#1 NEW YORK TIMES BESTSELLER • 50TH ANNIVERSARY EDITION WITH A NEW INTRODUCTION BY MARGARET ATWOOD • Stephen King's legendary debut, the bestselling smash hit that put him on the map as one of America's favorite writers • In a world where bullies rule, one girl holds a secret power. Unpopular and tormented, Carrie White's life takes a terrifying turn when her hidden abilities become a weapon of horror.
"Stephen King’s first novel changed the trajectory of horror fiction forever. Fifty years later, authors say it’s still challenging and guiding the genre." —Esquire
“A master storyteller.” —The Los Angeles Times • “Guaranteed to chill you.” —The New York Times • "Gory and horrifying. . . . You can't put it down." —Chicago Tribune
Unpopular at school and subjected to her mother's religious fanaticism at home, Carrie White does not have it easy. But while she may be picked on by her classmates, she has a gift she's kept secret since she was a little girl: she can move things with her mind. Doors lock. Candles fall. Her ability has been both a power and a problem. And when she finds herself the recipient of a sudden act of kindness, Carrie feels like she's finally been given a chance to be normal. She hopes that the nightmare of her classmates' vicious taunts is over . . . but an unexpected and cruel prank turns her gift into a weapon of horror so destructive that the town may never recover.
News item from the Westover (Me.) weekly Enterprise, August 19, 1966:
RAIN OF STONES REPORTED
It was reliably reported by several persons that a rain of stones fell from a clear blue sky on Carlin Street in the town of Chamberlain on August 17th. The stones fell principally on the home of Mrs. Margaret White, damaging the roof extensively and ruining two gutters and a downspout valued at approximately $25. Mrs. White, a widow, lives with her three-year-old daughter, Carietta.
Mrs. White could not be reached for comment.
Nobody was really surprised when it happened, not really, not at the subconscious level where savage things grow. On the surface, all the girls in the shower room were shocked, thrilled, ashamed, or simply glad that the White bitch had taken it in the mouth again. Some of them might also have claimed surprise, but of course their claim was untrue. Carrie had been going to school with some of them since the first grade, and this had been building since that time, building slowly and immutably, in accordance with all the laws that govern human nature, building with all the steadiness of a chain reaction approaching critical mass.
What none of them knew, of course, was that Carrie White was telekinetic.
Graffiti scratched on a desk of the Barker Street Grammar School in Chamberlain:
Carrie White eats shit.
The locker room was filled with shouts, echoes, and the subterranean sound of showers splashing on tile. The girls had been playing volleyball in Period One, and their morning sweat was light and eager.
Girls stretched and writhed under the hot water, squalling, flicking water, squirting white bars of soap from hand to hand. Carrie stood among them stolidly, a frog among swans. She was a chunky girl with pimples on her neck and back and buttocks, her wet hair completely without color. It rested against her face with dispirited sogginess and she simply stood, head slightly bent, letting the water splat against her fl esh and roll off. She looked the part of the sacrificial goat, the constant butt, believer in left-handed monkey wrenches, perpetual foul-up, and she was. She wished forlornly and constantly that Ewen High had individual—and thus private— showers, like the high schools at Westover or Lewiston. They stared. They always stared.
Showers turning off one by one, girls stepping out, removing pastel bathing caps, toweling, spraying deodorant, checking the clock over the door. Bras were hooked, underpants stepped into. Steam hung in the air; the place might have been an Egyptian bathhouse except for the constant rumble of the Jacuzzi whirlpool in the corner. Calls and catcalls rebounded with all the snap and flicker of billiard balls after a hard break.
“—so Tommy said he hated it on me and I—”
“—I’m going with my sister and her husband. He picks his nose but so does she, so they’re very—”
“—shower after school and—”
“—too cheap to spend a goddam penny so Cindi and I—”
Miss Desjardin, their slim, nonbreasted gym teacher, stepped in, craned her neck around briefly, and slapped her hands together once, smartly. “What are you waiting for, Carrie? Doom? Bell in five minutes.” Her shorts were blinding white, her legs not too curved but striking in their unobtrusive muscularity. A silver whistle, won in college archery competition, hung around her neck.
The girls giggled and Carrie looked up, her eyes slow and dazed from the heat and the steady, pounding roar of the water. “Ohuh?”
It was a strangely froggy sound, grotesquely apt, and the girls giggled again. Sue Snell had whipped a towel from her hair with the speed of a magician embarking on a wondrous feat and began to comb rapidly. Miss Desjardin made an irritated cranking gesture at Carrie and stepped out.
Carrie turned off the shower. It died in a drip and a gurgle.
It wasn’t until she stepped out that they all saw the blood running down her leg.
From The Shadow Exploded: Documented Facts and Specific Conclusions Derived from the Case of Carietta White, by David R. Congress (Tulane University Press: 1981), p. 34:
It can hardly be disputed that failure to note specific instances of telekinesis during the White girl’s earlier years must be attributed to the conclusion offered by White and Stearns in their paper Telekinesis: A Wild Talent Revisited—that the ability to move objects by effort of the will alone comes to the fore only in moments of extreme personal stress. The talent is well hidden indeed; how else could it have remained submerged for centuries with only the tip of the iceberg showing above a sea of quackery?
We have only skimpy hearsay evidence upon which to lay our foundation in this case, but even this is enough to indicate that a “TK” potential of immense magnitude existed within Carrie White. The great tragedy is that we are now all Monday-morning quarterbacks . . .
“Per-iod!”
The catcall came first from Chris Hargensen. It struck the tiled walls, rebounded, and struck again. Sue Snell gasped laughter from her nose and felt an odd, vexing mixture of hate, revulsion, exasperation, and pity. She just looked so dumb, standing there, not knowing what was going on. God, you’d think she never—
“PER-iod!”
It was becoming a chant, an incantation. Someone in the background (perhaps Hargensen again, Sue couldn’t tell in the jungle of echoes) was yelling, “Plug it up!” with hoarse, uninhibited abandon.
“PER-iod, PER-iod, PER-iod!”
Carrie stood dumbly in the center of a forming circle, water rolling from her skin in beads. She stood like a patient ox, aware that the joke was on her (as always), dumbly embarrassed but unsurprised.
Sue felt welling disgust as the first dark drops of menstrual blood struck the tile in dime-sized drops. “For God’s sake, Carrie, you got your period!” she cried. “Clean yourself up!”
“Ohuh?”
She looked around bovinely. Her hair stuck to her cheeks in a curving helmet shape. There was a cluster of acne on one shoulder. At sixteen, the elusive stamp of hurt was already marked clearly in her eyes.
“She thinks they’re for lipstick!” Ruth Gogan suddenly shouted with cryptic glee, and then burst into a shriek of laughter. Sue remembered the comment later and fitted it into a general picture, but now it was only another senseless sound in the confusion. Sixteen? She was thinking. She must know what’s happening, she—
More droplets of blood. Carrie still blinked around at her classmates in slow bewilderment.
Helen Shyres turned around and made mock throwing-up gestures.
“You’re bleeding!” Sue yelled suddenly, furiously. “You’re bleeding, you big dumb pudding!”
Carrie looked down at herself.
She shrieked.
The sound was very loud in the humid locker room.
A tampon suddenly struck her in the chest and fell with a plop at her feet. A red flower stained the absorbent cotton and spread.
Then the laughter, disgusted, contemptuous, horrified, seemed to rise and bloom into something jagged and ugly, and the girls were bombarding her with tampons and sanitary napkins, some from purses, some from the broken dispenser on the wall. They flew like snow and the chant became: “Plug it up, plug it up, plug it up, plug it—”
Sue was throwing them too, throwing and chanting with the rest, not really sure what she was doing—a charm had occurred to her mind and it glowed there like neon: There’s no harm in it really no harm in it really no harm— It was still flashing and glowing, reassuringly, when Carrie suddenly began to howl and back away, flailing her arms and grunting and gobbling.
The girls stopped, realizing that fission and explosion had finally been reached. It was at this point, when looking back, that some of them would claim surprise. Yet there had been all these years, all these years of let’s short-sheet Carrie’s bed at Christian Youth Camp and I found this love letter from Carrie to Flash Bobby Pickett let’s copy it and pass it around and hide her underpants somewhere and put this snake in her shoe and duck her King again, duck her again; Carrie tagging along stubbornly on biking trips, known one year as pudd’n and the next year as truck-face, always smelling sweaty, not able to catch up; catching poison ivy from urinating in the bushes and everyone finding out (hey, scratch-ass, your bum itch?); Billy Preston putting peanut butter in her hair that time she fell asleep in study hall; the pinches, the legs outstretched in school aisles to trip her up, the books knocked from her desk, the obscene postcard tucked into her purse; Carrie at the church picnic and kneeling down clumsily to pray and the seam of her old madras skirt splitting along the zipper like the sound of a huge wind-breakage; Carrie always missing the ball, even in kickball, falling on her face in Modern Dance during their sophomore year and chipping a tooth, running into the net during volleyball; wearing stockings that were always run, running, or about to run, always showing sweat stains under the arms of her blouses; even the time Chris Hargensen called up after school from the Kelly Fruit Company downtown and asked her if she knew that pig poop was spelled C- A- R- R- I- E: Suddenly all this and the critical mass was reached. The ultimate shit-on, gross-out, put-down, long searched for, was found. Fission.
She backed away, howling in the new silence, fat forearms crossing her face, a tampon stuck in the middle of her pubic hair.
The girls watched her, their eyes shining solemnly.
Carrie backed into the side of one of the four large shower compartments and slowly collapsed into a sitting position. Slow, helpless groans jerked out of her. Her eyes rolled with wet whiteness, like the eyes of a hog in the slaughtering pen.
Sue said slowly, hesitantly: “I think this must be the first time she ever— ”
That was when the door pumped open with a flat and hurried bang and Miss Desjardin burst in to see what the matter was.
Release Date: November 3, 1976
Release Time: 98 minutes
Director: Brian De Palma
Cast:
Sissy Spacek as Carrie White
Amy Irving as Sue Snell
William Katt as Tommy Ross
Nancy Allen as Chris Hargensen
John Travolta as Billy Nolan
Betty Buckley as Miss Collins
P. J. Soles as Norma Watson
Sydney Lassick as Mr. Fromm
Stefan Gierasch as Mr. Morton
Priscilla Pointer as Mrs. Snell
Piper Laurie as Margaret White
Edie McClurg as Helen Shyres
Awards:
49th Academy Awards - March 28, 1977
Best Actress - Sissy Spacek - Nominated
Best Supporting Actress - Piper Laurie - Nominated
34th Golden Globes - January 29, 1977
Best Supporting Actress – Motion Picture - Piper Laurie - Nominated
AFI's 100 Years
100 Thrills - #46
Stephen King was born in Portland, Maine in 1947, the second son of Donald and Nellie Ruth Pillsbury King. He made his first professional short story sale in 1967 to Startling Mystery Stories. In the fall of 1971, he began teaching high school English classes at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels. In the spring of 1973, Doubleday & Co., accepted the novel Carrie for publication, providing him the means to leave teaching and write full-time. He has since published over 50 books and has become one of the world's most successful writers. King is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to the American Letters and the 2014 National Medal of Arts.
Stephen lives in Maine and Florida with his wife, novelist Tabitha King. They are regular contributors to a number of charities including many libraries and have been honored locally for their philanthropic activities.
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