Showing posts with label ww2 films. Show all posts
Showing posts with label ww2 films. Show all posts
Sunday, May 31, 2026
Friday, May 29, 2026
🗽📘🎥Friday's Film Adaptation🎥📘🗽: To Hell and Back by Audie Murphy
The classic bestselling war memoir by the most decorated American soldier in World War II, back in print in a trade paperback
Originally published in 1949, To Hell and Back was a smash bestseller for fourteen weeks and later became a major motion picture starring Audie Murphy as himself. More than fifty years later, this classic wartime memoir is just as gripping as it was then.
Desperate to see action but rejected by both the marines and paratroopers because he was too short, Murphy eventually found a home with the infantry. He fought through campaigns in Sicily, Italy, France, and Germany. Although still under twenty-one years old on V-E Day, he was credited with having killed, captured, or wounded 240 Germans. He emerged from the war as America's most decorated soldier, having received twenty-one medals, including our highest military decoration, the Congressional Medal of Honor. To Hell and Back is a powerfully real portrayal of American GI's at war.
Chapter One
ON a hill just inland from the invasion beaches of Sicily, a soldier sits on a rock. His helmet is off; and the hot sunshine glints through his coppery hair. With the sleeve of his shirt he wipes the sweat from his face; then with chin in palm he leans forward in thought.
The company is taking a break. We sprawl upon the slope, loosen the straps of our gear, and gaze at the blue sky. It is my first day of combat; and so far the action of the unit has been undramatic and disappointingly slow.
Just trust the army to get things fouled up. If the landing schedule had not gone snafu, we would have come ashore with the assault waves. That was what I wanted. I had primed myself for the big moment. Then the timing got snarled in the predawn confusion; and we came in late, chugging ashore like a bunch of clucks in a ferryboat.
The assault troops had already taken the beach. The battle had moved inland. So for several hours we have tramped over fields and hills without direct contact with the enemy.
It is true that the landing was not exactly an excursion. There was some big stuff smashing about; and from various points came the rattle of small arms. But we soon got used to that.
Used to it!
A shell crashes on a nearby hill; the earth quivers; and the black smoke boils. A man, imitating Jack Benny's Rochester, shouts, "Hey, boss. A cahgo of crap just landed on Pigtail Ridge." A ripple of laughter follows the announcement. "Hey, boss. Change that name to No-Tail Ridge. The tail go with the cahgo."
The second shell is different. Something terrible and immediate about its whistle makes my scalp start prickling. I grab my helmet and flip over on my stomach. The explosion is thunderous. Steel fragments whine, and the ground seems to jump up and hit me in the face.
Silence again. I raise my head. The sour fumes of powder have caused an epidemic of coughing.
"Hey, boss. The cahgo–"
The voice snaps. We all see it. The redheaded soldier has tumbled from the rock. Blood trickles from his mouth and nose.
Beltsky, a veteran of the fighting in North Africa, is the first to reach him. One glance from his professional eye is sufficient.
Turning to a man, he says, "Get his ammo. He won't be needing it. You will."
"Who me? I got plenty of ammo."
"Get the ammo. Don't argue."
Snuffy Jones does not like the idea at all. A frown crawls over his sallow face; and beneath a receding chin, his Adam's apple bobs nervously. With shaky fingers he removes the ammunition from the cartridge belt. One would think he was trying to neutralize a booby trap.
"Who is he?" asks Brandon.
"He was a guy named Griffin," Kerrigan answers. "I got likkered up with him once in Africa. Told me he was married and had a couple kids."
"That's rough." Brandon's eyes are suddenly deep and thoughtful.
"He could have stayed out, I guess. But he volunteered. Had to get into the big show."
Novak, the Pole, has been listening with mouth agape. Now his lips curl savagely. "The sonsabeeches!" he growls to nobody in particular.
Unfolding a gas cape, Beltsky covers the body with it.
"That'll do him a lot of good now," says Brandon.
"It's to keep the flies from blowing him," explains Horse-Face Johnson soberly. "Flies go to work on 'em right away. Fellow from the last war told me they swell up like balloons. Used 'em for pillows out in No-Man's Land. Soft enough but they wouldn't keep quiet. They was always losing wind in the dead of the night. Such sighing and whistling you never heard."
"For chrisake, shut up," says Kerrigan.
Johnson's blue eyes twinkle sardonically. His long, lean face stretches into a grin. And his laugh is like the soft whinny of of a horse.
"Don't let it get you down, son. Used to be skittish myself till I worked as an undertaker's assistant out in Minnesota. Took my baths in embalming fluid. Slept in coffins during the slack hours. Grave error. Damned nigh got buried one day when I got mistook for the late departed."
"Shut up!"
"It's the dying truth, son."
"Then why didn't you get hooked up with a body-snatching outfit? You look like a natural for the buzzard detail."
"Why, you know, son, the army wouldn't be guilty of giving a man a job he knowed anything about. Got tired of the racket anyhow. Couldn't argue with the late departeds. Whatever I said they was always dead right."
"Oh, for chrisake," mutters Kerrigan pleadingly.
"Whee-he-he-he."
"Okay, men," says Beltsky. "You've seen how it happens. Maybe you know now this game is played for keeps. Everybody on your feet. All right there, what's the matter with you?"
"Me?" drawls Snuffy. "I'm gittin' up. Just give me time. Snapped-to once so fast that I mislocated my backbone."
"Would you like to be carried on a stretcher?"
"Stretch who?"
"Okay. Okay. Let's move across Sicily."
"He was just sitting there on the rock," says Steiner, his face filled with awe. "I was looking at him just a minute before."
"So what?" snaps Antonio irritably. "He shouldn'ta been makin' like a pigeon. He oughta kept his head down." He taps himself on the chest. "You didn't see me givin' out wit the coos, did you?"
"How could he know it was coming?"
"Aw nuts! You could hear it comin' a mile."
As we plod over the hills in sweat-soaked clothes, the uneasiness passes from my stomach to my mind. So it happens as easily as that. You sit on a quiet slope with chin in hand. In the distance a gun slams; and the next minute you are dead.
Maybe my notions about war were all cockeyed. How do you pit skill against skill if you cannot even see the enemy? Where is the glamour in blistered feet and a growling stomach? And where is the expected adventure? Well, whatever comes, it was my own idea. I had asked for it. I had always wanted to be a soldier.
The years roll back; and in my mind, I see a pair of hands. Calloused and streaked with dirt, they looked like claws; and they shook as they cupped around the match flame. He puffed on the cigarette. And as I waited, all ears, he bent over in a fit of coughing.
"It's that gas," he explained. "Nearly eighteen years, and it's still hangin' on."
"But you knowed where they were," I said.
From the shade of the tree, he gazed over the cotton fields.
"Of course, I knowed where they was," he said. "Any ijiot would have. It was still early mornin'; and when they crawled through the field, they shook the dew off the wheat. So every blessed one of 'em left a dark streak behind. That give their positions away."
"So what did you do?"
"What would you done? I lined up my sights on the machine gun and waited."
"A machine gun?"
"Yeah. It's the devil's own weepon. When they got to the edge of the patch, I could see 'em plain. There was nothin' to it. I just pulled the trigger and let 'em have it."
Fascinated, I glanced at the hands again, picking out the trigger finger. "You killed 'em?"
"I didn't do 'em any good."
"Did they shoot at you?"
"Now what do you think? This was war. But I kept my head down and got along all right until that night they thowed over the gas. We didn't get the alarm until I'd already breathed a lungful."
"What was they like?" "The Germans? I never took time to ast 'em. They was shootin' at
us; so we shot at them."
"But you whipped 'em."
"We whopped 'em all right, but it wasn't easy. They was hard fighters. Don't ever kid yourself about that."
"Some day I aim to be a soldier."
"A sojer?" he said disgustedly. "What fer?"
"I don't know."
"If you want to fight, start fightin' these weeds." He coughed again, spat out a gob of phlegm, and muttered, "A sojer." He was still shaking his head when he gripped the plow handles and said, "Giddap," to the mules.
A soldier.
Steiner is a soldier, but you would never see his kind on the recruiting posters. Short and pudgy, he has the round, innocent face of a baby and a voice as gentle as a child's. He cannot get the knack of the army, though he tries hard. His gear is forever fouled up. It drips from his body like junk. Now he stumbles and falls. It is the third time he has tripped today; and Olsen, a huge, blond sergeant, is fresh out of patience.
"What's a-matter? What's a-matter?" he snarls. "Pick up your dogs."
"It's the legging strings. They keep coming unlaced."
"For chrisake, paste 'em on if you ain't got enough sense to lace 'em. Aw right, come on. Snap to it."
"Gotohell."
"What's that?"
"Whyn't you let him alone?" says Antonio. "De kid can't help it."
"Keep your big nose outa this."
"Okay. Break it up," says Beltsky. "You'll soon have a belly full of fighting."
No, it was not the least bit like the dream I had as a child. That afternoon in Texas I had followed the veteran of World War I into the field. The sun beat down and the rows of cotton seemed endless. But I soon forgot both the heat and the labor.
The weeds became the enemy, and my hoe, a mysterious weapon. I was on a faraway battlefield, where bugles blew, banners streamed, and men charged gallantly across flaming hills; where the temperature always stood at eighty and our side was always victorious; where the dying were but impersonal shadows and the wounded never cried; where enemy bullets always miraculously missed me, and my trusty rifle forever hit home.
I was only twelve years old; and the dream was my one escape from a grimly realistic world.
We were share-crop farmers. And to say that the family was poor would be an understatement. Poverty dogged our every step. Year after year the babies had come until there were nine of us children living, and two dead. Getting food for our stomachs and clothes for our backs was an ever-present problem. As soon as we grew old enough to handle a plow, an ax, or a hoe, we were thrown into the struggle for existence.
My mother, a sad-eyed, silent woman, toiled eternally. As a baby, I sat strapped like a papoose in a yard swing while she fought the weeds in a nearby field.
Our situation is not to be blamed on the social structure. If my father had exercised more foresight, undoubtedly his family would have fared much better. He was not lazy, but he had a genius for not considering the future.
One day he gave up. He simply walked out of our lives, and we never heard from him again.
My mother, attempting to keep her brood together, worked harder than ever. But illness overtook her. Gradually she grew weaker and sadder. And when I was sixteen she died.
Except for a married sister, who was unable to support us, there was no family nucleus left. The three youngest children were placed in an orphanage. The rest of us scattered, going our individual ways. Boarding out, I worked for a while in a filling station; then I became a flunky in a radio repair shop.
God knows where my pride came from, but I had it. And it was constantly getting me into trouble. My temper was explosive. And my moods, typically Irish, swung from the heights to the depths. At school, I had fought a great deal. Perhaps I was trying to level with my fists what I assumed fate had put above me.
I was never so happy as when alone. In solitude, my dreams made sense. Nobody was there to dispute or destroy them.
After the death of my mother, I was more than ever determined to enter military service. When the Japanese hit Pearl Harbor, I was half-wild with frustration. Here was a war itself; and I was too young to enlist. I was sure that it would all be over in a few months and I would be robbed of the great adventure that had haunted my imagination.
On my eighteenth birthday, I hurried to a marine corps recruiting station. This branch seemed the toughest of the lot; and I was looking for trouble. Unfortunately, the corps was looking for men, men italicized. A sergeant glanced over my skinny physique. My weight did not measure up to Leatherneck standards.
Leaving the office in a blaze of unreasonable anger, I tried the paratroops. This was a new branch of service, lacking the legendary color of the marines, but it sounded rough. There was another point in its favor: paratroopers wore such handsome boots.
That office was more sympathetic. The recruiting sergeant did not turn me down cold. He suggested that I load up on bananas and milk before weighing in. My pride was taking an awful beating. The sergeant was the first on a long list of uniformed authorities that I requested to go to the devil.
The infantry finally accepted me. I was not overjoyed. The infantry was too commonplace for my ambition. The months would teach me the spirit of this unglamorous, greathearted fighting machine. But at that time I had other plans. After my basic training, I would get a transfer. I would become a glider pilot.
Thus, with a pocket full of holes, a head full of dreams, and an ignorance beyond my years, I boarded a bus for the induction center. Previously I had never been over a hundred miles from home.
Nor had I reckoned with realistic army training. During my first session of close-order drill, I, the late candidate for the marines and the paratroops, passed out cold. I quickly picked up the nickname of "Baby." My commanding officer tried to shove me into a cook and baker's school, where the going would be less rough.
That was the supreme humiliation. To reach for the stars and end up stirring a pot of C-rations. I would not do it. I swore that I would take the guardhouse first. My stubborn attitude paid off. I was allowed to keep my combat classification; and the army was spared the disaster of having another fourth-class cook in its ranks.
But I still had to get overseas; and my youthful appearance continued to cause much shaking of heads. At Fort Meade, where we had our final phase of training in America, I was almost transferred to the camp's permanent cadre. An officer, kindly attempting to save me from combat, got me a position as a clerk in the post exchange.
Fuming, I stuck to my guns; and in early 1943, I landed in North Africa as a replacement for an infantry company. The war in this sector was about over. Instead of combat, we were given another long, monotonous period of training.
Finally the great news came. We were to go into action in the Tunis area. We oiled our guns, double-checked our gear; and prayed or cursed according to our natures. But before we could move out, the order was canceled. The Germans in the area had surrendered.
I took no part in the general sigh of relief. Perhaps now I would react differently.
At this moment, the fluttering roll of an enemy machine gun is causing my flesh to creep. "The devil's own weapon," the veteran had said. "And, of course, I knowed where they was."
Does the enemy know where we are. He could. Easily. We are stretched in an open field; and the cover is something less than adequate. Before us lies a railroad track along which the machine-gun crew has dug in.
The gun has suddenly become quiet. I hear the labored breathing of our men; see Beltsky's worried face; feel my heart churning against the ribs. "What would you have done?" the veteran had said. "I lined up my sights and waited." He had no corner on that little game. It too could be the enemy's.
The order comes down the line.
"Spread out. We're going over the track."
Olsen's mouth sags; and the fear in his eyes is sickening. My jaws clamp; my heart slows down. I have seen the face of a coward and found it loathsome.
The secondary order is passed along in hoarse whispers.
"When you get the signal, make a run for it. Stop for nothing until you find cover on the other side of the track."
Beltsky studies his wrist watch. His hand goes up in a wave. We scramble to our feet and take off.
Brrrrrp.
From the corner of my eye, I see two men in the center platoon reel backward and fall. Then I hear the crackle of rifles; the blast of a grenade. I leap the track. Johnson passes me. "Son," he calls, "get the lead out of your shoes. Them krauts have started a shooting war."
I find a gully, drop into it, and sprawl out. A body thuds on top of me. It is Novak.
"By gah, you excuse," he says. "I see nahthin' when I jump."
"You were coming too fast to take in the scenery."
He has an odd, crooked smile; his nose is bent; and a mop of oily black hair tumbles over his forehead. Carefully breaking a cigarette in two, he hands me a half.
"I don't smoke."
"Nah? You gotta smoke to stay happy. You try it."
"No, thanks. Did they get the machine gun?"
"They get it." His eyes burn fiercely. "But the sonsabeeches knocked over two of our men."
"I saw them."
"When they tear up Poland, that is bad enough. But when they shoot our men, it is too much. From now on, Mike Novak is not to be soft, no chicken heart. He uses his gun."
ON a hill just inland from the invasion beaches of Sicily, a soldier sits on a rock. His helmet is off; and the hot sunshine glints through his coppery hair. With the sleeve of his shirt he wipes the sweat from his face; then with chin in palm he leans forward in thought.
The company is taking a break. We sprawl upon the slope, loosen the straps of our gear, and gaze at the blue sky. It is my first day of combat; and so far the action of the unit has been undramatic and disappointingly slow.
Just trust the army to get things fouled up. If the landing schedule had not gone snafu, we would have come ashore with the assault waves. That was what I wanted. I had primed myself for the big moment. Then the timing got snarled in the predawn confusion; and we came in late, chugging ashore like a bunch of clucks in a ferryboat.
The assault troops had already taken the beach. The battle had moved inland. So for several hours we have tramped over fields and hills without direct contact with the enemy.
It is true that the landing was not exactly an excursion. There was some big stuff smashing about; and from various points came the rattle of small arms. But we soon got used to that.
Used to it!
A shell crashes on a nearby hill; the earth quivers; and the black smoke boils. A man, imitating Jack Benny's Rochester, shouts, "Hey, boss. A cahgo of crap just landed on Pigtail Ridge." A ripple of laughter follows the announcement. "Hey, boss. Change that name to No-Tail Ridge. The tail go with the cahgo."
The second shell is different. Something terrible and immediate about its whistle makes my scalp start prickling. I grab my helmet and flip over on my stomach. The explosion is thunderous. Steel fragments whine, and the ground seems to jump up and hit me in the face.
Silence again. I raise my head. The sour fumes of powder have caused an epidemic of coughing.
"Hey, boss. The cahgo–"
The voice snaps. We all see it. The redheaded soldier has tumbled from the rock. Blood trickles from his mouth and nose.
Beltsky, a veteran of the fighting in North Africa, is the first to reach him. One glance from his professional eye is sufficient.
Turning to a man, he says, "Get his ammo. He won't be needing it. You will."
"Who me? I got plenty of ammo."
"Get the ammo. Don't argue."
Snuffy Jones does not like the idea at all. A frown crawls over his sallow face; and beneath a receding chin, his Adam's apple bobs nervously. With shaky fingers he removes the ammunition from the cartridge belt. One would think he was trying to neutralize a booby trap.
"Who is he?" asks Brandon.
"He was a guy named Griffin," Kerrigan answers. "I got likkered up with him once in Africa. Told me he was married and had a couple kids."
"That's rough." Brandon's eyes are suddenly deep and thoughtful.
"He could have stayed out, I guess. But he volunteered. Had to get into the big show."
Novak, the Pole, has been listening with mouth agape. Now his lips curl savagely. "The sonsabeeches!" he growls to nobody in particular.
Unfolding a gas cape, Beltsky covers the body with it.
"That'll do him a lot of good now," says Brandon.
"It's to keep the flies from blowing him," explains Horse-Face Johnson soberly. "Flies go to work on 'em right away. Fellow from the last war told me they swell up like balloons. Used 'em for pillows out in No-Man's Land. Soft enough but they wouldn't keep quiet. They was always losing wind in the dead of the night. Such sighing and whistling you never heard."
"For chrisake, shut up," says Kerrigan.
Johnson's blue eyes twinkle sardonically. His long, lean face stretches into a grin. And his laugh is like the soft whinny of of a horse.
"Don't let it get you down, son. Used to be skittish myself till I worked as an undertaker's assistant out in Minnesota. Took my baths in embalming fluid. Slept in coffins during the slack hours. Grave error. Damned nigh got buried one day when I got mistook for the late departed."
"Shut up!"
"It's the dying truth, son."
"Then why didn't you get hooked up with a body-snatching outfit? You look like a natural for the buzzard detail."
"Why, you know, son, the army wouldn't be guilty of giving a man a job he knowed anything about. Got tired of the racket anyhow. Couldn't argue with the late departeds. Whatever I said they was always dead right."
"Oh, for chrisake," mutters Kerrigan pleadingly.
"Whee-he-he-he."
"Okay, men," says Beltsky. "You've seen how it happens. Maybe you know now this game is played for keeps. Everybody on your feet. All right there, what's the matter with you?"
"Me?" drawls Snuffy. "I'm gittin' up. Just give me time. Snapped-to once so fast that I mislocated my backbone."
"Would you like to be carried on a stretcher?"
"Stretch who?"
"Okay. Okay. Let's move across Sicily."
"He was just sitting there on the rock," says Steiner, his face filled with awe. "I was looking at him just a minute before."
"So what?" snaps Antonio irritably. "He shouldn'ta been makin' like a pigeon. He oughta kept his head down." He taps himself on the chest. "You didn't see me givin' out wit the coos, did you?"
"How could he know it was coming?"
"Aw nuts! You could hear it comin' a mile."
As we plod over the hills in sweat-soaked clothes, the uneasiness passes from my stomach to my mind. So it happens as easily as that. You sit on a quiet slope with chin in hand. In the distance a gun slams; and the next minute you are dead.
Maybe my notions about war were all cockeyed. How do you pit skill against skill if you cannot even see the enemy? Where is the glamour in blistered feet and a growling stomach? And where is the expected adventure? Well, whatever comes, it was my own idea. I had asked for it. I had always wanted to be a soldier.
The years roll back; and in my mind, I see a pair of hands. Calloused and streaked with dirt, they looked like claws; and they shook as they cupped around the match flame. He puffed on the cigarette. And as I waited, all ears, he bent over in a fit of coughing.
"It's that gas," he explained. "Nearly eighteen years, and it's still hangin' on."
"But you knowed where they were," I said.
From the shade of the tree, he gazed over the cotton fields.
"Of course, I knowed where they was," he said. "Any ijiot would have. It was still early mornin'; and when they crawled through the field, they shook the dew off the wheat. So every blessed one of 'em left a dark streak behind. That give their positions away."
"So what did you do?"
"What would you done? I lined up my sights on the machine gun and waited."
"A machine gun?"
"Yeah. It's the devil's own weepon. When they got to the edge of the patch, I could see 'em plain. There was nothin' to it. I just pulled the trigger and let 'em have it."
Fascinated, I glanced at the hands again, picking out the trigger finger. "You killed 'em?"
"I didn't do 'em any good."
"Did they shoot at you?"
"Now what do you think? This was war. But I kept my head down and got along all right until that night they thowed over the gas. We didn't get the alarm until I'd already breathed a lungful."
"What was they like?" "The Germans? I never took time to ast 'em. They was shootin' at
us; so we shot at them."
"But you whipped 'em."
"We whopped 'em all right, but it wasn't easy. They was hard fighters. Don't ever kid yourself about that."
"Some day I aim to be a soldier."
"A sojer?" he said disgustedly. "What fer?"
"I don't know."
"If you want to fight, start fightin' these weeds." He coughed again, spat out a gob of phlegm, and muttered, "A sojer." He was still shaking his head when he gripped the plow handles and said, "Giddap," to the mules.
A soldier.
Steiner is a soldier, but you would never see his kind on the recruiting posters. Short and pudgy, he has the round, innocent face of a baby and a voice as gentle as a child's. He cannot get the knack of the army, though he tries hard. His gear is forever fouled up. It drips from his body like junk. Now he stumbles and falls. It is the third time he has tripped today; and Olsen, a huge, blond sergeant, is fresh out of patience.
"What's a-matter? What's a-matter?" he snarls. "Pick up your dogs."
"It's the legging strings. They keep coming unlaced."
"For chrisake, paste 'em on if you ain't got enough sense to lace 'em. Aw right, come on. Snap to it."
"Gotohell."
"What's that?"
"Whyn't you let him alone?" says Antonio. "De kid can't help it."
"Keep your big nose outa this."
"Okay. Break it up," says Beltsky. "You'll soon have a belly full of fighting."
No, it was not the least bit like the dream I had as a child. That afternoon in Texas I had followed the veteran of World War I into the field. The sun beat down and the rows of cotton seemed endless. But I soon forgot both the heat and the labor.
The weeds became the enemy, and my hoe, a mysterious weapon. I was on a faraway battlefield, where bugles blew, banners streamed, and men charged gallantly across flaming hills; where the temperature always stood at eighty and our side was always victorious; where the dying were but impersonal shadows and the wounded never cried; where enemy bullets always miraculously missed me, and my trusty rifle forever hit home.
I was only twelve years old; and the dream was my one escape from a grimly realistic world.
We were share-crop farmers. And to say that the family was poor would be an understatement. Poverty dogged our every step. Year after year the babies had come until there were nine of us children living, and two dead. Getting food for our stomachs and clothes for our backs was an ever-present problem. As soon as we grew old enough to handle a plow, an ax, or a hoe, we were thrown into the struggle for existence.
My mother, a sad-eyed, silent woman, toiled eternally. As a baby, I sat strapped like a papoose in a yard swing while she fought the weeds in a nearby field.
Our situation is not to be blamed on the social structure. If my father had exercised more foresight, undoubtedly his family would have fared much better. He was not lazy, but he had a genius for not considering the future.
One day he gave up. He simply walked out of our lives, and we never heard from him again.
My mother, attempting to keep her brood together, worked harder than ever. But illness overtook her. Gradually she grew weaker and sadder. And when I was sixteen she died.
Except for a married sister, who was unable to support us, there was no family nucleus left. The three youngest children were placed in an orphanage. The rest of us scattered, going our individual ways. Boarding out, I worked for a while in a filling station; then I became a flunky in a radio repair shop.
God knows where my pride came from, but I had it. And it was constantly getting me into trouble. My temper was explosive. And my moods, typically Irish, swung from the heights to the depths. At school, I had fought a great deal. Perhaps I was trying to level with my fists what I assumed fate had put above me.
I was never so happy as when alone. In solitude, my dreams made sense. Nobody was there to dispute or destroy them.
After the death of my mother, I was more than ever determined to enter military service. When the Japanese hit Pearl Harbor, I was half-wild with frustration. Here was a war itself; and I was too young to enlist. I was sure that it would all be over in a few months and I would be robbed of the great adventure that had haunted my imagination.
On my eighteenth birthday, I hurried to a marine corps recruiting station. This branch seemed the toughest of the lot; and I was looking for trouble. Unfortunately, the corps was looking for men, men italicized. A sergeant glanced over my skinny physique. My weight did not measure up to Leatherneck standards.
Leaving the office in a blaze of unreasonable anger, I tried the paratroops. This was a new branch of service, lacking the legendary color of the marines, but it sounded rough. There was another point in its favor: paratroopers wore such handsome boots.
That office was more sympathetic. The recruiting sergeant did not turn me down cold. He suggested that I load up on bananas and milk before weighing in. My pride was taking an awful beating. The sergeant was the first on a long list of uniformed authorities that I requested to go to the devil.
The infantry finally accepted me. I was not overjoyed. The infantry was too commonplace for my ambition. The months would teach me the spirit of this unglamorous, greathearted fighting machine. But at that time I had other plans. After my basic training, I would get a transfer. I would become a glider pilot.
Thus, with a pocket full of holes, a head full of dreams, and an ignorance beyond my years, I boarded a bus for the induction center. Previously I had never been over a hundred miles from home.
Nor had I reckoned with realistic army training. During my first session of close-order drill, I, the late candidate for the marines and the paratroops, passed out cold. I quickly picked up the nickname of "Baby." My commanding officer tried to shove me into a cook and baker's school, where the going would be less rough.
That was the supreme humiliation. To reach for the stars and end up stirring a pot of C-rations. I would not do it. I swore that I would take the guardhouse first. My stubborn attitude paid off. I was allowed to keep my combat classification; and the army was spared the disaster of having another fourth-class cook in its ranks.
But I still had to get overseas; and my youthful appearance continued to cause much shaking of heads. At Fort Meade, where we had our final phase of training in America, I was almost transferred to the camp's permanent cadre. An officer, kindly attempting to save me from combat, got me a position as a clerk in the post exchange.
Fuming, I stuck to my guns; and in early 1943, I landed in North Africa as a replacement for an infantry company. The war in this sector was about over. Instead of combat, we were given another long, monotonous period of training.
Finally the great news came. We were to go into action in the Tunis area. We oiled our guns, double-checked our gear; and prayed or cursed according to our natures. But before we could move out, the order was canceled. The Germans in the area had surrendered.
I took no part in the general sigh of relief. Perhaps now I would react differently.
At this moment, the fluttering roll of an enemy machine gun is causing my flesh to creep. "The devil's own weapon," the veteran had said. "And, of course, I knowed where they was."
Does the enemy know where we are. He could. Easily. We are stretched in an open field; and the cover is something less than adequate. Before us lies a railroad track along which the machine-gun crew has dug in.
The gun has suddenly become quiet. I hear the labored breathing of our men; see Beltsky's worried face; feel my heart churning against the ribs. "What would you have done?" the veteran had said. "I lined up my sights and waited." He had no corner on that little game. It too could be the enemy's.
The order comes down the line.
"Spread out. We're going over the track."
Olsen's mouth sags; and the fear in his eyes is sickening. My jaws clamp; my heart slows down. I have seen the face of a coward and found it loathsome.
The secondary order is passed along in hoarse whispers.
"When you get the signal, make a run for it. Stop for nothing until you find cover on the other side of the track."
Beltsky studies his wrist watch. His hand goes up in a wave. We scramble to our feet and take off.
Brrrrrp.
From the corner of my eye, I see two men in the center platoon reel backward and fall. Then I hear the crackle of rifles; the blast of a grenade. I leap the track. Johnson passes me. "Son," he calls, "get the lead out of your shoes. Them krauts have started a shooting war."
I find a gully, drop into it, and sprawl out. A body thuds on top of me. It is Novak.
"By gah, you excuse," he says. "I see nahthin' when I jump."
"You were coming too fast to take in the scenery."
He has an odd, crooked smile; his nose is bent; and a mop of oily black hair tumbles over his forehead. Carefully breaking a cigarette in two, he hands me a half.
"I don't smoke."
"Nah? You gotta smoke to stay happy. You try it."
"No, thanks. Did they get the machine gun?"
"They get it." His eyes burn fiercely. "But the sonsabeeches knocked over two of our men."
"I saw them."
"When they tear up Poland, that is bad enough. But when they shoot our men, it is too much. From now on, Mike Novak is not to be soft, no chicken heart. He uses his gun."
Release Date: August 17, 1955
Release Time: 106 minutes
Director: Jesse Hibbs
Cast:
Audie Murphy as Himself
Marshall Thompson as Private/Corporal Johnson
Charles Drake as Private Brandon
Jack Kelly as Private/Staff Sergeant Kerrigan
Gregg Palmer as Lieutenant Manning
Paul Picerni as Private/Corporal Valentino
David Janssen as Lieutenant Lee
Richard Castle as Private Kovak
Bruce Cowling as Captain Marks
Paul Langton as Colonel Howe
Art Aragon as Private Sanchez
Felix Noriego as Private Swope
Denver Pyle as Private Thompson
Brett Halsey as Private Saunders
Susan Kohner as Maria
Anabel Shaw as Helen
Mary Field as Mrs. Murphy
Gordon Gebert as Audie as a boy
Julian Upton as Corporal Steiner
Rand Brooks as Lieutenant Harris
Robert F. Hoy as Private Jennings
Harold "Tommy" Hart as Staff Sergeant Klasky
Hugh E. Davis as British Soldier
Audie Murphy
He wanted to join the Marines, but he was too short. The paratroopers wouldn't have him either. Reluctantly, he settled on the infantry, enlisting to become nothing less than one of the most-decorated heroes of World War II. He was Audie Murphy, the baby-faced Texas farmboy who became an American Legend. Murphy grew up on a sharecropper's farm in Hunt County, Texas. Left at a very young age to help raise 10 brothers and sisters when his father deserted their mother, Audie was only 16 when his mother died. He watched as his brothers and sisters were doled out to an orphanage or to relatives.
Seeking an escape from that life in 1942, he looked to the Marines. War had just been declared and, like so many other young men, Murphy lied about his age in his attempt to enlist. But it was not his age that kept him out of the Marines; it was his size. Not tall enough to meet the minimum requirements, he tried to enlist in the paratroopers, but again was denied entrance. Despondent, he chose the infantry.
First Lt. Audie Murphy
Following basic training Murphy was assigned to the 15th Regiment, 3rd Infantry Division in North Africa preparing to invade Sicily. It was there in 1943 that he first saw combat, proving himself to be a proficient marksman and highly skilled soldier, consistently his performance demonstrated how well he understood the techniques of small-unit action. He landed at Salerno to fight in the Voltuno river campaign and then at Anzio to be part of the Allied force that fought its way to Rome. Throughout these campaigns, Murphy's skills earned him advancements in rank, because many of his superior officers were being transferred, wounded or killed. After the capture of Rome, Murphy earned his first decoration for gallantry.
Shortly thereafter his unit was withdrawn from Italy to train for Operation Anvil-Dragoon, the invasion of southern France. During seven weeks of fighting in that successful campaign, Murphy's division suffered 4,500 casualties, and he became one of the most decorated men in his company. But his biggest test was yet to come.
On Jan. 26, 1945, near the village of Holtzwihr in eastern France, Lt. Murphy's forward positions came under fierce attack by the Germans. Against the onslaught of six Panzer tanks and 250 infantrymen, Murphy ordered his men to fall back to better their defenses. Alone, he mounted an abandoned burning tank destroyer and, with a single machine gun, contested the enemy's advance. Wounded in the leg during the heavy fire, Murphy remained there for nearly an hour, repelling the attack of German soldiers on three sides and single-handedly killing 50 of them. His courageous performance stalled the German advance and allowed him to lead his men in the counterattack which ultimately drove the enemy from Holtzwihr. For this Murphy was awarded the Medal of Honor, the nation's highest award for gallantry in action.
By the war's end, Murphy had become the nation's most-decorated soldier, earning an unparalleled 28 medals, including three from France and one from Belgium. Murphy had been wounded three times during the war, yet, in May 1945, when victory was declared in Europe, he had still not reached his 21st birthday.
Audie Murphy returned to a hero's welcome in the United States. His photograph appeared on the cover of Life magazine and he was persuaded by actor James Cagney to embark on an acting career. Still very shy and unassuming, Murphy arrived in Hollywood with only his good looks and — by his own account — 'no talent.' Nevertheless, he went on to make more than 40 films. His first part was just a small one in Beyond Glory in 1948. The following year he published his wartime memoirs, To Hell and Back, which received good reviews. Later he portrayed himself in the 1955 movie version of the book. Many film critics, however, believe his best performance was in Red Badge of Courage, Stephen Crane's Civil War epic.
After nearly 20 years he retired from acting and started a career in private business. But the venture was unsuccessful, eventually forcing him into bankruptcy in 1968. Murphy, who once said that he could only sleep with a loaded pistol under his pillow, was haunted by nightmares of his wartime experiences throughout his adult life. In 1971, at the age of 46, he died in the crash of a private plane near Roanoke, Va.
Audie Murphy is buried in Arlington National Cemetery, just across Memorial Drive from the Memorial Amphitheater. A special flagstone walkway has been constructed to accommodate the large number of people who stop to pay their respects to this hero. At the end of a row of graves, his tomb is marked by a simple, white, government-issue tombstone, which lists only a few of his many military decorations. The stone is, as he was, too small. --from Arlington National Cemetery Website
Cast:
Audie Murphy as Himself
Marshall Thompson as Private/Corporal Johnson
Charles Drake as Private Brandon
Jack Kelly as Private/Staff Sergeant Kerrigan
Gregg Palmer as Lieutenant Manning
Paul Picerni as Private/Corporal Valentino
David Janssen as Lieutenant Lee
Richard Castle as Private Kovak
Bruce Cowling as Captain Marks
Paul Langton as Colonel Howe
Art Aragon as Private Sanchez
Felix Noriego as Private Swope
Denver Pyle as Private Thompson
Brett Halsey as Private Saunders
Susan Kohner as Maria
Anabel Shaw as Helen
Mary Field as Mrs. Murphy
Gordon Gebert as Audie as a boy
Julian Upton as Corporal Steiner
Rand Brooks as Lieutenant Harris
Robert F. Hoy as Private Jennings
Harold "Tommy" Hart as Staff Sergeant Klasky
Hugh E. Davis as British Soldier
He wanted to join the Marines, but he was too short. The paratroopers wouldn't have him either. Reluctantly, he settled on the infantry, enlisting to become nothing less than one of the most-decorated heroes of World War II. He was Audie Murphy, the baby-faced Texas farmboy who became an American Legend. Murphy grew up on a sharecropper's farm in Hunt County, Texas. Left at a very young age to help raise 10 brothers and sisters when his father deserted their mother, Audie was only 16 when his mother died. He watched as his brothers and sisters were doled out to an orphanage or to relatives.
Seeking an escape from that life in 1942, he looked to the Marines. War had just been declared and, like so many other young men, Murphy lied about his age in his attempt to enlist. But it was not his age that kept him out of the Marines; it was his size. Not tall enough to meet the minimum requirements, he tried to enlist in the paratroopers, but again was denied entrance. Despondent, he chose the infantry.
First Lt. Audie Murphy
Following basic training Murphy was assigned to the 15th Regiment, 3rd Infantry Division in North Africa preparing to invade Sicily. It was there in 1943 that he first saw combat, proving himself to be a proficient marksman and highly skilled soldier, consistently his performance demonstrated how well he understood the techniques of small-unit action. He landed at Salerno to fight in the Voltuno river campaign and then at Anzio to be part of the Allied force that fought its way to Rome. Throughout these campaigns, Murphy's skills earned him advancements in rank, because many of his superior officers were being transferred, wounded or killed. After the capture of Rome, Murphy earned his first decoration for gallantry.
Shortly thereafter his unit was withdrawn from Italy to train for Operation Anvil-Dragoon, the invasion of southern France. During seven weeks of fighting in that successful campaign, Murphy's division suffered 4,500 casualties, and he became one of the most decorated men in his company. But his biggest test was yet to come.
On Jan. 26, 1945, near the village of Holtzwihr in eastern France, Lt. Murphy's forward positions came under fierce attack by the Germans. Against the onslaught of six Panzer tanks and 250 infantrymen, Murphy ordered his men to fall back to better their defenses. Alone, he mounted an abandoned burning tank destroyer and, with a single machine gun, contested the enemy's advance. Wounded in the leg during the heavy fire, Murphy remained there for nearly an hour, repelling the attack of German soldiers on three sides and single-handedly killing 50 of them. His courageous performance stalled the German advance and allowed him to lead his men in the counterattack which ultimately drove the enemy from Holtzwihr. For this Murphy was awarded the Medal of Honor, the nation's highest award for gallantry in action.
By the war's end, Murphy had become the nation's most-decorated soldier, earning an unparalleled 28 medals, including three from France and one from Belgium. Murphy had been wounded three times during the war, yet, in May 1945, when victory was declared in Europe, he had still not reached his 21st birthday.
Audie Murphy returned to a hero's welcome in the United States. His photograph appeared on the cover of Life magazine and he was persuaded by actor James Cagney to embark on an acting career. Still very shy and unassuming, Murphy arrived in Hollywood with only his good looks and — by his own account — 'no talent.' Nevertheless, he went on to make more than 40 films. His first part was just a small one in Beyond Glory in 1948. The following year he published his wartime memoirs, To Hell and Back, which received good reviews. Later he portrayed himself in the 1955 movie version of the book. Many film critics, however, believe his best performance was in Red Badge of Courage, Stephen Crane's Civil War epic.
After nearly 20 years he retired from acting and started a career in private business. But the venture was unsuccessful, eventually forcing him into bankruptcy in 1968. Murphy, who once said that he could only sleep with a loaded pistol under his pillow, was haunted by nightmares of his wartime experiences throughout his adult life. In 1971, at the age of 46, he died in the crash of a private plane near Roanoke, Va.
Audie Murphy is buried in Arlington National Cemetery, just across Memorial Drive from the Memorial Amphitheater. A special flagstone walkway has been constructed to accommodate the large number of people who stop to pay their respects to this hero. At the end of a row of graves, his tomb is marked by a simple, white, government-issue tombstone, which lists only a few of his many military decorations. The stone is, as he was, too small. --from Arlington National Cemetery Website
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🗽📘🎥Friday's Film Adaptation🎥📘🗽: Shining Through by Susan Isaacs
From bestselling author Susan Isaacs, Shining Through is a novel of honor, sacrifice, passion, and humor—made into a movie of the same name starring Melanie Griffith, Michael Douglas, and Liam Neeson
It's 1940 and Linda Voss, legal secretary extraordinaire, has a secret. She's head over heels in love with her boss, John Berringer, the pride of the Ivy League. Not that she even has a chance—he'd never take a second look at a German-Jewish girl from Queens who spends her time taking care of her faded beauty of a mother and following bulletins on the war in Europe. For Linda, though, the war will soon become all too real. Engulfing her nation and her life, it will offer opportunities she's never dreamed of. A chance to win the man she wants...a chance to find the love she deserves.
This is vintage Susan Isaacs, a tale of a spirited woman who wisecracks her way into heroism and history—-and into your heart.
Chapter One
In 1940, when I was thirty-one and an old maid, while the whole world waited for war, I fell in love with John Berringer.
An office crush. Big deal. Since the invention of the steno pad, a day hasn't gone by without some secretary glancing up from her Pitman squiggles and suddenly realizing that the man who was mumbling "...and therefore, pursuant to the above..." was the one man in her life who could ever bring her joy.
So there I was, a cliche with a number 2 yellow pencil: a working girl from Queens who'd lost her heart to the pride of the Ivy League.
And to make matters worse, John Berringer bore absolutely no resemblance to the typical Wall Street international lawyer, the kind whose gray face was two shades paler than his suit. Sure, a girl could wind up losing her heart to one of those dreary men. There's nothing quieter than an old maid's bedroom, and in that black stillness it's so easy to create magic: A lawyer with the profile of a toad—Abracadabra!—is transformed into an Adonis, pulsating with passion under his pinstripes.
But John didn't need any of that midnight magic to turn him gorgeous. The big joke in the law firm was how could I not have a mad crush on him. "You've got to be made of iron, Linda," one of the girls said at lunch, "not to go nuts for those blue eyes. They're blue like-" Someone at the far end of the table called out, Twilight! And someone else chimed in, No, like a clear lake ... but with a funny kind of depth, like on a cloudy day. John Berringer made poets out of stenographers. Someone else piped up, Come on...blue like pansies, andGladysSlade, my best friend, called out from the head of the lunch table, "How can anybody even think of the word 'pansy' in the same sentence with 'Mr. Berringer' in it?" Everyone giggled.
In private, Gladys said, "Listen, Linda, don't kid a kidder. I'm the first person to understand your not wanting to make a public announcement, but even if you didn't care about looks, think about brains. I mean, you're always reading the papers and wanting to talk about—oh, God, you know English naval power. Or French politics. So aren't you attracted to someone brilliant like him? I bet he loves all that boring stuff."
"It's not boring. Three quarters of the world is—"
"He's so charming," she cut me off. "Like a blond Cary Grant."
"Gladys," I explained, "when you sit across the desk from this guy day in and day out, you realize he's always charming. It kind of wafts up from him, like B.O. Don't you get it? It doesn't mean anything. And his looks...Yeah, he's handsome, but what's behind it?"
"That's for you to find out," Gladys ho-ho-hoed.
"I've got to tell you," I said, "there's something deepdown unappealing about a man who knows he's stunning and uses it. You know, like it's six-fifteen and you're so tired all you want to do is suck your thumb, but he has fortyseven letters he still wants to dictate. So he flashes that five-thousand-watt smile and that's supposed to brighten up your life and make you want to go on. But see, a guy who pulls that sort of thing isn't..."
"Isn't what?"
"Isn't masculine."
"Oh, come off it!"
"I'm serious, Gladys. And he's much too blond. Girls are fair. Guys should be dark. And with those big blue eyes. It's like some artist made him up to illustrate 'Cinderella.' Can't you just see him, with green stockings and those bubble shorts, holding a glass slipper?"
"I can see him with green stockings...and without green stockings." This was a very racy remark for Gladys, whose idea of wild sex was Fred Astaire loosening his tie.
"He's Prince Charming," I said. "Who needs it? I've got to stay late when he asks me, even if he looked like a pile of you-know-what. It's my job. But he thinks: Ha! I've charmed her. I've got her where I've got all the girls, in the palm of my hand." I looked Gladys straight in the eye. "You know why he doesn't do a thing for me? Because he's a woman's man. Not a real man."
Naturally, I was lying through my teeth. But I kept my secret love a secret. I would not let myself (as his secretary) be honorary president of the John Berringer Fan Club. What I felt for John wasn't meant to be shared with the girls. It was precious, and different.
Because even way back then, I felt I was different.
But was I (am I?) really different in any way from all the women from Brooklyn and Queens and the Bronx who trekked up the stairs from the subway every morning and got lost in the dark canyons, the gloomy buildings that loomed over Wall Street? Well, I'm not in Queens anymore. I'm certainly not a secretary. I'm not the girl I was.
But how did I get all the way here from there?
Because when America finally did go to war, the other subway secretaries fought Hitler by saving their bacon grease in fin cans and putting makeup on their legs instead of silk stockings. My fight, though, was different—perilous, real. I wound up in the middle of the Nazi hellhole. Me, Linda Voss.
Release Date: January 31, 1992
Release Time: 132 minutes
Director: David Seltzer
Cast:
Michael Douglas as Ed Leland
Melanie Griffith as Linda Voss
Liam Neeson as General Franze-Otto Dietrich
Joely Richardson as Margrete von Eberstein
John Gielgud as Konrad Friedrichs a.k.a. Sunflower
Francis Guinan as Andrew Berringer
Anthony Walters as Dietrich's son
Victoria Shalet as Dietrich's daughter
Sheila Allen as Olga Leiner
Stanley Beard as Linda's father
Sylvia Syms as Linda's mother
Ronald Nitschke as Horst Drescher
Hansi Jochmann as Hedda Drescher
Mathieu Carrière as Capt. Von Haefler
William Hope as Major Kernohan
Constanze Engelbrecht as Stafson Von Neest
Ludwig Haas as Adolf Hitler
Wolf Kahler as German Border Commandant
Susan Isaacs is the author of fourteen novels, including Compromising Positions, Shining Through, After All These Years, and As Husbands Go. Her newest novel, Takes One to Know One, will be published in October 2019. She is a former editor of Seventeen and a freelance political speechwriter. Susan is chairman of the board of Poets & Writers and a past president of Mystery Writers of America.
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