the living room. There, sitting at a big dining table which was covered with a white cloth and crystal and china, sat Henry Winters and Robert Evans. 

They both looked up. Robert smiled and said, "Mike wants to talk to you first."

"He's in the kitchen," added Henry, pointing to the kitchen door. 

Nick nodded. "I know the way." 

They both laughed. 

. . . 

Pushing his way through the swinging door, Nick stopped and then backed up. He moved the door back and forth, noiselessly. "I see someone fixed the squeak." 

Standing over a relatively new stove, Mike grinned at Nick and nodded. "I hear the current landlord is a real dick, but he's not that bad when you get to know him." 

Nick laughed. "I own this building?" 

"According to Robert, you bought it in 1972." 

"Robert bought it, you mean." 

"Same difference." 

Nick walked over and stood next to Mike. "Is that your famous pot roast?" 

"Yes, sir. Your favorite." 

"The only thing you actually know how to make unless Greg has taught you some of his tricks." 

"Nope. I make the pot roast. He makes everything else. It's almost ready, by the way." 

Pointing to the two smaller pans, Nick asked, "What's this?" He grinned up at Mike. "Could they be... vegetables?" 

"Potatoes are vegetables." 

Leaning against the fridge, Nick laughed. "This feels so familiar." 

"Yeah?" asked Mike as he removed the lid from one of the smaller pots. Using a big, slotted spoon, he stirred and then put the lid on an empty place on the range top.

"Do I see green peas?" 

"And they're fresh. Greg knows someone near Half Moon Bay with a greenhouse who grows 'em year-round." 

"Nice." 

"Pardon me," said Mike as he reached for the fridge door. "Need to get the butter." 

Moving over to the sink, Nick asked, "What's going on here?" 

"Well," said Mike as he sliced off about a quarter of a stick of butter into the peas, "I figured it was finally time for me to be a man and apologize." 

Nick laughed. "For what?" 

"For knocking your block off 50 years ago." 

"Well, it was on the 9th, not the 7th, if you'll remember." 

Mike glanced over with a warm smile on his craggy face. "After 50 years, bud, who's countin'?" 

Nick felt himself getting emotional right then, so he just nodded. 

. . . 

They were all at the table with glasses and plates full. Nick was about to raise his glass to offer a toast when Carter suddenly jumped up. "Hold on." 

He walked over to the built-in cabinet in the corner opposite of the kitchen. It was where Mike had once kept his guns and ammunition. Carter opened it up, revealing a big microphone and cassette tape recorder. 

"What's that?" asked Greg. 

"I am going to record this conversation," said Carter. "I have a whole box of tapes, so we can stay here until dawn."

Henry sniffed. "Is this for a book?" 

"Yep," replied Carter as he inserted a cassette into the recorder and messed around with some wires. 

"That's a good idea," said Robert. 

"Why?" asked Nick. "Why should we record what we say?" 

"For posterity," said Carter, "and maybe a book." He pressed a button, waited, and then pressed another button. "That's all set for when we're ready." He walked back over to his chair next to Nick and sat. 

Mike said, "The way this came about is that Greg suggested we take the two of you out for dinner tonight. Then I had the idea of including Henry and Robert and making my famous pot roast." 

Greg added, "We were going to invite everyone to our house, but then Robert suggested we do everything here since the apartment was vacant." 

"Due to the recession, no doubt," said Henry, darkly. 

"No," replied Robert, quietly. "The previous tenant passed away in October. His parents came into town from Idaho and cleared out all his stuff. The rent was paid through March"—he glanced at Nick—"and Mrs. Neely, the manager, offered to sublet it out, but the parents haven't got back to her." He sighed. "I don't think they will." 

"AIDS?" asked Mike. 

Robert frowned and nodded. "And the parents were not very nice according to Mrs. Neely." 

"Why don't we move someone in who needs a place to live?" asked Carter. 

Robert shook his head. "I checked with Bob Carmichael at WilcoxRoss and he said it would be illegal." He looked around the room. "So, this place stays empty until March." 

"If the parents still hold the lease, does that mean we're squatting?" asked Nick.

Robert grinned. "It does. Should I notify the landlord?" 

"According to Mike, he's a real dick." 

Everyone laughed. 

Mike looked at Nick. "I suppose you're the one who pre-paid the rent." 

"Did I?" 

"Not directly, but, yes, more or less," replied Robert. 

"What was the kid's name?" 

"Mark Peterson." 

"Then he gets the first toast." Nick lifted his glass of wine. "To Mark Peterson, wherever he is." 

Everyone else lifted their glasses and, in unison, said, "To Mark."



Nick Williams Mystery Series
In 1953, the richest homosexual in San Francisco is a private investigator.

Nick Williams lives in a modest bungalow with his fireman husband, a sweet fellow from Georgia by the name of Carter Jones.

Nick's gem of a secretary, Marnie Wilson, is worried that Nick isn't working enough. She knits a lot.

Jeffrey Klein, Esquire, is Nick's friend and lawyer. He represents the guys and gals who get caught in police raids in the Tenderloin.

Lt. Mike Robertson is Nick's first love and best friend. He's a good guy who's one hell of a cop.

The Unexpected Heiress is where their stories begin. Read along and fall in love with the City where cable cars climb halfway to the stars.

Long before the Summer of Love, pride parades down Market Street, and the fight for marriage equality, San Francisco was all about the Red Scare, F.B.I. investigations, yellow journalism run amok, and the ladies who play mahjong over tea.


Saturday Series Spotlights
Part 1  /  Part 2  /  Part 3
Nick & Carter Holiday Series
Welcome to a year of holidays with Nick Williams and Carter Jones!

This is a series of short stories with each centered around a specific holiday.

From New Year's Day to Boxing Day, each story stands on its own and might occur in any year from the early 1920s to the first decade of the 21st Century.




Author Bio:
Frank W. Butterfield is the Amazon best-selling author of 89 (and counting) self-published novels, novellas, and short stories. Born and raised in Lubbock, Texas, he has traveled all over the US and Canada and now makes his home in Daytona Beach, Florida. His first attempt at writing at the age of nine with a ball-point pen and a notepad was a failure. Forty years later, he tried again and hasn't stopped since.


FACEBOOK  /  FB FRIEND  /  WEBSITE
NEWSLETTER  /  BOOKBUB  /  iTUNES
AUDIBLE  /  AMAZON  /  GOODREADS



Veteran's Day, 2006 #19

Decoration Day, 1933 #11

Independence Day, 1976 #14

Pearl Harbor Day, 1991 #22


Friday, November 10, 2023

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: Wings by John Monk Saunders



Summary:

The United States of America, at the start of the twentieth century, and Johnny Powell is the wild boy of his dependable, middle-class neighbourhood.

When Johnny is given a car, he sets about converting it into a racer, much to the displeasure of local residents and the shame of his father. What Johnny does not realise is that, in using the car to woo fellow university student Sylvia, he is also breaking the heart of his lifelong friend Mary-Louise Preston, who has secretly loved him for years. Sylvia, in turn, is in love with one David Armstrong. With the stifling attitudes of his parents and neighbours closing in on him, Johnny looks for a way to escape, and to pursue his desire to fly. With the Great War raging in Europe, Johnny enlists and is accepted into the US forces as an airman.

Believing that Sylvia returns his love, and confident in his likely flying and combat abilities, Johnny feels invincible as he sets off for training. However, while his knowledge of engines and natural skills as an airman are clear, his lingering immaturity is, ultimately, Johnny's greatest liability.

When he is posted to France alongside David Armstrong, Johnny is brought up against the realities and brutalities of war, as well as the complications of love and loss. Over time, Johnny and David develop a camaraderie and friendship that supports both men through the war – until tragedy strikes.

Returning from war in 1919, Johnny is a changed man, much more thoughtful and wise than the speed-loving, risk-taking youth who left. Back in the arms of his family, and Mary-Louise, he looks forward to a post-war world and the life that awaits him, conscious of how his future – and the futures of his friends and neighbours – have been forever changed by the far-off war in France.

Wings is based on a silent film by Paramount, the first film ever to win an Academy Award for Best Picture, and has been praised for its exploration of the emotional impact of the Great War upon its pilots.



PART I 
THE SHOOTING STAR 
Johnny Powell was mowing the race when Dr. MacRoberts came down Mulberry Street in his new Ford runabout. Everyone in the neighborhood, practically, knew that the Doctor had bought himself a flivver. An unworldly little man of uncertain temper, he had long scorned motors and motorists and his capitulation to the new notion of progress had been as abrupt as unexpected. 

He had insisted, after one impatient lesson at the wheel, that he was quite competent to operate the machine by himself, and Johnny Powell happened to be an eyewitness to the Doctor’s maiden voyage in his new craft. 

One thing the salesman had neglected to explain to the Doctor and that was that the front wheels of a flivver sometimes take to wabbling from side to side in an eccentric and unaccountable manner. “Shimmying,” we called it then — this was in 1916 B.C. (Before the Charleston). 

When therefore, in the middle of the block, the front wheels of the Doctor’s car elected to flutter, like a trout’s tail, the Doctor was disconcerted. Here was an emergency for which he was untutored. He pursued the only course he knew; he applied the foot brake and turned sharply in to the curb. 

As a line of procedure under these circumstances, this was eminently correct. The only fault to be found with the Doctor’s strategy was that, in his perturbation, he came down on the accelerator instead of the brake. The flivver, instantly inspired, hurdled the curb, tore through the shrubbery and climbed Johnny Powell’s lawn. Halfway up the engine stalled and the car promptly started to slip backwards. 

The Doctor emitted a despairing wail and Johnny; dropped the handle of his lawn-mower, leaped to the running board and gave the steering wheel a half-turn which brought the car to rest crosswise on the slope. 

Dr. MacRoberts, whose dignity had been sadly jounced, descended with splendid hauteur, clapped his hat on his head, shot his cuffs, and stalked off in high dudgeon. 

Johnny Powell ran after him. “I’ll get it down for you, Doctor.” 

The Doctor did not check his stride nor turn his head. 

“It’s yours,” he snapped with gesture of complete repudiation and continued his furious march to the trolley line. 

Johnny fell back. A little dubious, he eased the abandoned flivver down across the sidewalk and onto the street. Then he went to work on the rhododendron bushes in the parking strip, cutting out the broken stalks and straightening the crushed branches. He approximated the fractured edges of a baby elm (his father would be distressed about that) and bound up the broken shaft with bicycle tape. Then he trod out the wheel marks in the soft turf on the terrace and went inside to fetch his mother. 

“See my new car,” he said, pointing from the porch. 

His mother regarded the new flivver uncertainly.

“Whose is it?” she asked. 

“Mine,” said Johnny. 

“How is it yours?” 

“Doctor MacRoberts gave it to me.” 

“Why — how — ” began his mother, puzzled. 

Johnny told her what had happened. “Ah, yes,” said his mother understand-ingly — she was not unacquainted with the Doctor’s caprices, “you must take it right back to him.” 

“But he’s gone down town.” 

“Well, leave it in front of his house then.” 

“But he said it was mine —” 

“I know, son. But he didn’t mean it — really. Take it back.” 

Johnny took it back, with very bad grace. But at four Mrs. MacRoberts called up Johnny’s house and told Johnny’s mother that Johnny was to come and take the car out of the Doctor’s sight. If he didn’t want to keep it, said Mrs. MacRoberts (to whom the Doctor’s tempers were not funny), he was to take it down and run it into the lake. The Doctor had probably damaged the Powell lawn more than the thing was worth and besides the Doctor didn’t want to be reminded of the accident — ever. 

That was how Johnny Powell got his flivver.

It can’t be said that Johnny’s parents shared Johnny’s elation over his windfall. On the contrary, knowing Johnny’s temperament, they regarded the gift with grave apprehension. 

Johnny’s father had persistently refused to have a car in the family, at least while Johnny was at the University, because he believed that it would prove too great a distraction for the boy. He would drive it like the wind, he would be eternally tinkering with it and would want to take it out at night. It would be a constant temptation to his son and a source of anxiety to his mother. So the elder Powell had gotten an electric brougham for Johnny’s mother, a vehicle which Johnny resolutely disdained to be seen in. 

Mrs. Powell derived some comfort from the fact that Johnny’s new car was only a Ford. Fords didn’t go very fast, did they? And you didn’t hear of young boys and girls going on wild joy-rides in Fords? It was the high-powered cars… 

Could Johnny’s mother have seen the bright vision in Johnny’s blue eyes as he surveyed his gift-horse she would not have been so tranquil in her mind. For Johnny saw not the erect, black respectable Ford roadster, but a low-swung, stream-lined raceabout with a flaming yellow bonnet and a couple of bucket seats behind. 

Boy! All you had to do was to strip ’er down, change the gearing, take off the mudguards and muffler and repaint the hood and wheels. Here was a job for Johnny’s gifted hands.

Mary-Louise Preston was sitting on the steps of her back porch with a peasant bowl between her knees, shelling peas, when Johnny ran the car up the driveway and into his back yard. An alley, a clean, white cement-paved alley (all alleys were like that in Temple, Washington — at least in the residential section) was all that separated the back yards of the Prestons and the Powells. The Powell residence faced east on Mulberry Street, whereas the Prestons’ looked west upon Beech, so their respective back yards adjoined each other — that is except for the alley way which ran through the entire block. 

Now there is a saying that there is no romance in a girl from your own home town. If that is true then there is still less romance in a girl whose back yard faces your own. 

Johnny Powell had grown up with Mary-Louise Preston and he didn’t know how pretty she was. Her fresh young skin, her evenly cut lips, and dark eyes would have bemused almost anybody; especially as she sat now, in a blue, short-sleeved print dress with a yellow bowl between her knees and the sun splintering against her blue-black hair. 

Still you could hardly blame Johnny if he wasn’t quickened to Mary’s beauty. He saw her a dozen times a day on commonplace errands for her mother and there was little, if anything, about her that he did not know. Take her unmentionables, for instance, her pink slips and her step-ins and her panties. They were exposed to Johnny’s eye every Tuesday when Amy, the colored laundress (she came to the Powells’ on Mondays), flung them to the breezes on the Preston clothes-line.

Mary was no breathless mystery to Johnny, and it was a pity because Mary adored Johnny Powell. 

“New car?” she called across in quick astonishment. 

“Yep.” 

Mary put down her bowl and came over to see. She was a little hurt because she was invariably apprised of everything that transpired in Johnny’s life and certainly he had told her nothing about this. 

“Flivver?” 

“Yep.” 

“Thought your father wouldn’t let you have a car.” 

“He changed his mind.” Johnny took up the seat, pulled out a kit of tools, unrolled them, selected a screw driver and a wrench and went to work on the right door hinge. Presently he lifted it off and stood it against the garage wall. 

“Taking it apart?” Mary’s voice was incredulous. 

“That’s right.” 

“What for?” 

“Goin’ to strip ’er down.” 

“Make a racer out of it!” 

“Sure.” 

Mary clapped her hands. “Going to paint it too? Let me paint it for you, Johnny! Let me. Let me paint it!” 

“All right,” said Johnny, taking off the other door.

“What color, Johnny? Blue? Red? Yellow?” 

“Yellow.” 

So it was agreed that when the car was ready, Mary should do the painting. She was very good at it, Johnny knew; she had painted much of the furniture in the Preston house and had decorated two of the upstairs rooms. Besides that she painted water colors and things. 

Mary didn’t go to the University. Not that her father couldn’t send her. Temple was a university town and he might have managed all right. But Mary liked to paint and to practice on the piano and she could keep that up at home and anyway her mother wasn’t always well and it was nice to have Mary at home. 

Johnny Powell went to the University but his father, who was the Renaissance history professor there, wasn’t at all sure that it was the right place for him. The truth of the matter was that Johnny wasn’t faring any too well in his studies. In his required subjects especially, civics, economics, history and English literature. He was a good boy, his father told his mother, but he lacked a little of purpose. 

His outstanding traits appeared to be his fondness for mechanics and his passion for speed. There wasn’t a device in the Powell household that didn’t work with smoothness and precision. If a stubborn window catch bruised his mother’s thumb, Johnny, with an oil-can and a screw driver, had the thing working, click-click, in no time. There wasn’t a door-hinge that squeaked, not a faulty light-connection, not a stiff lock mechanism in Johnny’s house. They all yielded to Johnny’s knowledgeable hands.

And what a pair of hands they were. Long straight flat-tipped fingers with well-kept nails. They were the hands of a surgeon, of a pianist or a thimble-rigger. There was knowledge in the finger tips, strength in the slim wrists. They were hands that could manage the wheel of a motor car — or, say, the controls of an airplane. 

Johnny’s bent for speed evidenced itself in many ways. He mowed the lawn with such a dash and clatter as to be practically enveloped in a cloud of grass ends as he raced from one side of the terrace to the other. When he was called upon to wax and polish the hardwood floors (as he was every Saturday morning) he zipped the weighted brush hack and forth with such speed as to raise a blister on the surface of the oak. 

As a boy, Johnny had the fastest roller coaster on the street, the swiftest sled on the hill, and nobody in the neighborhood could keep up with him on a bicycle. His father trembled to think what he would do with a motor car. 

And now he had his car. To his father’s consternation, his mother’s dismay and to Mary’s delight he went earnestly at the business of stripping down the Ford. 

Now stripping down a flivver is not so simple as it sounds. True, the body comes off easily enough; there are only about eight bolts holding it down, and the fenders drop off when you loosen up a couple of nuts. 

But when you get down to the chassis your troubles have only begun — if you really mean to have a raceabout. In the first place a flivver is too light and too high up in the air to hold the road when you get going. If you want to go over fifty and still keep your rear wheels from kicking off the ground you’ve got to undersling. Set the front axle ahead a few inches and suspend the engine from the spring with a couple of wishbone attachments. And you’ve got to get underslung parts. Johnny sent away for those. 

You can’t get much more than forty-five miles an hour out of a Ford — except downhill. If you want more speed there are two ways of getting it. One is to put in overhead valves and the other is to change the gear ratio. Johnny Powell did both. 

He wrote away for a new set of cylinder heads and speed-gears. By opening up the differential housing and slipping in the new wheels he lowered the gear ratio from 3½-1 to 3-1. The car wouldn’t be so fast on the pick-up, but, oh boy, on the straightaway! 

Johnny wanted very badly to buy a racing body for the car but the new gears and valves ate up all his spare money, so he had to content himself with a wooden frame which he bolted to the chassis. 

The tinsmith across the bridge fashioned a couple of bucket seats for him which he set up at an angle behind the wheel. From the car-wreckers behind Boyle’s Garage he got, for $3.00, the gasoline tank “off an old Stutz” which he established on the shelf behind the seats. Besides looking very impressive back there, it held a lot of gas and helped to hold down the rear end of the car. 

Over the Ford radiator the tinsmith also placed a pressed tin shell which fitted very snugly and concealed the lowly identity of the car. It was a Blitzen Benz or an His-pano-Suiza until you lifted up the hood and saw the little four-cylinder motor beneath. 

While Johnny was engaged upon these mysterious operations Mary was busy with a can of acid and a scraper removing the black paint. The paint on a flivver is there to stay; if you paint over it, the original black will shine through sooner or later. You’ve got to get right down to the tin and paint up. 

The two didn’t get in each other’s way much; Johnny was underneath a good part of the time and he didn’t appear to be aware of Mary’s presence except when she dripped paint in his eye or stepped on his neck. 

The whole neighborhood was startled the afternoon Johnny took the muffler off. 

“Pretty?” inquired Johnny with a beatific expression upon his countenance and his ear cocked to the shattering stream of explosions. 

Mary, who had never before heard a Ford engine with its muffler off, was a little astonished at its deep-voiced roar but she agreed that it was lovely. 

“Wait till I get her tuned up,” Johnny promised. 

Those afternoons in the back yard were joyful ones for Mary-Louise. She loved this working association with Johnny and she came to know a great deal about an automobile. She could tell you (for Johnny explained to her) exactly what happened to a drop of gasoline from the moment it entered the tank until it was blown out the exhaust pipe. She knew how it was vaporized, exploded, expelled.

She could tell the intake from the exhaust valves, the oil from the water line. She knew what a manifold was and a piston ring and a clutch plate. She learned carburetion and ignition and she could trace the cooling and lubricating systems, knowledge that was native to Johnny. And Johnny had promised to teach her to drive when the car was ready. 

Mary was secretly sorry when she saw the great work coming to an end. It would mean no more afternoons in the back yard with Johnny but, she hoped, there would be others out on the open road. 

Mary thought there ought to be some kind of christening ceremony the day they launched the Shooting Star — at least Mary called it the Shooting Star and she painted one, a red one with a flaming yellow tail, on the bonnet. 

“Why the shooting star?” Johnny inquired. 

“Well,” Mary replied hesitantly, “it looks like a shooting star and anyway have you never heard the saying about a shooting star?”  

“Nope. What is it?” 

“Well,” began Mary shyly, “well, the saying is … when you see a shooting star — you can kiss the girl you love.” She bent her head down on the other side of the hood, blushing furiously. 

“Maybe I will,” replied Johnny, a vision of a blonde head and a pale upturned face appearing before his eyes. 

Poor Mary. The color died out of her cheeks.

She didn’t mention the christening ceremony to Johnny because he might laugh, and it hurt Mary to have Johnny laugh at her fancies. But she nursed her anticipation for the great moment when the Shooting Star would be ready and Johnny would tell her to climb in and away they’d go. He hadn’t said anything about the exact time of the maiden trip but Mary expected it would be Saturday afternoon when the paint was set. There it was now, crouching in Johnny’s back yard, all aflame with new color, raring to go. 

But Johnny Powell did not take Mary for the maiden excursion in the Shooting Star. 

On Friday afternoon she went to tea with Caroline Hotchkiss and on the way home she saw a canary colored roadster flash down Grove Street. It was the Shooting Star. Johnny was at the wheel and beside him a girl. 

Mary halted, stricken with dismay. The first time out! The maiden trip! And he had taken someone else. Oh, Johnny, Johnny. Tears sprang to her eyes. Tears of disappointment, of humiliation, of hurt pride. Johnny had taken another girl for the first ride. She stumbled home and fled upstairs to her room. 

Johnny had never said anything about the exact hour when he would take the car out or that he intended to take her out first. But you would naturally expect that he would take her, wouldn’t you? 

Mary had only just caught a glimpse of the girl but she knew it was Sylvia Lewis, the girl that everybody said Johnny was crazy about. Nobody knew why Sylvia had chosen to come to the quiet little western college when she might have gone anywhere to school. On account of her health, someone said. 

She lived in the east, Baltimore, or somewhere, and she came from a wealthy family. At least she dressed and talked as if she did. She had a clipped, aristocratic accent and a superior manner. She had a slender, drooping figure and a pale skin and gray eyes and a way of looking at you. And she was a blonde, an eye-widening, breath-taking blonde. 

During the college term she lived at the Kappa house, just across the street from the Sigma Chi’s where Johnny belonged. Why did boys always fall for a girl like that? * 


When Johnny had gone to get Sylvia in the Shooting Star, he had found her dallying dreamily with Dave Armstrong on the Kappa porch-swing, whereupon, in his characteristic manner, he had seized her by the hand and torn her from his side. Further, and to insure Sylvia’s person being properly cushioned upon the hare seat of the car, Johnny seized upon the ear of pillow peeping out from under Mr. David Armstrong, and gave it a healthy jerk, precipitating Mr. David Armstrong upon the floor. 

From that vantage David observed Johnny Powell bestow Sylvia gallantly into his new car and whisk her away. 

There was practically nothing in this entire procedure calculated to enhance John Powell’s stature in the eyes of David Armstrong. But as he lifted himself off the floor and dusted off his white trousers he was able to smile at the impudence of the deed. 

Armstrong was like that. He could smile because he felt the security of his own position with Sylvia. And anyway what Johnny had just done was the sort of feat that Armstrong himself could never bring himself to accomplish. The son of elderly, wealthy parents in Temple, he had been reared in an atmosphere of gentle manners and well-bred restraint. He lacked Johnny’s mad impetuosity. 

Johnny Powell, however, interpreted David’s natural reserve as a sense of superiority and a consciousness of money. Armstrong’s appearance heightened this impression; he was tall, well-poised and had a certain grave assurance of manner. 

Anyone, except perhaps Johnny Powell, could see that the tender Sylvia was more likely to respond to Armstrong’s thoughtful nature than to Johnny’s dash. 

However, none could tell Johnny that, least of all, Mary. But it was the first of the heartbreaks for Mary. Still, her nature was utterly without vindictiveness, and when she heard Johnny hallooing in the back yard later in the afternoon she came down. 

“Take a little ride?” 

“I’d love to,” she said brightly and she managed to smile when she climbed in. 

The Shooting Star became famous in Temple and environs. Ladies with perambulators stopped and clucked their tongues; elderly gentlemen halted on street corners and wagged their heads, and small boys whooped when Johnny flashed past. 

He even became the veiled subject of a darkly prophetic editorial in the Temple Vidette. An editorial directed at rich men’s sons and their high-powered motor-cars. The fact that Johnny’s father was not rich, or that his car was a flivver, had nothing to do with the conclusion that the younger generation was headed for trouble at a hell of a clip. Johnny was viewed with alarm on all sides. 

He became “that boy with the yellow racer.” 

He was the “speed merchant” of Temple and was rumored to burn up the roads in and about the quiet community. In short, he became “Speed” Powell. 

Rumors of these developments reached his father but his father knew the “high-powered” car for a dressed-up flivver. Besides, the car was Johnny’s own; he had spent many weeks and all of his pocket money on it. As long as he had no accidents, broke no laws and didn’t keep it out unreasonably late, the professor, a fair-minded man, saw no occasion to interfere. He would have preferred, all the same, that Johnny didn’t have the car, but since it was a fait accompli he did not protest. Certainly the Shooting Star hadn’t improved Johnny’s scholarship standing at the University. 
 

Eight thousand miles away from the little college town where John Powell went his blonde-headed, blue-eyed way, two gentlemen were exchanging greetings.

The two gentlemen were three thousand meters in the air and bound in opposite directions. One was headed over the French lines for the purpose of making a military reconnaissance. The other was bent on a similar mission over the German lines. Passing, they saluted each other as befitted two officers engaged upon the most perilous pastime of the day: flying. Morituri morituros salutant. 

But on the following day at the same hour, the one about to die did not salute the other about to die. Instead he drew his service revolver and took a pot-shot at the French pilot. 

Up till this moment it had been generally agreed that flying was of itself a danger-ous enough business without adding to its perils. To take up one of those early, treacherous, unstable craft and keep it in the air was considered precarious enough. The recoil of a gun, it was thought, or the weight of a bomb would be sufficient to upset the delicate balance of the ship. 

But with this pot-shot, courtesy ended. The next day the Frenchman came up with a rifle. The German brought up his own gunner — with an automatic shot-gun. Soon they were potting at each other with machine guns. The war in the air was on. 

That first pot-shot was to affect the career of the blue-eyed stripling in the western college town eight thousand miles away. For Johnny Powell heard the whir of wings. The sound was destined to grow in his ears. 

Accounts of the exploits of the airmen filtered into the town from time to time. There was Navarre, the smooth-faced French youth with fourteen planes to his credit; there was Guynemer, ace of aces, the twenty-year old pilot with the “face of a girl and the heart of a Frenchman.” There was Captain Ball, of the Royal Air Force, who fought the German super-hawk, Immelman, in a prearranged duel in full sight of the lines. There was Captain Boelke and Baron von Richthofen, of the Imperial Flying Corps, Victor Chapman, Norman Prince, Raoul Lufberry, Kiffin Rockwell, of the Lafayette Escadrille. 

Johnny Powell read every scrap of news about these super-airmen. He knew the legends current about them, their histories, their methods of attack. He knew, for instance, that Immelman swooped down on his prey from a great height, shooting as he passed and that he never returned to attack if the enemy plane were not brought down. 

Navarre dashed straight for his enemy, circled him and worried him with disconcerting fire. And he always pursued his enemy if he fled, buzzing over and above him like an angry wasp, his machine gun popping. 

Guynemer, of course, had the quickest eye of them all; he had brought down three German fliers in 150 seconds, the greatest military feat ever performed in the air. He used every form of attack, straight firing from the enemy’s level, the deadly surprise dash from behind a cloud bank, the hawk-like swoop from above. 

But it was all pretty remote.

Then in March of 1917, German U-boats sunk the Vigilancia, the City of Memphis, the Illinois, the Healdton, four American ships, and torpedoed the American freighter Aztec and the war was brought to Johnny’s doorstep. 

On April 2, 1917, the President, at eight in the evening, in the Capitol at Washington, told a tense Congress that: 

“With a profound sense of the solemn and even tragical step I am taking … I advise that the Congress declare the recent course of the Imperial German Government to be in fact nothing less than war against the Government and People of the United States; that it formally accept the status of belligerent that has been thrust upon it....” 

The next day everything was changed. 

Overnight the campus took a new complexion. They gathered in excited knots on the steps, in the hallways, along the walks. The air was vibrant with sensation. Lectures became pallid and commonplace. The business of going to school had become, of a minute, intolerably humdrum and workaday. 

They scattered quickly enough; to the Coast Artillery, to the Officers’ Training Camps, to the Naval Training Stations, to the Quartermaster Corps, to the Ambulance Sections. To the Presidio, to Camp Lewis, to Bremerton, to Allentown. The idea was to get into it right now. Classes tapered down to slender groups. The chemistry profs hurried away. The President was called to a Safety Council.

The hell of it was, Johnny Powell was only eighteen. He couldn’t get into an officers’ training camp. He couldn’t get into anything — unless he lied about his age. 

Everybody told him to stick. What the hell, he was too young — wait awhile. 

His father said he wasn’t to do anything at all. He was to keep right on with his education and when the time came he would be all the better equipped for whatever service he should be called to. 

“Promise me, son,” his mother said, with tears standing in her eyes, “that you won’t do anything.” And Johnny said he wouldn’t. 

He stood it pretty well for a while, what with everybody patting him on the back and telling him it took more courage to stick than to fly off at the first note of the bugle. 

But one morning his eye caught an item in the paper that made his heart bounce. Not a large item, but one that was to change the direction of his life; it was an announcement of the opening of an examining station in Seattle for candidates for the American Air Service. Johnny went out of the house with his eyes shining. 

Mary saw him cranking up the car. 

“Where you going?” 

“Oh, just for a little ride,” said Johnny cautiously. 

“Take me?” 

He studied her for a second. “All right, jump in.”

She never knew Johnny to drive so swiftly or so well. It was supreme pleasure just to ride with him, so effortlessly did he handle the yellow roadster. They went skimming along, bare-headed, shirt-sleeved in the open car in the morning sun, slipping by everyone on the road, Mary’s dress ballooning in the wind. 

Not until they were in Seattle did Mary know where they were going. Johnny parked the car in front of the municipal building with Mary in it and said he would be gone “quite a few minutes.” Mary waited two hours. 

There were two other boys from Temple in the ante-room when Johnny went in. One was Herman Schwimpf and the other was Dave Armstrong. Johnny didn’t mind Herman, he was kind of a funny-looking, harmless bird — was putting himself through college by night-work in a garage — but he did somehow resent the presence of Armstrong. 

It seemed that wherever he went Armstrong was in ahead of him. 

Armstrong was called first because his name began with “A.’’ Johnny learned then what he was to learn over and over again, that in this man’s army it was a great help to he near the top of the alphabet. 

It made him restive to see Armstrong walk in before him hut he tried to comfort himself with the thought that maybe Armstrong wouldn’t survive the tests. They were pretty severe, he’d heard. They made you hold the points of a needle between your thumb and forefinger and then shot off a pistol unexpectedly in your ear to see if you’d flinch and draw blood. Maybe that was all bunk. 

“Powell!”

“Yes, Sir.” 

‘‘Step in, Powell.’’ 

Johnny followed the uniformed figure inside. 

“Age?” 

“Nineteen.” 

“What do you weigh, Powell?”  

“Hundred and forty-two.” 

“Take off your clothes.” 

“Now this,” said the doctor to his assistant, when Johnny stood stripped to the skin, “is the type of youngster we want.” 

“Yes?” returned the other. “Probably has a thick ear drum or a tobacco heart or hernia or something. These likely looking ones usually have something the matter.” The examining doctor put a stethoscope to Johnny’s heart and lungs, tapped his chest and upper back with a practised forefinger, wrapped a rubber bandage around his arm and took his blood pressure, calling off to his assistant with a pad, “Normal — Normal — Normal.” 

“When the chair stops spinning focus your eyes on the wall.” In vain Johnny tried to fix his swimming eyes on the wall when the chair came to rest while the doctor, his face an inch away, peered intently into them. The instant they stopped he clicked a stop-watch. “Nystagmus — to the right — normal.” 

Johnny read lighted charts in a dark room with right eye and his left eye and with both eyes; he listened to a watch tick at varying distances from his ear and he balanced on one foot with his eyes closed. In other words they tested his eyes, his ears, his heart, his balance and they took specimens of his blood and water. 

“That’s all, Powell. You can put your clothes on.”



Romantic rivals fly against the enemy in World War I.

Release Date: August 12, 1927
Release Time: 111 minutes(original release)
144 minutes(restoration 2012)

Director: William A. Wellman

Cast:
Clara Bow as Mary Preston
Charles "Buddy" Rogers as Jack Powell
Richard Arlen as David Armstrong
Jobyna Ralston as Sylvia Lewis
El Brendel as Herman Schwimpf
Richard Tucker as Air Commander
Gary Cooper as Cadet White
Gunboat Smith as Sergeant
Henry B. Walthall as Mr. Armstrong
Roscoe Karns as Lieutenant Cameron
Julia Swayne Gordon as Mrs. Armstrong
Arlette Marchal as Celeste

Uncredited:
George Irving as Mr. Powell
Hedda Hopper as Mrs. Powell
Evelyn Selbie as dressing room attendant
Robert Livingston as recruit in examination office
William A. Wellman as doughboy
Nigel De Brulier as French peasant
Zalla Zarana as French peasant girl
Douglas Haig as little French boy
Thomas Carrigan as aviator
Charles Barton as soldier flirting with Mary
James Pierce as military policeman
Carl von Haartman as German officer
Thomas Carr as aviator
Dick Grace as aviator

Awards:
1929 Academy Awards(the first Academy Awards)
Best Picture - Won
Best Engineering Effects - Roy J Pomeroy - Won



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Author Bio:
John Monk Saunders was an American novelist, screenwriter and film director. He served in the Air Service during World War I as a flight instructor in Florida, but was never able to secure a posting to France, a disappointment that frustrated him for the remainder of his life. His screenwriting credits include Wings (1927), The Legion of the Condemned (1928), The Last Flight (1931) which he adapted from his own novel Single Lady, and the documentary film Conquest of the Air (UK, 1936), which he also co-directed. He died in 1940.




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