Showing posts with label michael shayne. Show all posts
Showing posts with label michael shayne. Show all posts

Friday, September 19, 2025

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: Sleepers East by Frederick Nebel



Summary:

A thrilling gem of hide-and-seek, played in the compartments of a speeding express train, with lives as forfeits. This is not a story of unrelated lives thrown together by accident.








Detective Shayne is on a train headed for San Francisco with a surprise witness whom many on board would like to keep from testifying at a murder trial.

Release Date: March 14, 1941
Release Time: 74 minutes

Director: Eugene Forde

Cast:
Lloyd Nolan as Michael Shayne
Lynn Bari as Kay Bentley
Mary Beth Hughes as Helen Carlson
Louis Jean Heydt as Everett Jason
Edward Brophy as George Trautwein
Don Costello as Carl Izzard
Ben Carter as Leander Jones-Porter
Don Douglas as Tom Linscott
Oscar O'Shea as Engineer McGowan
Harry Hayden as Conductor Lyons
Hamilton MacFadden as Conductor Meyers
Ferike Boros as Farm Lady






Frederick Nebel

Frederick Nebel's career in literature began with his early experiences in Canada, where he developed a deep understanding of the wilderness and Canadian history. His writing career took off after he moved to New York and began working as a brakeman on passenger trains. Nebel's early success with stories of life in the Canadian backwoods led to his association with the magazine Black Mask, where he became one of the major influences on the development of hard-boiled detective fiction. His characters, such as Captain Steve MacBride and reporter Kennedy, were among the most popular entries in the magazine, and his stories were adapted into films and a radio series. Nebel's influence on the genre is significant, and his works continue to be celebrated for their realistic portrayals of crime and violence.


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Friday, August 11, 2023

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: No Coffin for the Corpse by Clayton Rawson



Summary:

The Great Merlini Mysteries #4
A murdered blackmailer haunts a captain of industry

When Ross Harte gets into a screaming match with his fiancΓ©e’s father, millionaire Dudley Wolff, the old man cuts Harte’s beloved out of his will. As far as Wolff is concerned, this is an empty threat, because he plans to live forever. He has a team of scientists working to extend his life as long as possible, and should they fail, a renowned psychic will contact him after his death. Wolff is obsessed with death’s mysteries, and he is about to get a first-hand look. When a detective attempts to blackmail him, Wolff punches him in the jaw so hard that it stops the crook’s heart. Fearing scandal, Wolff and his staff bury the body in the woods. When the dead blackmailer comes back to haunt him, the millionaire is forced to call on Harte and his friend the Great Merlini, conjurer and sleuth, to banish the spirits that have brought death to his door.



CHAPTER 1
I Meet a Dragon
I was on duty the first time I tangled with Dudley T. Wolff. The New York Evening Press city editor had given me a special assignment to do a series of feature stories on the defense program. My investigation into the subject of bottlenecks and their causes led me to the Wolff Chemical Corporation, makers of smokeless powder and the various other unstable commodities that are used as filling for bombs and shells. I soon discovered that I had a headline yarn in my lap—and a bull by the tail.

Dudley Wolff was the bull. When my copy hit the front pages from here to the coast and back again he took one quick look and exploded with the same dull thunderous roar his factory would have made had I touched a match to it.

This was no surprise to anyone who knew him. I could have rattled off a column or two of descriptive copy on his reaction well in advance. I had interviewed the lion in his den and I knew very well that tagging him in print as a crusty, blustering old industrial pirate with a whim of armor plate—which he was—would get repercussions. But that was no skin off my hide.

The Evening Press didn't mind. If Vesuvius was for sale, they'd buy it, set it up in the composing-room, and object if it didn't perform daily. Their publishing theory was simple: Explosions build circulation.

Dudley Wolff, however, was something special in the volcano line. He had a long and devastating record of eruptions. More than one of them had, on occasion, rocked the Stock Exchange to its foundations and reduced the opposition of some very hard-boiled Wall Street financiers to crisp black ashes. Dudley was a self-made man who didn't know when to stop.

His boyhood years had been spent in the Chicago stockyard district where poverty had caused him to formulate the general rule: Cut the other guy's throat before he cuts yours. And, though this system had lately hit a few snags, in the pre-New Deal era when business had gone its own merry way, it had worked successfully enough for Wolff. It had also resulted in making him as domineering, ruthless, and dictatorial as a twenty-ton tank. And twice as flattening.

The second time I met him, however, the battle was fought on my home grounds. The city editor certainly hadn't sent me out to date Kathryn Wolff. That was my own idea. The only story in it was a very old one, headline news with me, but not with our readers. I wasn't the Duke of Windsor.

The defense-program story would have blown over eventually and Wolff would have forgotten all about a reporter whose by-line read: Ross Harte. But what had happened to Kathryn and myself showed no sign of blowing over. On the contrary it had reached the point of window shopping for a ring. Dudley Wolff wanted to forget me though. He began by trying to get rid of me.

Kay and I had both heard that old one about the course of true love being rocky and replete with hairpin turns. Neither of us believed that any such whiskered adage could possibly apply to us. But when Wolff discovered what was going on we found out differently. He promptly supplied so many bumps that the course of our affections seemed to have been laid out by a hard-drinking rollercoaster designer.

Dudley, it developed, had a rigid set of specifications that must be met by any suitor for his daughter's hand. On my first test run I checked in with a score of zero minus.

"That young scandalmonger," Wolff had roared in his best howitzer manner, "certainly has his nerve! He libels me in print and then thinks it would be nice if he married my daughter! Is he crazy? Or does he think I am? Can't you see what his game is, Kathryn? He has the social background of a flea and a reporter's salary. He wants to marry money. But he won't. Not this trip! I don't want to hear him mentioned again! Do you understand?"

Kathryn, having inherited her due share of the Wolff temper, very nearly did some blowing up of her own. Nearly, but not quite. She knew from past experience that this was an instance where a more subtle strategy was needed. Open opposition would only intensify his determination. Quickly, before she should burst out and tell him what she thought of such medieval, highhanded behavior, she turned and walked out on him.

He got what he asked for, too. He heard nothing more from her about me for the time being. But Kay was as stubborn as her father. We saw each other just as much as ever, in fact, rather more. And we discussed, though without much success, ways and means of undermining the Wolff dictatorship. What we really needed was a mechanized division or two, complete with antitank guns and flame throwers.

The odds against us, in the meantime, climbed steadily. As a direct result of my all-out reportorial attack on the Wolff Chemical Corporation and its methods, the Senate Munitions Committee had summoned Dudley to Washington and laid down a barrage of embarrassing questions. Our Capitol correspondent reported that he hadn't had so much fun since the Louis-Schmeling fight. But neither Kay nor I was amused. And the evening of the day on which her father returned from this fracas was definitely not one of the moments we had discussed as being favorable to a reopening of the matter of our engagement. Unluckily, that is just when it came up.

I had gone out to the Wolff estate, some twenty-five miles from New York near Mamaroneck, to get Kay. Theater passes, wangled from the drama editor, were in my pocket. The house was built close by the edge of Long Island Sound at the end of a long drive that curved sinuously up from the gatehouse on the Post Road. It pretended to be an English Gothic manor though it was not to the manner born, but had, instead, been built in the 20's according to one of the standard sets of blueprints that the more conservative architectural firms of the day dusted off whenever a self-made millionaire walked in and said, "I want a house."

The landscape architect had likewise used a common or garden-variety planting design. He had placed a tight girdle of conical evergreens about the house which, in the course of time, had grown until they now resembled a horde of fat-bellied elves in high, pointed hats who crowded close about and peered in at the lower-floor windows.

The Wolff house did not have the usual swimming pools both upstairs and down. It was the medium size for millionaires with families of three, plus servants; but it was still, at least for my taste, too big to look hospitable. The inky starless sky and the biting February wind that swirled thin, icy flakes of snow around it were no help either. Nor was Phillips, the butler.

When he opened the door and found me on the stoop, an undercurrent of doubt disturbed the smooth, pink surface of his professional poker face. He hesitated perceptibly before he said, "I'll tell Miss Kathryn that you are here."

I didn't blame him much. He was in a spot too. Dudley Wolff had obviously ordered him to put out the smallpox sign when I showed, while Kathryn had insisted that he let me in.

Then she came down the stairs. I forgot Phillips, Dudley Wolff, the weather, and the expensively interior-decorated gloom that filled the house. The shining welcome in her eyes and the quick, glad way she came to greet me made me forget a lot of things, including, as we turned to go, my hat. It wasn't February any more; it was spring. And when, just outside the door, away from Phillips's eagle eye, she put her face up to be kissed, it was June.

Kay, as far as I was concerned, was just what the doctor ordered. She was blond with deep sea-blue eyes that sparkled like Long Island Sound in yachting season. Unaffected by a too close association with an almost criminal amount of wealth, she actively disliked the social whirl that was supposed to go with it. Horses, cafΓ© society, Philadelphia weddings bored her. She much preferred maneuvering an Atlantic-class sailboat with an expert touch that had netted her a shiny collection of racing cups. She was also a pushover for anything that went on behind footlights.

Her father had discovered these variations from the norm when he had tried to apply the customary coat of finishing-school education at the Misses Taylor's Select School for Girls. Kay, allergic to anything resembling a pink tea, had nearly finished the Taylor sisters instead. The breaking point came during a rehearsal for the Dramatic Society's year-end show when, for the private amusement of the cast, she substituted for her scheduled Ruth Draper sketch, "Bon Voyage," an original impersonation of her own titled "It Takes Nine Taylors to Make a Man." This Thespian broadside, directed at a couple of stuffed shirtwaists, with an utter lack of Daisy Chain decorum and all the subtlety of a custard pie, landed in the midst of a hush like the one that comes just before an executioner throws the switch. The Taylor sisters themselves had unexpectedly entered, as they so often did, at precisely the wrong moment.

Kay, who recognized a climax when she saw it, beat her victims to the draw by catching the next train out of town. It was two weeks before her father's private detectives found her up to her neck in grease paint at a Connecticut summer theater. Dudley, on that occasion, had for once given in and permitted her enrollment at a dramatic school. But she still didn't have him tamed quite as thoroughly as we could have wished. The subject of marriage was one on which he had decided to stand no nonsense—meaning me.

As we went out and down the wide steps toward the Drive-It-Yourself jalopy I had waiting, a long gleaming Rolls floated up the drive. We didn't notice until too late.

When Kay saw it, her hand tightened on mine and her voice had a faintly hollow sound. "Hold your hat, darling. Here it comes!"

I saw the car's occupant get out. I groaned. "I thought it was in Washington!"

"He was," Kay replied. "But the Inquisition recessed for the week-end. I thought we'd get away before he came."

"He'll be in a lovely mood after the going over Senator Budge gave him this morning. Do you have a bomb shelter?"

Mood was no word for it. Why the snow did not melt for a radius of thirty feet around when Wolff saw me don't know. I halt expected jonquils and tulips to pop up at any moment. It was just as well that they stayed put. They were safer underground.

Wolff's scowl as he moved toward us was sulphurous. He was short, stocky, as dynamic as high-voltage current and harder to handle. What he lacked in stature he made up in thunder. He started talking ten feet away, rather like the first act of AΓ―da, elephants and all.

"I thought I told you, Kathryn, that I did not want to see this—this young man again?"

Kay's small square chin stuck out defiantly. She wasn't walking out on him this time. It was the pay-off.

"No." She shook her head. "That wasn't what you said. You didn't want to hear any more about him. You haven't."

"And I don't intend to!" The glance Wolff turned on me felt as if it had been reflected, en route, from an iceberg. His voice had dropped to fifty or sixty below zero too. "I want to see you a moment, Mr. Harte. In my study. Now!"

It was an imperial command issued with just as much assurance as though there were an official executioner on duty to compel obedience. Wolff turned and started up the steps.

Kay's voice, taut and just as determined, stopped him. "Ross is taking me to the theater. We're late. It will be much more convenient if you ask him for an appointment tomorrow."

This was a frank declaration of war. The thought of Dudley T. Wolff requesting an appointment of anyone short of a Supreme Court justice was so fantastic as to be heretical. From now on no quarter would be asked, or expected. Hell was going to pop.

Wolff gave his daughter a long steady look. The bulldog line of his jaw was grim. His black, jutting eyebrows bristled ominously.

"You sound serious about this," he said.

Kay stood her ground. "I am."

Wolff turned to me. "Unfortunately she's of age. She thinks she knows what she wants. She's wrong, and if I have anything to say about it—"

"But, since I am of age," Kay cut in, "do you have anything to say about it?"

He ignored that. "Are you stubborn too, Harte?"

I nodded. "I can be."

"All right. We know where we stand. In those articles of yours, you said I was stubborn. I'll show you what the word means. Kathryn inherits a few million dollars at my death. Tomorrow morning I'll change that. She'll get it only provided she sees nothing more of you. Still stubborn?"

When Dudley Wolff rolled up his sleeves, he didn't fool. I tried to throw a little oil on the waters.

"It's Kay I happen to be interested in, Mr. Wolff. Not her inheritance."

He wasn't having any. "You'd say that, of course. But with your salary and prospects you can't avoid being interested in—"

Kay was mad now. "Father," she said quickly. "You might as well face it. You're stopped this time—cold. You can leave the money to Anne, or to a home for cats. But I've taken all the orders I can stand. In case you haven't noticed, I don't wear pigtails and short dresses now. Come on, Ross. We'll miss the first curtain."

This did stop Wolff—for nearly two seconds. He realized now, for the first time I think, that Kay really was serious. Then he led trumps.

"Kathryn, if you leave here now, with him, you won't be coming back."

It was a line straight out of a bad play. But it sounded real enough when he said it. I really think he meant it.

Kay's eyes, even in that dim light, flashed. Her white face, framed by the bright scarf tied around her blond hair and the high collar of the mink coat, was as grimly determined in its own way as her father's had ever been. Bluff or not she called it.

"That's plain enough, Ross," she said. "I seem to be on my own from here. Does your offer still hold?"

"License in the morning at nine," I said, "if you're quite sure—"

"I'm sure," she smiled, taking my hand.

But Dudley Wolff wouldn't admit he was licked. "And then what?" he asked. "Perhaps I had better tell you something you don't know about yourself, Harte. That salary I mentioned a moment ago. You don't have it any more. You've been fired!"

This was so unexpected that I blinked at him for a moment, uncomprehending. Then, suddenly, a mental skyrocket zoomed up and burst in my head. The lights it made were not pretty ones.

"So that's it," I said. "You're J. H. Wilson?"

He nodded. "Yes."

Kay, bewildered, asked, "Ross, what—"

I told her. "Your father does things in a big way. The editorial policy of the Press seems to have got under his skin. A mysterious Mr. Wilson, the little man nobody seems to know, has been busy as a bee the last week or so buying up stock in the Press Publishing Company. He's been trying hard to get control, money no object. Apparently he has succeeded."

Wolff's reply was twice as confident as an old time oilstock prospectus. "I always succeed," he said.

"You mean you nearly always have," Kay contradicted. "But this time—Come on, Ross. We're going to be busy." She started for the car.

I made my mistake then. I stopped her. "Wait, Kay. Take it slow. I'm not so sure you realize just what goes on here. The Harte bank account would go blue in the face and collapse under the strain without that weekly check to relieve the pressure. Somehow I don't seem to have done any long-range financial planning for this sort of an emergency. And you're used to eating regularly—"


A man believed to be dead and buried escapes from his grave and returns to the scene of the crime seeking revenge.

Release Date: May 1, 1942
Release Time: 65 mintues

Director: Herbert I. Leeds

Cast:
Lloyd Nolan as Michael Shayne
Marjorie Weaver as Kay Wolff Blake
Helene Reynolds as Anna Wolff
Henry Wilcoxon as Dr. Haggard
Richard Derr as Roger Blake
Paul Harvey (actor) as Dudley Wolff
Billy Bevan as Phillips
Olin Howland as Chief of Police Jonathan Meek (as Olin Howlin)
Robert Emmett Keane as Alfred Dunning
LeRoy Mason as Zorah Bey
Jeff Corey as Coroner Tim Larsen
Francis Ford as Caretaker




Author Bio:
Clayton Rawson (1906 - 1971) was an American mystery writer, editor, and amateur magician. His four novels frequently invoke his great knowledge of stage magic and feature as their fictional detective The Great Merlini, a professional magician who runs a shop selling magic supplies. He also wrote four short stories in 1940 about a stage magician named Don Diavolo, who appears as a principal character in one of the novels featuring The Great Merlini. "Don Diavolo is a magician who perfects his tricks in a Greenwich Village basement where he is frequently visited by the harried Inspector Church of Homicide, either to arrest the Don for an impossible crime or to ask him to solve it.


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No Coffin for a Corpse #4
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The Great Merlini Series
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Friday, August 26, 2022

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: The High Window by Raymond Chandler



Summary:
A wealthy Pasadena widow with a mean streak, a missing daughter-in-law with a past, and a gold coin worth a small fortune—the elements don't quite add up until Marlowe discovers evidence of murder, rape, blackmail, and the worst kind of human exploitation.

"Raymond Chandler is a star of the first magnitude."-- Erle Stanley Gardner

"Raymond Chandler has given us a detective who is hard-boiled enough to be convincing . . . and that is no mean achievement." -- The New York Times



ONE
The house was on Dresden Avenue in the Oak Noll section of Pasadena, a big solid cool-looking house with burgundy brick walls, a terra cotta tile roof, and a white stone trim. The front windows were leaded downstairs. Upstairs windows were of the cottage type and had a lot of rococo imitation stonework trimming around them.

From the front wall and its attendant flowering bushes a half acre or so of fine green lawn drifted in a gentle slope down to the street, passing on the way an enormous deodar around which it flowed like a cool green tide around a rock. The sidewalk and the parkway were both very wide and in the parkway were three white acacias that were worth seeing. There was a heavy scent of summer on the morning and everything that grew was perfectly still in the breathless air they get over there on what they call a nice cool day.

All I knew about the people was that they were a Mrs. Elizabeth Bright Murdock and family and that she wanted to hire a nice clean private detective who wouldn't drop cigar ashes on the floor and never carried more than one gun. And I knew she was the widow of an old coot with whiskers named Jasper Murdock who had made a lot of money helping out the community, and got his photograph in the Pasadena paper every year on his anniversary, with the years of his birth and death underneath, and the legend: His Life Was His Service.

I left my car on the street and walked over a few dozen stumble stones set into the green lawn, and rang the bell in the brick portico under a peaked roof. A low red brick wall ran along the front of the house the short distance from the door to the edge of the driveway. At the end of the walk, on a concrete block, there was a little painted Negro in white riding breeches and a green jacket and a red cap. He was holding a whip, and there was an iron hitching ring in the block at his feet. He looked a little sad, as if he had been waiting there a long time and was getting discouraged. I went over and patted his head while I was waiting for somebody to come to the door.

After a while a middle-aged sourpuss in a maid's costume opened the front door about eight inches and gave me the beady eye.

"Philip Marlowe," I said. "Calling on Mrs. Murdock. By appointment."

The middle-aged sourpuss ground her teeth, snapped her eyes shut, snapped them open and said in one of those angular hardrock pioneer-type voices: "Which one?"

"Huh?"

"Which Mrs. Murdock?" she almost screamed at me.

"Mrs. Elizabeth Bright Murdock," I said. "I didn't know there was more than one."

"Well, there is," she snapped. "Got a card?"

She still had the door a scant eight inches open. She poked the end of her nose and a thin muscular hand into the opening. I got my wallet out and got one of the cards with just my name on it and put it in the hand. The hand and nose went in and the door slammed in my face.

I thought that maybe I ought to have gone to the back door. I went over and patted the little Negro on the head again.

"Brother," I said, "you and me both."

Time passed, quite a lot of time. I stuck a cigarette in my mouth but didn't light it. The Good Humor man went by in his little blue and white wagon, playing Turkey in the Straw on his music box. A large black and gold butterfly fishtailed in and landed on a hydrangea bush almost at my elbow, moved its wings slowly up and down a few times, then took off heavily and staggered away through the motionless hot scented air.

The front door came open again. The sourpuss said: "This way."

I went in. The room beyond was large and square and sunken and cool and had the restful atmosphere of a funeral chapel and something of the same smell. Tapestry on the blank roughened stucco walls, iron grilles imitating balconies outside high side windows, heavy carved chairs with plush seats and tapestry backs and tarnished gilt tassels hanging down their sides. At the back a stained-glass window about the size of a tennis court. Curtained french doors underneath it. An old musty, fusty, narrow-minded, clean and bitter room. It didn't look as if anybody ever sat in it or would ever want to. Marble-topped tables with crooked legs, gilt clocks, pieces of small statuary in two colors of marble. A lot of junk that would take a week to dust. A lot of money, and all wasted. Thirty years before, in the wealthy close-mouthed provincial town Pasadena then was, it must have seemed like quite a room.

We left it and went along a hallway and after a while the sourpuss opened a door and motioned me in.

"Mr. Marlowe," she said through the door in a nasty voice, and went away grinding her teeth.

TWO
It was a small room looking out on the back garden. It had an ugly red and brown carpet and was furnished as an office. It contained what you would expect to find in a small office. A thin fragile-looking blondish girl in shell glasses sat behind a desk with a typewriter on a pulled-out leaf at her left. She had her hands poised on the keys, but she didn't have any paper in the machine. She watched me come into the room with the stiff, half-silly expression of a self-conscious person posing for a snapshot. She had a clear soft voice, asking me to sit down.

"I am Miss Davis. Mrs. Murdock's secretary. She wanted me to ask you for a few references."

"References?"

"Certainly. References. Does that surprise you?"

I put my hat on her desk and the unlighted cigarette on the brim of the hat. "You mean she sent for me without knowing anything about me?"

Her lip trembled and she bit it. I didn't know whether she was scared or annoyed or just having trouble being cool and businesslike. But she didn't look happy.

"She got your name from the manager of a branch of the California-Security Bank. But he doesn't know you personally," she said.

"Get your pencil ready," I said.

She held it up and showed me that it was freshly sharpened and ready to go.

I said: "First off, one of the vice-presidents of that same bank. George S. Leake. He's in the main office. Then State Senator Huston Oglethorpe. He may be in Sacramento, or he may be at his office in the State Building in L.A. Then Sidney Dreyfus, Jr., of Dreyfus, Turner and Swayne, attorneys in the Title-Insurance Building. Got that?"

She wrote fast and easily. She nodded without looking up. The light danced on her blond hair.

"Oliver Fry of the Fry-Krantz Corporation, Oil Well Tools. They're over on East Ninth, in the industrial district. Then, if you would like a couple of cops, Bernard Ohls of the D.A.'s staff, and Detective-Lieutenant Carl Randall of the Central Homicide Bureau. You think maybe that would be enough?"

"Don't laugh at me," she said. "I'm only doing what I'm told."

"Better not call the last two, unless you know what the job is," I said. "I'm not laughing at you. Hot, isn't it?"

"It's not hot for Pasadena," she said, and hoisted her phone book up on the desk and went to work.

While she was looking up the numbers and telephoning hither and yon I looked her over. She was pale with a sort of natural paleness and she looked healthy enough. Her coarse-grained coppery blond hair was not ugly in itself, but it was drawn back so tightly over her narrow head that it almost lost the effect of being hair at all. Her eyebrows were thin and unusually straight and were darker than her hair, almost a chestnut color. Her nostrils had the whitish look of an anaemic person. Her chin was too small, too sharp and looked unstable. She wore no makeup except orange-red on her mouth and not much of that. Her eyes behind the glasses were very large, cobalt blue with big irises and a vague expression. Both lids were tight so that the eyes had a slightly oriental look, or as if the skin of her face was naturally so tight that it stretched her eyes at the corners. The whole face had a sort of off-key neurotic charm that only needed some clever makeup to be striking.

She wore a one-piece linen dress with short sleeves and no ornament of any kind. Her bare arms had down on them, and a few freckles.

I didn't pay much attention to what she said over the telephone. Whatever was said to her she wrote down in shorthand, with deft easy strokes of the pencil. When she was through she hung the phone book back on a hook and stood up and smoothed the linen dress down over her thighs and said:

"If you will just wait a few moments--" and went towards the door.

Halfway there she turned back and pushed a top drawer of her desk shut at the side. She went out. The door closed. There was silence. Outside the window bees buzzed. Far off I heard the whine of a vacuum cleaner. I picked the unlighted cigarette off my hat, put it in my mouth and stood up. I went around the desk and pulled open the drawer she had come back to shut.

It wasn't any of my business. I was just curious. It wasn't any of my business that she had a small Colt automatic in the drawer. I shut it and sat down again.

She was gone about four minutes. She opened the door and stayed at it and said: "Mrs. Murdock will see you now."

We went along some more hallway and she opened half of a double glass door and stood aside. I went in and the door was closed behind me.

It was so dark in there that at first I couldn't see anything but the outdoors light coming through thick bushes and screens. Then I saw that the room was a sort of sun porch that had been allowed to get completely overgrown outside. It was furnished with grass rugs and reed stuff. There was a reed chaise longue over by the window. It had a curved back and enough cushions to stuff an elephant and there was a woman leaning back on it with a wine glass in her hand. I could smell the thick scented alcoholic odor of the wine before I could see her properly. Then my eyes got used to the light and I could see her.

She had a lot of face and chin. She had pewter-colored hair set in a ruthless permanent, a hard beak and large moist eyes with the sympathetic expression of wet stones. There was lace at her throat, but it was the kind of throat that would have looked better in a football sweater. She wore a grayish silk dress. Her thick arms were bare and mottled. There were jet buttons in her ears. There was a low glass-topped table beside her and a bottle of port on the table. She sipped from the glass she was holding and looked at me over it and said nothing.

I stood there. She let me stand while she finished the port in her glass and put the glass down on the table and filled it again. Then she tapped her lips with a handkerchief. Then she spoke. Her voice had a hard baritone quality and sounded as if it didn't want any nonsense.

"Sit down, Mr. Marlowe. Please do not light that cigarette. I'm asthmatic."

I sat down in a reed rocker and tucked the still unlighted cigarette down behind the handkerchief in my outside pocket.

"I've never had any dealing with private detectives, Mr. Marlowe. I don't know anything about them. Your references seem satisfactory. What are your charges?"

"To do what, Mrs. Murdock?"

"It's a very confidential matter, naturally. Nothing to do with the police. If it had to do with the police, I should have called the police."

"I charge twenty-five dollars a day, Mrs. Murdock. And of course expenses."

"It seems high. You must make a great deal of money." She drank some more of her port. I don't like port in hot weather, but it's nice when they let you refuse it.

"No," I said. "It isn't. Of course you can get detective work done at any price-just like legal work. Or dental work. I'm not an organization. I'm just one man and I work at just one case at a time. I take risks, sometimes quite big risks, and I don't work all the time. No, I don't think twenty-five dollars a day is too much."

"I see. And what is the nature of the expenses?"

"Little things that come up here and there. You never know."

"I should prefer to know," she said acidly.

"You'll know," I said. "You'll get it all down in black and white. You'll have a chance to object, if you don't like it."

"And how much retainer would you expect?"

"A hundred dollars would hold me," I said.

"I should hope it would," she said and finished her port and poured the glass full again without even waiting to wipe her lips.

"From people in your position, Mrs. Murdock, I don't necessarily have to have a retainer."

"Mr. Marlowe," she said, "I'm a strong-minded woman. But don't let me scare you. Because if you can be scared by me, you won't be much use to me."

I nodded and let that one drift with the tide.

She laughed suddenly and then she belched. It was a nice light belch, nothing showy, and performed with easy unconcern. "My asthma," she said carelessly. "I drink this wine as medicine. That's why I'm not offering you any."

I swung a leg over my knee. I hoped that wouldn't hurt her asthma.

"Money," she said, "is not really important. A woman in my position is always overcharged and gets to expect it. I hope you will be worth your fee. Here is the situation. Something of considerable value has been stolen from me. I want it back, but I want more than that. I don't want anybody arrested. The thief happens to be a member of my family--by marriage."


Private detective Michael Shayne is hired by cantankerous widow Mrs. Murdock to find a valuable coin known as a brasher doubloon, which she believes was stolen from her collection by her daughter-in-law, singer Linda Conquest.

Release Date: December 24, 1942
Release Time: 61 minutes

Director: Herbert I Leeds

Cast:
Lloyd Nolan as Michael Shayne
Heather Angel as Myrle Davis
Doris Merrick as Linda Conquest Murdock
Ralph Byrd as Lou Venter
Richard Lane as Lt. Breeze
Sheila Bromley as Lois Morny
Morris Ankrum as Alexander Morny
Ethel Griffies as Mrs. Murdock
James Seay as Leslie Murdock
Ted Hecht as George Anson Phillips
William Pawley as Mr. Hensch
Syd Saylor as The Mailman
Lester Sharpe as Elisha Washburn
Charles Williams as The Dentist
LeRoy Mason as Rudolph








Author Bio:
Raymond Thornton Chandler was an American novelist and screenwriter.

In 1932, at age forty-four, Raymond Chandler decided to become a detective fiction writer after losing his job as an oil company executive during the Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published just seven full novels during his lifetime (though an eighth in progress at his death was completed by Robert B. Parker). All but Playback have been realized into motion pictures, some several times. In the year before he died, he was elected president of the Mystery Writers of America. He died on March 26, 1959, in La Jolla, California.

Chandler had an immense stylistic influence on American popular literature, and is considered by many to be a founder, along with Dashiell Hammett, James M. Cain and other Black Mask writers, of the hard-boiled school of detective fiction. Chandler's Philip Marlowe, along with Hammett's Sam Spade, are considered by some to be synonymous with "private detective," both having been played on screen by Humphrey Bogart, whom many considered to be the quintessential Marlowe.

Some of Chandler's novels are considered to be important literary works, and three are often considered to be masterpieces: Farewell, My Lovely (1940), The Little Sister (1949), and The Long Goodbye (1953). The Long Goodbye is praised within an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery".


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The High Window

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