Showing posts with label african american fiction. Show all posts
Showing posts with label african american fiction. Show all posts

Friday, February 16, 2024

πŸ’πŸ’‹πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸ’‹πŸ’˜: How Stella Got Her Groove Back by Terry McMillan


Summary:

How Stella Got Her Groove Back is full of Terry McMillan's signature humor, heart, and insight. More than a love story, it is ultimately a novel about how a woman saves her own life—and what she must risk to do it.

Stella Payne is forty-two, divorced, a high-powered investment analyst, mother of eleven-year-old Quincy- and she does it all. In fact, if she doesn't do it, it doesn't get done, from Little League carpool duty to analyzing portfolios to folding the laundry and bringing home the bacon. She does it all well, too, if her chic house, personal trainer, BMW, and her loving son are any indication. So what if there's been no one to share her bed with lately, let alone rock her world? Stella doesn't mind it too much; she probably wouldn't have the energy for love—and all of love's nasty fallout—anyway.

But when Stella takes a spur-of-the-moment vacation to Jamaica, her world gets rocked to the core—not just by the relaxing effects of the sun and sea and an island full of attractive men, but by one man in particular. He's tall, lean, soft-spoken, Jamaican, smells of citrus and the ocean—and is half her age. The tropics have cast their spell and Stella soon realizes she has come to a cataclysmic juncture: not only must she confront her hopes and fears about love, she must question all of her expectations, passions, and ideas about life and the way she has lived it.



Chapter One
I hadn't planned on going anywhere. All I knew was that as much as I loved my son, I was glad to see him disappear after those doors to Gate 3 closed this morning. Quincy's on his way to Colorado Springs to visit his daddy and now I have the house all to myself. Finally, some peace and quiet. And three whole weeks of it. Of course there are a million things I want to do and now I can do them without being distracted. Without hearing "Mom, can I ... ?!" every fifteen seconds.

Thank God it's Saturday. And thank God it's summertime. School's out. No more three-day-a-week Little League practice (rain or shine) or those long-ass games. No week-on/week-off revolving carpooling and forgetting it's my week and being afraid to call the parents of the abandoned children who are all standing in the rain for an hour after I forgot them because they are all--including my own son--too dumb to call somebody else. And thank the Lord there's nowhere I have to be: no can't-wait portfolios to review and I don't have to pay attention to any of the four computers in my office, I mean I can actually be off-line for a change and I have no meetings no planes to catch, nada.

I've got about a hundred books I've been meaning to read since last year and I figure now I can probably read them all. I've got a house full of trees and straggly vines that need to be transplanted which is what I'm planning to do today but of course when I go out to the garage I have no big pots and just a drop of potting soil and not a single pair of those gloves with the little rubber dots on the fingertips, all of which means I have to go to Home Depot. I hate going to Home Depot because I always end up going down the plant rug toilet or sink aisles when I have enough plants rugs toilets and sinks already. But by the time I get to the checkout I usually have to exchange my cart for one of those flatbed numbers and then I realize I didn't drive the truck so I have to have them put my stuff to the side until I come back and as I'm driving home it occurs to me that they're probably going to switch some of my merchandise and not think I'll notice but by the time I pull the truck up to their automatic doors I'm usually totally pissed at myself for buying all this shit I don't need because despite the fact that I am not a landscaper handywoman or carpenter I have all these useful new tools with which to express my fantasies of do-it-yourselfness and what is really bothering me is that I have most likely spent somewhere in the neighborhood of a thousand bucks which seems to be my going rate here and at Costco and which is also why I am right this minute changing my mind about going today. I'll go tomorrow. With a list and the promise to buy only what's on it.

I look around the house and realize that the housekeeper does a pretty good job--for a sixty-one-year-old Peruvian man--of keeping it clean. He fixes everything that breaks around here, and since he is ultrareligious and I think maybe even a participating Buddhist, out of respect I sort of watch my mouth in my own home. He cleans under and behind everything which is the main reason I have no Saturday morning cleaning to do. I believe from the bottom of my heart that dusting polishing and vacuuming are entirely too tedious never-ending and boring tasks and there are so many other things I would rather be doing which is why I hired Paco in the first place. He is worth the money.

I open all the blinds and notice that the windows are pretty grungy-looking from all the rain we've had here this past spring. Flooding and mud slides wiped out hundreds of homes all over northern California and I felt lucky to be way out here in this boring little valley. I don't do windows which is why I make a mental note to call Of Course We Do Windows first thing on Monday. Paco tried doing them once but he couldn't get up high outside and if he fell and hurt himself I would feel terrible.

I go into the kitchen and make myself a latte and as I stare out into the backyard the first thing I see is Phoenix, our free-from-the-pound chocolate Lab, swimming in our black-bottom pool as if it's his. Then I look over at what is now a storage shed that I was told was once a guesthouse and then I turned it into a studio but of course that was when I used to be this creative person and I had energy and a thriving spirit and I would design and conceive and sometimes actually manufacture what I used to call functional sculpture aka handcrafted furniture that people in fact solicited and paid me real money to make for them out of everything from aluminum copper steel wood whatever, but then it became so hard to like pay the rent and then this husband I ended up saying yes to when I should've just said no convinced me that I could use that MBA I got and like combine it with that MFA I also had which of course all by itself was worthless and who could afford this eccentric one-of-a-kind so-called furniture when a normal person could like just go to Thomasville or Levitz or Ikea and of course I didn't know how to mix commerce with art and so I failed at working with my hands. I went with the brain and forged figures inside my economic head and did the total business beat. I have been doing this now for like hell I don't even know how many years but it is another reason why right this minute, looking out at the dog at that clear black water at the little salmon-colored bungalow where I used to pray and dream and invent, I am getting a sudden overwhelming urge to run the vacuum through my mental house and chill out, sit down long enough to smell the cosmos the zinnias the coral bells hell the fucking coffee (which I actually can smell right now), so when Quincy comes home I'll be more poised balanced composed than I've been in years. The generic term for it is relaxed. Maybe I can even acquire some of that stuff commonly known as patience that I haven't had in a long time. I'd like to be able to sit down next to my son and watch one of those moronic TV shows that he's always begging me to watch but after a few minutes I always find myself jumping up to do something during the commercials and I repeat this up-and-down business at least five times during a mere half-hour show which means I'm not exactly setting a good example for someone who's always telling her child how he needs to learn to sit still long enough to give something his undivided attention. All I do when I get up is move things. Dishes go in the dishwasher. Or they come out. Never-read magazines newspapers and last week's mail are tossed into the compactor for crushing. Clothes pulled out of the washer get pushed into the dryer. Now let's fold. Make stacks. Everything has to be in its place. Because if I don't do it, it won't get done.

But I'm tired of jumping up. Tired of running. I would like to be able to just sit there with my son without moving without wishing I were somewhere else doing something else without thinking about something else and I'd like to just hold his hand or put my arm around his narrow shoulders because I know in a few more years he won't want me to sit on the couch with him and watch anything and he probably won't want me to touch him.

I walk from the kitchen into the family room and sit on the red leather love seat and I look around and see all this color all these different textures--those golden maple floors those celery concrete floors these purple plastered walls that teal suede sofa that black oak pool table that eggplant leather floor in my office and this silver slate under my feet--and I am proud that over the years I have made my funky little California castle suitable to my needs my tastes and I have rigged equipped and outfitted it in such an unorthodox way that it might actually be impossible to sell even though I am not even thinking of moving anywhere but for some reason today like right this minute I am feeling imposed upon by all of it as if I went too far and now all this color all these juxtaposing textures are backfiring instead of soothing as they always have even until just yesterday but not today and as I sit here and watch Phoenix shaking himself dry, I decide that today maybe I should shake myself up a little too.

But how? And where do you start? I look down at the coffee table and notice Quincy forgot the stationery I bought him so he could write to me and his homies while he's away. Maybe I should write a few long-overdue letters or something to some folks. That's it! Yeah, I'll write to a few long-lost relatives and to some folks I haven't seen or talked to in ages. Just little notes. Some maybe-you-think- I've-forgotten-you-but-here's-a-gesture-to-let-you-know-I-haven't notes. Hell, I remember when I used to write tons of letters. Now who has time to even call anymore? A lot of times when I do call I'm secretly hoping the person won't be home and that I'll get the answering machine because I know there's something else I could or should be doing that's a helluva lot more productive like washing clothes or doing something in the kitchen but the portable phone is too staticky in the laundry room and kitchen which means I have to stand in one place and talk which is why it's so much easier to leave a two-minute message (if they've got a decent machine) than it is to talk for a half hour or longer, depending on where they fall in your chart of closeness, trying to cover what has happened to you both over the last week month year or two.

I know I'm not alone because I'm forever getting messages from estranged friends and relatives who are pissed because I haven't returned their phone calls from whenever and they say things like, "Girl, I could be dead and you wouldn't know it what kind of fucking friend are you Stella we used to be close did I do something that I don't know about" and I shake my head no or they say we just had a baby or I finally got my divorce and I just wanted you to know that I don't live in Atlanta or Memphis or Los Angeles anymore, and oh by the way, I've got a brand-new grandbaby and did you get the pictures if you did you didn't say nothing about how cute he is and hell, he's got three teeth now or he's walking or in kindergarten and this is the MCI operator with a collect call from BENNIE please press one if you accept and two if you decline and sir the party's not at home and he says okay but can I leave a message anyway and then there is a click and he is just one of my many relatives who call from the penitentiary but then there's hey yeah Stella this is your cousin Rafiki As-Salaam-Alaikum my sister peace be unto you all praises are due to Allah and hey I know you surprised I ain't calling collect but my lady let me use her calling card for a month and you still ain't sent me no pictures of you and I'm still working on my own defense and I was wondering if you could send me fity dollars for some toiletries and such cause my mama ain't been up to see me in over six months she mad at me and my lady ain't got no mo transpo to get way out here and I been in the hole for the past month for something I ain't even did but it's all good and anyway let me know if you can do that and baby, this is your aunt Junie calling and I don't know if you know it or not but Miss Willamae's in the hospital and I know you remember her cause she used to baby-sit you when you was a baby and you know she got cataracts and she had to have that operation finally that she been putting off because of her having all them insurance problems and everythang but you remember her she's Miss Bessie's cousin's sister from her first marriage to Silbert what used to live on the corner of Moak and Fortieth Street, right down the street from Ms. Lucy when she was living and anyway you went to school with her granddaughter but I can't remember her name right now but pray for her even though she's doing much better now and I just wanted to touch base don't get to talk to you much no more and how is Quincy these days? I bet he's tall as you and how old is he now (there is a long pause because she's waiting for an answer) and like a fool I say, "He's eleven and a half, Aunt Junie," but even though you don't stay in touch I want you to know that you both are in my prayers and the Lord is watching over you and I'm gon' call your sisters as soon as I hang up since the rates is low. Love you, baby. I wonder if her machine is gon' get all this and Stella? Did you get this whole message, sugar?

I also don't get very many letters either--maybe five or six a year and that's counting the preaddressed prestamped envelopes I give Quincy when he's away at camp--and shoot, I know at least a thousand people and at least five hundred of them live more than five hundred miles away. Far enough away to write.

It just feels like nothing is the way it used to be anymore and it's not that I'm on some nostalgic trip or anything but I just wonder if I'm feeling like this because I can't believe I'm really forty-fucking-two years old because people tell me all the time I don't look forty-two and to be honest I don't have any immediate plans of really acquiring the look if there is a way to look when you're forty-two and I certainly don't feel forty-two even though I don't know how I'm supposed to feel being forty-two and what I do know is that I'm not angry about being forty-two but it feels like I'm slowly but surely catching up to my mama because she was only forty-two when she died and I'm thinking how is this possible that I could ever be the same age as mama? I wonder if I could secretly be having a midlife crisis?

Ever since Walter and I split up I guess I have been a little numb. I don't dislike him or hate him for being who he is but I certainly stopped loving him because of it. He bored me to death. Living with him was like living in a museum. It was drafty, full of vast open spaces and slippery floors. He wasn't a bad person, but I just didn't care for his attitudes and later on his principles turned out to be on the opposite end of the spectrum from mine. He wanted me to be just like him. I wanted him to respect our differences. I ended up telling him that he should've married himself, and later that he should try fucking himself. And this is what we basically argued about. Who we were. We never seemed to come to any neutral turf where both of our feelings and positions were acceptable or at least tolerable. We sort of kept this demerit scoreboard for the last eight years, until we ran out of space. He and I both knew that our time was up, so we didn't make a big tadoo about it, we just agreed to stop this before we ended up hating each other.

We were both running on high octane and barely had time for sex anymore and when we did we were both so exhausted the thought of actually being tender and sensuous and playful was not something that even crossed our minds. Or hearts. We just did it to get off, to relieve some of the tension. Some of the stresses and strains of the day that we brought home with us. At times I felt like his prostitute and I'm sure on occasion he probably felt that way too. It got old. And after a few years of this, I started wondering if I'd ever feel any excitement or passion toward him or any man again, and now that it's been a few years since our divorce, I'm pretty much feeling the same way.

Nobody has rocked my world, as the saying goes. Nobody has made my heart flutter like it did when I first met Walter, or even when I fell in love with Chad, and I don't dare go all the way back to high school or college when the world stopped spinning when Nathaniel kissed me. All Dennis did was smile at me and I was like Elvis: all shook up. I didn't know the power of love was so powerful. But I liked it. Liked feeling like I was full of clouds. Like I could probably run a marathon without ever training for it. Like I was "on" something that was causing me to have a continuous flow of energy, making me feel excited about and see beauty in just about everything. I could walk down the street and feel myself grinning and people would look at me and simply grin too. This is when I thought I understood what God intended for us to feel.

But then the bullshit always had to enter the picture and contaminate everything that had been so beautiful. Like where were you and why do you have to do that all the time and how come and when are you and I don't really give a flying fuck if you do but because I felt like it and if you can't handle it tough shit but as much as I wish I could I can't even begin to imagine but just the thought of you don't no not anymore but we could if you weren't so damn stubborn because hell I can't help it if I was and yes you are trying to change me into something that I'm not and want to see how long I can resist this shit want to watch me repel and don't remind me how much we used to have that's the past and it's gone baby live in the here and now and check it out this is getting too thick for me and I'm like sinking somewhere low and my heart weighs a ton here lately and as a matter of fact the mere sight of you being in your presence for any length of time depresses the hell out of me and I don't need this shit who needs this shit so I'm like out of here.

All I know is that I was sort of already using my reserve tank when he left and afterwards being alone took some getting used to. A person can get on your last nerve, drive you to drink, but you still kind of miss their sorry ass after they're gone is what I found out. That empty space he left sort of turned into an ache for a minute, or I should say a few months, maybe even a year. It was like this secret longing I felt to replace the void he left with something or someone else. Only I didn't have the energy. Quincy took up a different kind of space, required a different kind of love. It wasn't until a year and a half ago that I realized I had not felt the warmth of a man's body next to mine, that my lips hadn't trembled, that my breasts hadn't throbbed or between my legs hadn't been wet from anybody's hands except my own, and it made me sad, but I didn't know what to do about it. I was waiting for him to knock on the front door, I guess, and just say, Here I am. Your worries are over, baby. I'm here. But there has been no knock. I haven't even bumped into him. Haven't seen him. Haven't walked past him in an airport and felt any current radiate from his body to mine. Not at all. Not anything close.

But it's okay. Because all I know is that marriage wears you out and I'm not sure if I have the energy left for it. All my married friends are mostly miserable. They're just in it because. They started it. Those kids. The money would be all fucked up. Lifestyles would change. Alimony. Child support. And that fucking mortgage and all those cars and visitation and fuck it, let's just stick it out. Some of them don't even sleep together. Some of the men--a lot of the men--are into serious affairs but unfortunately the chicks on the side don't have a clue that most of them have no intention of leaving. The men just need a reprieve. Want to break up the monotony. Smell somebody new. In some cases it's the only way their dicks can get hard and blast off anymore and hell to them it's worth it.

Which is why I have pretty much come to the conclusion that marriage itself is a dead-end institution. I'm not doing it again. All I want is a little companionship. No ring. No "I do till death do us part," because I said that once and we're both still very much alive. Folks expect too much from one another and when you don't won't or can't deliver you fall short and eventually begin to piss the other person off and years go by and the two of you simply tolerate each other. I wasn't born to live like this, and especially with a man. I know God didn't have some master plan where we were supposed to fall in love and then work our asses off to make it work and then it doesn't and then we end up feeling worse longer than we felt good. There's something inherently wrong with this whole notion. It seems like everybody is striving for perfection. The perfect fucking spouse who will make you feel perfect. But I know for a fact that no such person exists. I know for a fact that I am far from perfect, but there have been many instances where I didn't believe that. I fought hard for the right to be right. All I was doing was trying to preserve my right to my own self-image, but I'm here to be whoever I am and if I happen to be a little fucked up then accept me fucked up as I am or leave me the fuck alone. Because if there's ever going to be a change in my behavior or my personality I will do it myself and I don't need you nagging me telling me how fucked up I am because you know what? you're pretty fucked up too.

I don't know how long it's going to take for me not only to fill back up again but to get my engine started. I've been divorced now for almost three years and haven't been on a legitimate date in almost a year even though I have a number to call when I just have to have some even though it's not passionate but purely maintenance-oriented sex and I thank God he's married because I wouldn't want him any other way and these last few months have been tough because he's turned into such a lazy fuck and he's pissed at me for not returning his calls and hiding from him really but I'm tired of having sex with him for the sake of getting off because I have to work too hard and he's started banging me the way he probably bangs his wife, like he's a slug, and I don't like kissing him one bit and I'm at the point now where I just can't do it anymore. Sex should not be cumbersome. And I don't like the idea of searching for love or trying to conjure up passion. Which is probably one reason why it feels like I've lost a lot over these last few years. I know things can never be the way they were (and I wouldn't dare want it back) but there are a few relatively simple things I've stopped doing that I want to put back in my life.

I wish I could call Delilah. But I can't. She'd only been my best friend since college and we only talked on the phone every other day and she was the most brilliant person I ever met and we could talk about anything and she lived all the way in Philly and then last year she decides to surprise me and die suddenly from some stupid liver cancer that she didn't even tell me she had until she was in the fucking hospital and then she was gone the next week and there was a lot of shit we still needed to talk about. A whole lot of stuff. Years and years' worth of stuff. She knew I was going to miss her ass and I do miss her black ass and the only way I can make the hurt go away is to do one of two things: pretend that she's still alive and that we're just not on speaking terms, which we went through from time to time, or pretend that she never existed. Trying to do both has required a great deal of effort and imagination and whenever I'm not looking my heart plummets down real low and I can hardly tolerate the longing.

So over these next two weeks I want to try to do some make-Stella-feel-good stuff. Which is why I'm planning to do some things I've been meaning to do but haven't for one reason or another. Mostly because I'm always too busy. Always doing something. Work alone has been kicking my ass. It's been said before, but I'm here to give new meaning to the phrase "I hate my job."

I might actually call up a few old friends and sit in a chair and not roam around the house while I talk but give them my undivided attention, listen to what they have to say, what they've been going through, how they've been feeling. These are people I do care about but now they're just on the B list. My life has gotten too busy. And it's time for me to slow it down.

I will also cook. I used to cook all kinds of interesting and exotic meals, but after Walter left, if Quincy couldn't identify it he didn't even want to try it. A double Big Mac and supersize fries and a nine-piece Chicken McNugget with a medium Sprite and apple pie is his meal of choice. I miss cooking. I miss smelling new smells and stirring new sauces and being surprised by the taste of something different. I will cook. I will make it a habit. I will even make some of those low-fat meals from a few of the fifty or sixty cookbooks I've purchased over the years and have yet to ever open.

For the last two or three years I've been meaning to make a computerized printout of all my relatives' and friends' birthdays and even their kids' and have it printed on a specially made calendar so that each day when I walk into my office all I have to do is look up and see whose birthday is coming up, and their card and maybe even a gift depending on their age and who they were would be a surprise and on time.

I'll also plant some flowers in the front and back yards since I've been reading about the Zen of gardening and how gratifying it can be, and since it's been a while since I've had sex I'll take whatever form pleasure comes in. At any rate, I've heard that this gardening stuff can relax you and even give you some of those endorphins like people get when they exercise.

This too is something I'd like to improve upon while my son is off to the Rockies with his how-did-I-ever-love-his-lifeless daddy. As it stands now, I am almost ashamed to tell people that I hired a personal trainer who comes to my house three days a week to make me pump and grind and sweat because the bottom line is that I'm lazy and have no willpower and have woken up too many mornings from dreams in which I worked out so strenuously and was truly too beautiful for a woman who'd just turned forty and I put stars like Cher and Tina Turner and Diana Ross to shame but it wasn't until a year later after having a series of such dreams that I realized I had never broken a sweat let alone panted. It has taken me another year to get into the rhythm of working out and there are many mornings when I'd just as soon call in sick, but as a result of my desire to improve my health with the real motive being pure vanity I now am almost in shape although I still have my unfair share of cellulite, but it's not as much as I used to have thank the Lord and I actually do have a number of muscles and my butt is higher and firmer than I ever recall it being but since I'd been paying the health club $105 a month for two years and had actually only been inside to give tours to visiting friends and relatives and inform them that whenever I had the time this is where I usually worked out though the truth was I'd only gone in there to sit in the steam room but since I now have two steam rooms--here and in my cabin at Lake Tahoe--there was really no need to waste my gas driving there so why bother, so last year I admitted to myself that I was bullshitting myself and since I have had a difficult time visualizing myself fat and slovenly and just plain old I decided--like they do in any twelve-step program--to turn myself over to a higher power. Her name is Krystal and she makes Cindy Crawford look like a zero and she only charges fifty dollars an hour. I used to use drugs that cost me more per minute. Which is one reason I could never run for public office. If anyone ever did a background check on me they'd be in for a big shock. But then again, they are always shocked at everybody else's background when they're running for public office, aren't they? No one who has really lived should have a sterling background, in my opinion. My sister Angela is the only baby boomer I know who's never tried any drugs at all. She's missed out on a lot of good shit if you ask me.

But those were the good old days. Times have changed. Twenty years have passed. I am a grown-up. In every sense of the word. I have responsibilities. I am responsible. I am a good mother. I am raising a black male child by myself and trying to be a mother and father and do my very best so that he'll grow up to be a strong proud and confident black man who knows his own worth and value and is not afraid to love and show his feelings and yet he'll be strong as steel on the outside and as soft and sensuous as a cashmere sweater inside. I spend a lot of time being a mother.

I am also a fancy-smancy analyst for one of the world's largest investment banking institutions and I make a shitload of money and my family is proud of me because I'm the only one who has actually made it to the top but all I know is that it is lonely as hell up here and I don't particularly like it. At this point in my life, I'd settle for being in the middle. My job is dull and boring. I just always assumed that a person could have more than one talent, more than one skill, and you could display as many of them as you had available, but I've learned that this is not necessarily true. It is difficult to be taken seriously if you are an artist, but playing with numbers gets quite a bit of attention. I've also come to realize that the price I'm paying to get paid a lot is a little on the high side. It seems to me that once you get past the two-hundred-thousand-a-year mark you are constantly being appraised and as a result always trying to prove your worth. It wears you out and at the same time no matter what you do or how good you think you are at it, as long as someone ranks higher on that hierarchy than you it makes you expendable. It's too hectic up here and the race is always on. It's always rush hour but I haven't figured out when to put on my blinker because it's safe to change lanes and I'm also not sure which exit I should take to get off this track altogether.

I know there's still room in my life for steel and suede for copper and leather for brass and wood for marble slate glass and material in general, but I just don't know how when or where to put it back in. Mostly because I'm scared. I've always been good at making things that serve a purpose, that perform, that function, but art is so iffy and then there's the mortgage and I'm not sure if I could recapture regain or pick up where I left off, if I'll ever have the guts the chutzpah hell the balls to leave my job.

My divorce and starting all over has taken most of the bite out of me for right now and I don't know exactly how long it's going to take me to get my groove back on as the young kids say. All I know is this: Loss is hard. Starting over is hard. Which is why I'm just trying to get from one day to the next, why I'm on the straight and narrow, and it's probably the reason why most of the time my life is not fun.

Right now I'm tired of thinking about how uneventful my life has been lately and I wish I knew what I could do to put the fizz back into it. How to resurrect myself. How to shoot some vitality into my heart, my mind, this house of soul I live in. I haven't always been dead. I used to live a somewhat exciting life. I used to take chances. I used to do some crazy shit and didn't give a damn because I wasn't hurting anybody. Fifteen years ago my life was interesting because I didn't know where I was going I just knew I was going somewhere. It was exciting because I hadn't arrived anywhere yet. And the journey itself was exhilarating. The detours. The uncertainty. I used to change my mind about things right in the middle of doing the shit. Made mistakes and was woman enough to admit I made them but didn't slay myself for it. It was usually some bullshit that was reversible anyway. Back then I did whatever I felt like doing that gave me pleasure. When did I stop? And why? After or during marriage? Motherhood? My so-called career?

I walk outside for a minute to think about this and when the dog runs up to me with his wet dog-smelling self I pat him on the head and go back into the house. My latte is cold and I step inside my office to pick out a book but out of the thousand or so I have it doesn't seem as if any of them suit my mood. I don't want to read anything too lighthearted or too deep either. I close the door and head back toward the family room because I'm not so sure that I really want to escape my own world. That I want to be engaged.

Part of my problem is that I'm always doing something and if I'm not then I'm looking for something to do. I decide to lie down and take a nap. To simply stop moving. For a change. So I sink into the thick cushions on the red love seat and I close my eyes but the leather is cold against my skin and I'm not exactly exhausted because I haven't exactly exerted any real energy today except what it took to decide on what I was and wasn't going to do.

Without even trying I find myself springing up and decide that I'll watch a little television, something mindless, and it's the one thing I rarely do except maybe by accident like the accident I'm causing right now. I don't even know if I have HBO or Showtime and I'm hoping I do and even though my watch says it's now twenty to one in the afternoon I don't care if I tune in to the middle of a movie because I'm like an intelligent enough woman who should be able to figure out how something started but I guess all I really want is to hear some noise since Quincy's not here making any or maybe I'm just so used to being distracted I need something to stop me from thinking so hard about my own mundane redundant predictable but good little life.

I try three remotes before one works. And as soon as the TV comes on of course there's a commercial and without looking up I hear this melodic baritone voice almost singing "Come to Jamaica" and I swear it seems as if he's talking to me and when I look at the fifty-five-inch screen it is filled with turquoise water and hot white sand and a blazing yellow sun and then a bronzed white man in a flapping white cotton shirt and baggy white linen trousers strolls along the shore and a tanned white woman in a straw hat and sunglasses is stretched out on a chaise longue with a book resting across her chest and they are both holding tall frothy glasses filled with something melon-colored and I think I can smell the papaya juice the pineapple juice and coconut oil and that tropical breeze is whispering in my ear and when I look closer that white woman's legs begin to turn brown and she is wearing my chartreuse bathing suit and my good straw hat and that's my Swatch watch on her wrist and my Revo sunglasses and when I look closer at this woman who now looks like she could be my twin sister I realize it is me lying on that chaise on that beach and when that lilting voice once again says "Come to Jamaica," I sit up then stand up and I say to that man, "Why the fuck not?"


Stella is a highly successful, forty-something San Francisco stock broker who is persuaded by her colorful New York girlfriend Delilah to take a well deserved, first-class vacation to Jamaica.

Release Date: August 14, 1998
Release Time: 125 minutes

Director: Kevin Rodney Sullivan

Cast:
Angela Bassett as Stella Payne
Taye Diggs as Winston Shakespeare
Whoopi Goldberg as Delilah Abraham
Regina King as Vanessa
Suzzanne Douglas as Angela
Michael J. Pagan as Quincy Payne
Sicily as Chantel
Richard Lawson as Jack
Barry Shabaka Henley as Buddy
Lee Weaver as Nate
Glynn Turman as Dr. Shakespeare
Phyllis Yvonne Stickney as Mrs. Shakespeare
Denise Hunt as Ms. Thang
James Pickens, Jr. as Walter Payne
Carl Lumbly as Judge Spencer Boyle
Victor Garber (uncredited) as Isaac



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Author Bio:
Terry McMillan is an African-American author. Her interest in books comes from working at a library when she was fourteen. She received her BA in journalism in 1986 from the University of California at Berkeley and the MFA Film Program at Columbia University. Her work is characterized by strong female protagonists.

Her first book, Mama, was self-promoted. She achieved national attention in 1992 with her third novel, Waiting to Exhale, which remained on The New York Times bestseller list for many months. Forest Whitaker turned it into a film in 1995. In 1998, another of McMillan's novels, How Stella Got Her Groove Back, was made into a movie. McMillan's novel Disappearing Acts was subsequently produced as a direct-to-cable feature.

Her last novel, Who Asked You?, casts an intimate look at the burdens and blessings of family and speaks to trusting your own judgment even when others don’t agree.


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EMAIL: fanmail@terrymcmillan.com



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Friday, January 12, 2024

πŸΎπŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜πŸΎ: Best of 2023


As the new year moves forward and we say goodbye to the old, we find ourselves looking at our "Best of" lists.  So this week's Friday Film Adaptation post will feature the most viewed of 2023.  Click on the title links to take you to the original posts.  It's possible not all the original purchase links will still work, in those cases be sure to check the author's websites/links for latest purchasing details and in some cases where the original book the film was based on is an older publication, you might find better luck at your local library.
 

















Friday, February 3, 2023

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: Sounder by William H Armstrong



Summary:

Set in the Deep South, this Newbery Medal-winning novel tells the story of the great coon dog, Sounder, and the poor sharecroppers who own him.

During the difficult years of the nineteenth century South, an African-American boy and his poor family rarely have enough to eat. Each night, the boy's father takes their dog, Sounder, out to look for food and the man grows more desperate by the day.

When food suddenly appears on the table one morning, it seems like a blessing. But the sheriff and his deputies are not far behind. The ever-loyal Sounder remains determined to help the family he loves as hard times bear down on them.

This classic novel shows the courage, love, and faith that bind an African-American family together despite the racism and inhumanity they face. Readers who enjoy timeless dog stories such as Old Yeller and Where the Red Fern Grows will find much to love in Sounder.



1
THE TALL MAN stood at the edge of the porch. The roof sagged from the two rough posts which held it, almost closing the gap between his head and the rafters. The dim light from the cabin window cast long equal shadows from man and posts. A boy stood nearby shivering in the cold October wind. He ran his fingers back and forth over the broad crown of the head of a coon dog named Sounder.

“Where did you first get Sounder?” the boy asked.

“I never got him. He came to me along the road when he wasn’t more’n a pup.”

The father turned to the cabin door. It was ajar. Three small children, none as high as the level of the latch, were peering out into the dark. “We just want to pet Sounder,” the three all said at once.

“It’s too cold. Shut the door.”

“Sounder and me must be about the same age,” the boy said, tugging gently at one of the coon dog’s ears, and then the other. He felt the importance of the years—as a child measures age—which separated him from the younger children. He was old enough to stand out in the cold and run his fingers over Sounder’s head.

No dim lights from other cabins punctuated the night. The white man who owned the vast endless fields had scattered the cabins of his Negro sharecroppers far apart, like flyspecks on a whitewashed ceiling. Sometimes on Sundays the boy walked with his parents to set awhile at one of the distant cabins. Sometimes they went to the meetin’ house. And there was school too. But it was far away at the edge of town. Its term began after harvest and ended before planting time. Two successive Octobers the boy had started, walking the eight miles morning and evening. But after a few weeks when cold winds and winter sickness came, his mother had said, “Give it up, child. It’s too long and too cold.” And the boy, remembering how he was always laughed at for getting to school so late, had agreed. Besides, he thought, next year he would be bigger and could walk faster and get to school before it started and wouldn’t be laughed at. And when he wasn’t dead-tired from walking home from school, his father would let him hunt with Sounder. Having both school and Sounder would be mighty good, but if he couldn’t have school, he could always have Sounder.

“There ain’t no dog like Sounder,” the boy said. But his father did not take up the conversation. The boy wished he would. His father stood silent and motionless. He was looking past the rim of half-light that came from the cabin window and pushed back the darkness in a circle that lost itself around the ends of the cabin. The man seemed to be listening. But no sounds came to the boy.

Sounder was well named. When he treed a coon or possum in a persimmon tree or on a wild-grape vine, his voice would roll across the flat-lands. It wavered through the foothills, louder than any other dog’s in the whole countryside.

What the boy saw in Sounder would have been totally missed by an outsider. The dog was not much to look at—a mixture of Georgia redbone hound and bulldog. His ears, nose, and color were those of a redbone. The great square jaws and head, his muscular neck and broad chest showed his bulldog blood. When a possum or coon was shaken from a tree, like a flash Sounder would clamp and set his jaw-vise just behind the animal’s head. Then he would spread his front paws, lock his shoulder joints, and let the bulging neck muscles fly from left to right. And that was all. The limp body, with not a torn spot or a tooth puncture in the skin, would be laid at his master’s feet. His master’s calloused hand would rub the great neck, and he’d say “Good Sounder, good Sounder.” In the winter when there were no crops and no pay, fifty cents for a possum and two dollars for a coonhide bought flour and overall jackets with blanket linings.

But there was no price that could be put on Sounder’s voice. It came out of the great chest cavity and broad jaws as though it had bounced off the walls of a cave. It mellowed into half-echo before it touched the air. The mists of the flat-lands strained out whatever coarseness was left over from his bulldog heritage, and only flutelike redbone mellowness came to the listener. But it was louder and clearer than any purebred redbone. The trail barks seemed to be spaced with the precision of a juggler. Each bark bounced from slope to slope in the foothills like a rubber ball. But it was not an ordinary bark. It filled up the night and made music as though the branches of all the trees were being pulled across silver strings.

While Sounder trailed the path the hunted had taken in search of food, the high excited voice was quiet. The warmer the trail grew, the longer the silences, for, by nature, the coon dog would try to surprise his quarry and catch him on the ground, if possible. But the great voice box of Sounder would have burst if he had tried to trail too long in silence. After a last, long-sustained stillness which allowed the great dog to close in on his quarry, the voice would burst forth so fast it overflowed itself and became a melody.

A stranger hearing Sounder’s treed bark suddenly fill the night might have thought there were six dogs at the foot of one tree. But all over the countryside, neighbors, leaning against slanting porch posts or standing in open cabin doorways and listening, knew that it was Sounder.

“If the wind does not rise, I’ll let you go hunting with me tonight.” The father spoke quietly as he glanced down at boy and dog. “Animals don’t like to move much when it’s windy.”

“Why?” the boy asked.

“There are too many noises, and they can’t hear a killer slipping up on them. So they stay in their dens, especially possums, because they can’t smell much.”

The father left the porch and went to the woodpile at the edge of the rim of light. The boy followed, and each gathered a chunk-stick for the cabin stove. At the door, the father took down a lantern that hung on the wall beside a possum sack and shook it. “There’s plenty of coal oil,” he said.

The boy closed the door quickly. He had heard leaves rattling across the frozen ground. He hoped his father didn’t hear it. But he knew the door wouldn’t shut it out. His father could sense the rising wind, and besides, it would shake the loose windowpanes.

Inside the cabin, the boy’s mother was cutting wedge-shaped pieces of corn mush from an iron pot that stood on the back of the stove. She browned them in a skillet and put them on the tin-topped table in the middle of the room. The boy and the three younger children ate their supper in silence. The father and mother talked a little about ordinary things, talk the boy had heard so many times he no longer listened. “The crop will be better next year. There’ll be more day work. The hunting was better last year.”

This winter the hunting was getting worse and worse.  The wind came stronger and colder than last year. Sometimes Sounder and his master hunted in the wind. But night after night they came home with an empty brown sack. Coons were scarcely seen at all. People said they had moved south to the big water. There were few scraps and bones for Sounder. Inside the cabin, they were hungry for solid food too. Corn mush had to take the place of stewed possum, dumplings, and potatoes.

Not long after supper, Sounder’s master went out of the cabin and stood listening, as he always did, to see if he could hear the cold winter wind beginning to rise in the hills. When he came back into the cabin, he took off his blanket-lined overall jacket and sat behind the stove for a long time. Sounder whined at the door as if he were asking if someone had forgotten to light the lantern and start across the fields of dead stalks to the lowlands or past the cottonwoods and jack oaks to the hills. The boy took Sounder some table scraps in a tin pan. As Sounder licked the bottom of the pan it rattled against a loose board in the porch as if somebody were walking across the floor.

Later, when it was time for the smaller children in the cabin to go to bed, Sounder’s master got up, put on his overall jacket, and went outside. He did not take the lantern or Sounder or the boy with him. The stem order to the coon hound to go back under the porch came in through the cabin door, and Sounder’s whining continued long after the footsteps on the frozen path had died out.

Inside the cabin, the boy’s mother sat by the stove, picking kernels of walnuts with a bent hairpin. The woman watched each year for the walnuts to fall after the first hard frost. Each day she went with the children and gathered all that had fallen. The brownish-green husks, oozing their dark purple stain, were beaten off on a flat rock outside the cabin. On the same rock, the nuts were cracked after they had dried for several weeks in a tin box under the stove. When kernel-picking time came, before it was dark each day, the boy or the father took a hammer with a homemade handle, went to the flat rock, and cracked as many as could be kemeled in a night.

The troubled whimper of a child came through the little door that led to the shed-room where the children slept.

“You must go to bed soon,” the mother said. “Your little brother gets addled in his sleep when you ain’t in bed with him.”

The boy reached into his mother’s lap, where the golden half-kernels lay in the folds of her apron. She slapped his hand away. “You eat the crumbs from the bottom of the hull basket,” she said. “I try to pick two pounds a night. That’s thirty cents’ worth. Fifteen cents a pound at the store if they’re mostly half-kernels and dry. The man won’t pay if they’re all in crumbs.”

Sometimes the woman told the boy stories she had heard at the meetin’ house. “The Lord do powerful things” she would say. The boy liked it when she told her stories. They took away night loneliness. Night loneliness was always bad when the younger children had gone to bed, or when the father was not in the cabin. “Night loneliness is part fearing,” the boy’s mother had once said to him. But the boy was never afraid when his father was near.

Perhaps she too felt the loneliness that came with the wind as it passed the cabin outside, and the closeness of a world whose farthest border in the night was the place where the lamp light ended, at the edge of the cabin walls. So she told the boy a story of a mighty flood which the Lord had sent to wash away all the evil in the world. When the story was over, she sent the boy to bed and continued picking out kernels and adding them to the neat mound in the folds of her apron.

The boy pressed his head deep into his straw pillow. The pillow was cold, but it felt smooth, and it smelled fresh. He had the same feeling he got when he rubbed his face against the sheets that hung on the clothesline every Monday. His mother washed his pillowcase and sheet every week, just like she did for the people who lived in the big house down the road. He buried himself deep in his side of the straw tick; he felt where the wooden slats of the bed crossed under his body. He rolled close to his little brother and tucked the edge of the coverlet under his body to keep out the cold that seeped up through the straw ticking. His little brother’s body warmed him.

He heard Sounder whimpering under the porch. But Sounder was warm because the boy’s father had put two burlap sacks under the porch for the time when the hard frosts came. The boy thought there must be two pounds of nuts in the pile on his mother’s lap. His mother always said “Two pounds is a good night’s work if you can start early and there ain’t a sick child to rock.”

He wondered where his father had gone without Sounder; they always went together at night. He heard the thump, thump, thump of Sounder’s paw hitting the underneath side of the porch floor as he scratched at a flea in his short tan hair.

The boy dreamed of the stalk land covered by the Lord’s mighty flood. He wondered where the animals would go if the water rose over the foothills. “Cabins built on posts would just float like boats, porch and all,” he assured himself in a whisper. If they floated from the far ends of the land and all came together, that would be a town, and he wouldn’t be lonely anymore . . .

When the boy awoke in the morning, he went to the window. He remembered his dream of the flood covering the stalk land. He called the younger children. His breath steamed up the windowpane. He wiped the steam away with the bottom of his fist. His dream had not come true. There was no floodwater rising in the bottom-land. Except for frost on the ground, everything looked just the same as it had yesterday. The younger children looked, saw nothing, and asked, “What is it?”

The big blue-enameled possum kettle was boiling on top of the chunk stove. It had two lids and doubled for cooking and heating. The boy felt the brown paper bag of walnut kernels on the shelf behind the stove. “Yes,” he said to his mother, “I think there are two pounds.”

He stood close to the warm stovepipe, turning one cheek and then the other to its glowing warmth. He circled his arms in a wide embrace around the pipe and rubbed his hands together. The warmth ran up his sleeves and down over his ribs inside his shirt and soaked inward through his whole body. He pulled in deep breaths from above the stove to catch the steam escaping from under the kettle’s lid as it bounced up and down, breaking the rhythm of the bubbles that went lob, lob, lob on the surface of the fast-boiling pot.

In a skillet on the second stove lid there were pork sausages! He sniffed the thin lines of smoke curling up from under the edges of each of them. Pork sausage was for Christmas. But he knew it wasn’t Christmas yet. His mother put a pan of cold biscuits on the lid of the possum kettle to warm. She was humming to herself. The lid stopped jumping up and down, and the steam began to whistle softly as it squeezed from under the lid.

The smell that came from under the lid wasn’t possum. It was ham bone. The boy had only smelled it twice in his life, once before in his own cabin, and once when he was walking past the big house down the road. The sausage and hambone smells filled up the cabin and leaked out through the cracks in the floor and around the door. They excited Sounder, and now he was scratching at the door.

Sounder hadn’t had much to eat yesterday. Besides a few scraps, he had had one cold biscuit. When flour was scarce, the boy’s mother would wrap the leftover biscuits in a clean flour sack and put them away for the next meal. Then they would be put in a pan, sprinkled with a little water to keep them soft, and warmed over. The boy called to Sounder to stop and go away. His mother stopped her humming and said, “Shush, child, you’ll wake your father.”

Then she went back to her humming. His mother always hummed when she was worried. When she held a well child on her lap and rocked back and forth, she sang. But when she held a sick child close in her arms and the rocker moved just enough to squeak a little, she would hum. Sometimes she hummed so softly that the child heard the deep concerned breathing of terror above the sound of the humming. The boy always thought her lips looked as though they were glued together when she hummed. They seemed to be rolled inward and drawn long and thin. Once when she kissed him good night when he was sick, they were cold, he remembered. But when she sang or told stories, her lips were rolled out, big and warm and soft.

Outside, the wind still blew, the sun was weak, and the earth was gray. Several times the boy went out to bring wood for his mother. He ate sausage and biscuits at the tin-topped table with the other children.

When his father got up, he chopped some wood and sat by the fire. The top of the possum kettle bounced up and down again because the biscuit pan had been moved. The father lifted the lid now and then. With the big wire fork that had a wooden handle, he pulled the ham half out of the water and turned it over. The boy felt warm and proud inside when he saw his father’s great hand take hold of the handle of the hot lid without using a pot rag the way his mother always did. Finally his father took from the shelf a flat oak slab, bigger than any of the pans or dishes, and put it on the table.

The boy liked to smell the oak slab. It smelled like the Mercy Seat meetin’-house picnic held every summer. He also liked to rub his fingers on the edge of the slab, for it was soft and smooth where the grease had soaked it. His father had hollowed it out during long winter evenings as he sat by the stove. The boy had cleaned up the shavings and slipped them under the door of the stove when the draft was open. They burned with a bright flame, and they made a great mystery for the boy: The curled ones straightened out as they burned, but the straight ones curled up.

The boy remembered when the oak slab had had ham on it before. One year his father had won a pig in a shooting match and raised it to a hog. They had eaten one ham and traded one for beans and flour at the store. That year they had spareribs and chitlins and pan scrapple. Sometimes when the boy’s father helped butcher hogs down at the big house, he would bring home spareribs and sowbelly—lots of sowbelly, but not much spareribs.

The boy’s father took the ham from the kettle and put it on the oak slab. “Save the ham-boilin’ for Sounder,” he reminded the boy’s mother.

“Sounder will eat good now,” the boy said.

The father sharpened the butcher knife with the whetstone he used to whet his scythe and his goose-necked brier hook in the summer when he cut brambles and young sumac in the fencerows.  He cut big pieces of ham, and they stuck out from under the brown tops of the biscuits. It was like a Christmas bigger than a pork-sausage Christmas. The boy slipped a piece of the fat rind into a biscuit and took it out to Sounder. When the ham-boiling had cooled, he filled Sounder’s pan and ran his fingers up and down the great dog’s back as he lapped it up.

The windows of the cabin stayed steamed up almost all day, the kettle had boiled so long. The cold wind continued to blow outside. Nothing moved except what the wind moved—dead leaves under the cabin, brown blades and stalks from the fields which were dead and ready to be blown away, bare branches of poplars, and the spires of tall pines. Toward evening the father wiped the steam away from the glass and looked out a couple of times. The dry cottonwood chunks burned like gunpowder in the stove. In one or two spots the side of the stove gave off a red glow.

With the flavor of ham and biscuit still in his mouth, the boy felt good. He watched his mother as she patched his father’s overalls with a piece of ticking. The combination of faded blue overall cloth and gray-and-white-striped ticking looked odd. One time at the meetin’-house picnic, boys with patches the same color as their overalls had laughed at him and pointed to the checkered gingham on the knees of his overalls. He had felt mad and hurt. But his mother had said, “Pay no mind, child,” and had led him away. He hoped no one would laugh at his father. His father wouldn’t be hurt. He didn’t get hurt. He would get mad and fight back, and the boy was always afraid when his father got mad.

When the woman had patched the torn place, she got the walnut basket, folded her apron in her lap, and began to pick out the golden-brown kernels. The boy thought she would sing, but the rocker only moved enough to squeak. She hummed softly, and her lips looked glued together. “Look down, look down that lonesome road.” The boy wished she would stop humming and tell a story about the Lord or King David, but she kept humming “That Lonesome Road.”

The boy decided it was lonesomer in bed in the dark than it was staying up. He was glad he could set a long time after the young children had gone to bed. Once he had been gathering weeds which his father had cut at the edge of a lawn. On the lawn a lady sat under a tree reading a story aloud to some children. He wished his mother or father could read. And if they had a book, he would hold the lamp by the chair so they could see the words and never get tired. “One day I will learn to read,” he said to himself. He would have a book with stories in it, then he wouldn’t be lonesome even if his mother didn’t sing.


Black sharecroppers during the Depression fight to get their children a decent education.

Release Date: September 24, 1972
Release Time: 105 minutes

Director: Martin Ritt

Cast:
Cicely Tyson as Rebecca Morgan
Paul Winfield as Nathan Lee Morgan
Kevin Hooks as David Lee Morgan
Carmen Matthews as Mrs. Rita Boatwright
Taj Mahal as Ike Phillips
James Best as Sheriff Charlie Young
Eric Hooks as Earl Morgan
Yvonne Jarrell as Josie Mae Morgan
Janet MacLachlan as Camille Johnson
Sylvia "Kuumba" Williams as Harriet
Ted Airhart as Mr. Perkins
Richard Durham as Perkins' Foreman
Jerry Leggio as Prison Guard
Spencer Bradford as Clarence
Judge William Thomas Bennett as Judge
Reverend Thomas N. Phillips as Minister Garth

Awards:
45th Academy Awards
Best Picture - Robert B. Radnitz - Nominated
Best Actor - Paul Winfield - Nominated
Best Actress - Cicely Tyson - Nominated
Best Screenplay Based on Material from Another Medium - Lonne Elder III - Nominated

27th BAFTAs
Best Original Music - Taj Mahal - Nominated

30th Golden Globes
Best Actress in a Motion Picture – Drama - Cicely Tyson - Nominated
Most Promising Newcomer – Male - Kevin Hooks - Nominated





Author Bio:
William H. Armstrong (1911 - 1999) was an American children's author and educator, best known for his 1969 Newbery Medal-winning novel, Sounder.

In 1956, at the request of his school headmaster, he published his first book, a study guide called Study Is Hard Work. Armstrong followed this title with numerous other self-help books, and in 1963 he was awarded the National School Bell Award of the National Association of School Administrators for distinguished service in the interpretation of education.

In 1969, Armstrong published his masterpiece, an eight-chapter novel titled Sounder about an African-American sharecropping family. Praised by critics, Sounder won the John Newbery Medal and the Lewis Carroll Shelf Award in 1970, and was adapted into a major motion picture in 1972.




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