Friday, April 5, 2024

⚾️πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜⚾️: For Love of the Game by Michael Shaara



Summary:

Billy Chapel is a baseball legend, after seventeen seasons a sure Hall of Famer. He is a man who has retained the endearing qualities of youth, a man who has devoted his life to the game he loves and plays so well. But because of his unsurpassed skill and innocent faith, he has been betrayed.

It's the final game of the season, and Billy's got one last chance to prove who he is and what he can do, a chance to prove what really matters in this life. 

A taut, compelling story of one man's coming of age, For the Love of the Game is Michael Shaara's final novel, the classic finish to a brilliantly distinguished literary career.

With an introduction by New York Times bestselling author Jeff Shaara.



The Hotel
Chapel checked into the usual hotel just after dark. He was deeply in the mood for an elegant supper in that elegant town with that elegant girl, but she didn’t come. He put some music on the cassette player he always carried with him in the suitcase and lay down to rest and dream and wait, listening to Brahms. She was often late. She sometimes took time to make herself look spectacular and he didn’t mind that at all, no hurry, he could always stand hunger. Music ended. No phone call. He turned on the TV. Nothing much. He thought: hell, let’s have dinner here. Comfy dinner. Cozy dessert. Warm warm warm. You pitch tomorrow anyway. So … so what? Chapel finally looked at his watch. More than half an hour. Unusual. Give her a buzz? No. Not Carol. Don’t prod Carol. Not yet. Not that girl. Patience, lad, patience. He lay back on the bed and shifted to an old cassette of Neil Diamond — “I am, I said, to no one there, and no one heard at all, not even a chair ….” Carol did not come.

By nine o’clock he knew something had gone wrong. Never this late. She would have called. In four years — it was that long! Amazing! — she was sometimes more than a half hour late and then always apologized and damn near went down on her knees — oh, yes, how well do I remember. She got down on her knees once and kissed me from that position, and we laughed, and loved, and laughed all that night. Where the hell? Something wrong. Must call. No. Don’t call office. Chapel called her home phone number. Let it ring. No answer. Well. She got sent off somewhere. She’ll try to call, I know. He called the desk. 

“Yessir, Mr. Chapel, how you doin’?” 

“I’m doin’ fine. Listen, I’m waiting for a call from a woman named Grey, Carol Grey. If it comes, make sure you put that one through. Carol Grey. Got it?” 

It was standard down there for them to keep people away from him, especially as the hours got late, and the phone in his room rarely rang, so he wanted there to be no mistake about Carol. 

“Gotcha. Carol Grey. Will do. Hey, Mr. Chapel, you pitchin’ tomorra?” 

“Yep. Far as I know.” 

“Hey, man, you put em down. Okay? I ain’t no fan of them guys. They snotnoses, and thassafack. Good luck to ya. Well, sir, good night now, sir. I got your lady’s name. Carol Grey. Will put her right on through, soon as she calls. Luck, Mr. Chapel.” 

Chapel hung up and lay down and watched television. 

Christ.

Think she got hurt? 

In this damn town they get mugged. But … she’s been here long enough to take care of herself. Knows what she’s doin’. Girl takes care of herself. Great faith in — not girl. Woman. She’s aware of that. She is … thirty-four. Birthday? Yes. Remember? Last month, August — she’s a Leo, her regal royal highness — boy, did we celebrate. But — she got very drunk. Unusual now for that girl. Always could hold the stuff. He saw the image clearly in his mind for one long moment: that long tall blonde lovely girl kneeling on the bed in a half slip, hair wildly flowing across her face, tangled, eyes glazed, one arm waving vaguely, giving the queen’s speech, and then she fell forward in such a way as to hurt herself if he hadn’t caught her. She passed out that night. Yep. She did. He remembered tenderly fondly drunkenly tucking her in and the way she reached out for him with both arms and hugged him for one long silent moment, so tightly he had to gasp, and then she faded away, and he sat there for a long time in the dark, with the music, hoping she’d be okay and wouldn’t get sick, she never had before, and watching the light flow in from the window across that splendid face — but there was sadness on that face, and she dreamed a bad dream — what the hell about? — groaned, tossed. That night he thought it was only too much drinking. That was birthday number … thirty-four. So. Some birthdays are special. Maybe to her that night there was something … she couldn’t talk about. She doesn’t talk about sad things. But sad birthdays? Chapel was thirty-seven. He sat there sinking into a chair, watching a TV series of lovely girls: Charley’s Angels …. What was the birthday that mattered to you? From … twenty-nine to thirty. Oh, well. From boy to man. In one whole day. 

Where the hell is she? 

She didn’t get hurt in a car. Hell, doesn’t even drive in this town. But could some dumb bastard have hit her cab, some drunken bastard? Possible. In this town they drive like … blink. Let that go. Chapel’s parents had died in a car wreck years ago. Memories of some things … get in the way. Erase that. Clear the mechanism … go on waiting. No phone call. Back to Brahms. Academic Festival Overture. Didn’t fit. He cut to silence. Food? Room service? No. Don’t just sit here. He called the desk, told them he’d be down in the restaurant if Carol called. He put on a jacket, knotted a rare tie, went down and had something. They knew where to seat him and he was off by himself, but the waiter knew him, a man he called Soho, with an English accent which was not fake, and the waiter wanted to know if he was going to pitch tomorrow. 

He went back up to his room and waited, but Carol didn’t come. He was pitching the next day; there were only two days left in the season and two games left and it was his last outing and then he was free. Last time out so … rest. But do you rest … when she doesn’t come. Why didn’t she come? She’ll tell you tomorrow. Very good sensible decent kind honest patient gentle reason. So let it go and think of something sober and industrious and the end of the season and going to ski in New Zealand in the winter and … rest. Have often stayed up all night before a game. Pride yourself on that. So did the Babe. Right? Right-ho. So. He listened to music but felt wounded doing that, alone, and laughed at himself and went back to TV, and what came in on the late show was Arsenic and Old Lace. That was a very funny movie coming back from his childhood and he really began to watch, began to laugh. Cary Grant was, ah, magnificent, and then that deathless line: “Insanity runs in the family. It practically gallops.” He loved that all over again — wish she was here to share the funny moments of this one, this was special, one of the great ones, but — nobody there. She would have really enjoyed this … wouldn’t she? Ole Carol? Now that girl has a sense of humor. She’s first of all a doll, a natural-born doll, she has a marvelous figure, and she … is as funny a girl as I’ve ever known. Right. That time, oh my God, the time she showed up wearing that wig to the hotel, speaking with a magnificent French accent: “Je voudrais something something. Mais oui? May we? EnchantΓ©, mess you, you mess you. EnchantΓ©, the moment he entered her. First time he ever broke up laughing while trying to make love to a lovely girl. That night … was a spectacular night. She certainly never cried. Never have seen her cry. Could she be crying tonight? Christ, is she all right? Call hospitals? 

Dope. 

Too many hospitals in this town. 

She could have called. 

If she could. 

Couldn’t. 

Run off with another … chap.

Possible. 

Definitely possible. 

Carol? 

Would she do that? 

Not without … telling you. 

Well, then. What do you think? 

She’s hurt. 

Christ. 

Nothing to do now. 

Pitch tomorrow. 

He turned off the TV and the music and lay for a long while in the dark. Season ends. We go back to New Zealand, like we did last year. He lay remembering skiing in the white New Zealand snow with Carol, down a glacier once, and the blue lake at Queenstown, and the mountains to the west on the South Island, over where they mined jade rock, and the lakes, the hills, as beautiful a place as there was on this earth. He went back to music, something very soft, and fell asleep. It was at that time past five in the morning. 


Phone rang. Chapel groped, gathered. 

“Hey there, Mr. Chapel. Wake-up call. Nine-thirty, sir.” 

“Um. Right. Thanks.”

“One thing, Mr. Chapel. You remember that little bucket of baseballs you said you’d autograph? How ’bout that? They done? I can have Louie pick ’em up when he brings the coffee.” 

“Oh. Oh, fine. Okay.” 

“Right. Then he’ll be up in a few minutes.” 

“Check.” 

“Hey, Mr. Chapel, you pitchin’ today?” 

“Ah. Think so.” 

“Shucks. Now, please don’t be hard on those boys, Mr. Chapel. They need this one. You know. Listen, today, why don’t you just take a good rest. You sure deserve it.” 

“Well.” 

“Sorry. But I’m behind my boys. Well, sir, have a good day.” 

Chapel hung up, stared across the nightstand at the small bucket of fresh new white baseballs. She never called. Got to sign those. Gee. I don’t sign well. Never can read the blinkin’ name. Why didn’t she call? He reached out for the baseballs, saw underneath the bucket a layer of pictures he’d taken in New Zealand last year and had blown up, Carol on skis — they were together for Gus to see. Gus wants to go to New Zealand. We had plans. Boy oh boy. Calmly. “ ’Tis the early morning,” as Mom used to put it. Coffee and calm. But why in hell … clear the mechanism.

Chapel stood, searched round for a pen, drank a glass of cold water, then sat down on the big chair and started signing the baseballs, about twenty of them, for a club of injured kids. 

His name was William Edward Chapel, but he signed as he was known: Billy Chapel. He been pitching in the major leagues for one team only, had never changed teams in seventeen years. That was very unusual in the major leagues now, but it had not been when he first came up to make his debut at the age of twenty, and he had never wanted to go anywhere else. He was considered by most experts to have been one of the great pitchers in baseball history; his records were already ranked with those of Koufax and Feller and Spahn and Christy Mathewson, and though he was now thirty-seven years old and pitching these days with a last-place team which had gone far downhill in the past few years and so had not at all helped his numbers in the record books, he had begun to be regarded, at the age of thirty-seven, as one of the grand old men of baseball and he knew that well. He loved the game. He had loved it naturally all his life, since his first game as a small boy. He was a tall man, slim, long-armed, dark-haired, with gray hair at the temples, and his face had become widely known across the country because of a series of commercials he’d done on television and wished he hadn’t done, and he had dark eyes, a sharp, pointed nose, and the thing about his face that always seemed to radiate when he was out on the mound was that he had the eyes of a winner. He looked at you and smiled. And won. He did not do much talking to anybody. He liked all kinds of music and all sorts of reading and travel, and he didn’t argue with umpires or get into fights. He was a wandering man who had loved airplanes along with baseball and who had never married, although the next thing he had always loved, after the game, and flying, had always been women. He had known many beautiful girls. He had never been in love with one and had never even used the word. He was in many ways still very young in the mind and he was aware of that. Billy Boy, Billy Boy, you’ll have to grow up someday. He would. He had been … attached to that one woman, Carol Grey, the delightful blonde, for four years, and it was a long time now that he had taken no other woman but her anywhere. She had been married once — badly; the scars there were still rather obvious and she did not want any more of that. She did not want children. If she ever married again it would be to a rich and older man who tired easily and rested a lot and left her alone in a lovely house. She worked in this town for a publisher — now a full-scale editor with a growing reputation — but she traveled often to see him during the season and he came to be with or near her when the season was done, although his home base was the high country out in Colorado, and they had had four very good years, years which admittedly confusingly got better and better. Very well educated, well read, lovely girl with great social grace, spending most of her spare time with a big kid baseball player. They smiled when they saw each other. Had from the beginning. Never anything complex or serious. She came to him to relax and laugh and giggle and play games, and ski and fly airplanes and never fight. Never once. Over anything at all. Disagree: yes. Tactfully, quietly. Over in a moment. Knew little of the mountains, and he’d taken her … many places. Taught her to ski. In two weeks they were scheduled to be heading for New Zealand. And … she didn’t show. 

Chapel signed the last baseball. Looked at his watch. Almost ten. She’d be in her office. If …. He knew the number. Dialed. 

So long to answer. Always. Ring ring ring. Then, at last: 

“Hell-llo. Rogers and Stein Publishing. Can I help you?” 

“Like to speak to Miss Grey, please. Carol Grey. Is she in?” 

“Just a moment.” Pause. “Oh, hey, is this Mr. Chapel? Billy Chapel? Is that whom I’m speaking to?” 

“Right. It’s me. Is Carol there?” 

“Well, hello, Mr. Chapel. How you doin’? Nice to hear from you. Ah. Just a minute. One minute. What? No. Oh. Mr. Chapel, sorry, but she’s not in her office. They don’t know where she is. I’ll have her paged.” Pause. “Well now, are you pitchin’ today, Mr. Chapel?” 

“Guess so.” Waiting. 

“Golly, Mr. C. — you take it easy today on our fellas, you hear? Our boys need that game today, and your fellas don’t. Isn’t that so? Your team is last, so it sure don’t matter to you, but I tell you, here around this office, the way people are excited …. Oh. I see. Ah, Carol’s gone out. She’ll be back in a bit, but nobody knows when. Maybe not this morning. Well. Any message you’d like to leave?”

Pause. She must be … okay. Unhurt. Just there. He said: “No message.” Pause. “Just … tell her I called.” 

“I’ll sure do that. Gee, I’m sorry about that ball-game stuff. But I have to root for my team, you understand that. You, of all people. I mean, I hope you don’t lose, ’cause I sure think the world of you, I mean, who doesn’t? But I hope your team loses. Well. Nice to talk to you.” 

Chapel put down the phone. 

Strange cold morning. Odd weather we’re having. 

She’s gone to work. So. Health … no problem. Well. Something happened last night … with the family. Bad news. Don’t jump up and down, Billy. Never had a problem with that girl. Now finally a problem. So all right. Calmly. Maybe you can help. Maybe she’ll need you. Patience, Billy Boy. 

Knock on the door. Chapel pivoted: the door, unlocked, swung slightly open, the big round bearded face of Gus Osinski, the catcher, peeked round the bend. 

“Hey, man, is she decent?” Gus squinted round, searching for Carol, assumed she was in the bathroom. “I come in?” 

He came into the room, a mass of pictures and brochures tucked against his great chest. He plopped them on the bed. No one but Gus would have opened the door at this time of the morning. He was Chapel’s closest friend. Chapel’s team changed every year, none but Chapel had stayed for long, and Gus had only been around for about four years, yet of all the catchers Chapel had known, he worked best with Gus. A plan had been building to get together after the season and head for New Zealand, where Gus had never been, and Chapel had supplied Gus with a mass of information. The big man patted a mound of pictures, gave that massive grin. 

“Man, these kept me up half the night. I showed ’em to Bobbie and I tell you, she’s hooked. When do we go? Set the date. Glaciers, for Chrissake. I never seen a glacier. Whole damn frozen river. You know I don’t ski? I don’t. Not me. Christ, I’d be the biggest snowball since — but Bobbie can ski. She has two weeks easy, maybe three, from the airline, so set the date. It’s spring there already, right? Here … two days left in September. What time is that in New Zealand? September, October. How do you work that out?” 

“Figure the opposite,” Chapel said. 

“Which?”


It's the last day of baseball season at Yankee Stadium and 56,000 fans are wondering if 40-year-old Detroit Tiger pitcher, Billy Chapel, will complete what has been eight innings of a perfect game. But Billy has more than baseball on his mind today.

Release Date: September 17, 1999
Release Time: 138 minutes

Director: Sam Raimi

Cast:
Kevin Costner as Billy Chapel
Kelly Preston as Jane Aubrey
John C. Reilly as Gus Sinski
Jena Malone as Heather
Brian Cox as Gary Wheeler
J. K. Simmons as Frank Perry
Vin Scully, Steve Lyons, & Bob Sheppard as themselves
Carmine Giovinazzo as Ken Strout
Bill E. Rogers as Davis Birch
Hugh Ross as Mike Udall
Greer Barnes as Mickey Hart
Scott Bream as Brian Whitt
Jose Mota as Jose Garcia
Earl Johnson as Marcus Random
Chris Lemonis as Lee Giordano
Jesse Ibarra as Dennis Skinner
Pedro Swann as Juan Vasquez
Michael Rivera as Jimmy Pena
Dave Eiland as Relief Pitcher
Joe Lisi as Pete
Jim Colborn as 3rd Base Coach
Paul Bradshaw as Tiger Pitching Coach
Gene Kirley as Tiger Bench Coach
Chris Fischer as Detroit Tiger
Jon M. McDonnell as Detroit Tiger
Barry Bradford as Detroit Tiger
Kevin Craig West as Detroit Tiger
Wes Said Drake as Detroit Tiger
Luis Moro as Detroit Tiger
Michael Papajohn as Sam Tuttle
John Darjean Jr. as Jonathan Warble
Donzell McDonald as Lenny Howell
Scott Pose as Matt Crane
Vick Brown as Jesus Cabrillo
Chris Ashby as Nardini
Bill Masse as Mike Robinson
Mike Buddie as Jack Spellman
Eric Knowles as Ted Franklin
Ricky Ledee as Ruiz
Juan Nieves as Francisco Delgado
Augie Garrido as Yankee Manager
Rick Reed as Home Plate Umpire
Rich Garcia as 1st Base Umpire
Jerry Crawford as 2nd Base Umpire
William Newman as Fitch
Daniel Dae Kim as E.R. Doctor



Trailer

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Michael Shaara
Michael Shaara was born in Jersey City in 1929 and graduated from Rutgers University in 1951. His early science fiction short stories were published in Galaxy magazine in 1952. He later began writing other works of fiction and published more than seventy short stories in many magazines, including The Saturday Evening Post, Cosmopolitan, and Redbook. His first novel, The Broken Place, was published in 1968. But it was a simple family vacation to Gettysburg, Pennsylvania, in 1966 that gave him the inspiration for his greatest achievement, the Pulitzer Prize-winning novel The Killer Angels, published in 1974. Michael Shaara went on to write two more novels, The Noah Conspiracy and For Love of the Game, which was published posthumously after his death in 1988.


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Thursday, April 4, 2024

⚾️⏳Throwback Thursday's Time Machine⏳⚾️: Carbon and Ash by Chris Owen



Summary:
Former minor league baseball player and little league coach Myles figures he and his buddy Todd have a lot in common. They're both single dads, they both love baseball and camping, and their sons get along great. They also have this thing they do, this touching thing a few times a year that Myles figures is just all about creature comfort.

The thing is, as they both think about dating other people and breaking up their late night tradition, Myles starts to realize maybe he's not as casual about Todd as he thought. In fact, he has to take a long hard look at how he feels, and hope he doesn't strike out.


Original Review April 2018:
Carbon and Ash is a lovely, short read that has just the right amount of heat and sweet.  Would I have liked to seen more of Myles and Todd and their sons? Of course.  Does the story lack anything by not having more background or future to their journey? Not at all.  Perhaps one day we'll see what these lads are up to but if not, I loved this short read and can honestly say I'll be re-visiting them again next year as spring training starts and I am in a baseball mood.  This is my first Chris Owen read but it will definitely not be the last.

RATING: 



The evening sun is warm on his back as Myles sends his team onto the field for the final inning. He watches them go, little legs full of far less energy after almost an hour of playing, but he can see their eyes still bright with interest and enthusiasm; it's just the limits of being six and seven years old that makes them slower. He knows how they feel -- the pull of the game warring with the limits of the body, the need to cram as much fun into a day as they can.

Myles makes sure that Joey stays to the right of the outfield instead of drifting off to the left where Matty Jones is. If those two get too close together they won't pay close attention to the game and will start looking for bugs again between batters. It's usually not a problem, but with exhaustion and the fleeting attention span of seven year olds, it would be far too easy for them to miss a play and descend into emotional meltdown. He knows about that, too, frustration and disappointment taking the joy out of baseball.

One of his charges, Sherry, is going even slower than the rest and Myles can see her feet kicking up little storms of dust as she crosses the diamond to second base, so he goes out after her. "Almost done, kiddo," he says, crouching down to meet her eyes. "Think you can catch that ball for me?"

She nods firmly, squinting a little as the sun shines on her upturned face. "Yes, Coach," she promises. "But I'm hungry."

"I'm sure you are," he says sympathetically. "More than an hour since supper, right? There's apples and oranges for you guys after the game."

She smiles and nods again. "Yum."

"You betcha." Myles stands up and pats her shoulder, being careful to keep the touch light and clearly a Good Touch. "You can do it," he tells her.

She looks up at him with six-year-old wisdom, her eyes clearly saying he's crazy. "Of course I can."


Chris Owen

Chris Owen lives with her family on the east coast of Canada. A writer, reader, board game player, knitter, and dog lover, she explores themes of chosen family in her work, often inserting her own hobbies into the characters lives.

A mother of two children who are rapidly reaching adulthood, she can frequently be found with a cup of coffee in one hand, staring dreamily at her yarn and pile of writing resources, dreaming of the day she can have a proper office with a door that closes.

Wednesday, April 3, 2024

March Book of the Month: The Pitiful Player by Frank W Butterfield



Summary:
A Nick Williams Mystery #14
Friday, July 8, 1955

Ben White, a movie producer working on Nick's dime, is ready to show off what he's been up to, so Nick and Carter head to Hollywood to see what there is to see and, to be polite, it stinks.

Ben's director has an idea and he says it's gonna make Nick even richer than he already is.

But, before they can start the cameras rolling, leading man William Fraser is found murdered at the lavish Beverly Hills mansion of seductive silent screen star Juan Zane. Carlo Martinelli, Ben's lover, is arrested and charged with murder even though everyone in town knows he's innocent, including the District Attorney.

Meanwhile, the Beverly Hills Police Chief makes sure that Nick knows that his kind of help isn't wanted in the posh village, home to some of Hollywood's most famous stars. The chief is running a good, clean, wholesome town, after all.

From Muscle Beach to Mulholland Drive, Nick and Carter begin to piece together the clues that point to who did it and why. Somehow they manage to do so in the sweltering heat and noxious smog of the Southland.

In the end, however, will anyone be brought to justice? It's Hollywood, so you'll have to wait for the final reel to find out.



Gotta start by saying this is the first of Frank W Butterfield's full-length novels I've read in the world of Nick Williams and Carter Jones.  As a series-read-in-order kind of gal it's unusual for me to start in the middle.  I was looking for recs that had a Hollywood/acting theme as Oscar season had arrived and The Pitiful Player came to my attention.  I knew starting the middle would normally throw me for a loop but I also knew(or suspected to be more accurate), having read Butterfield's Nick & Carter Holiday short story series there probably wasn't too many side characters that I wouldn't recognize and that for the most part it sounded like these mysteries were standalones.  

In I jumped . . . what a glorious splash landing it was.

I won't talk about the mystery part so I don't spoil it for anyone but I loved it, I loved the intricacies, the twists and turns that Nick and Carter found in their quest to free their friend.  Sometimes it seemed like every time a question was answered it only led to more questions but eventually everything works itself out with the aid of N&C and their merry band of ever-growing employees and friends.

I'm afraid my knowledge of the LA landscape comes from what I see in films/tv shows so I can't speak to the accuracy of said setting but I can't help but think Butterfield got it pretty spot on considering how awesome his attention to detail was in the N&C Holiday shorts. I do know that the inclusion of real Hollywood actors helped to pull me into the story, to make me feel like a customer at the Brown Derby or Joe's Diner witnessing everything firsthand.

A couple of examples that stood out, that made me stop reading for a second to appreciate the author's efforts:

1. William Hopper at the fundraising event.  I'm guessing not too many people realized that Bill Hopper, aka Paul Drake from TVs Perry Mason, was the son of Hedda Hopper.  I'll admit I didn't know it until about 10 years ago when I thought I saw him in a bit part of an old movie I was watching and looked it up on Wikipedia.  Such a tiny blip in this great story and yet for me it went a long ways to express the respect of the era the author has.

2. The speech Nick gave at above mentioned fundraising event for polio research and vaccine.  Nick speaks of a cop's daughter he met not needing an iron lung but still dealing with the disease and probably will for years to come.  My grandmother had polio when she was younger but also did not need the iron lung.  I think too many people don't understand there were other ways polio hit and just how important the vaccine was.  Butterfield including this again spoke volumes to me, such a small point in terms of wordage and pages but a huge point in establishing the era.

Now that those points have been made, I'm going to close out my review by saying even when the time comes and I've read all 32 entries as well as a few others in the Nick and Carter universe, the couple and their found families will never get old, will never fail to entertain. They are just so likeable and loveable you just can't help but gravitate towards them.

RATING:




Chapter 1 
1198 Sacramento Street
San Francisco, Cal.
Friday, July 8, 1955
Half past 7 in the morning 
I stood up from the kitchen table and said, "No." 

Carter stood and said, "Excuse us, everyone. We're gonna move this argument into the other room." 

We'd been having breakfast in the kitchen with Mrs. Strakova, our wonderful cook, Mrs. Kopek, her friend and our housekeeper, and Ferdinand, our gardener and ersatz chauffeur. The other three kids who worked for us had already left the table. 

I said, "Thank you, Mrs. Strakova, for another delicious meal." With that, I turned on my heel and made my way through the dining room and into the great room. 

As I did, I heard Carter say, "Yes, thank you." 

Mrs. Strakova replied, "You are very welcome, Mr. Carter."

As I stood in the great room, looking at the roaring fire that Carter had built while we were waiting for breakfast, I sighed audibly. I was, to put it mildly, sick and tired of having the same conversation over and over again. 

Right then, I heard Carter say, "What is the problem, Nick?" 

I shook my head and made my way for the stairs. As I made my way up, I could hear him following me. At the top of the stairs, I sped up, passing the two bedrooms on either side of the hallway, and breaking into a trot before banging open the door to our bedroom. I discovered a startled Gustav, our butler and valet, who was putting away the laundry he'd picked up the day before from down on Clay Street. 

He looked at me from where he was standing in front of the bureau. "I am sorry, Mr. Nick," he said apologetically. 

I slammed the bedroom door behind me and leaned against it. "Don't apologize, Gustav," I said with a sharpness to my voice that he didn't deserve. 

"Is this about—" 

"Yes." 

He smiled wanly and said, "I agree with you." 

As Carter knocked on the door behind me and started fiddling with the doorknob, I said, "That's fine, Gustav, but no one asked you." As soon as the words came out of my mouth, I instantly regretted it. I said, "I'm sorry." 

He shrugged. "That is fine, Mr. Nick. Shall I come back again to finish?"

"Go ahead and finish. I'm not letting him in." As I said that, Carter banged a little louder on the thick oak door. 

Gustav raised his eyebrows for a moment and then turned to finish unfolding and refolding the clothes he was putting away. He had a very specific way that he liked to fold our BVDs and socks. He'd stopped trying to get the laundry to follow his instructions and, instead, had decided he would just have to do it on his own each time the clothes came back. 

"Nick." That was Carter. "Let me in." 

"You said I was stubborn and you're right. I've already told you. It's not gonna happen." I leaned against the door and kicked off my shoes. 

Gustav looked down at my stocking feet with a question on his face. 

In a whisper, I said, "Makes it easier to get traction on the rug. My shoes will slip. I may need your help." I wasn't really serious but I wouldn't have turned him down if he offered. Carter banged again. 

"No, Mr. Nick. I must not get involved. We all have our little fights, now and then." 

I grinned but was also tempted to walk over and knock his block off for quoting me back to me. However, right at that moment, I was too busy trying to figure out which piece of furniture would be heavy enough to keep my very tall, muscular, ex-fireman of a husband from getting in the door. I knew that I had little chance of keeping him out. But I wasn't going down without a fight. 

"Nick, I'm gonna start pushing my way in, son. You better get ready."

"I don't care, fireman. You don't scare me." I hoped that by saying those words, usually reserved for our romps in the hay, that I might defuse the tension. 

"Look, Nick," said Carter from behind the door. "I have a meeting at 10. We need to get to work. And I don't want to have this argument again." 

"If you don't wanna have this argument again, then you should stop asking me about it." 

Carter sighed. "But I refuse to believe that you're gonna keep refusing me what I want." He was playing dirty. That was talk straight from our bed. I tried to get mad about it but realized I'd just done the same thing. 

"Gustav is in here, fireman." 

"Are you gonna stay in there with him and leave me out here, all alone?" 

Gustav looked at me with a grin on his face. 

I couldn't help but laugh. I stepped away from the door. As I did, Carter opened it. I bent over to pick up my shoes and should have known better because I left myself wide open. Carter took advantage of the situation and gave me a hard swat on my ass. I stood up and turned on him. "What was that for?" 

"For being an ass about all of this." He looked down at me with half a smile. 

For some reason, I could feel the tension come back. I nodded, walked over to the bench by the bed, and began to put my shoes on. 

"What are you doing?" asked Carter. 

"What does it look like I'm doing?" 

"I know what you're doing. Why do you need to do it?"

"Because these are new and the soles are still too slick." 

"Too slick for what?" 

Finished, I stood and said, "For getting traction to keep that door closed." 

Carter folded his arms. "You thought you were going to be able to keep me out?" 

Gustav, who didn't appear to be finished, made a beeline for the door. Without saying anything, he slipped out and pulled the door closed behind him. 

I nodded, putting my stone face on. "I did." 

"Don't try that look with me, Nicholas Williams." 

I melted a little, like I always did when he used my full name. But I wasn't ready to give in. Not yet. "Or what?" 

"You know." 

That tension was back. And it was riding on the back of unreasonableness. "Look, Carter. Cut the crap." 

He rolled his eyes. "What the hell is wrong with you?" 

I took a deep breath and thought about his perfectly reasonable question. After a moment, coming up with nothing, I replied honestly. "I don't know." 

"Well, I wish you would either tell me what is bothering you about all of this or just get mad and try to slug me or something." His voice cracked at the end. 

I blinked several times, trying to keep the tears from getting out. "I dunno. Really, Carter, I don't." 

Carter, whose face had been contorted in a frown, appeared to relax. He sighed. "You've been through a lot this year—"

I exploded. "And so the hell have you! So what? Why do you keep saying that? Yes, this has been a tough six months." I waved my hands in the air. "Seven months. However long it's been, it's been tough. But it's over." I brought my voice down. "Can't you see that it's over? Life is back to normal. Why do you have to keep bringing all of that up, over and over again?" I knew I was losing it, but I had a point and I wanted to make it. "Maybe, just maybe, if we stopped talking about it and just got back to living our lives, then it would go away." I plopped down on the bench and looked out the window. "It is fucking cold as fuck in this goddam house. Why the hell do we have all the goddam windows fucking open?" 

Suddenly, I couldn't stand the house any more. I wanted out of our gilded cage. I was sick of dealing with all our staff and running the business. I just wanted out. 

I looked at Carter for a long moment, wondering if he understood. He just stared at me as if he did but didn't know how to reply. Not knowing what else to do, I stood up, grabbed the shoe box by the wall, and pitched it against the mirror over the bureau. It shattered into several long pieces of glass and made quite a racket. I stood there, not quite sure how to respond to my own violence, and felt really, really cold. 

Carter walked over to me and put his hand on my shoulder behind my neck. He ran one finger up and down my spine. It felt soothing in a way I hadn't felt in a while. I thought I was going to cry, but the tears didn't come. 

There was a loud knock on the door. "Mr. Nick? Are you OK?" It was Mrs. Kopek. 

Carter replied, "We're fine, Mrs. Kopek. We need some time alone."

"Yes, Mr. Carter." 

I could hear her walk away down the hall. Whispered voices spoke in Czech and then faded as whoever was there made their way downstairs. 

Carter grabbed me by the shoulders and turned me towards him. He looked down at me for a long moment. His eyes were red but no tears came for him either. I wondered if we were just both cried out. 

He pulled me over to the bench. We both sat and he put his arm around me. We sat there for a long time. Finally, he stood and walked over to the side of the bed. He picked up the phone and dialed a number. After a moment, he said, "Marnie?" There was a brief pause. "Fine. Look, neither of us are coming in today. I have a meeting at 10. Burgess can take care of it. And, whatever is on Nick's calendar, just move it around or do whatever you have to do." There was a long pause. "We're fine. We just need to find some warm weather, that's all. Now, can you get Robert on the line for me?"




Nick Williams Mystery Series
In 1953, the richest homosexual in San Francisco is a private investigator.

Nick Williams lives in a modest bungalow with his fireman husband, a sweet fellow from Georgia by the name of Carter Jones.

Nick's gem of a secretary, Marnie Wilson, is worried that Nick isn't working enough. She knits a lot.

Jeffrey Klein, Esquire, is Nick's friend and lawyer. He represents the guys and gals who get caught in police raids in the Tenderloin.

Lt. Mike Robertson is Nick's first love and best friend. He's a good guy who's one hell of a cop.

The Unexpected Heiress is where their stories begin. Read along and fall in love with the City where cable cars climb halfway to the stars.

Long before the Summer of Love, pride parades down Market Street, and the fight for marriage equality, San Francisco was all about the Red Scare, F.B.I. investigations, yellow journalism run amok, and the ladies who play mahjong over tea.


Saturday Series Spotlights
Part 1  /  Part 2  /  Part 3
Nick & Carter Holiday Series
Welcome to a year of holidays with Nick Williams and Carter Jones!

This is a series of short stories with each centered around a specific holiday.

From New Year's Day to Boxing Day, each story stands on its own and might occur in any year from the early 1920s to the first decade of the 21st Century.




Frank W Butterfield
Frank W. Butterfield is the Amazon best-selling author of 89 (and counting) self-published novels, novellas, and short stories. Born and raised in Lubbock, Texas, he has traveled all over the US and Canada and now makes his home in Daytona Beach, Florida. His first attempt at writing at the age of nine with a ball-point pen and a notepad was a failure. Forty years later, he tried again and hasn't stopped since.


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The Pitiful Player #14

Nick Williams Mystery Series

Nick & Carter Holiday Series