Friday, September 3, 2021

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: State Fair by Phil Stong



Summary:
Once a year, a tent city springs up overnight around the exhibition halls in Des Moines as farmers and their families pour in from across Iowa to attend the State Fair. After months of hard and often lonely work, farm families are given the chance to step out of their rural routines — picnic and gossip, sing and dance, take a chance at the hoopla stands, and strut their stuff in stiff competition for ribbons and prizes.

When the close-knit Frake family set out from Brunswick, Iowa, Abel's hog, Blue Boy rode proudly in the back of the truck — manicured, curried and rubbed to enameled perfection — ready to compete and win the sweepstakes, the highest honor which any hog could attain. Melissa, Abel's wife, had her hopes set on beating the competition with the prize-winning quality of her pickles. Their teenage children, Wayne and Margy, found themselves faced with a pickle of another kind. Although committed to sweethearts in their hometown, brother and sister are each seized by a new love that sweeps them along, secretly and illicitly, somewhere between the sweet taste of cotton candy and the breathtaking plunge of a roller coaster ride.

State fairs were a subject that Phil Stong knew well. For several years his grandfather had been superintendent of the swine division at the Iowa State Fair and, as a reporter for the Des Moines Register, Stong was assigned to cover the evening stock shows at the fair. Iowa held its first state fair in 1854, and for some time fairs were held at various locations around the state before permanently settling in Des Moines. State Fair is very much an Iowa book, filled with incidents and details from the author's own life.

Although State Fair suggests a deep satisfaction and fondness for rural life, it shocked some readers in 1932 and was banned in the city library of Keosauqua, Iowa (Stong's hometown) for twenty-five years after it was published. However, judging from the success of the book and the enthusiasm shown for the movies that followed, most readers were captivated by the Frakes' down-home talk and whimsical humor and commended the author's portrayal of rural America.


Chapter 1
Saturday Evening
Abel Frake solemnly appraised the cigar which the Storekeeper laid before him. It was a thing of beautiful curves and a rich brown coat; its wrapper was limp and silky, and though, for all his air of connoisseurship, Abel knew no more about a cigar than any other smoker in Brunswick, he felt instinctively that this was good. For, finally, it was not a nickel cigar, but a three-for-a-quarter cigar — practically a ten-cent cigar.

With a consenting gesture he signaled for two more. "It's not reasonable a man should burn up the price of eight eggs — ten good days' work for a fair hen — in a Saturday evening and Sunday," he said, "but a man shouldn't stint himself all the time — it's only once a week."

The Storekeeper, only a little more than middle-aged despite the grey at his temples and the bald spot running up his high forehead, noted the purchase on a paper bag, at the end of a long line of figures. "You'd buy three nickel cigars anyway, Abel; you're just out ten cents. Next week you just work each one of your hens a little harder and you'll have that dime made up in no time."

Abel laughed. "You ever try to push extra work out of a hen? A hen ain't the kind you can push. Anyway, I guess it wouldn't do me much good to drive 'em. Mamma gets all the money from the hens for Fair Week and Christmas presents."

The Storekeeper smiled at Melissa Frake ironically. "You ever see any of that money, Mrs. Frake?"

Melissa's plump, agreeable face assumed a mock severity. "You can bet I do! I'm not saying it isn't a fight sometimes to keep it away from a man like Abel Frake, but I'm a match for him!"

The circle of loafers against the counters laughed softly with an effect almost choral. Years of laughing together at the proper moments had taught each of them to submerge his laughter in the group's. It was the unconscious response of men of uncertain social instincts.

"You sure you've got everything?" the Storekeeper asked.

Mrs. Frake slipped into a mild trance, checking off items in the air with her finger. While this thaumaturgy progressed, the loafers were respectfully silent. "Everything," she said, at last.

The Storekeeper, fully conscious of what was to ensue, began to arrange the heap of packages so that they could be easily divided. Mrs. Frake took a few steps this way, a few steps that way, and stared about at the great roomful of goods. Thirty feet of shelves, stretching from floor to ceiling, carried dry goods. There were cases containing harmonicas, air rifles, hairpins, patent medicines, and school books. At the back of the store was the tiny office with its safe, which said, "Please don't blow up this safe, it is just in case of fire. If you turn the knob it will open. Probably it will open if you just kick it."

Before the office was a rack of overalls, coats, and ready-made clothing. The Storekeeper stood behind a counter on the side of the store devoted to groceries and shoes. The hardware stock was in an adjoining room, unlighted. The main room was filled with the greenish-white glare of a gasoline-pressure lighting system.

"I think I might take a little sackful of candy," said Mrs. Frake. "Maybe a package of chewing gum for after dinner tomorrow."

The Storekeeper took two doubtful steps, as if the proposition were much too dubitable to justify his actually going to the candy counter.

"There it is," said Abel Frake, with unconvincing bitterness, "just because you work me into a little bit of extravagance she thinks she has to throw away the whole family fortune."

"I'm just as much entitled to my candy as you are to your cigars, Abel Frake," said Melissa with an attempt at fierceness, pouting lips which were still red and firm. "I guess I will have some candy," she added defiantly, to the Storekeeper, for the five-hundred-and-twentieth time in ten years of fifty-two Saturdays each. "Maybe she could make those hens work harder, Abel," said one of the loafers. "You say they're her hens." But this was said for only the onehundred-

and-fourth time, for it had been invented only two years before. Again the sympathetic moan of laughter filled the bright, shadowy room.

Abel uttered a low groan. "What kind of candy will it be, Mrs. Frake?" asked the Storekeeper triumphantly, as though he had just accomplished a miracle of salesmanship.

Her eyes glowed over the assortment of cheap nougats, gum-drops, hard sugar candies with colored flowers on their ends, pasty candy bananas, chocolate creams of an early vintage. The Storekeeper waited as though a decision were being made — as though she would not finally take ten cents' worth of chocolate caramels "with just a few lemon drops and a few pink peppermints — Margy likes them".

"I think," she said finally, "I'll take ten cents' worth of hard chocolates with just a few lemon drops and a few pink peppermints — Margy likes them." The Storekeeper weighed out twelve cents' worth of candy.

"And a package of Bloodmint Gum." Hastily. It was the five-hundred-and- twentieth afterthought of the ten years.

"How's Blue Boy looking, Abel?" The Storekeeper looked up over his scales, which showed that he was about to make one-fourth of a cent on a fifteen-cent transaction.

"Going to take him out of stud pretty soon. If he doesn't take sweepstakes at the Fair this year it's just about going to break up the whole Frake family — including Eph." Eph was the Hired Man. "Looks better than he looked last year — when he should've had it. They're going to have to raise some powerful hogs if they keep him out of the grand award this year."

The store door protested and opened, and two women entered. There was a babel of "Why, Melissa!" — "Why, Martha!" — "Alice, did you get that hat over in Pittsville?" and the three ladies withdrew to the show window — which was full of sacks of chickenfeed — disposed themselves comfortably on the sacks and began to talk in low but animated voices.

The loafers, with the Storekeeper and Abel Frake, on the other hand moved to the darker portion of the store near the ready-made suits. It was the Brunswick equivalent of the ladies' retirement to the drawing-room. A mild but hearty spirit of celebration filled the place. It was Saturday — eight-thirty, the very height of the evening.

The Storekeeper dropped his professional manner — very superficial at best — without any perceptible effort. The experiences of twenty years of country storekeeping had lined the Storekeeper's face with amiable, ironic lines. He believed, with Jack London's Sea Wolf, that Heaven ordains all things for the worst — but more mischievously than tragically. He thought of God as a slightly perverse, omnipotent small child, breaking His jam jars all over the Storekeeper's life. He gathered up the pieces and shook his finger at God.

"There's just one thing you want to watch out for, Abel," he said seriously. "Don't let your hog get too good."

Abel grinned as he awaited the resolution of this statement, for all Brunswick knew that the Storekeeper was slightly and amusingly mad. They respected his madness, for when the World War started he had crammed his store with stock, explaining that it was beyond belief that our Senators and Representatives in Congress should show the slight intelligence necessary to keep us out of it, and that prices would be higher. As a result he was now almost as well-to-do as Abel Frake.

"Because if he's the best hog, Abel, he'll never win the sweepstakes. If a hog, or a man, ever got what he was entitled to once, the eternal stars would quit making melody in their spheres, and all that. You have him about third or fourth best, Abel, and you'll do better, mark my words."

The loafers looked at each other and grinned. Abel smiled his thoughtful, almost wistful, smile and slapped the Storekeeper gently on the shoulder. "I'm going to have that hog in the finest shape I can possibly get him into, and never fear but what if he's the best he'll get the prize. Those men from Ames know their hogs."

"All right," said the Storekeeper, with humorous gloom, "but did you ever hear about automobile wrecks? Did you ever hear about lightning? Did you ever hear about earthquakes or hog cholera or acts of God? Suppose — as you're supposing, I don't suppose it — the judges should be good judges and suppose, even, they should be honest. What about hurricanes? Don't you get that hog too good."

Abel Frake laughed and took a cigar, which he had been fingering gently for some minutes, out of his coat pocket. "Guess I better smoke this," he said. "I've been looking forward to smoking these cigars, and now you've got me into the idea that probably they won't be much good. If they ain't you've got to take the other two back."

"Cigars," said the Storekeeper, "are something else. Providence has to keep its hands off cigars. If that cigar isn't a comfort and an inspiration, it'll only be because a tidal wave fell on it between Havana and here." The Storekeeper thought only in major catastrophes.

Abel split the tip of the cigar with an expert squeeze — the Storekeeper had shown him that trick — and lit it from the match which the Storekeeper held. He let the smoke curl up under his nose and smiled. He sighed with contentment.

"All right," he said, "you've taught me ways of prodigality and waste. You're the kind of a man that would lead a poor farmer to his ruin with your three-for-a-quarter cigars."

"Just as well be ruined one way as another," said the Storekeeper calmly. "If you didn't spend it on cigars you'd probably spend it on Bible tracts to annoy heathens, or for orphanages to soothe the consciences of people who don't want to be bothered looking out for orphans. You might even spend it on slop for that hog of yours. Aren't you going to permit yourself a little indulgence now and then? Are you going to spend your life seeing that that animated lard can astonishes civilization with the world's largest sausage-casings?"

Abel frowned at the Storekeeper. "Call me all the names you want to, but don't say anything against that hog. I've got faith in my hog. I believe in my hog."

"Yes," said the Storekeeper, "if there was anything lacking to beat your But-for-the-grace-of-God-shoat I suppose what you've just said would do it. I suppose he's so fat and mean-natured now that nothing could possibly keep him from being the best hog at the show. Well, that's Item One. Item Two, you're all set on him, so he's just as good as beat this very minute."

Abel Frake laughed deep in his throat, but quietly. "Blue Boy is the best Hampshire boar that ever breathed, right now. And, what's more, the judges will say so."

The Storekeeper looked at him thoughtfully. "They don't always work any way you could see Them. Your pig might win the prize, but your house would burn down or you'd catch rheumatism. You can't get away from Them."

Everyone within miles of Brunswick understood "Them" so well that there was no question. Abel Frake grinned at the Storekeeper.

"I'll make you a little bet. I'll bet you I go to the State Fair, and I'll bet you that Blue Boy wins sweepstakes, and I'll bet you my house doesn't burn down and that we all have a good time and are better off for it when the whole Fair is over."

"Abel," said the Storekeeper solemnly, "if you'd asked me I'd have given you ten to one. But you didn't ask me. I'm one to profit from a fellow-man's misfortunes; so I'll bet you. And I bet you that if I lose, something will've happened that we don't know about but that will be worse than anything you can think of. They're tricky."

Abel laughed. "But that way you can't lose. If we don't know of anything that happened, then you can just say that something happened we don't know about. How do I win?"

"If we don't learn about it by a couple of months after Fair time, I'll pay. I don't think They'll bother so much with you."

"It's a bet, then."

"It's a bet," said the Storekeeper, gravely and confidently, as though he had just bet on the rising of the sun. "I started me a little Fool Fund Wednesday. I got five dollars in it already and this will make ten."

"Fool Fund! What's that?"

"People think I'm a fool because I've got a notion of what things are all about. So I've begun to capitalize on that opinion. I took the Kellogg- Birge man from Keobuk for five dollars — the first five."

The loafers all laughed expectantly, for a story which they had already heard several times and liked, and Abel asked, "How did you do that?"

"Well, he came in here, and I said something about Hoover was going to be re-elected because there was no one in the country more markedly and pre-eminently unfitted for public office, and so he was a safe bet. This traveling-man said I was crazy about Hoover being re-elected and I was also crazy in general because there is a destiny that shapes our ends. So I made him a little bet and won five dollars."

"What was the bet?"

The Storekeeper looked mildly bored. "I said if you was driving nails in a board and reaching behind you for the nails, it would be arranged so that you would pick up more of the nails by the point, and have to turn them over, than you would pick up by the head end so that you could drive them without any trouble. Out of a hundred nails."

"Tell him how it come out," said one of the loafers who had heard a dozen times at least.

"It came out seventy-three to twenty-seven, so I took the money."

Abel laughed. "I'm glad you won five dollars so easy, because it will make me feel better about taking your money after the Fair. Your Fool Fund is going to wind up with no assets and no liabilities just two months after Fair Week."

The Storekeeper shook his head. "Except for the five dollars, which anyone in the general merchandising business can use, I sure hope so." There was a faint flurry at the front of the store. "Abel! Do you suppose we ought to be getting back? The Hired Man went over to Pittsville and there isn't a soul on the place."

"Took his wife and kids over to the moving pictures," Abel explained to the loafers — even such simple things were worthy of explanation. "I think it's worth while for him to get out occasionally."

He moved up to the front of the store and the Storekeeper followed him. The loafers settled down to another hour of conversation before the Storekeeper's closing time.

"Good night!"

"Good night, Mrs. Frake. You got your sack of candy?" "Never fear I'd forget that." She went out, laughing.


The children of Iowa farmers find love, with mixed results, at the state fair.

Release Date: February 10, 1933
Release Time: 97 minutes

Director: Henry King

Cast:
Janet Gaynor as Margy Frake
Will Rogers as Abel Frake
Lew Ayres as Pat Gilbert
Sally Eilers as Emily Joyce
Norman Foster as Wayne Frake
Louise Dresser as Melissa Frake
Frank Craven as Storekeeper
Victor Jory as Hoop Toss Barker
Frank Melton as Harry Ware
Erville Alderson as Martin(uncredited)
Hobart Cavanaugh as Professor Fred Coin(uncredited)
Harry Holman as Professor Tyler Cramp(uncredited)

Awards:
1933 Academy Awards
Paul Green, Sonya Levien - Best Writing (Adaptation) - Nominated
Outstanding Production - Nominated



1945  /  1962



Author Bio:
Philip Duffield Stong (January 27, 1899 – April 26, 1957) was an American author, journalist and Hollywood scenarist. He is best known for writing the novel State Fair, on which three films (1933, 1945, and 1962) and the hit Rodgers and Hammerstein musical were based. Phil Stong's children's classic, Honk the Moose, illustrated by Kurt Wiese, was placed on Cattermole's 100 Best Children's Books of the 20th Century list and was 1936 Newbery Honor Book. Honk the Moose also won the Lewis Carroll Shelf Award in 1970.

Stong was born in Pittsburg, Iowa, a village no longer found on maps. Pittsburg was on the west side of the Des Moines River in southeast Iowa's Van Buren county. Young Phil was the son of Benjamin and Ada Evesta Duffield Stong. Father Ben ran a general store in Pittsburg and then later a variety store in Keosauqua, the county seat of Van Buren County, where he was also postmaster.

Phil Stong attended both elementary school and high school in Keosauqua and then went to Drake University in Des Moines, Iowa.

As a boy, Stong loved to read, especially works by Mark Twain, and decided to be a writer in his teens when he sold his first magazine story for $1. After graduation in 1919 he taught in the high school at Biwabik, Minnesota, a town on the Mesabi Iron Range north of Duluth. The young man found life in Biwabik fascinating because of the many different ethnic groups living in the area. Later, Stong set a novel, The Iron Mountain, and a children's book, Honk the Moose, in the Iron Range. Honk the Moose is recognized as a children’s classic and the people in the book were based on real folks and many of the buildings in the book are still standing. In the year 2000, Biwabik finally ordered and installed a big fiberglass moose in the town square, commemorating Honk.

Although Phil Stong enjoyed working as a teacher, he continued to strive to become a creative writer and eventually turned from teaching to the practice of journalism. When the opportunity arose, he went to work as a reporter and editorial writer for the Des Moines Register. In 1925, at age 26, Stong returned to New York, where he worked first as a wire editor for the Associated Press and then as a copy editor and feature writer for the North American Newspaper Alliance. In 1927 he went to Boston to interview Nicola Sacco and Bartolomeo Vanzetti just before their execution, an experience he considered one of the most important in his life. Later, he was with the magazines Liberty and Editor and Publisher, and then Sunday feature editor of the newspaper the New York World, and finally an advertising writer for Young and Rubicam Advertising Agency.

On November 8, 1925, at the time he moved to New York, Phil Stong married Virginia Maude Swain, a reporter on the Register's sister newspaper, the Tribune.

Stong credited his wife with encouraging him in his writing. When reminiscing about the beginnings of his most famous novel, State Fair, Stong later said, "I was working in the publicity department of one of the few good advertising firms in the world when Mrs. Stong suggested that I do something about my native State's great harvest festival, the Fair.” This happened in the summer of 1931. On July 28, he wrote to family back in Iowa: "I've finally got a novel coming in fine shape. I've done 10,000 words on it in three days and I get more enthusiastic every day. . . . I hope I can hold up this time. I always write 10,000 swell words and then go to pieces.”

State fairs were a subject that Phil Stong knew well. For several years his grandfather had been superintendent of the swine division at the Iowa State Fair. Stong attended his first Iowa State Fair in 1908 and got lost trying to find his parents' tent on the campgrounds.

He never got lost at the fair again. Then, while a reporter with the Des Moines Register, Stong was assigned to cover the evening stock shows at the fair. American agricultural fairs were and still are a combination of education and festivity, and State Fair is very much an Iowa book, filled with incidents and details from the author's own life. While the setting of a state fair in the early part of the twentieth century is accurately portrayed, Stong was of course writing as a novelist and not as a historian. The author was creating an artistic representation of the fair, not presenting the literal truth, and his novel bubbles with whimsy and humor.

State Fair was Stong's thirteenth novel and first book to be published. After its success, Phil Stong went on to write more than forty books, many of them set in the Keosauqua area. When not writing adult fiction, he tried his hand at children's books. "I use the pieces to clear my throat between books to remind myself that direction, simplicity, and suspense are the sine qua non of all narrative writing." His favorite among his own books was Buckskin Breeches (1937), a historical novel based on his grandfather Duffield's memories of frontier Iowa.

With the income he earned from State Fair and selling the film rights, Stong was able to buy his pride and joy, the 400-acre Linwood Farm that had once belonged to his mother's family just north of the ghost town of Pittsburg on the west side of the Des Moines River.

In addition to his novels, his short stories were published in most of the leading national magazines of the time, and he wrote several screenplays. Stong's The Other Worlds: 25 Modern Stories of Mystery and Imagination, was considered by Robert Silverberg (in the foreword to Best of the Best: 20 Years of the Year's Best Science Fiction) to be the first anthology of science fiction. Compiling stories from 1930s pulp magazines, along with what Stong called "Scientifiction", The Other Worlds also contained works of horror and fantasy.

Phil Stong died at his home in Washington, Connecticut, in 1957, and was buried at Oak Lawn Cemetery in Keosauqua.

About his writing career, he once said, "Fell while trying to clamber out of a low bathtub at the age of two. Became a writer. No other possible career."


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Wednesday, September 1, 2021

Release Blitz: Back Check by RJ Scott & VL Locey

Title: Back Check
Authors: RJ Scott & VL Locey
Series: Boston Rebels #2
Genre: M/M Romance, Hockey
Release Date: August 31, 2021
Cover Design: Meredith Russell


Summary:

Meeting Joachim could save his daughter’s life, but it may well cost Isaac his heart.

It’s been one hell of a year for Joachim LΓΆfgren. After a long summer in rehab, he’s been moved to a new town, one far away from the warm Florida sun he so adores, to bolster a struggling Boston defense since the departure of their beloved team captain. He hasn’t even unpacked his skates properly when fate lands another blow, and he’s told that he is dad to a gravely ill child he never knew existed. It’s an easy decision for the burly defenseman to help and he opens up his new home to his child and her guardian Isaac. He’s instantly enchanted with the preschooler as well as her uncle and decides that his life will only be complete if his daughter is part of it. Filing for custody is the only option he feels he has, but this throws his budding relationship with Isaac into utter chaos. The two men soon find themselves on opposite sides of the courtroom as they both fight for the life they feel is best for Sophia.

Despite grieving for the loss of his sister, Isaac doesn’t hesitate to take on the responsibility for his newborn niece Sophia, creating a brand new family of two built on love and laughter. He has a steady income painting pet portraits during the day, but it’s the subversive and satirical cartoons he draws at night that silence his thoughts in the dark. They don’t have much as a family, but he is Sophia’s dad now, and nothing and no one will ever come between them. When a routine pediatric checkup shows that Sophia is ill, it forces Isaac to confront every one of his fears. Finding a matching donor is her only hope, and Isaac begins the journey to find Sophia’s mysterious father. There are no names or dates in his sister’s battered journal, and all Isaac knows is that he’s looking for a hockey player who was nothing more than a one-night stand. Little does he know that finding Joachim could destroy everything.



“Hey, guys, did you see this story coming out of Fort Lauderdale?”

Everyone looked at me.

“I didn’t do it,” I quickly said as I lifted my hands up innocently. “I was here in Boston.”

“No, it’s nothing bad like you’re used to,” Austin blurted out. Xander swatted him upside the head. The boy’s eyes bugged out, and his soft cheeks turned scarlet. “Oh! No, I didn’t mean you did bad stuff! Being drunk isn’t bad. Well, it kind of is bad when you run off the road and hit a mailbox. It’s not bad in a bad way. It’s, uhm… well, it’s just an addiction right, and you’re not drinking anymore so it’s all okay. No, well, okay in that you’ve stopped drinking and are now—”

“It’s okay, Rowe, I know what you meant, and it’s fine. I did some pretty fucked up things when I was under the influence of alcohol.”

Austin wilted a bit. “Okay, thanks. I didn’t mean to imply that addictions are bad. I mean they are! No, not bad like bad but—”

“It’s okay, kid. Just move onto the news story.” I chuckled. Moral lobbed a chunk of apple at Austin. He ducked it and the glob smacked Kyle in the cheek.

“Right, yeah, so there’s this guy down in Florida who’s looking for a bone marrow donor for his daughter. He showed up at a preseason hockey game to search for some mysterious fan called ‘Hockey Guy’ which the dead mother named as the possible father.”

“Shit, so the guy is raising his daughter alone?” Moral asked, the sad news slowing his inhalation of muffins for a moment.

“Wait…” He placed his muffin on its plate. “If he’s the father then why is he looking for the father?”

“He’s the baby’s uncle but has been raising her as her father. It’s all super sad and everyone in the league is signing up to see if they’re a match for the little girl with leukemia. Look at her.” He showed us all an image of an adorable little girl of perhaps three and her daddy/uncle who was also cute as hell. “We should sign up.”



The Boston Rebels were established in the roaring twenties as one of the Original Six teams in the fledgling new professional hockey league. Success came to them somewhat quickly as they won the championship in nineteen thirty-two by beating New York to become the first American team to bring home the cup. 

From the first out NHL captain, to the bright young star making his mark, the defenseman fighting addiction and finding out he’s a dad, to the goalie being stalked by a killer, meet a brand new team of hockey players from the authors of bestselling MM Hockey Romance’, RJ Scott & VL Locey.



Boston Rebels

Saturday's Series Spotlight

Arizona Raptors
Part 1  /  Part 2



RJ Scott
RJ Scott is a USA TODAY bestselling author of over 140 romance and suspense novels. From bodyguards to hockey stars, princes to millionaires, cowboys to military heroes to every-day heroes, she believes that love is love and every man deserves a happy ending.


VL Locey

USA Today Bestselling Author V.L. Locey – Penning LGBT hockey romance that skates into sinful pleasures.

V.L. Locey loves worn jeans, yoga, belly laughs, walking, reading and writing lusty tales, Greek mythology, Torchwood and Dr. Who, the New York Rangers, comic books, and coffee. (Not necessarily in that order.) She shares her life with her husband, her daughter, one dog, two cats, a pair of geese, far too many chickens, and two steers.

When not writing spicy romances, she enjoys spending her day with her menagerie in the rolling hills of Pennsylvania with a cup of fresh java in one hand and a steamy romance novel in the other.


RJ Scott
FACEBOOK  /  TWITTER  /  WEBSITE
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EMAIL: rj@rjscott.co.uk

VL Locey
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Back Check #2
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Lost in Boston #.5

Boston Rebels Series

Harrisburg Series

Owatonna U Series

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Tuesday, August 31, 2021

August Book of the Month: The Blood Boss by Davidson King



Summary:

Vampires, mermaids, and witches…oh, my! Black Veil is full of them all, but at the end of the day, it’s The Blood Boss who has the last word. Ever since The Final War, Vampires rule Black Veil, and with The Blood Boss in charge, peace reigns.

Keeping the vampires under control is a task Cain takes seriously. Humans have accepted his rule, and anyone who seeks to destroy his territory is given swift punishment. His promise to keep Black Veil safe comes with great sacrifice and selflessness; never does he dare hope for more in life. Until one day, a man walks through his front door and changes everything.

Jayce has a happy life. His adopted parents love him, he wants for very little, and he lives every day to the fullest. But when a normal evening turns into a nightmare, and Jayce is forced to come face-to-face with The Blood Boss, the world as he knows it feels like a lie.

Then a great secret is revealed, and nothing is what it seems. Cain and Jayce must work together to stop the forces uniting against the vampires. Life and love are in jeopardy as they fight those who seek to destroy them. Can Cain and Jayce keep Black Veil from crumbling into the sea when every attempt to do so seems impossible?


HOLY HANNAH BATMAN!!!! Once again Davidson King has proven that the Force is strong within her because . . . WOW!  The talent for storytelling that runs through her veins is so strong, if it really was the force she could singlehandedly blow up the Death Star.  Her gift of words is so powerful you can't help but get sucked in once you start.

I won't say she had "fears" about venturing into the paranormal genre but I'm sure there were inner hesitancies but she needn't have worried because the world King has created in her new series, Black Veil, really is the complete package.  The Blood Boss, or as those closest to him call him, Cain may be a vampire of few words but you know he's the boss by his presence.  "Presence" may seem like an odd word to use in literature since you aren't seeing the character on a screen or stage but the world building that Davidson King has created is so vivid and descriptive, I felt like I was witnessing it right outside my window.  You really lose yourself in the book and become part of the environment that is Black Veil and the desire to discover all it's little nooks and crannies, rumors and truths, and how the lines of good and evil can sometimes blur.

As for the main characters, Cain and Jayce?  Well, I mentioned the power Cain gives off but he also has heart(and yes I realize that's an odd thing to say about a vampire but its no less true), he cares for others more than he wants the world to know.  We meet Jayce as he steps in to receive punishment for a debt his father hasn't been able to pay back and he doesn't do this on a whim, this is the kind of man he is.  Put these two together and you have a recipe for what could be complete and utter chaos or the grand champion winning pie at the fair that you want to eat even though its been sitting on the judging table for days.  Which is it?  Trick question really, on one hand I won't give particulars to spoil anything but truth be told Cain and Jayce are a little bit of both, chaos and champion.  

Cain and Jayce and the supporting cast of characters who I'm sure we'll get to see more of in future installments makes The Blood Boss an absolutely delicious read sure to satisfy any and all your fiction hungers.

RATING:



Chapter One 
Jayce 
“Good night, Jayce.” Sibell, the old lady who owned the bookstore where I worked, squeezed my shoulder when she passed. 

“Stay safe, Sibell, I’ll see you Monday morning.” 

She smiled softly, her dark eyes twinkling as if they held a million secrets. Nodding quickly, she shut the front door. 

I had worked here from the time I was eighteen and loved it. Now that I was twenty-three, Sibell was able to hand over a great many important tasks to me, such as counting the drawers, locking up, and ordering inventory. She’d told me the day she promoted me that she was grateful to finally have someone she trusted to watch over the store when she couldn’t. I took the responsibility seriously and was equally as grateful.

After I flipped the sign on the door to closed and locked the cash drawers in the safe, I did a sweep of the rows to be sure they were all tidy and nothing was out of place before leaving and locking the door. 

“Late night?” the baker across the way, Burt, shouted as he shut down his own place. 

“Fridays always are. Have a good night, Burt.” 

He waved and got into his truck. I didn’t drive; the desire to learn how never intrigued me. If it rained I took the bus, but on clear days like today, I used my legs to get me home. I always traveled along the sidewalk that paralleled the ocean. In the morning, the sunrise would be my cup of coffee, and in the evening, when the moon made the sea glitter, it was a nightcap of delicious Chardonnay. 

I was raised in foster care, though I didn’t have horrible and traumatizing memories like many in the system do. I was one of the lucky ones. My foster parents loved me from the second they found me on their doorstep at only a few days old, and I’d always felt like I was their son. At the age of five, I went from a foster kid to an adopted one, and Michael and Anne Harlow became my legal parents, and Black Veil City my home. 

While not perfect and constantly humming with magic in the air, I wouldn’t live anywhere else. I heard the chimes from the church bells, indicating it was nine in the evening, and I hurried my steps. See, I loved this city, but when the sun was fully tucked away, it was safer to be home. 

As I passed the police station, one of the officers stopped me.

“You shouldn’t be walking around at night, son. Do you need a ride?” 

“No thanks, I’m just around this corner.” 

“Okay, be safe.” I could feel the officer’s eyes on me until I turned down my street; everyone was vigilant at night. 

I wasn’t born when it happened, but as the story goes, the world was falling apart, and humanity was responsible for it. In school, I was taught that due to humans killing the planet and each other, a balance no one knew existed had been upset. 

The textbooks referred to it as The Final War because there hadn’t been one since. Mom would tell the story so dramatically, it was almost humorous. The first time I’d heard it, I was ten: 

“From the Earth’s core the demons climbed, and from the stars the angels fell. The sea came alive, and the waves brought magical creatures ashore. The trees trembled with life as winged magicians swept through the forest. Humanity was not destroyed in this war; it was set to order.” 

That was how she always started the story. Vampires, fairies, angels—all of them had come to Earth’s aid and saved it. When the dust settled, a new hierarchy was created and humans were not at the top. I was okay with that because, first of all, I’d known no differently, and also I’d learned that the oceans became cleaner, the air was safer, and there was zero pollution. But the fact that humans weren’t number one meant something else was, and here in Black Veil City, that was vampires. Namely, The Blood Boss.

I had never met him—hell, he didn’t show his face anywhere that I’d ever seen, and I knew very little about him. But he controlled all vampires, and while the streets weren’t running red with blood at night, it was the time they tended to roam, and crime was rare but it did happen. 

I could see the porch light shining at the house and was just about to climb the steps when I realized there was a sleek black Cadillac in the driveway that didn’t belong to anyone I knew. Who could be here at this hour? 

Something crashed inside and I rushed through the door, worried Mom, Dad, or the foster kids inside were in trouble. 

“Jayce!” Mom shouted from the couch. Her hands were on her lap, and tears streaked down her cheeks. Dad was on the ground, his nose bleeding. But what had me frozen in place were the two hulking vampires in the living room. One stood beside Mom, and the other hovered over Dad. 

“What’s going on here?” There were laws in place that vampires couldn’t enter someone’s home and dominate them for anything unless they had proper documentation from The Blood Boss. 

“Who are you?” The one who was beside Mom narrowed his eyes. 

“I’m Jayce Harlow, and I live here. Who are you?” 

“Jayce, don’t…” A sharp look from the vampire above my dad shut him up. 

“I’m Emil, this is Petru, and we’re here under orders from The Blood Boss.” Emil was the one guarding my mother, and he slipped a piece of paper from the pocket of his expensive suit.

He walked over to me, and I had to crane my neck to meet his gaze. He had to be over six five or something. His blond hair was styled in a short cut, his eyes an eerie shade of blue—a cross between white and baby blue. I’d noticed all vampires had odd-colored eyes; it was one way of identifying them. 

“Take a gander.” He held the paper out to me, and I took it, reading every word carefully, hoping I’d find a reason to tell them they had no right to be here. But there was none and… 

“You borrowed money from The Blood Boss, Dad?” 

Petru stepped back when my father tried to stand, but he stayed close. 

“I had to, Jayce, I had no other choice.” 

I read the line that scared me the most. “Failure to pay the agreed-upon amount will result in your punishment being ruled on in front of The Blood Boss and a fair judgment dealt.” I looked up, and tendrils of fear licked at my skin. “Dad, this is serious! It says you borrowed over fifty-thousand dollars.” 

“I know and—” 

“Do you even have it?” I knew he didn’t; money was tight even with what we were given from the government to care for the foster kids. I’d told my parents not to take any more kids in, that we couldn’t afford it, but they hated turning away a child in need. 

“No.” His voice was a whisper, and he flinched when Petru grunted. 

“Emil, is it?” The vampire nodded. “Can I ask what punishment my father will get?”

He shrugged. “I’m not The Blood Boss; you’d have to ask him, but the reason there is order in Black Veil is because no one gets to slide by without repercussions for their actions.” 

“But from your experience, what would you say he’d get for it?” 

Emil spared a glance at Petru before answering. “The reason Michael Harlow borrowed money had to do with the fact that the bank was about to foreclose on his house. It’s a noble reason. My guess is he’d likely make him work it off.” 

The bank was going to foreclose on the house? Why didn’t anyone tell me? 

“He already works two jobs. If you take him away, the bank will surely take the house. Isn’t there another way?” 

Emil shook his head. “Anne Harlow could take his place as payment.” 

My mom was a schoolteacher during the week, and on the weekends she worked at the community center to help children who were struggling in school. She couldn’t be away either. 

“If you take Mom or Dad, they will be even deeper in debt with the bank, the foster kids will have to leave, and I don’t have a lot of hope for them in the system, and they’d lose their other jobs. Please, is there any other way?” 

Emil looked over at my mom, then at my dad. When he met Petru’s gaze, it was as if they were having some sort of telepathic conversation, and maybe they were; I didn’t know a lot about vampires’ abilities. 

“Are you their son?” Emil turned toward me again. 

“No!” My dad made to run over to me, but Petru stopped him easily.

“I am, why?” 

“It’s not typical, and I’ve never seen it done, but you could go in your father’s place.” 

“Jayce, please.” My mom was sobbing, and I heard the pitter-patter of footsteps above me. No doubt the kids were listening and frightened. Michael and Anne were amazing foster parents. If it weren’t for them, I’d likely be in a shit situation, and if they left here now it would be a disaster. 

I, on the other hand, only worked at the bookstore and while Sibell needed my help, she wasn’t completely lost without me. Mom and Dad would take a little hit financially, seeing as my paycheck went to help out around here. It was the sole reason I stilled lived at home. However, without me here it would also be one less mouth to feed, so things might balance themselves out. 

“I’ll do it.” 

My mom cried harder, and my dad tried to break free of Petru’s grasp. They loved me and didn’t want to see me handed to The Blood Boss, especially for something I had no control over. 

Emil held a small square device in his hand. “I need your finger.” 

Reflexively I clenched my fists. “It will be hard to work off my father’s debt if I’m down one finger.” 

Emil and Petru chuckled. “You can keep your fingers, just slide one in here.” The square device opened and there was a tiny needle sticking up inside. “I need a drop of your blood.”

I glanced over at my parents, Mom’s cries were softer, but my father looked as if he were about to come apart. 

Slowly, I stuck my finger inside the device, feeling the brush of the needle. Emil gave me no time to react; he shut it and I felt the quick, piercing pain. 

“Repeat after me,” Emil said. “I, Jayce Harlow, agree to take punishment for Michael Harlow’s debt to The Blood Boss for the allotted time agreed upon by him.” 

I repeated what he said, and he went on. 

“This is a blood oath you are making at your own free will and without coercion?” 

“Yes.” 

“I hereby stand witness to this pact and agree to the substitution of Jayce Harlow in place of Michael Harlow.” 

Emil released my finger and I immediately stuck it in my mouth, earning a chuckle from both vampires. 

“I bet you’re delicious.” Emil winked but quickly walked to my dad. 

“I don’t allow you to take my son!” 

“Michael Harlow, you are hereby excused of your obligation to The Blood Boss—” 

“No! I refuse.” He tried and failed to break away from Petru as he raged and cried.

“Dad, please. Let me do this. Conner, Lisa, the twins, they need you and Mom here.” 

“What if he hurts you?” My mom spoke through her sobs. 

“A debt is not punishable by death or physical harm,” Emil answered, his voice laced with boredom. “Petru, I will get Jayce to the car, and then you may release Michael and join us.” 

“Can I say good-bye?” 

Emil’s expression hardened. “I’ve been as kind as I’m going to be, Jayce. Let’s go.” 

Even if I wanted to, I wasn’t going to argue. I followed Emil out of the house, hearing my mother’s loud cries all the way to the car.

Author Bio:
Davidson King, always had a hope that someday her daydreams would become real-life stories. As a child, you would often find her in her own world, thinking up the most insane situations. It may have taken her awhile, but she made her dream come true with her first published work, Snow Falling.

When she's not writing you can find her blogging away on Diverse Reader, her review and promotional site. She managed to wrangle herself a husband who matched her crazy and they hatched three wonderful children.

If you were to ask her what gave her the courage to finally publish, she'd tell you it was her amazing family and friends. Support is vital in all things and when you're afraid of your dreams, it will be your cheering section that will lift you up.


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