Saturday, April 12, 2025

Saturday's Series Spotlight: Magic & Steam by CS Poe Part 1



The Engineer #1
Summary:

1881—Special Agent Gillian Hamilton is a magic caster with the Federal Bureau of Magic and Steam. He’s sent to Shallow Grave, Arizona, to arrest a madman engineer known as Tinkerer, who’s responsible for blowing up half of Baltimore. Gillian has handled some of the worst criminals in the Bureau’s history, so this assignment shouldn’t be a problem. But even he’s taken aback by a run-in with the country’s most infamous outlaw, Gunner the Deadly.

Gunner is also stalking Shallow Grave in search of Tinkerer, who will stop at nothing to take control of the town’s silver mines. Neither Gillian nor Gunner are willing to let Tinkerer hurt more innocent people, so they agree to a very temporary partnership.

If facing illegal magic, Gatling gun contraptions, and a wild engineer in America’s frontier wasn’t enough trouble for a city boy, Gillian must also come to terms with the reality that he’s rather fond of his partner. But even if they live through this adventure, Gillian fears there’s no chance for love between a special agent and outlaw.

Based on the short story, "Gunner the Deadly." Entirely revised, newly expanded, and Book One in the exciting new steampunk series, Magic & Steam.






The Gangster #2
Summary:
1881—Special Agent Gillian Hamilton, magic caster for the Federal Bureau of Magic and Steam, has recovered from injuries obtained while in Shallow Grave, Arizona. Now back in New York City, Gillian makes an arrest on New Year’s Eve that leads to information on a gangster, known only as Tick Tock, who’s perfected utilizing elemental magic ammunition. This report complicates Gillian’s holiday plans, specifically those with infamous outlaw, Gunner the Deadly, who promised they’d ring in 1882 together.

The two men stand on the cusp of a romance that needs to be explored intimately and privately. But when Gillian’s residence is broken into by a magical mechanical man who tries to murder him on behalf of Tick Tock, he and Gunner must immediately investigate the city’s ruthless street gangs before the illegal magic becomes a threat that cannot be contained.

This might be their most wild adventure yet, but criminal undergrounds can’t compare to the dangers of the heart. Gillian must balance his career in law enforcement with his love for a vigilante, or lose both entirely.

The novel-length follow-up to The Engineer, in the exciting new steampunk series, Magic & Steam.




The Engineer #1
October 10, 1881
The trch, trch, trch of Gatling gun rotating cylinders had been my only warning before the gunfire began. Bullets pierced the sun-bleached faΓ§ade of the gambling hall behind me, and splintered wood rained down like an unexpected desert shower. I held on to my bowler, dove behind a nearby wagon, and scrambled up against the wheel. By way of defense, it offered little, but I desperately needed half a second to gather my bearings. I’d just entered Shallow Grave, Arizona, hadn’t even flashed my badge yet, and already I was being shot at.

I yanked my traveling goggles over my head and accidentally dropped them as another round of shooting began. Windows shattered, a woman’s scream echoed from a few storefronts to my right, and the scorched red earth around me billowed up in miniature dust storms where bullets became embedded in the packed clay.

I lifted the headband and over-ear receivers of my Personal Discussion Device from my neck and fitted them into place. I raised the handheld transducer, punched in a code on the brass buttons that would connect me to my director back in New York City, and waited for Loren Moore’s smooth tenor voice to answer.

But nothing happened.

I tried again.

Not even static.

“Send Gillian out West,” I said in a self-mocking tone. I attempted contact a final time, but it was in vain. “Milo Ferguson won’t stand a chance against him. Of course not. But the utter lack of basic amenities and technology?” More gunfire, and I winced before sliding down farther and trying to make myself as small a target as possible. “Gillian will love it.” I wrenched the band down to rest around my neck again, then rolled onto my belly to peer under the wagon.

There was a sudden crackle in the atmosphere—the snap of aether magic being activated. The sensation raised gooseflesh on my arms, and I recognized the spell for what it was.

Manufactured.

Illegal.

Not magic invoked by a caster like me, but by a physical weapon and someone with the wealth in which to afford its use.

And then three near-simultaneous shots fractured the air like seven years’ bad luck. No doubt that had come from a triple-barrel Waterbury pistol. But it didn’t line up with the intelligence the Bureau had on Milo Ferguson. Yes, he was wanted for his improper use of steam energy to power unregistered innovations, as well as his amassing of aether ammunition, but he hadn’t once owned a Waterbury pistol or Jordan rifle, the only two weapons capable of firing magic-laden bullets.

Ferguson was an engineer. And mad though he might be, he was gifted at any sort of construction that had a lethal edge to it. His inventions were what had recently taken out half of Baltimore. His self-designed, magic-compatible monstrosities of brass and copper and iron were why I had been directed by the Bureau and the President of the United States to haul ass to Arizona territory.

So the shots in retaliation to the Gatling gun hadn’t come from Ferguson. They’d come from yet another individual hell-bent on breaking the law. And me with only one pair of handcuffs and no idea where the town jail was located….

I watched from underneath the wagon as a pair of black-clad legs—presumably the Waterbury owner—ran by like the hounds from Hell were giving chase. The man skidded to an abrupt stop in the middle of the dirt road, turned, and another shiver of manufactured magic creeped along my arms seconds before the Waterbury shot another triple round at a target somewhere out of sight to my left.

I scrambled to my hands and knees and moved into a crouch. Peering around the edge of the wagon, I raised a hand to shield my eyes from the setting sun and saw, standing against a fiery desert backdrop, a cowboy straight out of a dime novel. He was tall, like he could steal the stars from the sky at night. Not a big man—lithe was the word—but imposing nonetheless in head-to-toe black attire, including a Stetson hat hanging from his neck. He remained in a shooting pose and cocked the hammer on his Waterbury. But as the ammunition came to life for a third time, gunfire erupted from my left again and sent the cowboy running for cover.

Specifically, my wagon.





The Gangster #2
December 31, 1881
“Stop!” I shouted as I gave chase to Fat Frank Fishback through the chaotic fray of Manhattan’s Lower East Side.

Fishback—who was, in actuality, all arms and legs—skidded and slipped on the frozen cobblestones, righted himself, and made a sharp left toward a dilapidated tenement listing hard to one side. He shoved a big-boned woman from the open doorway and disappeared into the unsound structure.

“Sonofa—” I raced in the same direction, moved past the startled woman, and called a curt apology over my shoulder as I barged unwelcomed and unannounced through someone else’s home.

The interior was dark, and despite the night of winter already upon us, no lamps had been powered on. Steam piping had been installed throughout the Five Points earlier in the year, but it was obvious these people were too poor even for steam energy to light their home. The odds of finding an illegal syphon installed somewhere on the property in order to suck the teat of the city’s steam grid were quite good. The installation in the slums had created a point of serious contention with government officials and the Old Money of New York City. Strongly worded letters had been published in the newspapers proclaiming it a waste of taxpayer dollars to light the streets of the wretched. As if these folks chose to live in squalor.

But despite the opposition, City Hall went forward with the investment. Funding had passed in January, and it became a matter of New York wishing to assert its dominance over other major metropolitans in the United States. The desire to proclaim itself superior to the likes of Boston or D.C. was a hell of a driving force. The mayor had used Grand Central Depot as his selling point—if tourists felt like they’d entered the city through the doors of a palace, then even the most unfortunate among us must have access to the latest advances in steam technology.

Access and means being two entirely different points, of course.

But I digress.

I wasn’t here to chastise a too-full tenement of occupants barely earning enough to keep bread on the dinner table. I was here for Fishback. Nothing more.

I dodged the shadow of a resident coming out of a room, his curses now joining with the woman’s—a symphony of fury and protests left unanswered in my wake. I raced along an extended narrow hall, shoved off the far wall in order to make the tight turn down a second dark passage, shot up a short flight of stairs, and finally caught sight of Fishback when he opened a door exiting onto a side alley, his rail-thin body briefly illuminated by the kaleidoscope of urban nightlights.

“Stop right now!” I hollered.

Fishback gave me a triumphant expression, stepped outside, and slammed the door shut.

I didn’t slow my run, merely held an arm out, palm forward, and dipped into the ever-present elemental magic that encompassed Earth. The stream of raw energy churned and whipped at my request for its power, filled my body, and then erupted in a gale of wind. The whoosh of bitterly cold air blew the door off one rusted hinge and left it sagging like a broken wing. I ran outside, onto a set of rickety wooden stairs, hoisted myself over the banister, and jumped to the alley below.

I landed on the balls of my feet, shoes barely scratching a whisper from the cobblestones as magic aided me safely to the ground. But the door’s now-unfortunate state had been what startled Fishback. He straightened from the bent-over position he’d been in and spun around to face me. His chest heaved as he fought for breath the winter air had stolen. Fishback’s gaze flicked to the door and staircase behind me, and then his face blanched. His eyes grew wide. Panicked. Like a cornered animal ready to bite and scratch and claw until one of us was dead.

I had no illusions about my person. A man just shy of thirty, brown hair mottled with gray, a height and build hardly bigger than most women’s, and no weapon on hand. So no, it wasn’t my appearance that scared Fishback, a gangster known for squeezing the life out of coppers with his bare hands.

It was the technicality that I was not a copper. Special Agent Gillian Hamilton, active caster with the Federal Bureau of Magic and Steam, thank you very much. And it was my magic that had put the fear of God into Fishback.

“Fishback—” I started.

He turned on one heel and ran for the mouth of the alley.

“I said stop,” I yelled. I tugged the brim of my bowler down and started running again. “Federal Bureau of Magic and Steam, Fishback. You’re under—”

A glass bottle whizzed in front of me from the tenement on the left. I stumbled back a step to avoid being knocked out and turned my face away as it shattered against the outer wall of the building I’d just exited. Above me, the thrower shouted from an open window in a gravelly voice, “Magic pig in the alley!”

I broke into another sprint before a second bottle could hit its mark and slammed into the congested traffic of Baxter Street. All around me were unsupervised packs of children, stray dogs, wagons coming and going in either direction, and pushcarts everywhere, laws be damned, hawking the last of their oysters, knishes, and pickles before crowds dispersed for the evening. There were steam pipes crisscrossing building facades, rattling and pinging as residents powered on lamps and radiators. More metal tubing ran along the gutters of the streets, supplying steam energy to the yellow, red, and green streetlamps.

The voice from the window was still crying, “Magic pig! Right there.”

There’d been such volatile magic employed throughout the Great Rebellion that by the end of the war, Congress had enacted the Caster Regulation Act of 1865. On the surface, it aimed to bring the magic community out of hiding and make our intrinsic abilities legal to perform without fear of violence or jail time. But the finer details of the law required that every scholar—those who studied raw magic and documented the manmade spells—architect—the ones who fabricated the spells—and caster—those who performed the magic, such as myself—undergo mandatory documentation with the federal government. Keen and critical oversight of magic usage would protect soldiers and civilians alike from what happened during the war.

That’s how the Federal Bureau of Magic and Steam was founded.

I’d come forward when I was eighteen and applied to the regulation, but due to my atypical caster level, the Bureau jumped to offer me a job, a badge, and perhaps most importantly, respect. For the last decade, I had been doing my damnedest to represent the magic community, to educate citizens and eradicate detrimental old wives’ tales, all while upholding law and order in the city.

It was, to say the least, an ongoing campaign.

I dodged between two pushcarts and stepped onto the road, only to be abruptly cut off as three men moved to stand in front of me. Fishback disappeared into the throng of people.

“Step aside,” I ordered, pulling back the open lapels of my coats to show my badge.

They were all taller than me. Bulkier than me. With the sort of wicked smiles seen on men who used their fists to demand respect. The one on the left had his arms crossed over his barrel chest, with the stub of a smoking cigar clenched between his teeth. On the right was a man with a handlebar mustache and a badly set nose from a long-ago fight. In the middle was Tommy McCarthy, a known member of the Whyo gang that ran this neighborhood. He wore mechanical fighting gloves, the cogs spinning and pressure gauges releasing steam as he flexed his fingers.

“Look what we got here, boys,” McCarthy said. He smiled widely, showing off a broken canine. “A copper on our streets.”

“I’m not here for you, McCarthy.”

“Know who I am, do you?” The steam whistled as he made a fist with one glove. “Scared, ain’t ya?”

“No.”

McCarthy blinked almost comically, glanced at Cigar Stub and Broken Nose, then tried to regain his footing by saying, “You ought to be.”

“You’re interfering with official matters pertaining to the Federal Bureau of Magic and Steam, and I will arrest you if you don’t—”

“Arrest me?” McCarthy echoed with a bark of a laugh. “You ain’t even tall enough to suck my cock,” he replied, reaching down with one mechanical hand to cup himself through his trousers.

“I have no tolerance for your crude behavior. Step aside.”

Broken Nose pushed back the folds of his coat and unholstered a Waterbury pistol. He pointed the three-barreled weapon at my head and cocked the hammer. “How about I put a few bullets through your brain instead?”

As the aether was galvanized, manufactured magic snapped and crackled in the air around me. A strong jolt shot up my spine and I shook it off. It was merely a physical response to the illegal spell reaching out to interact with my own magic. But seeing that Waterbury—

An unkillable, deadeye marksman.

His finger pulling the trigger.

And blowing Milo Ferguson’s head off.

Those same fingers had held my chin just hours before while he whispered words that were seared into my bones like a cattle brand: It’ll remind me of you—

No.

Thunder rumbled from overhead.



New York City, 1880s—the epicenter of steam technology, magic, and murder. Special Agent Gillian Hamilton and infamous outlaw Gunner the Deadly exist on opposite sides of the law, but a series of misadventures involving the country’s worst criminals brings the two into an unlikely partnership.

And in an alternate universe fraught with peril, with escalating danger, with baggage lingering from the Great Rebellion, and personal turmoil cutting all the way to the bone, Gillian and Gunner can trust their safety and their hearts to no one but each other.

Saturday Series Spotlight

Sunday Steampunk Spinner



CS Poe

C.S. Poe is a Lambda Literary and two-time EPIC award finalist, and a FAPA award-winning author of gay mystery, romance, and speculative fiction.

She resides in New York City, but has also called Key West and Ibaraki, Japan, home in the past. She has an affinity for all things cute and colorful and a major weakness for toys. C.S. is an avid fan of coffee, reading, and cats. She’s rescued two cats—Milo and Kasper do their best to distract her from work on a daily basis.

C.S. is an alumna of the School of Visual Arts.

Her debut novel, The Mystery of Nevermore, was published 2016.


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The Engineer #1
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The Gangster #2
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Friday, April 11, 2025

πŸ“˜πŸŽ₯Friday's Film AdaptationπŸŽ₯πŸ“˜: Little Women by Louisa May Alcott



Summary:

Meg is the eldest and on the brink of love. Then there’s tomboy Jo who longs to be a writer. Sweet-natured Beth always puts others first, and finally there’s Amy, the youngest and most precocious. Together they are the March sisters. Even though money is short, times are tough and their father is away at war, their infectious sense of fun sweeps everyone up in their adventures — including Laurie, the boy next door. And through sisterly squabbles, their happy times and sad ones too, the sisters discover that growing up is sometimes very hard to do.

Based on Louisa May Alcott’s childhood, this lively portrait of nineteenth-century family life possesses a lasting vitality that has endeared it to generations of readers.

A wonderful story... As a child, I strongly identified with Jo because she is a writer. —Jacqueline Wilson

The American female myth. —Madelon Bedell

It is an essential American novel, perhaps the essential American novel for girls… Girls come to it on their own. —Jane Smiley

In “Little Women”, Alcott anticipated realism by twenty or thirty years. —G. K. Chesterton





Chapter 1
NO

Playing Pilgrims

"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.

"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.

"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.

"We've got Father and Mother and each other," said Beth contentedly from her corner.

The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was.

Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't." And Meg shook her head, as she thought regretfully of all the pretty things she wanted.

"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from Mother or you, but I do want to buy Undine and Sintram for myself. I've wanted it so long," said Jo, who was a bookworm.

"I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth brush and kettle holder.

"I shall get a nice box of Faber's drawing pencils. I really need them," said Amy decidedly.

"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun. I'm sure we work hard enough to earn it," cried Jo, examining the heels of her shoes in a gentlemanly manner.

"I know I do-teaching those tiresome children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.

"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out of the window or cry?"

"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross, and my hands get so stiff, I can't practice well at all." And Beth looked at her rough hands with a sigh that any one could hear that time.

"I don't believe any of you suffer as I do," cried Amy, "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."

"If you mean libel, I'd say so, and not talk about labels, as if Papa was a pickle bottle," advised Jo, laughing.

"I know what I mean, and you needn't be statirical about it. It's proper to use good words, and improve your vocabilary," returned Amy, with dignity.

"Don't peck at one another, children. Don't you wish we had the money Papa lost when we were little, Jo? Dear me! how happy and good we'd be, if we had no worries!" said Meg, who could remember better times.

"You said the other day you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money."

"So I did, Beth. Well, I think we are; for, though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say."

"Jo does use such slang words!" observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her pockets, and began to whistle.

"Don't, Jo, it's so boyish!"

"That's why I do it."

"I detest rude, unladylike girls!"

"I hate affected, niminy-piminy chits!"

" 'Birds in their little nests agree,' " sang Beth, the peacemaker, with such a funny face that both sharp voices softened to a laugh, and the "pecking" ended for that time.

"Really, girls, you are both to blame," said Meg, beginning to lecture in her elder-sisterly fashion. "You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn't matter so much when you were a little girl; but now you are so tall, and turn up your hair, you should remember that you are a young lady."

"I'm not! And if turning up my hair makes me one, I'll wear it in two tails till I'm twenty," cried Jo, pulling off her net, and shaking down a chestnut mane. "I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl, anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman!" And Jo shook the blue army sock till the needles rattled like castanets, and her ball bounded across the room.

"Poor Jo! It's too bad, but it can't be helped. So you must try to be contented with making your name boyish, and playing brother to us girls," said Beth, stroking the rough head at her knee with a hand that all the dishwashing and dusting in the world could not make ungentle in its touch.

"As for you, Amy," continued Meg, "you are altogether too particular and prim. Your airs are funny now, but you'll grow up an affected little goose, if you don't take care. I like your nice manners and refined ways of speaking, when you don't try to be elegant. But your absurd words are as bad as Jo's slang."

"If Jo is a tomboy and Amy a goose, what am I, please?" asked Beth, ready to share the lecture.

"You're a dear, and nothing else," answered Meg warmly; and no one contradicted her, for the "Mouse" was the pet of the family.

As young readers like to know "how people look," we will take this moment to give them a little sketch of the four sisters, who sat knitting away in the twilight, while the December snow fell quietly without, and the fire crackled cheerfully within. It was a comfortable old room, though the carpet was faded and the furniture very plain; for a good picture or two hung on the walls, books filled the recesses, chrysanthemums and Christmas roses bloomed in the windows, and a pleasant atmosphere of home peace pervaded it.

Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft, brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth-or Beth, as everyone called her-was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her "Little Tranquillity," and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person-in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.

The clock struck six and, having swept up the hearth, Beth put a pair of slippers down to warm. Somehow the sight of the old shoes had a good effect upon the girls, for Mother was coming, and everyone brightened to welcome her. Meg stopped lecturing, and lighted the lamp, Amy got out of the easy chair without being asked, and Jo forgot how tired she was as she sat up to hold the slippers nearer to the blaze.

"They are quite worn out. Marmee must have a new pair."

"I thought I'd get her some with my dollar," said Beth.

"No, I shall!" cried Amy.

"I'm the oldest," began Meg, but Jo cut in with a decided-

"I'm the man of the family now Papa is away, and I shall provide the slippers, for he told me to take special care of Mother while he was gone."

"I'll tell you what we'll do," said Beth, "let's each get her something for Christmas, and not get anything for ourselves."

"That's like you, dear! What will we get?" exclaimed Jo.

Everyone thought soberly for a minute, then Meg announced, as if the idea was suggested by the sight of her own pretty hands, "I shall give her a nice pair of gloves."

"Army shoes, best to be had," cried Jo.

"Some handkerchiefs, all hemmed," said Beth.

"I'll get a little bottle of cologne. She likes it, and it won't cost much, so I'll have some left to buy my pencils," added Amy.

"How will we give the things?" asked Meg.

"Put them on the table, and bring her in and see her open the bundles. Don't you remember how we used to do on our birthdays?" answered Jo.

"I used to be so frightened when it was my turn to sit in the big chair with the crown on, and see you all come marching round to give the presents, with a kiss. I liked the things and the kisses, but it was dreadful to have you sit looking at me while I opened the bundles," said Beth, who was toasting her face and the bread for tea at the same time.

"Let Marmee think we are getting things for ourselves, and then surprise her. We must go shopping tomorrow afternoon, Meg. There is so much to do about the play for Christmas night," said Jo, marching up and down, with her hands behind her back and her nose in the air.

"I don't mean to act any more after this time. I'm getting too old for such things," observed Meg, who was as much a child as ever about "dressing-up" frolics.

"You won't stop, I know, as long as you can trail round in a white gown with your hair down, and wear gold-paper jewelry. You are the best actress we've got, and there'll be an end of everything if you quit the boards," said Jo. "We ought to rehearse tonight. Come here, Amy, and do the fainting scene, for you are as stiff as a poker in that."

"I can't help it; I never saw anyone faint, and I don't choose to make myself all black and blue, tumbling flat as you do. If I can go down easily, I'll drop; if I can't, I shall fall into a chair and be graceful. I don't care if Hugo does come at me with a pistol," returned Amy, who was not gifted with dramatic power, but was chosen because she was small enough to be borne out shrieking by the villain of the piece.

"Do it this way: clasp your hands so, and stagger across the room, crying frantically, 'Roderigo! save me! save me!' " and away went Jo, with a melodramatic scream which was truly thrilling.

Amy followed, but she poked her hands out stiffly before her, and jerked herself along as if she went by machinery, and her "Ow!" was more suggestive of pins being run into her than of fear and anguish. Jo gave a despairing groan, and Meg laughed outright, while Beth let her bread burn as she watched the fun with interest.

"It's no use! Do the best you can when the time comes, and if the audience laughs, don't blame me. Come on, Meg."

Then things went smoothly, for Don Pedro defied the world in a speech of two pages without a single break; Hagar, the witch, chanted an awful incantation over her kettleful of simmering toads, with weird effect; Roderigo rent his chains asunder manfully, and Hugo died in agonies of remorse and arsenic, with a wild "Ha! ha!"

"It's the best we've had yet," said Meg, as the dead villain sat up and rubbed his elbows.

"I don't see how you can write and act such splendid things, Jo. You're a regular Shakespeare!" exclaimed Beth, who firmly believed that her sisters were gifted with wonderful genius in all things.

"Not quite," replied Jo modestly. "I do think The Witch's Curse, an Operatic Tragedy is rather a nice thing, but I'd like to try Macbeth, if we only had a trapdoor for Banquo. I always wanted to do the killing part. 'Is that a dagger that I see before me?' " muttered Jo, rolling her eyes and clutching at the air, as she had seen a famous tragedian do.

"No, it's the toasting fork, with Mother's shoe on it instead of the bread. Beth's stage-struck!" cried Meg, and the rehearsal ended in a general burst of laughter.

"Glad to find you so merry, my girls," said a cheery voice at the door, and actors and audience turned to welcome a tall, motherly lady with a "can-I-help-you" look about her which was truly delightful. She was not elegantly dressed, but a noble-looking woman, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid mother in the world.

"Well, dearies, how have you got on today? There was so much to do, getting the boxes ready to go tomorrow, that I didn't come home to dinner. Has anyone called, Beth? How is your cold, Meg? Jo, you look tired to death. Come and kiss me, baby."



The four daughters of a New England family fight for happiness during and after the Civil War.

Release Date: March 10, 1949
Release Time: 121 minutes

Director: Mervyn LeRoy

Cast:
June Allyson as Josephine "Jo" March
Peter Lawford as Theodore "Laurie" Laurence
Margaret O'Brien as Elizabeth "Beth" March
Elizabeth Taylor as Amy March
Janet Leigh as Margaret "Meg" March
Rossano Brazzi as Professor Friedrich Bhaer
Mary Astor as Margaret "Marmee" March
Lucile Watson as Aunt Josephine March
Sir C. Aubrey Smith as James Laurence
Elizabeth Patterson as Hannah Mullet
Leon Ames as Robert March
Harry Davenport as Dr. Barnes
Richard Stapley as John Brooke
Connie Gilchrist as Mrs. Kirke
Ellen Corby as Sophie

Uncredited
Harlan Briggs as Old Crony at Grace's store
Frank Darien as Crony at Grace's store
Lisa Golm as Mrs. Hummel
Olin Howland as Mr. Davis
Isabel Randolph as Mrs. Gardiner
Will Wright as Mr. Grace

Awards:
22nd Academy Awards - March 23, 1950
Best Art Direction-Set Decoration–Color - Cedric Gibbons, Paul Groesse, Edwin B. Willis and Jack D. Moore - Won
Best Cinematography–Color - Robert H. Planck and Charles Schoenbaum - Nominated






1933  /  1949



Louisa May Alcott
Louisa May Alcott was both an abolitionist and a feminist. She is best known for Little Women (1868), a semi-autobiographical account of her childhood years with her sisters in Concord, Massachusetts. Alcott, unlike Jo, never married: "... because I have fallen in love with so many pretty girls and never once the least bit with any man." She was an advocate of women's suffrage and was the first woman to register to vote in Concord, Massachusetts.




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Thursday, April 10, 2025

πŸ’»Blog ReleaseπŸ’»: Finding a Way Through Loss by Heather C York



Summary:

A short collection of poems I've written to help me deal with the loss of my mother who passed away a few months ago and as her 24/7 caregiver for 20 years and primary for another 10 prior to that, her loss was felt very deeply. I had so many emotions and thoughts bouncing around in my head and heart so I took to my laptop and let them out.

Some of these writings will be more personal and some more general. Grief hits us all differently and processing it has many forms and paths, there is no right or wrong way to digest the pain. If even only one of my poems helps you process the emotions you are feeling then I am glad to have opened up my heart.








Mom
I miss you more than words can say
Your light continues to shine
Even though you are gone
It shines because your love
Charged the lamp with endless energy

Where that light and energy came from
No one seems to know
It was who you always were
The light may still shine around us
But we would rather have you here

That is selfish of us I know
But we were better people 
When you were near
Simply because your presence
Made our smiles full of joy

I miss you more than words can say
We continue to try every day
To make the light you left behind be enough
Most days we fall short but still we try
For your light gave us hope, love, and the want to try



Every Day
Every day you were there
Every day we knew could be your last
Every day we did our routine
Every day we knew routine could change

Every day came and went
Every day finally stopped
Every day is never the same
Every day you are not here

Every day has become a new routine
Every day the tears erupt
Every day the laughter is light
Every day is just Every day


Heather C York

Born and raised in a small town in western Wisconsin I enjoy the peace and quiet.  Farmer’s daughter by upbringing turned caregiver out of necessity but also want, I spend most of my time helping wherever I can.  I always had the dream of being an author and though things have not turned out as I had always dreamt I have not given up on that dream and one day I know I’ll fulfill it because chasing one’s dreams is what life is all about.

I've recently opened a store on Picfair showcasing some of my amateur photography for sale. I like to focus on nature and landscaping, seeing how light and shadows can create beauty of every day things we tend to take for granted.

Lover of all things Star Wars, George Lucas is my God, lol.  I was 4 when I first saw the original back in 1977 and a devoted fan ever since.  May the 4th and Revenge of the Fifth are celebrated holidays in my house just as I would celebrate Christmas and Halloween.  We can’t all like the same things but beware before badmouthing the galaxy far far away in my presence, I may be a Rebel and Jedi at heart, there are times that bring out the Sith in me.

I read and watch all genres but LGBTQ+ is my jam so if you are looking for a new read be sure and check out my blog, Padme’s Library where I feature mostly MM stories of all genres and tropes but I also do a Friday Film Adaptation of all sorts.






⏳Throwback Thursday's Time Machine⏳: Rebels at Heart by Kate McMurray



Summary:

Charles Foxworth is among New York City’s most fashionable men, though he is only pretending to be a dashing British aristocrat. Still, he is content with his role and has little interest in the war. His companion, Isaac Ward, has more invested in the coming conflict; Isaac was born a slave, and though he is now free, that freedom could be guaranteed if he chose to pick up arms. Then war arrives on the shores of the city and Charles’s idyll is over. He quickly realizes that the war could take from him the very thing he holds most dear: Isaac.



Re-Read Review April 2021:
I'm really not going to add too much to my original review from 2017, everything I said then is spot on now too.  If I were to add anything it would only be that Charles and Isaac sucked me into their journey even more so than 4 years ago, so much so that I'm not sure why I initially gave it only 4 bookmarks because Rebels at Heart is a 5 easily.  I use to take off for shorter stories and novellas so perhaps that is why, but whatever the reason was then, now it is clearly and most emphatically a full 5.  

If you follow my reviews you will have long since noticed how much I love historicals and certain eras more than others.  Unfortunately, there is just not enough set during and around the American Revolution for my liking and so when I find one, it goes on my TBR List.  Kate McMurray not only tells an amazing yarn in Rebels but she has also created a re-readable for me that I can safely say won't be 4 years before I visit Charles and Isaac again, they might not make my annual re-reads but it won't take 4 years to come back either.  Definitely a win-win on all fronts: historical, romance, drama, friendship, and chock full of heart.

RATING:

Original Review August 2017:
Rebels at Heart ticked all my historical and romance boxes.  On the surface Charles is the poster boy for those who benefited by supporting the continuation of living under British rule but as we all know its not all about what one lets people see.  Isaac is one who would benefit the most by serving with the rebels, his current freedom would be guaranteed.  Charles and Isaac are so much more than the aristocrat and servant they show to the world and I absolutely loved their connection, it was real and honest even though no one else could ever be allowed to see it.  Rebels at Heart is a lovely novella that makes a wonderful quick read, not because there is little substance or the number of pages but because Charles and Isaac touched my heart and I couldn't wait to find out where Kate McMurray took them.  Sometimes it takes the threat of losing something or someone to make one jump into action and realize where you were meant to be all along.  Rebels is one of those tales where the story is not in knowing where it ends in general but the journey the readers are taken on as the characters arrive at said ending. A great little addition to my historical shelf.

RATING:




“Pink, Mr. Foxworth?”

Charles looked down at his frock coat, carefully chosen for its fine weave and the pattern of embroidered irises climbing the edges of the lapels. The color was bright, yes, but didn’t strike him as being especially noteworthy, particularly in comparison to the rest of his wardrobe. Besides, ‘pink’ was such a pedestrian descriptor. The color was more like that of a rose at twilight.

“What of it?” Charles asked.

Isaac raised an eyebrow. “This color is a bit ostentatious, even for you. Last week’s ruffles were one thing, but—”

“I’ll have you know, Monsieur du Rochelle ordered this fabric especially for me from a little shop in London.”

“Yes, but perhaps we could limit ourselves to one affectation at a time. The coat is lovely, but paired with those breeches and the striped stockings, it is all a bit much, no?”

“It is perfect.”

Isaac let out an exasperated breath. He tugged on the lapels of the coat, forcing it to fit tightly across Charles’s shoulders.

“You are perhaps the worst valet a man ever had,” Charles said. “I should punish you for such insubordination.”

Isaac smoothed his hands down the front of the coat. “But you won’t.”

“Perhaps not.”

Isaac smiled slowly. “You seem to forget sometimes that I am not actually your servant.”

Charles smiled back. “You will never let me forget.”

Isaac took a step back and ran his gaze up and down Charles, as if he were admiring his own artwork. “You seem to forget, too, that we are at war. Perhaps a bit of austerity is in order.”

Charles waved his hand. “Austerity? Bah. Nay, the toll of war is perhaps an even greater reason to celebrate life. Do you not agree?”

Isaac did look skeptical, although he’d always dressed modestly. Presently, he wore a faded red waistcoat and shirtsleeves, and Charles knew he’d don the dull blue frock coat before they went outside. His clothes were usually plain, woolen things in somber colors. Isaac’s long, dark hair was pulled back from his smooth, brown face and tied with a simple black ribbon at the base of his neck; he never wore wigs or hair powder. He never wore any sort of ornamentation, save occasionally buckles on his shoes. And even now, he stared at Charles with those startling blue eyes of his and that seemed ornamentation enough.

“Do you think me excessive?” Charles asked, turning toward the mirror. “’Tis merely a dinner party at Colonel Bradon’s house I’m forced to attend. I suppose I could wear the green coat. Or the dark red one.”

Isaac gave Charles a half-smile. “You look fine, Mr. Foxworth.”

“You do think me foolish, though, I suspect.” Charles waved his hand dismissively. “No matter. I shall go attend the soirΓ©e as my old ridiculous self, and all the ladies will wonder why I have not yet succumbed to the charms of matrimony, because isn’t my new coat just dear, and oh, you know how it is, sweet lady, I merely have yet to find the right woman to warm my heart.”

Isaac looked on while Charles nattered on with a frown on his face. “Charles, I know—”

“Oh, pish, ’tis fine for you to stand there frowning. You do not have to converse with these people.”

Isaac rolled his eyes and stepped forward. He ran his hands over Charles’s shoulders one last time, smoothing out any stray wrinkles or imperfections in the new coat. Charles relished the touch, the warmth of Isaac’s palms, even through all the fancy fabric. Charles liked the affectations, the fine clothes, the carefully cultivated mannerisms, but he liked being naked with Isaac as well, perhaps more so.

He ducked his head and pressed his lips against Isaac’s. Isaac sighed into his mouth and snaked those warm hands up the back of his neck to the edge of his wig.

Isaac pulled back. “I wish to run my fingers through your hair. Without the wig.”

“I know, darling. I wish that, too, but Colonel Bradon and obligation call.”

“You look fine, as always. A bit like a peacock, perhaps, but devastating in your charms, and so very handsome.”

Charles smiled. “Thank you, dearest Isaac. I do appreciate a compliment. You are looking quite rugged today. Perhaps you are a mere beaver hat away from throwing that musket over your shoulder and marching off to war without me.”

“I swore I would not.”

“Yes. I am glad for it. I know not quite what I would do without you.”

Isaac stepped back and crossed his arms over his chest. “You would have to put on your peacock-colored clothes all on your own, I expect.”

“Where would the joy be in that?”

“Indeed.”

Charles tugged on his coat and examined himself in the mirror. He looked passable. A bit tired. Perhaps the rose-colored coat was making his skin look a bit sallow. It was too late to worry about that, however, because he would be late if he dallied any longer.

No matter that he would rather spend the evening with Isaac than with Colonel Bradon and his band of merry Loyalists, even with the new coat.


Kate McMurray

Kate McMurray writes smart romantic fiction. She likes creating stories that are brainy, funny, and of course sexy, with regular guy characters and urban sensibilities. She advocates for romance stories by and for everyone. When she's not writing, she edits textbooks, watches baseball, plays violin, crafts things out of yarn, and wears a lot of cute dresses. She's active in Romance Writers of America, serving for two years on the board of Rainbow Romance Writers, the LGBT romance chapter, and three--including two as president--on the board of the New York City chapter. She lives in Brooklyn, NY, with two cats and too many books.


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